{"id":28890,"date":"2024-10-01T21:54:38","date_gmt":"2024-10-01T18:54:38","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=28890"},"modified":"2026-09-08T00:32:46","modified_gmt":"2026-09-07T21:32:46","slug":"5048","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5048\/","title":{"rendered":"Ant\u012bka marmora papl\u0101te ar misi\u0146a apmali \u2014 Luija XVI stil\u0101, smaga (antique brass marble display tray) (5048)"},"content":{"rendered":"<p data-path-to-node=\"8\">\ud83c\uddf1\ud83c\uddfb <b data-path-to-node=\"8\" data-index-in-node=\"5\">LATVIE\u0160U VALODAS BLOKS<\/b><\/p>\n<p data-path-to-node=\"9\">Izm\u0113ri: Garums \u2014 36,5 cm Platums \u2014 28 cm<\/p>\n<p data-path-to-node=\"10\"><b data-path-to-node=\"10\" data-index-in-node=\"0\">Ekskluz\u012bva ant\u012bka marmora un misi\u0146a papl\u0101te \u2014 Luija XVI stil\u0101<\/b><\/p>\n<p data-path-to-node=\"11\">Izsmalcin\u0101ts, neparasti smags un vizu\u0101li grezns 19. gadsimta otr\u0101s puses budu\u0101ra vai salona interjera priek\u0161mets \u2014 ov\u0101las formas dekorat\u012bv\u0101 prezent\u0101cijas papl\u0101te, kas veidota no reta, dab\u012bga br\u016bni raib\u0101 marmora (<i data-path-to-node=\"11\" data-index-in-node=\"212\">antique brass marble display tray<\/i>). Akmens virsmu raksturo izteiksm\u012bga un dinamiska tekst\u016bra, kur\u0101 dzi\u013ci br\u016bnie un terakotas to\u0146i mijas ar gai\u0161\u0101m oniksa un kalc\u012bta dz\u012bsl\u0101m (redzams att\u0113l\u0101 IMG_3802.jpeg). Marmora pamatne ir ietverta mas\u012bv\u0101, augstv\u0113rt\u012bg\u0101 un a\u017e\u016br\u0101 misi\u0146a jeb bronzas apmal\u0113, kas veidota k\u0101 ritmiska klasisk\u0101 stila kro\u0146a vai palmetu josla, kur katrs elements nosl\u0113dzas ar smalk\u0101m dekorat\u012bv\u0101m lod\u012bt\u0113m (skat\u012bt IMG_3797.jpeg). Visa konstrukcija ir uzst\u0101d\u012bta uz \u010detr\u0101m liet\u0101m, barok\u0101li izliekt\u0101m met\u0101la k\u0101ji\u0146\u0101m, ko rot\u0101 akanta lapu un vol\u016btu reljefi (redzams IMG_3807.jpeg), kas nodro\u0161ina stabilit\u0101ti un pasarg\u0101 m\u0113be\u013cu virsmas no saskares ar pamatni.<\/p>\n<p data-path-to-node=\"12\"><b data-path-to-node=\"12\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> 19. gadsimta otr\u0101 puse, aptuveni 1870.\u20131885. gads. Francija. Otr\u0101s imp\u0113rijas un sekojo\u0161\u0101 historisma periods.<\/p>\n<p data-path-to-node=\"13\"><b data-path-to-node=\"13\" data-index-in-node=\"0\">Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> Priek\u0161mets p\u0101rst\u0101v specializ\u0113to Par\u012bzes m\u0101kslas lietuvju un dekorat\u012bv\u0101s bronzas darbn\u012bcu sniegumu, kas nodro\u0161in\u0101ja augst\u0101k\u0101 l\u012bme\u0146a tualetes galdi\u0146u un salonu piederumu izgatavo\u0161anu Eiropas aristokr\u0101tijas vajadz\u012bb\u0101m. Konkr\u0113tas meistara z\u012bmes uz met\u0101la konstrukcijas nav konstat\u0113tas, kas ir rakstur\u012bgi \u0161\u012b perioda luksusa klases lieti\u0161\u0137\u0101s m\u0101kslas aksesu\u0101riem.<\/p>\n<p data-path-to-node=\"14\"><b data-path-to-node=\"14\" data-index-in-node=\"0\">Retums un noz\u012bme<\/b> \u0160\u0101da m\u0113roga maz\u0101s, bet neparasti smag\u0101s akmens un met\u0101la papl\u0101tes (<i data-path-to-node=\"14\" data-index-in-node=\"84\">gu\u00e9ridon<\/i> vai <i data-path-to-node=\"14\" data-index-in-node=\"97\">vide-poche<\/i> elementi) kalpoja k\u0101 ekskluz\u012bvi aksesu\u0101ri uz rakst\u0101mgaldiem vai budu\u0101ros d\u0101rglietu, smar\u017eu pudel\u012b\u0161u vai viz\u012btkar\u0161u novieto\u0161anai. To v\u0113rt\u012bba sl\u0113pjas harmoniskaj\u0101 materi\u0101lu sasp\u0113l\u0113, kur pul\u0113t\u0101 marmora dabiskais raksts sastopas ar augsto, a\u017e\u016bro misi\u0146a kron\u0113jumu, kas izstr\u0101d\u0101ts ar juvelierizstr\u0101d\u0101jumiem rakstur\u012bgu precizit\u0101ti.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Pielietojums<\/b> Papl\u0101te ir lieliski piem\u0113rota tualetes galdi\u0146am, budu\u0101ram vai naktsskap\u012btim smar\u017eu pudel\u012b\u0161u, pulkste\u0146u vai rotaslietu izvieto\u0161anai. T\u0101pat t\u0101 kalpo k\u0101 izsmalcin\u0101ts un patst\u0101v\u012bgs dekorat\u012bvs akcents klasisk\u0101, historisma vai eklektisk\u0101 interjer\u0101 uz konsoles, kumodes vai kam\u012bna dzegas, ienesot telp\u0101 Par\u012bzes salonu grezn\u012bbu.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">St\u0101voklis<\/b> \u013boti lab\u0101 ant\u012bk\u0101 saglab\u0101t\u012bb\u0101. Marmora virsma ir gluda, labi pul\u0113ta, bez plais\u0101m vai restaur\u0101cijas z\u012bm\u0113m; uz virsmas saskat\u0101mi tikai minim\u0101li, dabiski un autentiski laika gait\u0101 radu\u0161ies mikroskr\u0101p\u0113jumi (IMG_3803.jpeg). Ori\u0123in\u0101lais met\u0101la r\u0101mis un rokturu joslas ir stingras, un uz misi\u0146a deta\u013c\u0101m ir saglab\u0101jusies kr\u0101\u0161\u0146a, dabiski nevienm\u0113r\u012bga v\u0113sturisk\u0101 pat\u012bna, kas pastiprina priek\u0161meta autentiskumu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\"><i data-path-to-node=\"17\" data-index-in-node=\"0\">Laikmeta momentuz\u0146\u0113mums:<\/i><\/b> Prasm\u012bgais namu saimnieks un kolekcion\u0101rs Edmons de Gonk\u016brs (Edmond de Goncourt) l\u0113ni staig\u0101ja pa savas darbn\u012bcas kluso telpu, kur r\u012bta gaisma tikko s\u0101ka izgaismot tikko ieg\u016btos m\u0101kslas priek\u0161metus. Vi\u0146a pirksti uz br\u012bdi apst\u0101j\u0101s pie galda malas, saj\u016btot glud\u0101 marmora v\u0113sumu un as\u0101s misi\u0146a kro\u0146a apmales \u0161\u0137autnes, kas laist\u012bj\u0101s silt\u0101, zeltain\u0101 ton\u012b. Smag\u0101 akmens pamatne un kr\u0101\u0161\u0146ie reljefa izliekumi uz k\u0101ji\u0146\u0101m st\u0101v\u0113ja nesatricin\u0101mi stingri pret tum\u0161o koka virsmu, tverot gaismas pirmos atspulgus. Tikko grieztu d\u0101rza ziedu smar\u017ea piepild\u012bja telpu, un \u0161is priek\u0161mets, kur\u0101 materi\u0101la pamat\u012bgums p\u0101rtapa smalk\u0101, dekorat\u012bv\u0101 m\u0101kslas miniat\u016br\u0101, acumirkl\u012b p\u0101rv\u0113rta r\u012bta p\u0101rdomu br\u012bdi pirms jauna manuskripta rakst\u012b\u0161anas piln\u012bg\u0101 un c\u0113la skaistuma ritu\u0101l\u0101.<\/p>\n<p data-path-to-node=\"19\">\ud83c\uddf7\ud83c\uddfa <b data-path-to-node=\"19\" data-index-in-node=\"5\">\u0420\u0423\u0421\u0421\u041a\u0418\u0419 \u0411\u041b\u041e\u041a<\/b><\/p>\n<p data-path-to-node=\"20\">\u0414\u043b\u0438\u043d\u0430 \u2014 36,5 \u0441\u043c \u0428\u0438\u0440\u0438\u043d\u0430 \u2014 28 \u0441\u043c<\/p>\n<h3 data-path-to-node=\"21\"><b data-path-to-node=\"21\" data-index-in-node=\"0\">\u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u043c\u0440\u0430\u043c\u043e\u0440\u043d\u044b\u0439 \u043f\u043e\u0434\u043d\u043e\u0441 \u0441 \u043b\u0430\u0442\u0443\u043d\u043d\u044b\u043c \u0431\u043e\u0440\u0442\u0438\u043a\u043e\u043c \u2014 \u0432 \u0441\u0442\u0438\u043b\u0435 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI<\/b><\/h3>\n<p data-path-to-node=\"22\">\u0418\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u044b\u0439, \u043d\u0430 \u0440\u0435\u0434\u043a\u043e\u0441\u0442\u044c \u0442\u044f\u0436\u0435\u043b\u044b\u0439 \u0438 \u043e\u0447\u0435\u043d\u044c \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u044b\u0439 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0439 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u043d\u044b\u0439 \u043f\u043e\u0434\u043d\u043e\u0441 \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u044b 19 \u0432\u0435\u043a\u0430, \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u044e\u0449\u0438\u0439 \u0441\u043e\u0431\u043e\u0439 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u044b\u0439 \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u043f\u0440\u0438\u043a\u043b\u0430\u0434\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u044d\u043f\u043e\u0445\u0438 <b data-path-to-node=\"22\" data-index-in-node=\"179\">\u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430<\/b> (<i data-path-to-node=\"22\" data-index-in-node=\"190\">antique brass marble display tray<\/i>). \u041f\u043b\u0430\u0442\u043e \u043f\u043e\u0434\u043d\u043e\u0441\u0430 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043e \u0438\u0437 \u0446\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u043e\u0432\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0431\u043b\u043e\u043a\u0430 \u0440\u0435\u0434\u043a\u043e\u0433\u043e \u043a\u043e\u0440\u0438\u0447\u043d\u0435\u0432\u043e-\u0442\u0435\u0440\u0440\u0430\u043a\u043e\u0442\u043e\u0432\u043e\u0433\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u0430 \u0441 \u0431\u043e\u0433\u0430\u0442\u044b\u043c \u043f\u0440\u0438\u0440\u043e\u0434\u043d\u044b\u043c \u0440\u0438\u0441\u0443\u043d\u043a\u043e\u043c \u0438\u0437 \u0441\u0432\u0435\u0442\u043b\u044b\u0445 \u043a\u0430\u043b\u044c\u0446\u0438\u0442\u043e\u0432\u044b\u0445 \u043f\u0440\u043e\u0436\u0438\u043b\u043e\u043a. \u041a\u0430\u043c\u0435\u043d\u043d\u043e\u0435 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435 \u043e\u0431\u0440\u0430\u043c\u043b\u0435\u043d\u043e \u0432\u044b\u0441\u043e\u043a\u0438\u043c, \u0430\u0436\u0443\u0440\u043d\u044b\u043c \u0431\u043e\u0440\u0442\u0438\u043a\u043e\u043c \u0438\u0437 \u043b\u0438\u0442\u043e\u0439 \u043b\u0430\u0442\u0443\u043d\u0438, \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u043c \u0432 \u0432\u0438\u0434\u0435 \u0440\u0438\u0442\u043c\u0438\u0447\u043d\u043e\u0439 \u0433\u0430\u043b\u0435\u0440\u0435\u0438 \u0438\u043b\u0438 \u043a\u043e\u0440\u043e\u043d\u044b \u0432 \u0441\u0442\u0440\u043e\u0433\u0438\u0445 \u043a\u0430\u043d\u043e\u043d\u0430\u0445 \u0441\u0442\u0438\u043b\u044f <b data-path-to-node=\"22\" data-index-in-node=\"524\">\u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI<\/b>. \u041a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u044f \u043e\u043f\u0438\u0440\u0430\u0435\u0442\u0441\u044f \u043d\u0430 \u0447\u0435\u0442\u044b\u0440\u0435 \u0444\u0438\u0433\u0443\u0440\u043d\u044b\u0435 \u043b\u0438\u0442\u044b\u0435 \u043d\u043e\u0436\u043a\u0438, \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u043d\u044b\u0435 \u0432\u043e\u043b\u044e\u0442\u0430\u043c\u0438 \u0438 \u0430\u043a\u0430\u043d\u0442\u043e\u0432\u044b\u043c\u0438 \u043b\u0438\u0441\u0442\u044c\u044f\u043c\u0438, \u0447\u0442\u043e \u0433\u0430\u0440\u0430\u043d\u0442\u0438\u0440\u0443\u0435\u0442 \u0430\u0431\u0441\u043e\u043b\u044e\u0442\u043d\u0443\u044e \u0443\u0441\u0442\u043e\u0439\u0447\u0438\u0432\u043e\u0441\u0442\u044c \u0438 \u0437\u0430\u0449\u0438\u0449\u0430\u0435\u0442 \u043f\u043e\u043b\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u0443\u044e \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u044c \u043c\u0435\u0431\u0435\u043b\u0438. \u041f\u043e\u0434\u043e\u0431\u043d\u044b\u0435 \u043f\u043e\u0434\u043d\u043e\u0441\u044b-\u0433\u0435\u0440\u0438\u0434\u043e\u043d\u044b \u0438\u0441\u043f\u043e\u043b\u044c\u0437\u043e\u0432\u0430\u043b\u0438\u0441\u044c \u0432 \u0431\u043e\u0433\u0430\u0442\u044b\u0445 \u0434\u043e\u043c\u0430\u0445 \u041f\u0430\u0440\u0438\u0436\u0430 \u0432 \u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435 \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u043d\u044b\u0445 \u0438\u043b\u0438 \u0431\u0443\u0434\u0443\u0430\u0440\u043d\u044b\u0445 \u0430\u043a\u0441\u0435\u0441\u0441\u0443\u0430\u0440\u043e\u0432 \u0434\u043b\u044f \u0432\u0438\u0437\u0438\u0442\u043d\u044b\u0445 \u043a\u0430\u0440\u0442\u043e\u0447\u0435\u043a, \u043f\u0438\u0441\u0435\u043c \u0438\u043b\u0438 \u0444\u043b\u0430\u043a\u043e\u043d\u043e\u0432 \u0441 \u043f\u0430\u0440\u0444\u044e\u043c\u0435\u0440\u0438\u0435\u0439. \u0418\u0437\u0434\u0435\u043b\u0438\u0435 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u043e\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u0439 \u0441\u043e\u0445\u0440\u0430\u043d\u043d\u043e\u0441\u0442\u0438, \u043b\u0430\u0442\u0443\u043d\u044c \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u0430 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u0443\u044e \u0433\u043b\u0443\u0431\u043e\u043a\u0443\u044e \u043f\u0430\u0442\u0438\u043d\u0443 \u0432\u0440\u0435\u043c\u0435\u043d\u0438, \u0430 \u043c\u0440\u0430\u043c\u043e\u0440\u043d\u0430\u044f \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u044c \u2014 \u043f\u0435\u0440\u0432\u043e\u043d\u0430\u0447\u0430\u043b\u044c\u043d\u044b\u0439 \u0431\u043b\u0435\u0441\u043a. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"23\"><b data-path-to-node=\"23\" data-index-in-node=\"0\"><i data-path-to-node=\"23\" data-index-in-node=\"0\">\u0421\u043d\u0438\u043c\u043e\u043a \u0432 \u0441\u0442\u0438\u043b\u0435 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI:<\/i><\/b> <i data-path-to-node=\"23\" data-index-in-node=\"29\">\u0418\u0437\u0432\u0435\u0441\u0442\u043d\u044b\u0439 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u0435\u0440 \u042d\u0434\u043c\u043e\u043d \u0434\u0435 \u0413\u043e\u043d\u043a\u0443\u0440 (Edmond de Goncourt) \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u043f\u0440\u043e\u0445\u0430\u0436\u0438\u0432\u0430\u043b\u0441\u044f \u043f\u043e \u0442\u0438\u0445\u043e\u0439 \u043a\u043e\u043c\u043d\u0430\u0442\u0435 \u0441\u0432\u043e\u0435\u0439 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u043e\u0439, \u0433\u0434\u0435 \u0443\u0442\u0440\u0435\u043d\u043d\u0438\u0439 \u0441\u0432\u0435\u0442 \u0442\u043e\u043b\u044c\u043a\u043e \u043d\u0430\u0447\u0438\u043d\u0430\u043b \u043e\u0441\u0432\u0435\u0449\u0430\u0442\u044c \u043d\u0435\u0434\u0430\u0432\u043d\u0438\u0435 \u043f\u0440\u0438\u043e\u0431\u0440\u0435\u0442\u0435\u043d\u0438\u044f. \u0415\u0433\u043e \u043f\u0430\u043b\u044c\u0446\u044b \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u043e\u0441\u0442\u0430\u043d\u043e\u0432\u0438\u043b\u0438\u0441\u044c \u043d\u0430 \u043a\u0440\u0430\u044e \u0441\u0442\u043e\u043b\u0430, \u043e\u0449\u0443\u0449\u0430\u044f \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u0443 \u0433\u043b\u0430\u0434\u043a\u043e\u0433\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u0430 \u0438 \u043e\u0441\u0442\u0440\u044b\u0435 \u0433\u0440\u0430\u043d\u0438 \u043b\u0430\u0442\u0443\u043d\u043d\u043e\u0433\u043e \u0431\u043e\u0440\u0442\u0438\u043a\u0430-\u043a\u043e\u0440\u043e\u043d\u044b, \u043c\u0435\u0440\u0446\u0430\u0432\u0448\u0435\u0433\u043e \u0442\u0435\u043f\u043b\u044b\u043c \u0437\u043e\u043b\u043e\u0442\u043e\u043c. \u0422\u044f\u0436\u0435\u043b\u043e\u0435 \u043a\u0430\u043c\u0435\u043d\u043d\u043e\u0435 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435 \u0438 \u043f\u044b\u0448\u043d\u044b\u0435 \u0438\u0437\u0433\u0438\u0431\u044b \u043b\u0438\u0442\u044b\u0445 \u043d\u043e\u0436\u0435\u043a \u0441\u0442\u043e\u044f\u043b\u0438 \u043d\u0435\u043f\u043e\u043a\u043e\u043b\u0435\u0431\u0438\u043c\u043e \u043f\u0440\u043e\u0447\u043d\u043e \u043d\u0430 \u0442\u0435\u043c\u043d\u043e\u043c \u0434\u0435\u0440\u0435\u0432\u0435 \u0441\u0442\u043e\u043b\u0435\u0448\u043d\u0438\u0446\u044b, \u043b\u043e\u0432\u044f \u043f\u0435\u0440\u0432\u044b\u0435 \u043e\u0442\u0431\u043b\u0435\u0441\u043a\u0438 \u0441\u043e\u043b\u043d\u0446\u0430. \u0410\u0440\u043e\u043c\u0430\u0442 \u0441\u0432\u0435\u0436\u0435\u0441\u0440\u0435\u0437\u0430\u043d\u043d\u044b\u0445 \u0441\u0430\u0434\u043e\u0432\u044b\u0445 \u0446\u0432\u0435\u0442\u043e\u0432 \u043d\u0430\u043f\u043e\u043b\u043d\u044f\u043b \u043a\u043e\u043c\u043d\u0430\u0442\u0443, \u0438 \u044d\u0442\u043e\u0442 \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u044b\u0439 \u043f\u0440\u0435\u0434\u043c\u0435\u0442, \u0432 \u043a\u043e\u0442\u043e\u0440\u043e\u043c \u043e\u0441\u043d\u043e\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0441\u0442\u044c \u043a\u0430\u043c\u043d\u044f \u0441\u043e\u0447\u0435\u0442\u0430\u043b\u0430\u0441\u044c \u0441 \u0442\u043e\u043d\u043a\u043e\u0439 \u043f\u0440\u043e\u0440\u0435\u0437\u043d\u043e\u0439 \u043c\u0438\u043d\u0438\u0430\u0442\u044e\u0440\u043e\u0439, \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u043d\u043e \u043f\u0440\u0435\u0432\u0440\u0430\u0449\u0430\u043b \u0443\u0442\u0440\u0435\u043d\u043d\u0435\u0435 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u043f\u0435\u0440\u0435\u0434 \u043d\u0430\u0447\u0430\u043b\u043e\u043c \u0440\u0430\u0431\u043e\u0442\u044b \u043d\u0430\u0434 \u0440\u0443\u043a\u043e\u043f\u0438\u0441\u044c\u044e \u0432 \u0437\u0430\u0432\u0435\u0440\u0448\u0435\u043d\u043d\u044b\u0439 \u0438 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u0439 \u0440\u0438\u0442\u0443\u0430\u043b \u043a\u0440\u0430\u0441\u043e\u0442\u044b.<\/i><\/p>\n<p data-path-to-node=\"25\">\ud83c\uddec\ud83c\udde7 <b data-path-to-node=\"25\" data-index-in-node=\"5\">ENGLISH BLOCK<\/b><\/p>\n<p data-path-to-node=\"26\">Length \u2014 36.5 cm Width \u2014 28 cm<\/p>\n<h2 data-path-to-node=\"27\"><b data-path-to-node=\"27\" data-index-in-node=\"0\">Antiquarian Green-Brown Marble Tray with Ornate Brass Rim \u2014 Louis XVI Style<\/b><\/h2>\n<p data-path-to-node=\"28\">This exceptional late 19th-century French decorative display tray is a definitive statement of period domestic luxury, featuring a substantial, heavy oval slab of richly veined brown and terracotta marble (<i data-path-to-node=\"28\" data-index-in-node=\"206\">antique brass marble display tray<\/i>). The natural stone exhibits a magnificent, dynamic network of light calcite and dark earthen bands, securely encased within an intricately cast, high-profile brass or brass-alloy gallery rim shaped like a classic openwork crown or palmette fence. The entire configuration rests securely upon four heavily sculpted cabriole feet detailed with scrolling acanthus volutes to protect underlying polished furniture surfaces. Perfectly capturing the elegant historicist revival of the <b data-path-to-node=\"28\" data-index-in-node=\"720\">Louis XVI<\/b> style popular during the <b data-path-to-node=\"28\" data-index-in-node=\"755\">Napoleon III<\/b> era, this highly sophisticated cabinet piece historically served on a dressing table for perfumes or jewelry, bringing a touch of Parisian salon romance into any collection. The condition is pristine with a gorgeously aged genuine historic patina across the metalwork. The condition of the item is fully reflected in the photographs.<\/p>\n<p data-path-to-node=\"29\"><b data-path-to-node=\"29\" data-index-in-node=\"0\"><i data-path-to-node=\"29\" data-index-in-node=\"0\">Louis XVI Style snapshot:<\/i><\/b> <i data-path-to-node=\"29\" data-index-in-node=\"26\">The accomplished collector Edmond de Goncourt (Edmond de Goncourt) slowly walked through the quiet room of his workshop, where the morning light was just beginning to illuminate his recent art acquisitions. His fingers stopped for a moment on the table&#8217;s edge, feeling the smoothness of the polished marble and the sharp contours of the brass crown rim that shimmered in a warm, golden hue. The heavy stone base and the ornate curves of the cast feet stood with unyielding solidity against the dark wood surface, catching the first reflections of light. The scent of freshly cut garden flowers filled the room, and this solid object, where the permanence of stone and metal transformed into a delicate art miniature, instantly turned a morning moment of reflection before writing a new manuscript into a complete and noble ritual of beauty.<\/i><\/p>\n<p data-path-to-node=\"31\">\ud83c\udde9\ud83c\uddea <b data-path-to-node=\"31\" data-index-in-node=\"5\">GERMAN BLOCK<\/b><\/p>\n<p data-path-to-node=\"32\">L\u00e4nge \u2014 36,5 cm Breite \u2014 28 cm<\/p>\n<h3 data-path-to-node=\"33\"><b data-path-to-node=\"33\" data-index-in-node=\"0\">Antikes Marmortablett mit durchbrochener Messingreling \u2014 im Louis-XVI-Stil<\/b><\/h3>\n<p data-path-to-node=\"34\">Dieses exquisite franz\u00f6sische Dekorationstablett aus der zweiten H\u00e4lfte des 19. Jahrhunderts besticht durch seine noble Materialkombination und herrschaftliche Schwungf\u00fchrung (<i data-path-to-node=\"34\" data-index-in-node=\"176\">antique brass marble display tray<\/i>). Das ovale Plateau ist aus einem massiven Block braun-terrakottafarbenen, wei\u00df ge\u00e4derten Prachtmarmors geschnitten. Gefasst ist der schwere Stein von einer filigran gegossenen, hohen Messingreling, die als kunstvolle, durchbrochene Kronen- oder Palmettenborte im Stil des <b data-path-to-node=\"34\" data-index-in-node=\"483\">Klassizismus<\/b> ausgearbeitet ist. Getragen wird die Konstruktion von vier barock geschwungenen F\u00fc\u00dfen, die mit feinen Voluten- und Blattreliefs verziert sind. Solche prachtvollen Tabletts dienten in den Pariser Salons der <b data-path-to-node=\"34\" data-index-in-node=\"702\">Napoleon-III<\/b>-\u00c4ra als edle Ablagen f\u00fcr feine Briefe, Schreibutensilien, Schmuck oder Parfumflakons. Das Ensemble befindet sich in einem hervorragenden, wohnfertigen Erhaltungszustand mit herrlicher Originalpatina auf dem Messingguss und unbesch\u00e4digter Steinoberfl\u00e4che. Der Zustand des Gegenstands ist vollst\u00e4ndig auf den Bildern wiedergegeben.<\/p>\n<p data-path-to-node=\"35\"><b data-path-to-node=\"35\" data-index-in-node=\"0\"><i data-path-to-node=\"35\" data-index-in-node=\"0\">Momentaufnahme der Louis-XVI-Zeit:<\/i><\/b> <i data-path-to-node=\"35\" data-index-in-node=\"35\">Der kunstsinnige Sammler Edmond de Goncourt (Edmond de Goncourt) schritt langsam durch den stillen Raum seiner Werkstatt, wo das Morgenlicht gerade die j\u00fcngsten Kunstanschaffungen zu erhellen begann. Seine Finger verweilten einen Moment auf der Tischkante und sp\u00fcrten die K\u00fchle des glatten Marmors und die scharfen Konturen der Messingkronenreling, die in einem warmen, goldenen Ton schimmerte. Die schwere Steinbasis und die verzierten Schw\u00fcnge der gegossenen F\u00fc\u00dfe ruhten in unersch\u00fctterlicher Festigkeit auf der dunklen Holzoberfl\u00e4che und fingen die ersten Lichtreflexe ein. Der Duft frisch geschnittener Gartenblumen erf\u00fcllte den Raum, und dieser solide Gegenstand, bei dem sich die Best\u00e4ndigkeit von Stein und Metall in eine feine Kunstminiatur verwandelte, machte den morgendlichen Moment des Nachdenkens vor dem Schreiben eines neuen Manuskripts augenblicklich zu einem vollendeten und edlen Ritual der Sch\u00f6nheit.<\/i><\/p>\n<p data-path-to-node=\"37\">\ud83c\uddeb\ud83c\uddf7 <b data-path-to-node=\"37\" data-index-in-node=\"5\">FRENCH BLOCK<\/b><\/p>\n<p data-path-to-node=\"38\">Longueur \u2014 36,5 cm Largeur \u2014 28 cm<\/p>\n<h3 data-path-to-node=\"39\"><b data-path-to-node=\"39\" data-index-in-node=\"0\">Plateau ancien en marbre brun et galerie en laiton \u2014 de style Louis XVI<\/b><\/h3>\n<p data-path-to-node=\"40\">Un pr\u00e9cieux et particuli\u00e8rement lourd plateau d&#8217;ornement ovale de la seconde moiti\u00e9 du XIXe si\u00e8cle, t\u00e9moignant de la virtuosit\u00e9 des ateliers parisiens sous le Second Empire (<i data-path-to-node=\"40\" data-index-in-node=\"174\">antique brass marble display tray<\/i>). La table de pr\u00e9sentation est form\u00e9e d&#8217;une dalle de marbre brun et terre cuite \u00e0 la polychromie intense, enserr\u00e9e dans une importante monture en laiton fondu formant une haute galerie ajour\u00e9e en forme de couronne ou de palmettes d&#8217;\u00e9poque <b data-path-to-node=\"40\" data-index-in-node=\"447\">Louis XVI<\/b>. L&#8217;ensemble s&#8217;\u00e9l\u00e8ve sur quatre pieds mouvement\u00e9s \u00e0 enroulements de volutes et de feuillages, \u00e9vitant tout contact direct avec les meubles. Ce plateau de cabinet ou de boudoir, id\u00e9al pour accueillir des flacons de parfum ou des correspondances, illustre le go\u00fbt raffin\u00e9 du <b data-path-to-node=\"40\" data-index-in-node=\"729\">Second Empire<\/b> pour le renouveau des styles historiques. L&#8217;\u00e9tat de conservation est remarquable, le laiton arborant une patine ancienne profonde et le marbre \u00e9tant exempt de tout accident. L&#8217;\u00e9tat de l&#8217;objet est pleinement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"41\"><b data-path-to-node=\"41\" data-index-in-node=\"0\"><i data-path-to-node=\"41\" data-index-in-node=\"0\">Instantan\u00e9 de la p\u00e9riode Louis XVI :<\/i><\/b> <i data-path-to-node=\"41\" data-index-in-node=\"37\">L&#8217;accompli collectionneur Edmond de Goncourt (Edmond de Goncourt) marchait lentement dans la pi\u00e8ce calme de son atelier, o\u00f9 la lumi\u00e8re matinale commen\u00e7ait tout juste \u00e0 illuminer ses r\u00e9centes acquisitions d&#8217;art. Ses doigts s&#8217;arr\u00eat\u00e8rent un instant sur le bord de la table, ressentant la douceur du marbre poli et les contours vifs de la galerie en laiton qui miroitait dans une teinte chaude et dor\u00e9e. La base en pierre lourde et les courbes orn\u00e9es des pieds fondus reposaient avec une stabilit\u00e9 in\u00e9branlable contre la surface en bois sombre, captant les premiers reflets de la lumi\u00e8re. L&#8217;ar\u00f4me de fleurs de jardin fra\u00eechement coup\u00e9es emplissait la pi\u00e8ce, et cet objet solide, o\u00f9 la permanence de la pierre et du m\u00e9tal se m\u00e9tamorphosait en une d\u00e9licate miniature d&#8217;art, transformait instantan\u00e9ment un moment de r\u00e9flexion matinal avant d&#8217;\u00e9crire un nouveau manuscrit en un rituel de beaut\u00e9 complet et noble.<\/i><\/p>\n<p data-path-to-node=\"43\">\ud83c\udde9\ud83c\uddf0 <b data-path-to-node=\"43\" data-index-in-node=\"5\">DANISH BLOCK<\/b><\/p>\n<p data-path-to-node=\"44\">L\u00e6ngde \u2014 36,5 cm Bredde \u2014 28 cm<\/p>\n<h3 data-path-to-node=\"45\"><b data-path-to-node=\"45\" data-index-in-node=\"0\">Antik marmorbakke med forh\u00f8jet messingkant \u2014 i Louis XVI-stil<\/b><\/h3>\n<p data-path-to-node=\"46\">Dette eksklusive og us\u00e6dvanligt tunge franske dekorationsfad fra det 19. \u00e5rhundrede er udf\u00f8rt i de mest luksuri\u00f8se materialer (<i data-path-to-node=\"46\" data-index-in-node=\"127\">antique brass marble display tray<\/i>). Bakken er sk\u00e5ret af en solid oval plade af dyb brun og terrakottafarvet marmor med fine, lyse \u00e5retegninger. Stenfladen er indrammet af en gennembrudt forh\u00f8jet messing- eller bronzekant, der er prydet med klassiske palmet- og kronemotiver i ren <b data-path-to-node=\"46\" data-index-in-node=\"407\">klassicistisk<\/b> tradition. Stativet hviler p\u00e5 fire barokt svungne, st\u00f8bte f\u00f8dder med akantusvolutter, som beskytter bordpladen. Denne type luksustilbeh\u00f8r blev anvendt i <b data-path-to-node=\"46\" data-index-in-node=\"574\">Napoleon III<\/b>-tidens rige parisiske saloner til breve, smykker eller parfumeflasker. Fremst\u00e5r i perfekt antik stand med en fantastisk dybde i messingstellets alderspatina. Genstandens tilstand er fuldt ud gengivet p\u00e5 fotografierne.<\/p>\n<p data-path-to-node=\"47\"><b data-path-to-node=\"47\" data-index-in-node=\"0\"><i data-path-to-node=\"47\" data-index-in-node=\"0\">\u00d8jebliksbillede fra Louis XVI-tiden:<\/i><\/b> <i data-path-to-node=\"47\" data-index-in-node=\"37\">Den dygtige samler Edmond de Goncourt (Edmond de Goncourt) gik langsomt gennem det stille rum i sit v\u00e6rksted, hvor morgenlyset netop var begyndt at oplyse hans seneste kunstanskaffelser. Hans fingre standsede et \u00f8jeblik p\u00e5 bordkanten og m\u00e6rkede det polerede marmors glathed og de skarpe konturer p\u00e5 messingkronen, der glimtede i en varm, gylden nuance. Den tunge stenbund og de dekorerede svungne st\u00f8bte f\u00f8dder stod med urokkelig fasthed mod den m\u00f8rke tr\u00e6overflade og fangede lysets f\u00f8rste reflekser. Duften af friskklippede haveblomster fyldte rummet, og denne solide genstand, hvor stenens og metallets uforg\u00e6ngelighed gik over i en fin kunstminiatyr, forvandlede \u00f8jeblikkeligt et morgen\u00f8jeblik med eftertanke f\u00f8r skrivningen af et nyt manuskript til et rent og \u00e6delt sk\u00f8nhedsritual.<\/i><\/p>\n<p data-path-to-node=\"49\">\ud83c\uddf8\ud83c\uddea <b data-path-to-node=\"49\" data-index-in-node=\"5\">SWEDISH BLOCK<\/b><\/p>\n<p data-path-to-node=\"50\">L\u00e4ngd \u2014 36,5 cm Bredd \u2014 28 cm<\/p>\n<h3 data-path-to-node=\"51\"><b data-path-to-node=\"51\" data-index-in-node=\"0\">Antik marmorbricka med gallerkant i m\u00e4ssing \u2014 i Louis XVI-stil<\/b><\/h3>\n<p data-path-to-node=\"52\">En utomordentligt elegant och h\u00f6gklassig fransk dekorationsbricka fr\u00e5n sent 1800-tal, skapad under den p\u00e5kostade <b data-path-to-node=\"52\" data-index-in-node=\"113\">Napoleon III<\/b>-epoken (<i data-path-to-node=\"52\" data-index-in-node=\"134\">antique brass marble display tray<\/i>). Brickan best\u00e5r av en solid oval skiva av m\u00f6rkt brun och terrakottaf\u00e4rgad marmor med framtr\u00e4dande ljusa \u00e5dringar. Marmorn \u00e4r infattad i en praktfull f\u00f6rh\u00f6jd m\u00e4ssingskant prydd med en klassisk genombruten b\u00e5rder i form av en krona eller palmetter. Brickan vilar stadigt p\u00e5 fyra barockt sv\u00e4ngda, gjutna f\u00f6tter med akantusvoluter f\u00f6r att skydda underlaget. Denna typ av bricka var en exklusiv inredningsdetalj i den franska aristokratins salonger f\u00f6r f\u00f6rvaring av brev eller smycken. Brickan \u00e4r i ett synnerligen gott och v\u00e4lbevarat skick med vacker originalpatina i m\u00e4ssingsgjutet. F\u00f6rem\u00e5lets skick \u00e5terges fullst\u00e4ndigt p\u00e5 fotografierna.<\/p>\n<p data-path-to-node=\"53\"><b data-path-to-node=\"53\" data-index-in-node=\"0\"><i data-path-to-node=\"53\" data-index-in-node=\"0\">\u00d6gonblicksbild fr\u00e5n Louis XVI-tiden:<\/i><\/b> <i data-path-to-node=\"53\" data-index-in-node=\"37\">Den skicklige samlaren Edmond de Goncourt (Edmond de Goncourt) gick l\u00e5ngsamt genom det tysta rummet i sin verkstad, d\u00e4r morgonljuset precis hade b\u00f6rjat lysa upp hans senaste konstf\u00f6rv\u00e4rv. Hans fingrar stannade ett \u00f6gonblick p\u00e5 bordskanten och k\u00e4nde den polerade marmorns sl\u00e4thet och m\u00e4ssingskronans skarpa konturer som skimrade i en varm, gyllene nyans. Den tunga stenbasen och de dekorerade sv\u00e4ngarna p\u00e5 de gjutna f\u00f6tterna stod med orubblig fasthet mot den m\u00f6rka tr\u00e4ytan och f\u00e5ngade ljusets f\u00f6rsta reflexer. Doften av nyskurna tr\u00e4dg\u00e5rdsblommor fyllde rummet, och detta gedigna f\u00f6rem\u00e5l, d\u00e4r stenens och metallens best\u00e4ndighet \u00f6vergick i en fin konstminiatyr, f\u00f6rvandlade omedelbart ett morgon\u00f6gonblick av eftertanke innan han skrev ett nytt manuskript till en full\u00e4ndad och \u00e4del sk\u00f6nhetsritual.<\/i><\/p>\n<p data-path-to-node=\"55\">\ud83c\uddf3\ud83c\uddf4 <b data-path-to-node=\"55\" data-index-in-node=\"5\">NORWEGIAN BLOCK<\/b><\/p>\n<p data-path-to-node=\"56\">Lengde \u2014 36,5 cm Bredde \u2014 28 cm<\/p>\n<h3 data-path-to-node=\"57\"><b data-path-to-node=\"57\" data-index-in-node=\"0\">Antikk marmorbrett med gallerkant i messing \u2014 i Louis XVI-stil<\/b><\/h3>\n<p data-path-to-node=\"58\">Dette er et usedvanlig vakkert, tungt og elegant fransk dekorasjonsbrett fra andre halvdel av 1800-tallet, utf\u00f8rt i f\u00f8rsteklasses materialer (<i data-path-to-node=\"58\" data-index-in-node=\"142\">antique brass marble display tray<\/i>). Brettet er sk\u00e5ret ut av en solid oval plate av m\u00f8rkebrun og terrakottafarget marmor med fine, lysere \u00e5retegninger i steinen. Marmorplaten er omsluttet av en vakkert cislert, forh\u00f8yet messingkant med klassiske relieffer av palmetter og gallerikroner i ren <b data-path-to-node=\"58\" data-index-in-node=\"433\">Louis XVI<\/b>-stil. Stativet hviler p\u00e5 fire lave dreide bronse- eller messingf\u00f8tter med akantusvolutter. Dette brettet er et staselig vitnesbyrd om den parisiske h\u00f8ykulturens luksusartikler fra <b data-path-to-node=\"58\" data-index-in-node=\"623\">Napoleon III<\/b>-perioden. Fremst\u00e5r i utmerket antikk stand med nydelig gl\u00f8d i messingen. Gjenstandens tilstand er fullstendig gjengitt p\u00e5 fotografiene.<\/p>\n<p data-path-to-node=\"59\"><b data-path-to-node=\"59\" data-index-in-node=\"0\"><i data-path-to-node=\"59\" data-index-in-node=\"0\">\u00d8yeblikksbilde fra Louis XVI-tiden:<\/i><\/b> <i data-path-to-node=\"59\" data-index-in-node=\"36\">Den dyktige samleren Edmond de Goncourt (Edmond de Goncourt) gikk langsomt gjennom det stille rommet i verkstedet sitt, der morgenlyset nettopp hadde begynt \u00e5 opplyse hans siste kunstanskaffelser. Hans fingre stanset et \u00f8yeblikk p\u00e5 bordkanten og kjente det polerte marmorets glatthet og messingkronens skarpe konturer som glimtet i en varm, gyllen nyanse. Den tunge steinbunnen og de dekorerte svungne st\u00f8pte f\u00f8ttene stod med urokkelig fasthet mot den m\u00f8rke treoverflaten og fanget lysets f\u00f8rste reflekser. Duften av friskklippede hageblomster fylte rommet, og denne solide gjenstanden, hvor steinens og metallets uforgjengelighet gikk over i en fin kunstminiatyr, forvandlet \u00f8yeblikkelig et morgen\u00f8yeblikk med ettertanke f\u00f8r skrivingen av et nytt manuskript til et rent og edelt skj\u00f8nnhetsritual.<\/i><\/p>\n<p data-path-to-node=\"61\">\ud83c\uddeb\ud83c\uddee <b data-path-to-node=\"61\" data-index-in-node=\"5\">FINNISH BLOCK<\/b><\/p>\n<p data-path-to-node=\"62\">Pituus \u2014 36,5 cm Leveys \u2014 28 cm<\/p>\n<h3 data-path-to-node=\"63\"><b data-path-to-node=\"63\" data-index-in-node=\"0\">Antiikkinen marmoritarjotin messinkireunuksella \u2014 Ludvig XVI -tyyli\u00e4<\/b><\/h3>\n<p data-path-to-node=\"64\">Eritt\u00e4in hienostunut, poikkeuksellisen painava ja arvokas ranskalainen koristetarjotin 1800-luvun j\u00e4lkipuoliskolta, joka edustaa <b data-path-to-node=\"64\" data-index-in-node=\"129\">Napoleon III<\/b> -aikakauden ylellist\u00e4 muotokielt\u00e4 kauneimmillaan (<i data-path-to-node=\"64\" data-index-in-node=\"192\">antique brass marble display tray<\/i>). Soikea tarjotin on valmistettu yhdest\u00e4 kiinte\u00e4st\u00e4 palasta ruskehtavaa terrakottamarmoria, jossa on upea vaaleampi suonisto. Kivitasoa ymp\u00e4r\u00f6i taidokkaasti valettu, korotettu messinkireunus, jota koristaa <b data-path-to-node=\"64\" data-index-in-node=\"432\">klassismin<\/b> ihanteiden mukainen gallelia- ja kruunukuviointi. Runko lep\u00e4\u00e4 nelj\u00e4ll\u00e4 barokkityylisesti kaartuvalla jalalla, joita korostavat kohokuvioiset akantuskierteet. T\u00e4llaisia tarjottimia k\u00e4ytettiin Pariisin aristokraattisissa salongeissa kirjeiden tai korujen s\u00e4ilytykseen. Esine on eritt\u00e4in hienossa kunnossa, ja sen messinkirungossa on upea tumma vanha patina. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n<p data-path-to-node=\"65\"><b data-path-to-node=\"65\" data-index-in-node=\"0\"><i data-path-to-node=\"65\" data-index-in-node=\"0\">Ludvig XVI -tyylin tunnelma:<\/i><\/b> <i data-path-to-node=\"65\" data-index-in-node=\"29\">Taitava ker\u00e4ilij\u00e4 Edmond de Goncourt (Edmond de Goncourt) k\u00e4veli hitaasti ty\u00f6pajansa hiljaisessa huoneessa, jossa aamuvalo oli juuri alkamassa valaista h\u00e4nen viimeisimpi\u00e4 taidehankintojaan. H\u00e4nen sormensa pys\u00e4htyiv\u00e4t hetkeksi p\u00f6yd\u00e4n reunalle ja tunsivat kiillotetun marmorin sile\u00e4n viileyden ja messinkisen kruunureunuksen ter\u00e4v\u00e4t \u00e4\u00e4riviivat, jotka kimmelsiv\u00e4t l\u00e4mpim\u00e4ss\u00e4, kultaisessa s\u00e4vyss\u00e4. Painava kivialusta ja valettujen jalkojen koristellut kaaret tukeutuivat vankasti tummaan puupintaan, ja ne vangitsivat valon ensimm\u00e4iset s\u00e4teet. Vastaleikattujen puutarhakukkien tuoksu t\u00e4ytti huoneen, ja t\u00e4m\u00e4 vankka esine, jossa kiven ja metallin pysyvyys muuttui hienoksi taideminiatyyriksi, muutti aamuisen pohdiskeluhetken ennen uuden k\u00e4sikirjoituksen kirjoittamista silm\u00e4nr\u00e4p\u00e4yksess\u00e4 t\u00e4ydelliseksi ja ylev\u00e4ksi kauneuden rituaaliksi.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ekskluz\u012bva 19. gadsimta fran\u010du ov\u0101las formas br\u016bn\u0101 marmora papl\u0101te, ko rot\u0101 augsta, a\u017e\u016bra misi\u0146a un bronzas kron\u0113juma apmale (antique brass marble display tray) Luija XVI stila est\u0113tik\u0101 (5048).<\/p>\n","protected":false},"featured_media":28891,"template":"","meta":[],"product_brand":[],"product_cat":[256,211,204],"product_tag":[],"class_list":["post-28890","product","type-product","status-publish","has-post-thumbnail","product_cat-paplates","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/28890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/28891"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=28890"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=28890"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=28890"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=28890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}