{"id":28632,"date":"2024-10-01T16:42:43","date_gmt":"2024-10-01T13:42:43","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=28632"},"modified":"2026-09-08T00:28:54","modified_gmt":"2026-09-07T21:28:54","slug":"5020","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/5020\/","title":{"rendered":"Misi\u0146a Jardini\u00e8re ar Augsto Reljefu \u2014 Putti\u0146i (En\u0123el\u012b\u0161i) pie Zin\u0101tnes un M\u0101ksl\u0101m \u2014 Neobaroka \/ Renesanses Atdzim\u0161anas stils, Francija \/ Be\u013c\u0123ija, ap 1870.\u20131900.Met\u0101la Ka\u0161po ar E\u0146\u0123e\u013cu Mot\u012bviem, Vid\u0113ja Izm\u0113ra, Vid\u0113ji Viegls P\u0113c Svara (5020)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Augstums 19 cm \u00d7 Garums 32,5 cm \u00d7 Platums 17,5 cm. Ov\u0101la forma. Ar iz\u0146emamu cinka iek\u0161\u0113jo trauku. Vid\u0113ji viegls p\u0113c svara \u2014 pl\u0101nsienu misi\u0146a korpuss ar lietu k\u0101ji\u0146u furnit\u016bru.<\/p>\n

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Misi\u0146a Jardini\u00e8re ar Augsto Reljefu \u2014 Putti\u0146i (En\u0123el\u012b\u0161i) pie Zin\u0101tnes un M\u0101ksl\u0101m \u2014 Neobaroka \/ Renesanses Atdzim\u0161anas stils, Francija \/ Be\u013c\u0123ija, ap 1870.\u20131900.<\/strong><\/p>\n

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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n

\u0160is ka\u0161po \u2014 prec\u012bz\u0101k, jardini\u00e8re<\/em> fran\u010du trad\u012bcij\u0101 \u2014 pieder vienam no 19. gadsimta dekorat\u012bv\u0101s met\u0101la m\u0101kslas izcil\u0101kajiem \u017eanriem: augsto reljefu (repouss\u00e9<\/em> un r\u016bpniecisk\u0101 \u0161tanc\u0113\u0161ana) misi\u0146a jardini\u00e8re ar mitolo\u0123isku un alegorisko figur\u0101lo programmu. Izgatavo\u0161anas periods \u2014 aptuveni 1870.\u20131900. gads \u2014 sakr\u012bt ar Neobaroka un Renesanses Atdzim\u0161anas stilu uzplaukumu Francij\u0101 un Be\u013c\u0123ij\u0101, kad Par\u012bzes un Briseles m\u0101kslas met\u0101lapstr\u0101des darbn\u012bcas rad\u012bja priek\u0161metus ar Baroka dekorat\u012bvo bag\u0101t\u012bbu, bet Historisma kompozicion\u0101lo discipl\u012bnu.<\/p>\n

Reljefa centr\u0101l\u0101 aina ir izcila: ap nelielu zemes globusu pulc\u0113jas putti\u0146i (putti<\/em>)<\/strong> \u2014 kail\u0101s b\u0113rna \u0137erme\u0146a fig\u016bras ar sp\u0101rniem vai bez, kas Baroka<\/strong> un Renesanses<\/strong> m\u0101ksl\u0101 personific\u0113 zin\u0101tni, m\u0101kslu, m\u016bziku, astronomiju un izgl\u012bt\u012bbu<\/strong>. \u0160\u012b alegorija \u2014 zino\u0161ie putti\u0146i<\/em><\/strong>, ko ieskauj gr\u0101matas, globusi, sveces un instrumenti \u2014 ir tie\u0161a atsauce uz Rafa\u0113la un Tici\u0101na trad\u012bciju un Eiropas kara\u013cgalmu dekorat\u012bvo repertu\u0101ru. Punkt\u0113ts un struktur\u0113ts fons aiz fig\u016br\u0101m papildina dzi\u013cuma efektu. \u0160is priek\u0161mets pieder tam bag\u0101tajam p\u0101rejas br\u012bdim, kad Baroka dinamika un Renesanses intelektu\u0101lisms sadz\u012bvoja 19. gadsimta beigu Eiropas bur\u017eu\u0101zisk\u0101 interjera est\u0113tik\u0101 \u2014 abas trad\u012bcijas \u0161eit sapl\u016bst vien\u0101 objekt\u0101.<\/p>\n

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\u269c\ufe0f RA\u017dOT\u0100JS UN APZ\u012aM\u0112JUMS<\/strong><\/p>\n

Apak\u0161\u0101 nav redzams ra\u017eot\u0101ja z\u012bmogs \u2014 tikai oksid\u0113ta misi\u0146a un cinka pamatne bez mar\u0137\u0113juma. Tas ir tipisks apliecin\u0101jums Francijas un Be\u013c\u0123ijas specializ\u0113to met\u0101lapstr\u0101des uz\u0146\u0113mumu praksei, kuri 19. gadsimta otraj\u0101 pus\u0113 ra\u017eoja dekorat\u012bvas jardini\u00e8res<\/em> un ka\u0161po augst\u0101k\u0101s bur\u017eu\u0101zijas un aristokr\u0101tijas tirgum, neapz\u012bmogojot izstr\u0101d\u0101jumus, jo reput\u0101cija n\u0101ca no tirgot\u0101ja, nevis no z\u012bmoga.<\/p>\n

\u012apa\u0161i noz\u012bm\u012bga ir divi konstrukcijas elementi: cinka iek\u0161\u0113jais trauks ir ori\u0123in\u0101ls un saglab\u0101jies komplekt\u0101 ar \u0101r\u0113jo misi\u0146a korpusu \u2014 tas ir retums, jo \u0161\u0101di iek\u0161\u0113jie trauki bie\u017ei tika nomain\u012bti vai pazaud\u0113ti. Otrk\u0101rt, k\u0101ji\u0146as ir lietas ar Rokoko loc\u012bto formu un akantus lapu deta\u013c\u0101m \u2014 t\u0101s piemont\u0113tas atsevi\u0161\u0137i un liecina par augst\u0101ku ra\u017eo\u0161anas pak\u0101pi. \u0160\u0101da veida jardini\u00e8res<\/em> ar figur\u0101lo reljefu un cinka iek\u0161\u0113jo trauku tika ekspon\u0113tas Par\u012bzes Univers\u0101laj\u0101s izst\u0101d\u0113s 1878. un 1889. gad\u0101 k\u0101 fran\u010du dekorat\u012bv\u0101s m\u0101kslas un met\u0101lapstr\u0101des augst\u0101k\u0101 sasnieguma piem\u0113ri.<\/p>\n

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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n

Ov\u0101las misi\u0146a jardini\u00e8res<\/em> ar putti\u0146u reljefu un saglab\u0101tu ori\u0123in\u0101lo cinka iek\u0161\u0113jo trauku pieder pie ret\u0101k atrodamajiem 19. gadsimta dekorat\u012bv\u0101 met\u0101la priek\u0161metiem. Kolekcion\u0101ri un interjera dizaineri \u012bpa\u0161i mekl\u0113 priek\u0161metus ar piln\u012bgu, neskartu fig\u016bras reljefu un saglab\u0101tu funkcionalit\u0101ti \u2014 \u0161is ka\u0161po atbilst abiem krit\u0113rijiem. Putti k\u0101 Baroka un Renesanses univers\u0101lais simbols padara \u0161o priek\u0161metu pievilc\u012bgu gan Eiropas m\u0101kslas m\u012b\u013cot\u0101jiem, gan \u0100zijas tirg\u016b, kur e\u0146\u0123e\u013cu un b\u0113rna fig\u016bru mot\u012bvi tiek augstu v\u0113rt\u0113ti.<\/p>\n

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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n

Jardini\u00e8re ar t\u0101du izm\u0113ru un ov\u0101lo formu ir klasisks centerpiece<\/em> \u2014 galda vai konsoles centr\u0101lais akcents. T\u0101 lieliski iederas uz \u0113damistabas galda k\u0101 ziedu kompoz\u012bcijas pamatne, uz konsol\u012btes ieej\u0101, mantel\u0161elf\u0101 vai bibliot\u0113k\u0101 blakus veciem gr\u0101matu s\u0113jumiem. Iek\u0161\u0113jais cinka trauks \u013cauj taj\u0101 ievietot svaigas ziedus tie\u0161i ar \u016bdeni \u2014 priek\u0161mets ir piln\u012bb\u0101 funkcion\u0101ls. Misi\u0146a patinas zeltums k\u013c\u016bst izsmalcin\u0101ts kontrasts gan tum\u0161iem koka to\u0146iem, gan baltam marmora fonieriem. Fotogr\u0101fi un stilisti augstu nov\u0113rt\u0113s reljefu bag\u0101t\u012bbu \u2014 tas rada neparastu gaismas un \u0113nas plastiku jebkur\u0101 apgaismojum\u0101.<\/p>\n

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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n

Putti\u0146i ap zemes globusu \u2014 izgl\u012bt\u012bbas, zin\u0101tnes un m\u0101kslu alegorija \u2014 padara \u0161o jardini\u00e8re par izcilu d\u0101vanu akad\u0113miskaj\u0101 vai kult\u016bras vid\u0113: profesoram, rektoram, m\u0101ksliniekam, arhitektam, zin\u0101tne m\u012blo\u0161am kolekcion\u0101ram. T\u0101 ir ar\u012b reprezentat\u012bva diplom\u0101tiska vai korporat\u012bva d\u0101vana augst\u0101kaj\u0101 l\u012bmen\u012b \u2014 priek\u0161mets, kas run\u0101 par Eiropas humanistisko trad\u012bciju, izgl\u012bt\u012bbas v\u0113rt\u012bbu un kult\u016bras mantojuma cie\u0146u. Piem\u0113rota ar\u012b k\u0101 izcila d\u0101vana m\u0101c\u012bbu iest\u0101des vai kult\u016bras organiz\u0101cijas vad\u012bt\u0101jam vai jubilej\u0101.<\/p>\n

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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n

Visp\u0101r\u0113jais st\u0101voklis ir labs, atbilsto\u0161s priek\u0161meta vecumam. Reljefa fig\u016bras ir neskartas un ar labu plastisko deta\u013cu saglab\u0101t\u012bbu vis\u0101 korpusa perimetr\u0101. Cinka iek\u0161\u0113jais trauks ir ori\u0123in\u0101ls, saglab\u0101jies komplekt\u0101, ar dabisko oksid\u0101ciju un lieto\u0161anas p\u0113d\u0101m. Misi\u0146a \u0101r\u0113jais korpuss uzr\u0101da vienm\u0113r\u012bgu patinu ar vecin\u0101\u0161an\u0101s to\u0146iem \u2014 bez meh\u0101niskiem boj\u0101jumiem reljef\u0101. K\u0101ji\u0146as ir visas kl\u0101t un stabilas. Aug\u0161\u0113j\u0101 caurumot\u0101 mali\u0146a ir neskarita. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n

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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n

Brass Jardini\u00e8re with High-Relief Putti (Angels) at the Sciences and Arts \u2014 Neo-Baroque \/ Renaissance Revival Style, France \/ Belgium, circa 1870\u20131900.<\/strong><\/p>\n

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\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n

Height 19 cm \u00d7 Length 32.5 cm \u00d7 Width 17.5 cm. Oval form. With removable original zinc liner. Medium weight \u2014 thin-walled brass body with cast foot hardware.<\/p>\n

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\ud83c\udfdb\ufe0f PERIOD, ART STYLE AND HISTORICAL CONTEXT<\/strong><\/p>\n

This cachepot \u2014 more precisely a jardini\u00e8re<\/em><\/strong> in the French tradition \u2014 belongs to one of the most distinguished genres of 19th-century decorative metalwork: high-relief brass jardini\u00e8res with mythological and allegorical figural programmes. The period of manufacture \u2014 approximately 1870 to 1900 \u2014 coincides with the flourishing of Neo-Baroque<\/strong> and Renaissance Revival<\/strong> styles in France and Belgium, when the decorative metalworking studios of Paris and Brussels produced objects combining the decorative richness of the Baroque with the compositional discipline of Historicism.<\/p>\n

The central relief scene is exceptional: putti<\/strong> \u2014 the winged or unwinged child figures of Baroque and Renaissance art \u2014 gather around a small terrestrial globe, surrounded by books, candles, scientific instruments, and scrolls. This allegory of learned putti<\/em><\/strong> \u2014 personifications of the Sciences, Arts, Music, Astronomy, and Learning<\/strong> \u2014 is a direct reference to the tradition of Raphael and Titian and to the decorative vocabulary of the European royal courts. A finely punched and textured ground behind the figures enhances the depth of the composition. This object belongs to that rich moment when Baroque dynamism and Renaissance intellectualism merged seamlessly in the aesthetic of the late-19th-century European bourgeois interior.<\/p>\n

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\u269c\ufe0f MAKER AND MARK<\/strong><\/p>\n

The base bears no maker’s mark \u2014 only oxidised brass and zinc without any stamp. This is characteristic of the specialised French and Belgian metalworking firms of the second half of the 19th century, which produced decorative jardini\u00e8res and cachepots for the upper bourgeoisie and aristocracy without marking their wares, as reputation came from the trusted retailer rather than from a stamp.<\/p>\n

Two constructional elements are particularly significant: the zinc liner is original and survives complete with the outer brass body \u2014 a rarity, as such liners were frequently replaced or lost over time. Furthermore, the feet are cast with Rococo-style scrolled forms and acanthus leaf details, applied separately, indicating a higher tier of production. Jardini\u00e8res of this type with figurative relief and zinc liners were exhibited at the Paris Universal Exhibitions of 1878 and 1889 as exemplars of French decorative arts and metalworking excellence.<\/p>\n

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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n

Oval brass jardini\u00e8res with putti relief decoration and a surviving original zinc liner belong to the rarer examples of 19th-century decorative metalwork. Collectors and interior designers particularly seek objects with intact, undamaged figural relief and preserved functionality \u2014 this jardini\u00e8re meets both criteria. The putti as a universal symbol of the Baroque and Renaissance tradition makes this object appealing both to European art lovers and to the Asian market, where angelic and child-figure motifs are highly prized.<\/p>\n

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\ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n

A jardini\u00e8re of these proportions and oval form is a classic centrepiece<\/em> \u2014 the central accent of a table or console. It works beautifully on a dining table as the base of a floral composition, on a console table in a hallway, on a mantelpiece, or in a library alongside antique book bindings. The original zinc liner allows fresh flowers to be placed directly in water \u2014 the object remains fully functional. The golden warmth of the brass patina creates a refined contrast against dark wood tones and white marble surfaces alike. Photographers and stylists will prize the relief’s sculptural richness \u2014 it produces a remarkable play of light and shadow in any lighting condition.<\/p>\n

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\ud83c\udf81 AS A GIFT<\/strong><\/p>\n

Putti gathered around a terrestrial globe \u2014 an allegory of Education, Science, and the Arts \u2014 makes this jardini\u00e8re an outstanding gift in academic or cultural circles: for a professor, rector, artist, architect, or a collector with a passion for learning. It is equally a distinguished diplomatic or corporate gift at the highest level \u2014 an object that speaks of the European humanist tradition, the value of education, and respect for cultural heritage. Particularly suited as an exceptional gift for the head of an educational institution, a cultural organisation, or on the occasion of a significant anniversary.<\/p>\n

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\ud83d\udd0d CONDITION<\/strong><\/p>\n

Overall condition is good, appropriate to the age of the piece. The relief figures are intact with well-preserved sculptural detail throughout the entire perimeter of the body. The zinc liner is original, surviving complete, with natural oxidation and traces of historical use. The outer brass body shows an even patina with age-related toning \u2014 no mechanical damage to the relief. All feet are present and stable. The pierced upper rim is undamaged. The condition of the item is fully reflected in the photographs.<\/p>\n","protected":false},"excerpt":{"rendered":"

\ud83d\udcd0 IZM\u0112RI Augstums 19 cm \u00d7 Garums 32,5 cm \u00d7 Platums 17,5 cm. Ov\u0101la forma. Ar iz\u0146emamu cinka iek\u0161\u0113jo trauku.<\/p>\n","protected":false},"featured_media":28633,"template":"","meta":[],"product_brand":[],"product_cat":[238,211,204],"product_tag":[],"class_list":["post-28632","product","type-product","status-publish","has-post-thumbnail","product_cat-pukpodi-kaspo","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/28632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/28633"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=28632"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=28632"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=28632"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=28632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}