{"id":27477,"date":"2024-07-25T21:58:18","date_gmt":"2024-07-25T18:58:18","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=27477"},"modified":"2026-09-08T00:12:37","modified_gmt":"2026-09-07T21:12:37","slug":"4918","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/4918\/","title":{"rendered":"Riekstukoka Eta\u017e\u0113rs ar Gobele\u0146a Pane\u013ca un Dadzis Kokgriezumu \u2014 Viktori\u0101nisms \/ Belle \u00c9poque, 19.gs. (4918)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Augstums 106,5 cm \u00d7 platums 43 cm \u00d7 dzi\u013cums 33 cm.<\/p>\n

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Riekstukoka Eta\u017e\u0113rs ar Gobele\u0146a Pane\u013ca, Misi\u0146a Deta\u013c\u0101m un Dadzis Kokgriezumu \u2014 Viktori\u0101nisms \/ Belle \u00c9poque, Anglija vai Skotija, ap 1870.\u20131900.<\/strong><\/h3>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
\u0160is neparastais un daudzfunkcion\u0101lais eta\u017e\u0113rs pieder Viktori\u0101nisma<\/strong> laikmeta izsmalcin\u0101t\u0101kajam interjera priek\u0161metu lokam \u2014 tas ir table \u00e0 ouvrage<\/em> (\u0161\u016b\u0161anas \/ rokdarbu galds<\/em>) un \u00e9tag\u00e8re<\/em> apvienojums vien\u0101 objekt\u0101. Aug\u0161\u0113j\u0101 plaukts ar noliektu r\u0101mi un misi\u0146a st\u016bra naglojumu kalpo k\u0101 stat\u012bvs rokdarbu pane\u013ca atbalstam \u2014 tas ir sievie\u0161u salona<\/strong> priek\u0161mets, kur\u0101 gobele\u0146a iz\u0161uvums ar roz\u0113m bija gan est\u0113tisks, gan soci\u0101ls pazi\u0146ojums: saimniece prot str\u0101d\u0101t ar adatu, vi\u0146as m\u0101ja ir kultur\u0101la.<\/p>\n
Vainag\u0101 cirsts Skotijas dadzis<\/strong> (thistle<\/em>) ar akantus lap\u0101m un stiliz\u0113tu anan\u0101sa mot\u012bvu \u2014 simbolu trijotne, kas 19. gadsimt\u0101 bija Lielbrit\u0101nijas nacion\u0101l\u0101s identit\u0101tes un aristokr\u0101tisk\u0101s kult\u016bras paraksts. Dadzis Skotij\u0101 ir nacion\u0101lais simbols kop\u0161 13. gadsimta, un tas bija \u012bpa\u0161i popul\u0101rs Viktori\u0101nas laikmeta<\/strong> m\u0113bel\u0113s p\u0113c karalienes Viktorijas m\u012blest\u012bbas pret Balmoral pili k\u013c\u016b\u0161anas publiski zin\u0101mas 1848. gad\u0101 \u2014 no t\u0101 br\u012b\u017ea viss “skotiskais” k\u013cuva mod\u0113 vis\u0101 Eirop\u0101.<\/p>\n
Diviem apak\u0161\u0113jiem plauktiem ar izliektaj\u0101m serpentine<\/em> mal\u0101m un cabriole<\/em> k\u0101j\u0101m ir Luija XV<\/strong> ietekme \u2014 tipiska Viktori\u0101nisma eklektika, kas br\u012bvi apvienoja da\u017e\u0101dus v\u0113sturiskos stilus.<\/p>\n
Belle \u00c9poque momentuz\u0146\u0113mums:<\/strong> 1887. gad\u0101 Karaliene Viktorija svin\u0113ja savu Zelta jubileju \u2014 50 gadus tron\u012b. Vis\u0101 Lielbrit\u0101nij\u0101 salonos st\u0101v\u0113ja tie\u0161i \u0161\u0101di eta\u017e\u0113ri ar gobele\u0146a iz\u0161uvumiem, un sievietes pie tiem str\u0101d\u0101ja, lasot The Lady<\/em> \u017eurn\u0101lu. Dadzis vainag\u0101 bija ne tikai ornaments \u2014 tas bija lojalit\u0101tes pazi\u0146ojums.<\/p>\n
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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n
Redzama ra\u017eot\u0101ja mar\u0137\u0113juma nav. Kokgriezuma stilistika \u2014 \u012bpa\u0161i dadzis vainag\u0101 un rombveida (treillis<\/em>) raksts r\u0101mja s\u0101nos \u2014 nor\u0101da uz Skotijas vai Anglijas zieme\u013cu<\/strong> galdniec\u012bbas trad\u012bciju. Riekstukoks<\/strong> (walnut<\/em>) bija Viktori\u0101nisma perioda presti\u017e\u0101kais m\u0113be\u013cu koks Lielbrit\u0101nij\u0101 \u2014 tas pie\u0161\u0137\u012bra tum\u0161o, bag\u0101t\u012bgo toni, ko asoci\u0113 ar viktorianismam rakstur\u012bgo dramatisko saloninterjeru. Misi\u0146a st\u016bra naglojums gobele\u0146a r\u0101m\u012b ir r\u016bp\u012bgi izstr\u0101d\u0101ta deta\u013ca, kas liecina par augsta l\u012bme\u0146a izpild\u012bjumu, nevis masveida ra\u017eo\u0161anu.<\/p>\n
Gobele\u0146a punto in croce<\/em> (krustd\u016brienu) iz\u0161uvums ar dzelteno un bordo roz\u0113m ac\u012bmredzot ir ori\u0123in\u0101ls un ra\u017eots vienlaikus ar eta\u017e\u0113ru \u2014 tas ir v\u0113rt\u012bgs papildin\u0101jums, jo liel\u0101k\u0101 da\u013ca \u0161\u0101da tipa priek\u0161metu p\u0101rdodas bez ori\u0123in\u0101l\u0101 gobele\u0146a.<\/p>\n
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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
Eta\u017e\u0113ri ar saglab\u0101tu ori\u0123in\u0101lo gobele\u0146a pane\u013ci<\/em> un dadzis kokgriezumu ir iev\u0113rojami ret\u0101ki nek\u0101 tuk\u0161ie analogi. \u0160o tr\u012bs elementu \u2014 aug\u0161\u0113j\u0101 rokdarbu stat\u012bva, gobele\u0146a un diviem serpentine<\/em> plauktiem \u2014 kombin\u0101cija vien\u0101, vizu\u0101li saist\u012bt\u0101 priek\u0161met\u0101 ir neparasta. Viktori\u0101nisma m\u0113beles ar skotu simboliku (thistle<\/em>, \u0161\u0137iet) piedz\u012bvo stabilu piepras\u012bjuma pieaugumu gan Lielbrit\u0101nij\u0101, gan ASV, Kan\u0101d\u0101 un Austr\u0101lij\u0101, kur skotu izcelsmes iedz\u012bvot\u0101ji akt\u012bvi kolekcion\u0113 ar kult\u016bridentit\u0101ti saist\u012btus priek\u0161metus.<\/p>\n
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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
Dz\u012bvojam\u0101 istab\u0101 vai bibliot\u0113k\u0101 \u0161is eta\u017e\u0113rs ir sare\u017e\u0123\u012bts, st\u0101stu bag\u0101ts priek\u0161mets \u2014 aug\u0161\u0101 var novietot gr\u0101matu, \u017eurn\u0101lu vai dekorat\u012bvu priek\u0161metu; divi apak\u0161\u0113jie plaukti kalpo ant\u012bkiem priek\u0161metiem, augu podiem vai gr\u0101mat\u0101m. Gu\u013camistab\u0101 tas atg\u0101dina “sievie\u0161u kambar\u012b” (boudoir<\/em>) \u2014 \u0161\u016b\u0161anas priek\u0161metiem, \u017eurn\u0101liem, maziem dekorat\u012bviem priek\u0161metiem. Ang\u013cu, skotu vai eklektisk\u0101 interjer\u0101 tas ir t\u016bl\u012bt\u0113js kult\u016brv\u0113sturiskais akcents. Interjera fotogr\u0101fi \u0161o priek\u0161metu izmanto k\u0101 “st\u0101sto\u0161u” elementu \u2014 gobele\u0146a rozes, misi\u0146\u0161 un dadzis kop\u0101 rada ainavu, kas nekav\u0113joties atsauc 19. gadsimtu.<\/p>\n
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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n
\u0160is eta\u017e\u0113rs ir izsmalcin\u0101ta d\u0101vana ikvienam ar skotu sakn\u0113m vai interesi par britu kult\u016bru \u2014 tam ir gan nacion\u0101l\u0101 simbolika, gan praktiski izmantojams. K\u0101 d\u0101vana sievietei ar interesi par rokdarbiem vai ant\u012bk\u0101m m\u0113bel\u0113m \u2014 ide\u0101ls. Tas der\u0113tu ar\u012b ang\u013cu vai skotu tematik\u0101 veidota interjera kafejn\u012bcai vai viesn\u012bcai.<\/p>\n
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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
Riekstukoka r\u0101mis un plaukti visp\u0101r\u0113ji lab\u0101 st\u0101vokl\u012b ar laika nolietojuma patinu. Kokgriezums saglab\u0101jies. Misi\u0146a st\u016bra naglojums gobele\u0146a r\u0101m\u012b saglab\u0101jies ar dab\u012bgu oksid\u0101cijas patinu. Gobele\u0146a iz\u0161uvums saglab\u0101jies, ar nelielu nolietojumu un laika gait\u0101 radu\u0161os toni. K\u0101j\u0101s redzami nolietojuma skr\u0101p\u0113jumi. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n
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\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n
Height 106.5 cm \u00d7 width 43 cm \u00d7 depth 33 cm.<\/p>\n
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Walnut \u00c9tag\u00e8re with Needlepoint Panel, Brass Details and Thistle Crest \u2014 Victorian \/ Belle \u00c9poque, England or Scotland, circa 1870\u20131900.<\/strong><\/h3>\n
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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n
This unusual and multi-functional \u00e9tag\u00e8re belongs to the most refined category of Victorian<\/strong> salon objects \u2014 it is a combination of table \u00e0 ouvrage<\/em> (sewing or needlework stand) and \u00e9tag\u00e8re<\/em> in a single object. The upper shelf, with its angled frame and brass corner mounts, serves as a support for a needlework panel \u2014 this is a ladies’ salon<\/strong> piece in which embroidery with roses was both an aesthetic and a social statement: the mistress of the house commands the needle; her home is cultivated.<\/p>\n
The crest is carved with the Scottish thistle<\/strong> (chardon<\/em>) flanked by acanthus leaves and a stylised pineapple motif \u2014 a triad of symbols that in the 19th century was a signature of British national identity and aristocratic culture. The thistle has been Scotland’s national emblem since the 13th century, and it surged in popularity across Victorian<\/strong> furniture after Queen Victoria’s love of Balmoral Castle became publicly known in 1848 \u2014 from that moment, all things “Scottish” became fashionable across Europe.<\/p>\n
The two lower shelves with serpentine<\/em> edges and cabriole<\/em> legs carry a Louis XV<\/strong> influence \u2014 typical Victorian eclecticism that freely combined historical styles.<\/p>\n
Belle \u00c9poque snapshot:<\/strong> In 1887 Queen Victoria celebrated her Golden Jubilee \u2014 fifty years on the throne. Across Britain, drawing rooms held \u00e9tag\u00e8res exactly like this one with needlepoint panels, and women worked at them reading The Lady<\/em>. The thistle in the crest was not merely ornament \u2014 it was a declaration of loyalty.<\/p>\n
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\u269c\ufe0f MAKER AND MAKER’S MARK<\/strong><\/p>\n
No visible maker’s mark is present. The carving style \u2014 particularly the thistle crest and the diamond treillis<\/em> pattern on the frame sides \u2014 points to a Scottish or northern English<\/strong> joinery tradition. Walnut<\/strong> was the prestige furniture timber of the Victorian period in Britain, lending the deep, rich tone associated with the dramatically furnished Victorian salon interior. The brass corner mounts on the needlework frame are a carefully worked detail, pointing to high-level craftsmanship rather than mass production.<\/p>\n
The punto in croce<\/em> (cross-stitch) needlepoint with yellow and burgundy roses appears to be original and contemporary with the \u00e9tag\u00e8re \u2014 a valuable addition, since the great majority of comparable pieces are sold without their original panel.<\/p>\n
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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
\u00c9tag\u00e8res with a preserved original needlepoint panel<\/strong> and thistle carving are considerably rarer than empty counterparts. The combination of three elements \u2014 the upper needlework stand, the embroidery, and two serpentine<\/em> shelves \u2014 in one visually cohesive object is unusual. Victorian furniture with Scottish symbolism is experiencing steady growing demand in Britain, the United States, Canada, and Australia, where people of Scottish heritage actively collect objects connected with cultural identity.<\/p>\n
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\ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n
In a living room or library this \u00e9tag\u00e8re is a narratively rich object \u2014 the upper tier holds a book, a magazine rack, or a decorative piece; the two lower shelves serve antiques, potted plants, or books. In a bedroom it evokes the boudoir<\/em> \u2014 sewing materials, journals, small decorative objects. In an English, Scottish, or eclectic interior it is an immediate cultural-historical accent. Interior photographers use it as a “storytelling” element \u2014 the embroidered roses, brass, and thistle together conjure an atmosphere that instantly recalls the 19th century.<\/p>\n
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\ud83c\udf81 GIFT AND PERSONALISATION<\/strong><\/p>\n
This \u00e9tag\u00e8re is a refined gift for anyone with Scottish roots or an interest in British culture \u2014 it carries both national symbolism and practical utility. As a gift for a woman with an interest in needlework or antique furniture \u2014 ideal. It would equally suit an English or Scottish-themed caf\u00e9 or hotel interior.<\/p>\n
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\ud83d\udd0d CONDITION<\/strong><\/p>\n
The walnut frame and shelves are in generally good condition with age-appropriate patina. The carving is preserved. The brass corner mounts on the needlework frame are preserved with natural oxidation patina. The needlepoint embroidery is preserved with minor wear and toning consistent with age. The legs show wear scratches. The condition of the item is fully reflected in the photographs.<\/p>\n","protected":false},"excerpt":{"rendered":"
Riekstkoka tr\u012bs plauktu eta\u017e\u0113rs ar iz\u0161\u016bta gobele\u0146a pane\u013ca (punto in croce<\/em> rozes) un misi\u0146a naglojumu aug\u0161\u0113j\u0101 s\u0113dek\u013ca r\u0101m\u012b. Vainag\u0101 \u2014 Skotijas dadzis ar akantus lap\u0101m. Viktori\u0101nisms \/ Belle \u00c9poque, Anglija vai Skotija, ap 1870.\u20131900. Augstums 106,5 cm \u00d7 platums 43 cm \u00d7 dzi\u013cums 33 cm.<\/p>\n","protected":false},"featured_media":27478,"template":"","meta":[],"product_brand":[],"product_cat":[216,207,204],"product_tag":[],"class_list":["post-27477","product","type-product","status-publish","has-post-thumbnail","product_cat-konsoles","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/27477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/27478"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=27477"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=27477"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=27477"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=27477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}