{"id":26839,"date":"2024-06-10T13:48:27","date_gmt":"2024-06-10T10:48:27","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=26839"},"modified":"2026-09-08T00:03:39","modified_gmt":"2026-09-07T21:03:39","slug":"58218","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/58218\/","title":{"rendered":"Liela Izm\u0113ra Apollona Biste D\u0101rzam, Neoklasicisms, \u010duguna l\u0113jums, Eiropa, ap 1880.\u20131930. \u013boti, \u013boti Smaga (4858)"},"content":{"rendered":"

Belvederes Apollona biste d\u0101rzam \u2014 Neoklasicisms, \u010duguna l\u0113jums, Eiropa, ap 1880.\u20131930.<\/strong><\/p>\n

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\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Augstums 76 cm \u00d7 platums 60 cm. Materi\u0101ls: liestu \u010duguns ar tum\u0161i graf\u012bta patinu. Svars: \u013coti, \u013coti smags \u2014 mas\u012bvs industri\u0101lais l\u0113jums, kas paredz\u0113ts \u0101ra un d\u0101rza lietojumam.<\/p>\n

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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n

\u0160\u012b biste ir tie\u0161a dialoga turpin\u0101jums ar vienu no slaven\u0101kajiem ant\u012bk\u0101s pasaules m\u0101kslas darbiem \u2014 Belvederes Apollonu<\/strong>, Vatik\u0101na muzeja marmora \u0161edevru, ko ant\u012bkais pasaule rad\u012bja k\u0101 gaismas, skaistuma, m\u016bzikas un pravieto\u0161anas dieva iemiesojumu. Kad 15. gadsimt\u0101 \u0161\u012b skulpt\u016bra tika atrasta un non\u0101ca Vatik\u0101na kolekcij\u0101, t\u0101 k\u013cuva par Eiropas m\u0101kslas kanona pamatakmeni \u2014 standartu, p\u0113c kura m\u0113r\u012bja ide\u0101lo v\u012bri\u0161\u0137o skaistumu un dievi\u0161\u0137o cie\u0146u.<\/p>\n

    \n
  1. gadsimta Neoklasicisms \u0161o t\u0113lu p\u0101r\u0146\u0113ma ar entuziasmu. Apollons k\u013cuva par visbie\u017e\u0101k reproduc\u0113to ant\u012bko t\u0113lu Eiropas parkos, d\u0101rzos, bibliot\u0113k\u0101s un reprezentat\u012bvaj\u0101s telp\u0101s. Lielas \u010duguna bisti\u0146as un skulpt\u016bras p\u0113c Apollona Belvederes mode\u013ca ra\u017eoja ang\u013cu, skotu, fran\u010du un v\u0101cu \u010duguna liejn\u012bcas \u2014 t\u0101s rot\u0101ja mui\u017eu parkus, bot\u0101niskos d\u0101rzus un pils\u0113tas publisk\u0101s telpas no Edinburgas l\u012bdz Sanktp\u0113terburgai.<\/li>\n<\/ol>\n

    \u0160\u012b konkr\u0113t\u0101 biste tveic to br\u012bdi, ko ant\u012bkais t\u0113lnieks iem\u016b\u017ein\u0101ja marmmor\u0101 \u2014 Apollonu t\u016bl\u012bt p\u0113c bultas palai\u0161anas: \u0137ermenis v\u0113l tur loka atbalsi, skatiens seko bultai t\u0101lien\u0113 ar augstpr\u0101t\u012bgu, gandr\u012bz dievi\u0161\u0137u p\u0101rliec\u012bbu. D\u0101rza kontekst\u0101 \u0161is skats \u2014 Apollons, kas no paaugstin\u0101juma raug\u0101s t\u0101lum\u0101 \u2014 ir viens no vizu\u0101li sp\u0113c\u012bg\u0101kajiem iespaidiem, ko var rad\u012bt ar skulpt\u016bru.<\/p>\n

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    \u269c\ufe0f RA\u017dOT\u0100JS UN TRAD\u012aCIJA<\/strong><\/p>\n

    Uz bisti\u0146as nav redzams konkr\u0113ts ra\u017eot\u0101ja z\u012bmogs vai liejn\u012bcas mar\u0137\u0113jums \u2014 pamatnes apak\u0161a ir gluda, bez iespiedumiem. Tas ir tipisks liela form\u0101ta d\u0101rza \u010duguna skulpt\u016br\u0101m, ko ra\u017eoja specializ\u0113tas liejn\u012bcas vis\u0101 Eirop\u0101 19. gadsimta otraj\u0101 pus\u0113 un 20. gadsimta s\u0101kum\u0101.<\/p>\n

    Apollona Belvederes reprodukcija \u010duguna l\u0113jum\u0101 bija viena no popul\u0101r\u0101kaj\u0101m ang\u013cu d\u0101rza skulpt\u016bru liejn\u012bcu prec\u0113m \u2014 slaven\u0101s Coalbrookdale Company<\/strong> Anglij\u0101, Val d’Osne<\/strong> Francij\u0101 un daudzas v\u0101cu un be\u013c\u0123u liejn\u012bcas produc\u0113ja \u0161\u0101das bisti\u0146as un pilna auguma fig\u016bras bag\u0101t\u0101ko Eiropas mui\u017eu un parku pas\u016bt\u012bjumiem. Tum\u0161i graf\u012bta-meln\u0101 patina ar vecuma baltin\u0101jumu uz augst\u0101kajiem izvirz\u012bjumiem ir dabisk\u0101 \u010duguna “noveco\u0161anas” rezult\u0101ts \u2014 tas pie\u0161\u0137ir skulpt\u016brai to pa\u0161u cie\u0146u, ko marmmoram pie\u0161\u0137ir laika erozija.<\/p>\n

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    \ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n

    Apollons \u2014 saules, gaismas, m\u016bzikas, dzejas un pravieto\u0161anas dievs \u2014 ir univers\u0101ls izcil\u012bbas simbols, kas p\u0101rsniedz laikmetu un kult\u016bru robe\u017eas. \u0160\u0101da skulpt\u016bra ir reprezentat\u012bvas d\u0101vanas materi\u0101ls augst\u0101k\u0101 l\u012bme\u0146a sakariem<\/strong> \u2014 kult\u016bras ministram, universit\u0101tes rektoram, izcilam \u0101rstam vai juristam, m\u016bzi\u0137im, arhitektam vai ikvienam, kura dz\u012bves ce\u013c\u0161 saist\u012bts ar skaistumu, zin\u0101\u0161an\u0101m un vad\u012bbas sp\u0113ju.<\/p>\n

    Horoskopa dimensij\u0101 Apollons ir sevi\u0161\u0137i tuva d\u0101vana Dv\u012b\u0146u z\u012bmes<\/strong> cilv\u0113kiem (22. maijs \u2013 21. j\u016bnijs)<\/em> \u2014 intelektu\u0101lajiem, daudzpus\u012bgajiem, komunikat\u012bvajiem \u2014 kuriem Apollons k\u0101 m\u016bzikas, dzejas un paties\u012bbas dievs ir dabisks patrona arhetips. T\u0101pat Apollons rezon\u0113 ar Str\u0113lnieka z\u012bmi<\/strong> (22. novembris \u2013 21. decembris)<\/em> \u2014 bultas palai\u0161anas moments ir tie\u0161i Sagit\u0101rija ener\u0123ija: m\u0113r\u0137tiec\u012bga, t\u0101lu raido\u0161a, br\u012bva.<\/p>\n

    D\u0101rz\u0101 novietota, \u0161\u012b biste k\u013c\u016bst par m\u016b\u017e\u012bgu piemi\u0146u \u2014 vietu, pie kuras atgrie\u017eas.<\/p>\n

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    \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n

    Liela form\u0101ta \u010duguna d\u0101rza bistes p\u0113c Belvederes Apollona<\/strong> mode\u013ca ar \u0161\u0101du augstumu (76 cm) un saglab\u0101tu ori\u0123in\u0101lo patinu ir arvien ret\u0101k sastopamas antikv\u0101ru tirg\u016b \u2014 liel\u0101k\u0101 da\u013ca ir vai nu boj\u0101tas laika apst\u0101k\u013cu ietekm\u0113, vai anon\u012bmi p\u0101rkr\u0101sotas. \u0160is eksempl\u0101rs ar t\u0101 autentisko graf\u012bta-melno virsmu un vecuma baltin\u0101jumu saglab\u0101jis savu ori\u0123in\u0101lo est\u0113tisko identit\u0101ti.<\/p>\n

    Piepras\u012bjums p\u0113c klasisk\u0101m \u010duguna d\u0101rza skulpt\u016br\u0101m stabili aug gan Eiropas, gan starptautiskaj\u0101 tirg\u016b \u2014 \u012bpa\u0161i no d\u0101rza arhitektiem, priv\u0101to mui\u017eu \u012bpa\u0161niekiem un viesn\u012bcu un SPA kompleksu dizaineriem.<\/p>\n

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    \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n

    \u0160\u012b biste ir rad\u012bta \u0101ra lietojumam \u2014 d\u0101rz\u0101 uz akmens postamenta, park\u0101, terras\u0113 vai pie ieejas durv\u012bm. \u010cuguns ir iztur\u012bgs pret laika apst\u0101k\u013ciem, un dabisk\u0101 za\u013c\u0101 patina, ko met\u0101ls veido gadu gait\u0101, v\u0113l vair\u0101k padzi\u013cina skulpt\u016bras “ant\u012bkumu”. Klasiskos ang\u013cu un fran\u010du mui\u017eas d\u0101rza stilos \u2014 starp apgrieztiem dz\u012bv\u017eogiem vai ro\u017eu dob\u0113s \u2014 Apollons ir ide\u0101ls fokusa elements.<\/p>\n

    Iek\u0161telpu lietojum\u0101 \u2014 vestibil\u0101, bibliot\u0113k\u0101 vai uz mas\u012bvas koka konsoles \u2014 t\u0101 gravitas un izm\u0113rs uzreiz nosaka telpas kult\u016brv\u0113sturisko toni. Fotogr\u0101fiem tum\u0161ais \u010duguns uz za\u013ca d\u0101rza vai balta sniega fona rada izcilu vizu\u0101lo kontrastu.<\/p>\n

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    \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n

    Skulpt\u016bra kopum\u0101 lab\u0101 un dekorat\u012bvi reprezentat\u012bv\u0101 st\u0101vokl\u012b atbilsto\u0161i t\u0101s vecumam un materi\u0101lam. \u010cuguna virsma ar dabisko graf\u012bta-melno patinu un vecuma baltin\u0101jumu uz izvirz\u012btaj\u0101m virsm\u0101m. Pamatnes apak\u0161\u0101 redzamas nelielas materi\u0101la boj\u0101juma p\u0113das \u2014 iesp\u0113jams, ilgsto\u0161a d\u0101rza lietojuma vai uzglab\u0101\u0161anas rezult\u0101ts. Laure\u0101ta vainaga zon\u0101 redzamas nelielas nolup\u0161anas vietas, kas atkl\u0101j gai\u0161\u0101ku \u010duguna toni \u2014 tas ir autentiska vecuma paz\u012bme. Nav l\u016bzumu vai restaur\u0101cijas paz\u012bmju galvenajos kompoz\u012bcijas elementos.<\/p>\n

    Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n

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    \ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n

    Apollo Belvedere Bust for Garden \u2014 Neoclassicism, cast iron, Europe, circa 1880\u20131930.<\/strong><\/p>\n

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    \ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n

    Height 76 cm \u00d7 width 60 cm. Material: cast iron with a deep graphite-black patina. Weight: extremely heavy \u2014 a substantial industrial casting designed for outdoor and garden use.<\/p>\n

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    \ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, AND HISTORICAL CONTEXT<\/strong><\/p>\n

    This bust is a direct continuation of the dialogue with one of the most celebrated works of the ancient world \u2014 the Apollo Belvedere<\/strong>, the marble masterpiece of the Vatican Museums, created by antiquity as the embodiment of the god of light, beauty, music, and prophecy. When this sculpture was rediscovered in the 15th century and entered the Vatican collection, it became a cornerstone of the European artistic canon \u2014 the standard against which ideal masculine beauty and divine dignity were measured.<\/p>\n

    19th-century Neoclassicism embraced this image with enthusiasm. Apollo became the most frequently reproduced antique figure in European parks, gardens, libraries, and representative spaces. Large cast-iron busts and full-figure sculptures after the Apollo Belvedere were produced by English, Scottish, French, and German iron foundries \u2014 they adorned the parks of country houses, botanical gardens, and urban public spaces from Edinburgh to St. Petersburg.<\/p>\n

    This bust captures the moment the ancient sculptor immortalised in marble \u2014 Apollo immediately after releasing the arrow: the body still holds the echo of the bow, the gaze follows the arrow into the distance with an almost divine certainty. In a garden context, this image \u2014 Apollo gazing from an elevated position into the far distance \u2014 is one of the most visually powerful effects that sculpture can achieve.<\/p>\n

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    \u269c\ufe0f MAKER’S MARK AND TRADITION<\/strong><\/p>\n

    No specific maker’s mark or foundry stamp is visible on the bust \u2014 the underside of the base is smooth and unmarked. This is characteristic of large-format garden cast-iron sculptures produced by specialised foundries throughout Europe in the second half of the 19th century and early 20th century.<\/p>\n

    The reproduction of the Apollo Belvedere in cast iron was among the most popular products of the English garden sculpture foundries \u2014 the celebrated Coalbrookdale Company<\/strong> in England, Val d’Osne<\/strong> in France, and numerous German and Belgian foundries produced busts and full-figure versions for the grandest European estates and parks. The deep graphite-black patina with age-whitening on the highest relief points is the natural result of cast iron’s ageing process \u2014 it lends the sculpture the same dignity that time and erosion grant to marble.<\/p>\n

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    \ud83c\udf81 GIFT AND PERSONALISATION<\/strong><\/p>\n

    Apollo \u2014 god of the sun, light, music, poetry, and prophecy \u2014 is a universal symbol of excellence that transcends the boundaries of era and culture. A sculpture of this kind represents gift material at the highest level of representation<\/strong> \u2014 for a minister of culture, a university rector, a distinguished physician or lawyer, a musician, an architect, or anyone whose life’s path is bound to beauty, knowledge, and leadership.<\/p>\n

    In astrological terms, Apollo is a particularly resonant gift for those born under Gemini<\/strong> (22 May \u2013 21 June)<\/em> \u2014 the intellectual, versatile, communicative sign for whom Apollo as god of music, poetry, and truth is a natural patron archetype. Apollo resonates equally with Sagittarius<\/strong> (22 November \u2013 21 December)<\/em> \u2014 the moment of the arrow’s release is precisely Sagittarian energy: purposeful, far-reaching, free.<\/p>\n

    Placed in a garden, this bust becomes a permanent memorial \u2014 a place to which one returns.<\/p>\n

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    \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n

    Large-format cast-iron garden busts after the Apollo Belvedere at this height (76 cm) with an intact original patina are increasingly rare on the antiques market \u2014 the majority have either suffered damage from weathering or been anonymously repainted over time. This example, with its authentic graphite-black surface and age-whitening, has preserved its original aesthetic identity.<\/p>\n

    Demand for classical cast-iron garden sculptures is growing steadily in both European and international markets \u2014 particularly from garden architects, private estate owners, and hotel and spa designers.<\/p>\n

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    \ud83d\udd6f\ufe0f USE IN INTERIOR DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n

    This bust was made for outdoor use \u2014 in a garden on a stone plinth, in a park, on a terrace, or flanking an entrance. Cast iron is weather-resistant, and the natural green patina the metal develops over the years further deepens the sculpture’s “antique” quality. In the classic English and French country house garden styles \u2014 between clipped hedges or in a rose garden \u2014 Apollo is an ideal focal element.<\/p>\n

    For interior use \u2014 in a vestibule, library, or on a solid timber console \u2014 its gravitas and scale immediately establish the cultural-historical tone of the space. For photographers, the dark cast iron against a green garden or white snow background creates outstanding visual contrast.<\/p>\n

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    \ud83d\udd0d CONDITION<\/strong><\/p>\n

    The sculpture is in overall good and decoratively representative condition consistent with its age and material. The cast-iron surface retains its natural graphite-black patina with age-whitening on the relief highlights. Minor material wear is visible on the underside of the base \u2014 likely the result of prolonged garden use or storage. Small areas of surface loss are present in the laurel wreath zone, revealing a lighter cast-iron tone beneath \u2014 an authentic sign of age. No breaks or evidence of restoration are present on the principal compositional elements.<\/p>\n

    The condition of the piece is fully represented in the photographs.<\/strong><\/p>\n

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    Belvederes biste d\u0101rzam \u2014 Neoklasicisms, \u010duguna l\u0113jums, Eiropa, ap 1880.\u20131930.<\/strong><\/p>\n

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    \ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

    Augstums 76 cm \u00d7 platums 60 cm. Materi\u0101ls: liestu \u010duguns ar tum\u0161i graf\u012bta patinu. Svars: \u013coti, \u013coti smags \u2014 mas\u012bvs industri\u0101lais l\u0113jums, kas paredz\u0113ts \u0101ra un d\u0101rza lietojumam.<\/p>\n

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    \ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n

    \u0160\u012b biste ir tie\u0161a dialoga turpin\u0101jums ar vienu no slaven\u0101kajiem ant\u012bk\u0101s pasaules m\u0101kslas darbiem \u2014 Apollonu Belvederi<\/strong>, Vatik\u0101na muzeja marmora \u0161edevru, ko ant\u012bkais pasaule rad\u012bja k\u0101 gaismas, skaistuma, m\u016bzikas un pravieto\u0161anas dieva iemiesojumu. Kad 15. gadsimt\u0101 \u0161\u012b skulpt\u016bra tika atrasta un non\u0101ca Vatik\u0101na kolekcij\u0101, t\u0101 k\u013cuva par Eiropas m\u0101kslas kanona pamatakmeni \u2014 standartu, p\u0113c kura m\u0113r\u012bja ide\u0101lo v\u012bri\u0161\u0137o skaistumu un dievi\u0161\u0137o cie\u0146u.<\/p>\n

      \n
    1. gadsimta Neoklasicisms \u0161o t\u0113lu p\u0101r\u0146\u0113ma ar entuziasmu. Apollons k\u013cuva par visbie\u017e\u0101k reproduc\u0113to ant\u012bko t\u0113lu Eiropas parkos, d\u0101rzos, bibliot\u0113k\u0101s un reprezentat\u012bvaj\u0101s telp\u0101s. Lielas \u010duguna bisti\u0146as un skulpt\u016bras p\u0113c Apollona Belvederes mode\u013ca ra\u017eoja ang\u013cu, skotu, fran\u010du un v\u0101cu \u010duguna liejn\u012bcas \u2014 t\u0101s rot\u0101ja mui\u017eu parkus, bot\u0101niskos d\u0101rzus un pils\u0113tas publisk\u0101s telpas no Edinburgas l\u012bdz Sanktp\u0113terburgai.<\/li>\n<\/ol>\n

      \u0160\u012b konkr\u0113t\u0101 biste tveic to br\u012bdi, ko ant\u012bkais t\u0113lnieks iem\u016b\u017ein\u0101ja marmmor\u0101 \u2014 Apollonu t\u016bl\u012bt p\u0113c bultas palai\u0161anas: \u0137ermenis v\u0113l tur loka atbalsi, skatiens seko bultai t\u0101lien\u0113 ar augstpr\u0101t\u012bgu, gandr\u012bz dievi\u0161\u0137u p\u0101rliec\u012bbu. D\u0101rza kontekst\u0101 \u0161is skats \u2014 Apollons, kas no paaugstin\u0101juma raug\u0101s t\u0101lum\u0101 \u2014 ir viens no vizu\u0101li sp\u0113c\u012bg\u0101kajiem iespaidiem, ko var rad\u012bt ar skulpt\u016bru.<\/p>\n

      \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n

      \u269c\ufe0f RA\u017dOT\u0100JS UN TRAD\u012aCIJA<\/strong><\/p>\n

      Uz bisti\u0146as nav redzams konkr\u0113ts ra\u017eot\u0101ja z\u012bmogs vai liejn\u012bcas mar\u0137\u0113jums \u2014 pamatnes apak\u0161a ir gluda, bez iespiedumiem. Tas ir tipisks liela form\u0101ta d\u0101rza \u010duguna skulpt\u016br\u0101m, ko ra\u017eoja specializ\u0113tas liejn\u012bcas vis\u0101 Eirop\u0101 19. gadsimta otraj\u0101 pus\u0113 un 20. gadsimta s\u0101kum\u0101.<\/p>\n

      Apollona Belvederes reprodukcija \u010duguna l\u0113jum\u0101 bija viena no popul\u0101r\u0101kaj\u0101m ang\u013cu d\u0101rza skulpt\u016bru liejn\u012bcu prec\u0113m \u2014 slaven\u0101s Coalbrookdale Company<\/strong> Anglij\u0101, Val d’Osne<\/strong> Francij\u0101 un daudzas v\u0101cu un be\u013c\u0123u liejn\u012bcas produc\u0113ja \u0161\u0101das bisti\u0146as un pilna auguma fig\u016bras bag\u0101t\u0101ko Eiropas mui\u017eu un parku pas\u016bt\u012bjumiem. Tum\u0161i graf\u012bta-meln\u0101 patina ar vecuma baltin\u0101jumu uz augst\u0101kajiem izvirz\u012bjumiem ir dabisk\u0101 \u010duguna “noveco\u0161anas” rezult\u0101ts \u2014 tas pie\u0161\u0137ir skulpt\u016brai to pa\u0161u cie\u0146u, ko marmmoram pie\u0161\u0137ir laika erozija.<\/p>\n

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      \ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n

      Apollons \u2014 saules, gaismas, m\u016bzikas, dzejas un pravieto\u0161anas dievs \u2014 ir univers\u0101ls izcil\u012bbas simbols, kas p\u0101rsniedz laikmetu un kult\u016bru robe\u017eas. \u0160\u0101da skulpt\u016bra ir reprezentat\u012bvas d\u0101vanas materi\u0101ls augst\u0101k\u0101 l\u012bme\u0146a sakariem<\/strong> \u2014 kult\u016bras ministram, universit\u0101tes rektoram, izcilam \u0101rstam vai juristam, m\u016bzi\u0137im, arhitektam vai ikvienam, kura dz\u012bves ce\u013c\u0161 saist\u012bts ar skaistumu, zin\u0101\u0161an\u0101m un vad\u012bbas sp\u0113ju.<\/p>\n

      Horoskopa dimensij\u0101 Apollons ir sevi\u0161\u0137i tuva d\u0101vana Dv\u012b\u0146u z\u012bmes<\/strong> cilv\u0113kiem (22. maijs \u2013 21. j\u016bnijs)<\/em> \u2014 intelektu\u0101lajiem, daudzpus\u012bgajiem, komunikat\u012bvajiem \u2014 kuriem Apollons k\u0101 m\u016bzikas, dzejas un paties\u012bbas dievs ir dabisks patrona arhetips. T\u0101pat Apollons rezon\u0113 ar Str\u0113lnieka z\u012bmi<\/strong> (22. novembris \u2013 21. decembris)<\/em> \u2014 bultas palai\u0161anas moments ir tie\u0161i Sagit\u0101rija ener\u0123ija: m\u0113r\u0137tiec\u012bga, t\u0101lu raido\u0161a, br\u012bva.<\/p>\n

      D\u0101rz\u0101 novietota, \u0161\u012b biste k\u013c\u016bst par m\u016b\u017e\u012bgu piemi\u0146u \u2014 vietu, pie kuras atgrie\u017eas.<\/p>\n

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      \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n

      Liela form\u0101ta \u010duguna d\u0101rza bisti\u0146as p\u0113c Apollona Belvederes mode\u013ca ar \u0161\u0101du augstumu (76 cm) un saglab\u0101tu ori\u0123in\u0101lo patinu ir arvien ret\u0101k sastopamas antikv\u0101ru tirg\u016b \u2014 liel\u0101k\u0101 da\u013ca ir vai nu boj\u0101tas laika apst\u0101k\u013cu ietekm\u0113, vai anon\u012bmi p\u0101rkr\u0101sotas. \u0160is eksempl\u0101rs ar t\u0101 autentisko graf\u012bta-melno virsmu un vecuma baltin\u0101jumu saglab\u0101jis savu ori\u0123in\u0101lo est\u0113tisko identit\u0101ti.<\/p>\n

      Piepras\u012bjums p\u0113c klasisk\u0101m \u010duguna d\u0101rza skulpt\u016br\u0101m stabili aug gan Eiropas, gan starptautiskaj\u0101 tirg\u016b \u2014 \u012bpa\u0161i no d\u0101rza arhitektiem, priv\u0101to mui\u017eu \u012bpa\u0161niekiem un viesn\u012bcu un SPA kompleksu dizaineriem.<\/p>\n

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      \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n

      \u0160\u012b biste ir rad\u012bta \u0101ra lietojumam \u2014 d\u0101rz\u0101 uz akmens postamenta, park\u0101, terras\u0113 vai pie ieejas durv\u012bm. \u010cuguns ir iztur\u012bgs pret laika apst\u0101k\u013ciem, un dabisk\u0101 za\u013c\u0101 patina, ko met\u0101ls veido gadu gait\u0101, v\u0113l vair\u0101k padzi\u013cina skulpt\u016bras “ant\u012bkumu”. Klasiskos ang\u013cu un fran\u010du mui\u017eas d\u0101rza stilos \u2014 starp apgrieztiem dz\u012bv\u017eogiem vai ro\u017eu dob\u0113s \u2014 Apollons ir ide\u0101ls fokusa elements.<\/p>\n

      Iek\u0161telpu lietojum\u0101 \u2014 vestibil\u0101, bibliot\u0113k\u0101 vai uz mas\u012bvas koka konsoles \u2014 t\u0101 gravitas un izm\u0113rs uzreiz nosaka telpas kult\u016brv\u0113sturisko toni. Fotogr\u0101fiem tum\u0161ais \u010duguns uz za\u013ca d\u0101rza vai balta sniega fona rada izcilu vizu\u0101lo kontrastu.<\/p>\n

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      \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n

      Skulpt\u016bra kopum\u0101 lab\u0101 un dekorat\u012bvi reprezentat\u012bv\u0101 st\u0101vokl\u012b atbilsto\u0161i t\u0101s vecumam un materi\u0101lam. \u010cuguna virsma ar dabisko graf\u012bta-melno patinu un vecuma baltin\u0101jumu uz izvirz\u012btaj\u0101m virsm\u0101m. Pamatnes apak\u0161\u0101 redzamas nelielas materi\u0101la boj\u0101juma p\u0113das \u2014 iesp\u0113jams, ilgsto\u0161a d\u0101rza lietojuma vai uzglab\u0101\u0161anas rezult\u0101ts. Laure\u0101ta vainaga zon\u0101 redzamas nelielas nolup\u0161anas vietas, kas atkl\u0101j gai\u0161\u0101ku \u010duguna toni \u2014 tas ir autentiska vecuma paz\u012bme. Nav l\u016bzumu vai restaur\u0101cijas paz\u012bmju galvenajos kompoz\u012bcijas elementos.<\/p>\n

      Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n

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      \ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n

      Apollo Belvedere Bust for Garden \u2014 Neoclassicism, cast iron, Europe, circa 1880\u20131930.<\/strong><\/p>\n

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      \ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n

      Height 76 cm \u00d7 width 60 cm. Material: cast iron with a deep graphite-black patina. Weight: extremely heavy \u2014 a substantial industrial casting designed for outdoor and garden use.<\/p>\n

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      \ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, AND HISTORICAL CONTEXT<\/strong><\/p>\n

      This bust is a direct continuation of the dialogue with one of the most celebrated works of the ancient world \u2014 the Apollo Belvedere<\/strong>, the marble masterpiece of the Vatican Museums, created by antiquity as the embodiment of the god of light, beauty, music, and prophecy. When this sculpture was rediscovered in the 15th century and entered the Vatican collection, it became a cornerstone of the European artistic canon \u2014 the standard against which ideal masculine beauty and divine dignity were measured.<\/p>\n

      19th-century Neoclassicism embraced this image with enthusiasm. Apollo became the most frequently reproduced antique figure in European parks, gardens, libraries, and representative spaces. Large cast-iron busts and full-figure sculptures after the Apollo Belvedere were produced by English, Scottish, French, and German iron foundries \u2014 they adorned the parks of country houses, botanical gardens, and urban public spaces from Edinburgh to St. Petersburg.<\/p>\n

      This bust captures the moment the ancient sculptor immortalised in marble \u2014 Apollo immediately after releasing the arrow: the body still holds the echo of the bow, the gaze follows the arrow into the distance with an almost divine certainty. In a garden context, this image \u2014 Apollo gazing from an elevated position into the far distance \u2014 is one of the most visually powerful effects that sculpture can achieve.<\/p>\n

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      \u269c\ufe0f MAKER’S MARK AND TRADITION<\/strong><\/p>\n

      No specific maker’s mark or foundry stamp is visible on the bust \u2014 the underside of the base is smooth and unmarked. This is characteristic of large-format garden cast-iron sculptures produced by specialised foundries throughout Europe in the second half of the 19th century and early 20th century.<\/p>\n

      The reproduction of the Apollo Belvedere in cast iron was among the most popular products of the English garden sculpture foundries \u2014 the celebrated Coalbrookdale Company<\/strong> in England, Val d’Osne<\/strong> in France, and numerous German and Belgian foundries produced busts and full-figure versions for the grandest European estates and parks. The deep graphite-black patina with age-whitening on the highest relief points is the natural result of cast iron’s ageing process \u2014 it lends the sculpture the same dignity that time and erosion grant to marble.<\/p>\n

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      \ud83c\udf81 GIFT AND PERSONALISATION<\/strong><\/p>\n

      Apollo \u2014 god of the sun, light, music, poetry, and prophecy \u2014 is a universal symbol of excellence that transcends the boundaries of era and culture. A sculpture of this kind represents gift material at the highest level of representation<\/strong> \u2014 for a minister of culture, a university rector, a distinguished physician or lawyer, a musician, an architect, or anyone whose life’s path is bound to beauty, knowledge, and leadership.<\/p>\n

      In astrological terms, Apollo is a particularly resonant gift for those born under Gemini<\/strong> (22 May \u2013 21 June)<\/em> \u2014 the intellectual, versatile, communicative sign for whom Apollo as god of music, poetry, and truth is a natural patron archetype. Apollo resonates equally with Sagittarius<\/strong> (22 November \u2013 21 December)<\/em> \u2014 the moment of the arrow’s release is precisely Sagittarian energy: purposeful, far-reaching, free.<\/p>\n

      Placed in a garden, this bust becomes a permanent memorial \u2014 a place to which one returns.<\/p>\n

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      \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n

      Large-format cast-iron garden busts after the Apollo Belvedere at this height (76 cm) with an intact original patina are increasingly rare on the antiques market \u2014 the majority have either suffered damage from weathering or been anonymously repainted over time. This example, with its authentic graphite-black surface and age-whitening, has preserved its original aesthetic identity.<\/p>\n

      Demand for classical cast-iron garden sculptures is growing steadily in both European and international markets \u2014 particularly from garden architects, private estate owners, and hotel and spa designers.<\/p>\n

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      \ud83d\udd6f\ufe0f USE IN INTERIOR DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n

      This bust was made for outdoor use \u2014 in a garden on a stone plinth, in a park, on a terrace, or flanking an entrance. Cast iron is weather-resistant, and the natural green patina the metal develops over the years further deepens the sculpture’s “antique” quality. In the classic English and French country house garden styles \u2014 between clipped hedges or in a rose garden \u2014 Apollo is an ideal focal element.<\/p>\n

      For interior use \u2014 in a vestibule, library, or on a solid timber console \u2014 its gravitas and scale immediately establish the cultural-historical tone of the space. For photographers, the dark cast iron against a green garden or white snow background creates outstanding visual contrast.<\/p>\n

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      \ud83d\udd0d CONDITION<\/strong><\/p>\n

      The sculpture is in overall good and decoratively representative condition consistent with its age and material. The cast-iron surface retains its natural graphite-black patina with age-whitening on the relief highlights. Minor material wear is visible on the underside of the base \u2014 likely the result of prolonged garden use or storage. Small areas of surface loss are present in the laurel wreath zone, revealing a lighter cast-iron tone beneath \u2014 an authentic sign of age. No breaks or evidence of restoration are present on the principal compositional elements.<\/p>\n

      The condition of the piece is fully represented in the photographs.<\/strong><\/p>\n

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      Belvederes Apollona biste d\u0101rzam \u2014 Neoklasicisms, \u010duguna l\u0113jums, Eiropa, ap 1880.\u20131930. \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015 \ud83d\udcd0 IZM\u0112RI Augstums 76 cm \u00d7 platums 60<\/p>\n","protected":false},"featured_media":26840,"template":"","meta":[],"product_brand":[],"product_cat":[232,204],"product_tag":[],"class_list":["post-26839","product","type-product","status-publish","has-post-thumbnail","product_cat-figuras-2","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/26839","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/26840"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=26839"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=26839"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=26839"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=26839"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}