{"id":26657,"date":"2024-05-31T09:59:48","date_gmt":"2024-05-31T06:59:48","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=26657"},"modified":"2026-09-08T00:01:19","modified_gmt":"2026-09-07T21:01:19","slug":"57949","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/57949\/","title":{"rendered":"Monument\u0101la Riekstukoka Konsole ar Sp\u0101rnotu Sfinksu un Maskaronu \u2014 Renesanses Historicisms, Francija\/Be\u013c\u0123ija, 19.gs. (4845)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Augstums 91 cm \u00d7 garums 108 cm \u00d7 dzi\u013cums 39,5 cm. \u0100rk\u0101rt\u012bgi smaga un mas\u012bva.<\/p>\n

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Monument\u0101la Riekstukoka Konsole ar Sp\u0101rnain\u0101m Sfinksu <\/strong>Kariat\u012bdu Fig\u016br\u0101m un Maskaronu \u2014 Renesanses Historicisms, Francija \/ Be\u013c\u0123ija, ap 1860.\u20131890.<\/strong><\/h3>\n

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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n

\u0160\u012b konsole ir viens no retajiem priek\u0161metiem, kas p\u0101rsniedz m\u0113be\u013cu kategorijas robe\u017eas un k\u013c\u016bst par skulpt\u016bru ar funkcion\u0101lu virsmu<\/strong>. T\u0101 pieder Belle \u00c9poque<\/strong> laikmeta augst\u0101kajam Renaissance Revival<\/strong> (Renesanses Historicisma<\/em>) izpausmju lokam \u2014 periodam, kad Napoleona III<\/strong> un Tre\u0161\u0101s Francijas Republikas liel\u0101s bur\u017eu\u0101zijas m\u0101jas un reprezentat\u012bv\u0101s telpas tika apr\u012bkotas ar priek\u0161metiem, kas sava dramatisma un ikonogr\u0101fisk\u0101 bag\u0101tuma zi\u0146\u0101 sacensties ar galmu m\u0113bel\u0113m.<\/p>\n

Konsoles centr\u0101lais t\u0113ls ir divi sp\u0101rnotie kari\u0101t\u012bdu<\/em> tipa busti<\/strong> \u2014 sievietes fig\u016bras ar sp\u0101rniem, kas att\u0113lotas k\u0101 sfinksu<\/em> vai viktoriju<\/em> hibr\u012bdi. \u0160\u0101ds t\u0113ls \u2014 sieviete ar sp\u0101rniem, kas nes svaru \u2014 ir tie\u0161a atsauce uz grie\u0137u un romie\u0161u arhitekt\u016bras<\/strong> kari\u0101t\u012bdu<\/em> trad\u012bciju, ko 19. gadsimt\u0101 Renesanses Historicisms<\/strong> aizguva un piel\u0101goja m\u0113be\u013cu skulpt\u016br\u0101. Centr\u0101 starp abiem sp\u0101rnainajiem bustiem atrodas maskarons<\/strong> \u2014 v\u012brie\u0161a seja ar izteiksm\u012bgu smaido\u0161u sejas izteiksmi, kas ir t\u012bra renesanses un manierisk\u0101 ornament\u0101 iesak\u0146ota trad\u012bcija.<\/p>\n

Pane\u013cos \u2014 groteski<\/em> (grottesche<\/em>) ar \u016brnu, akantus lap\u0101m un stiliz\u0113t\u0101m sejas mask\u0101m, kas nor\u0101da uz tie\u0161u it\u0101\u013cu Renesanses<\/strong> dekorat\u012bv\u0101s glezniec\u012bbas ietekmi, ko Francija absorb\u0113ja caur Fontenblo skolu jau 16. gadsimt\u0101 un tagad atk\u0101rtoja ar 19. gadsimta Historicisma entuziasmu.<\/p>\n

Galda virsmas parquetry<\/em> \u2014 tr\u012bsdimension\u0101ls kubiskais rombu raksts no vismaz trim koku sug\u0101m \u2014 ir augst\u0101k\u0101s klases \u00e9b\u00e9nisterie<\/em> darbs, kas parasti par\u0101d\u0101s tikai ekskluz\u012bvi pas\u016bt\u012btos m\u0113bel\u0113s.<\/p>\n

Belle \u00c9poque momentuz\u0146\u0113mums:<\/strong> 1867. gad\u0101 Par\u012bz\u0113 notika Pasaules izst\u0101de \u2014 visliel\u0101k\u0101 laikmeta notikums, kur\u0101 Francijas m\u0113be\u013cu ra\u017eot\u0101ji izst\u0101d\u012bja tie\u0161i \u0161\u0101da veida monument\u0101las konsoles k\u0101 nacion\u0101l\u0101 kokdarbu meistarsti\u0137a apliecin\u0101jumu. Imperatore Ei\u017eenija Montijo person\u012bgi apmekl\u0113ja m\u0113be\u013cu z\u0101les. \u0160\u012b konsole var\u0113ja st\u0101v\u0113t tie\u0161i tur.<\/p>\n

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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n

Redzama ra\u017eot\u0101ja mar\u0137\u0113juma nav. Fig\u016bru skulptur\u0101lais izpild\u012bjums \u2014 \u012bpa\u0161i sp\u0101rnoto kari\u0101t\u012bdu<\/em> seju portretisk\u0101 precizit\u0101te un maskarona rakstura dzi\u013cums \u2014 nor\u0101da uz pirmas klases Par\u012bzes vai Be\u013c\u0123ijas galdnieka un kokgriez\u0113ja<\/strong> roku. 19. gadsimta Francij\u0101 un Be\u013c\u0123ij\u0101 darboj\u0101s vair\u0101kas izcil\u0101k\u0101s menuiserie<\/em> un \u00e9b\u00e9nisterie<\/em> darbn\u012bcas, kas specializ\u0113j\u0101s tie\u0161i \u0161\u0101du monument\u0101lu, figurat\u012bvu m\u0113be\u013cu ra\u017eo\u0161an\u0101 pas\u016bt\u012bjum\u0101 \u2014 aristokr\u0101tiskajiem namiem, bankieru vill\u0101m un valsts iest\u0101d\u0113m. Kokgriezuma smalkums liecina par specializ\u0113tu sculpteur sur bois<\/em> (kokgriezuma t\u0113lnieka) iesaisti, kas str\u0101d\u0101ja kop\u0101 ar galdnieku \u2014 augst\u0101kais ra\u017eo\u0161anas standarts, k\u0101ds 19. gadsimt\u0101 bija iesp\u0113jams m\u0113be\u013cu nozar\u0113.<\/p>\n

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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n

\u0160\u0101da m\u0113roga un ikonogr\u0101fisk\u0101s programmas konsoles ir iev\u0113rojami retas gan Eiropas, gan starptautiskaj\u0101 antikv\u0101ru un izso\u013cu tirg\u016b. Kari\u0101t\u012bdu<\/em> tipa sp\u0101rnoto fig\u016bru kokgriezums m\u0113bel\u0113s ir \u0101rk\u0101rt\u012bgi pras\u012bga tehnika \u2014 ret\u0101k sastopama nek\u0101 jebkura ornament\u0101l\u0101 kokgriezuma forma. Parquetry<\/em> kubisk\u0101 rombu virsma papildus apliecina priek\u0161meta ekskluz\u012bvo izcelsmi. \u0160\u0101ds priek\u0161mets atrodas uz robe\u017eas starp antikv\u0101ro m\u0113beli<\/strong> un muzeja skulpt\u016bru<\/strong> \u2014 un tie\u0161i \u0161aj\u0101 robe\u017ejosl\u0101 tas ir visv\u0113rt\u012bg\u0101kais starptautiskaj\u0101s izsol\u0113s un pie augst\u0101k\u0101 l\u012bme\u0146a kolekcij\u0101m.<\/p>\n

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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n

\u0160\u012b konsole ir telpu veidojo\u0161s priek\u0161mets<\/strong> \u2014 t\u0101 nepieprasa kompaniju vai papildin\u0101jumus, lai defin\u0113tu telpas raksturu. Klasisk\u0101 vai neoromantiski eklektisk\u0101 interjer\u0101 ar augstiem griestiem un mol\u016br\u0113t\u0101m sien\u0101m t\u0101 ir absol\u016bta dominante. Bibliot\u0113k\u0101 vai kabinet\u0101 \u2014 t\u0113lniecisks un intelektu\u0101ls akcentkusums. Viesn\u012bcas vai pils priek\u0161nam\u0101 \u2014 nekav\u0113joties komunik\u0113 v\u0113sturi un grezn\u012bbu. Interjera fotogr\u0101fiem \u0161\u012b konsole ir ide\u0101l\u0101 “kulise” \u2014 t\u0101s figurat\u012bvais saturs piesaista skatienu un rada dzi\u013cumu pat vien\u0101 fotogr\u0101fij\u0101. Uz parquetry<\/em> virsmas dabiski atp\u016b\u0161as ant\u012bkas bronzas fig\u016bras vai lieli porcel\u0101na v\u0101zes.<\/p>\n

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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n

\u0160\u012b konsole ir reprezentat\u012bva d\u0101vana augst\u0101kaj\u0101 kategorij\u0101 \u2014 diplom\u0101tisk\u0101, korporat\u012bv\u0101 vai priv\u0101t\u0101 l\u012bmen\u012b, kur m\u0113rogs un v\u0113sturisk\u0101 noz\u012bme ir komunik\u0101cijas instrumenti. T\u0101 kalpo k\u0101 ieguld\u012bjuma priek\u0161mets \u2014 \u0161\u0101das konsoles v\u0113rt\u012bba laika gait\u0101 pieaug, nevis samazin\u0101s.<\/p>\n

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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n

Riekstukoka mas\u012bvs r\u0101mis un figurat\u012bvais kokgriezums visp\u0101r\u0113ji \u013coti lab\u0101 st\u0101vokl\u012b. Parquetry<\/em> virsma saglab\u0101jusies ar dab\u012bgu patinu un laika nolietojuma p\u0113d\u0101m. Sp\u0101rnoto kari\u0101t\u012bdu<\/em> fig\u016bras un maskarons struktur\u0101li veselas. Detaliz\u0113ts st\u0101vok\u013ca nov\u0113rt\u0113jums \u2014 skat\u012bt fotogr\u0101fijas. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n

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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n

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\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n

Height 91 cm \u00d7 length 108 cm \u00d7 depth 39.5 cm. Exceptionally heavy and monumental.<\/p>\n

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Monumental Walnut Console with Winged Sphinx Caryatids and Mascaron \u2014 Renaissance Historicism, France \/ Belgium, circa 1860\u20131890.<\/strong><\/h3>\n

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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n

This console is one of those rare objects that transcends the category of furniture and becomes sculpture with a functional surface<\/strong>. It belongs to the highest expression of Renaissance Revival<\/strong> Historicism within the Belle \u00c9poque<\/strong> \u2014 the period when the great bourgeoisie of Napoleonic and Republican France furnished their homes and representative spaces with objects that rivalled the furniture of royal courts in dramatic intensity and iconographic richness.<\/p>\n

The console’s central characters are two winged bust-type caryatids<\/strong> \u2014 female figures with wings depicted as sphinx or Victoria hybrids. This image \u2014 a woman with wings bearing weight \u2014 is a direct reference to the Greek and Roman architectural<\/strong> caryatid tradition, which 19th-century Renaissance Historicism<\/strong> borrowed and adapted into furniture sculpture. Between the two winged busts sits the mascaron<\/strong> \u2014 a man’s face with a characterful smiling expression, rooted in pure Renaissance and Mannerist ornamental tradition.<\/p>\n

The panels carry grottesche<\/em> \u2014 urns, acanthus leaves, and stylised face masks \u2014 pointing directly to Italian Renaissance<\/strong> decorative painting absorbed by France through the Fontainebleau School from the 16th century onward, and now reprised with 19th-century Historicist enthusiasm.<\/p>\n

The parquetry<\/em> top \u2014 a three-dimensional cubic rhombus pattern in at least three wood species \u2014 is \u00e9b\u00e9nisterie<\/em> of the highest order, appearing only in exclusively commissioned furniture.<\/p>\n

Belle \u00c9poque snapshot:<\/strong> In 1867 Paris hosted the World Exposition \u2014 the defining event of the era, at which France’s furniture makers displayed consoles of exactly this type as proof of national woodworking mastery. Empress Eug\u00e9nie de Montijo personally visited the furniture halls. This console could have stood there.<\/p>\n

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\u269c\ufe0f MAKER AND MAKER’S MARK<\/strong><\/p>\n

No visible maker’s mark is present. The sculptural execution of the figures \u2014 particularly the portraiture precision of the winged caryatid faces and the characterful depth of the mascaron \u2014 points to a first-rank Parisian or Belgian cabinetmaker and woodcarver<\/strong>. In 19th-century France and Belgium, several of the finest menuiserie<\/em> and \u00e9b\u00e9nisterie<\/em> workshops specialised in monumental figurative furniture on commission \u2014 for aristocratic houses, bankers’ villas, and state institutions. The carving quality indicates the involvement of a specialist sculpteur sur bois<\/em> working in collaboration with the cabinetmaker \u2014 the highest production standard available in 19th-century furniture making.<\/p>\n

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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n

Consoles of this scale and iconographic programme are notably rare in both European and international antique and auction markets. Winged caryatid-type figure carving in furniture is an exceptionally demanding technique \u2014 encountered far less frequently than any form of ornamental carving. The parquetry<\/em> cubic rhombus top further attests to the exclusive commission origin of the piece. This object sits on the boundary between antique furniture<\/strong> and museum sculpture<\/strong> \u2014 and it is precisely in this borderland that it commands the highest values in international auctions and at the most significant private collections.<\/p>\n

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\ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n

This console is a space-defining object<\/strong> \u2014 it requires no accompaniment or supplementary pieces to establish the character of a room. In a classical or neo-Romantic eclectic interior with high ceilings and moulded walls, it is the absolute dominant element. In a library or study \u2014 a sculptural and intellectual accent. In a hotel or ch\u00e2teau entrance \u2014 it instantly communicates history and distinction. For interior photographers this console is the ideal “stage set” \u2014 its figurative content draws the eye and creates depth even in a single photograph. The parquetry<\/em> surface naturally accommodates antique bronze figures or large porcelain vases.<\/p>\n

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\ud83c\udf81 GIFT AND PERSONALISATION<\/strong><\/p>\n

This console is a representative gift at the highest level \u2014 diplomatic, corporate, or private \u2014 where scale and historical significance are instruments of communication. It functions as an investment object: consoles of this quality appreciate in value over time.<\/p>\n

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\ud83d\udd0d CONDITION<\/strong><\/p>\n

The solid walnut frame and figurative carving are in generally very good condition. The parquetry<\/em> top is preserved with natural patina and age-appropriate wear. The winged caryatid figures and mascaron are structurally intact. Detailed condition assessment \u2014 see photographs. The condition of the item is fully reflected in the photographs.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mas\u012bva riekstukoka sienas konsole ar parquetry<\/em> virsmu, div\u0101m sp\u0101rnot\u0101m sfinksu<\/em> tipa fig\u016br\u0101m, maskarona<\/em> busti un Renesanses kokgriezuma pane\u013ciem. Historicisms \/ Renaissance Revival, Francija vai Be\u013c\u0123ija, ap 1860.\u20131890. Augstums 91 cm \u00d7 garums 108 cm \u00d7 dzi\u013cums 39,5 cm. \u0100rk\u0101rt\u012bgi smaga un monument\u0101la.<\/p>\n","protected":false},"featured_media":26658,"template":"","meta":[],"product_brand":[],"product_cat":[216,207,204],"product_tag":[],"class_list":["post-26657","product","type-product","status-publish","has-post-thumbnail","product_cat-konsoles","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/26657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/26658"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=26657"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=26657"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=26657"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=26657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}