{"id":26276,"date":"2024-05-26T22:28:33","date_gmt":"2024-05-26T19:28:33","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=26276"},"modified":"2026-09-07T23:56:16","modified_gmt":"2026-09-07T20:56:16","slug":"57450","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/57450\/","title":{"rendered":"Ro\u017ekoka Kumode ar E\u0146\u0123e\u013ciem, Saules Medaljonu un Breccia Marmoru \u2014 Luijs XV\/XVI, Francija, 19.gs. (4816)"},"content":{"rendered":"<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udcd0 <strong>IZM\u0112RI<\/strong> Augstums 87 cm \u00d7 garums 110 cm \u00d7 dzi\u013cums 52 cm. \u013boti smaga.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<h3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"><strong>Ro\u017ekoka Kumode ar Muzic\u0113jo\u0161iem E\u0146\u0123e\u013ciem, Saules Medaljonu un Breccia Marmora Virsmu \u2014 Luijs XV \/ Luijs XVI p\u0101rejas stils, Belle \u00c9poque, Francija, ap 1870.\u20131900.<\/strong><\/h3>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udfdb\ufe0f <strong>IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u0160\u012b kumode pieder <strong>Belle \u00c9poque<\/strong> \u2014 &#8220;Skaist\u0101 Laikmeta&#8221; \u2014 izcil\u0101kajam m\u0113be\u013cu \u017eanram: <em>commode en bombe<\/em> ar <em>ormolu<\/em> bronzas furnit\u016bru un marmora virsmu. <strong>Belle \u00c9poque<\/strong> ilga no 1871. l\u012bdz 1914. gadam, un tie\u0161i \u0161aj\u0101 period\u0101 <strong>Francija<\/strong> rad\u012bja viskonsekventi augst\u0101k\u0101s klases kumodes, kas reproduc\u0113ja un interpret\u0113ja <strong>Luija XV<\/strong> un <strong>Luija XVI<\/strong> trad\u012bciju ar jaun\u0101m tehniskaj\u0101m iesp\u0113j\u0101m un m\u0101ksliniecisko br\u012bv\u012bbu.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u0160is priek\u0161mets pieder tam \u0101rk\u0101rt\u012bgi augl\u012bgajam p\u0101rejas br\u012bdim, kad <strong>Luija XV<\/strong> stila <em>bombe<\/em> forma \u2014 izliekts fronts, vijo\u0161\u0101s k\u0101jas, asimetrisk\u0101 apak\u0161as <em>tablier<\/em> \u2014 v\u0113l tur\u0113ja savas proporcijas, bet <strong>Luija XVI<\/strong> discipl\u012bna jau atnesa simetrisku bronzas programmu un <em>marqueterie<\/em> <em>\u00e0 chevrons<\/em> furnieru. Abas est\u0113tikas \u0161eit sadz\u012bvo vien\u0101 objekt\u0101 ar retu harmoniju.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><em>Kingwood<\/em> jeb <em>bois de violette<\/em> \u2014 ro\u017ekoks \u2014 bija 18. gadsimta <strong>Versa\u013cas<\/strong> galdnieku m\u012b\u013c\u0101kais furniera materi\u0101ls. T\u0101 intens\u012bvi sarkanbronzas to\u0146i ar violetiem uzsv\u0101riem padara to par vizu\u0101li p\u0101rsteidzo\u0161\u0101ko Eiropas koksni, ko Francijai pieg\u0101d\u0101ja no Braz\u012blijas. <strong>Belle \u00c9poque<\/strong> kabinetisti to izmantoja k\u0101 apzin\u0101tu v\u0113sturisko atsauci \u2014 <em>kingwood<\/em> kumodes bija nek\u013c\u016bd\u012bgs sign\u0101ls par galma trad\u012bcijas turpin\u0101jumu.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Bronzas <em>ormolu<\/em> furnit\u016bras ikonogr\u0101fisk\u0101 programma \u0161aj\u0101 kumodes ir apzin\u0101ta un vienota: muzic\u0113jo\u0161i <em>putti<\/em> \u2014 e\u0146\u0123e\u013ci ar m\u016bzikas instrumentiem \u2014 k\u0101 atvilkt\u0146u rokturi; <em>Apollona<\/em> saules medaljons ar staru vainagu s\u0101nu panel\u012b; <em>maskarona<\/em> sievietes seja ar lapu vainagu apak\u0161as <em>tablier<\/em>; un <em>rocaille<\/em> k\u0101ju ap\u0161uvumi ar pu\u0137u mot\u012bviem. Tas ir ne tikai dekor\u0101cija \u2014 tas ir mitolo\u0123isks st\u0101sts par skaistumu, m\u016bziku un saules gaismu, kas iet\u0113rpts bronz\u0101.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Pj\u0113rs Ogiists Renu\u0101rs<\/strong> taj\u0101 laik\u0101 gleznoja savas slaven\u0101k\u0101s dan\u010du ainas \u2014 <strong><em>Bal du moulin de la Galette<\/em> <\/strong>(1876) un <strong><em>Deja Bougival\u0113<\/em> <\/strong>(1883) \u2014 kur\u0101s tie\u0161i \u0161\u0101da m\u0113be\u013cu bag\u0101t\u012bba rot\u0101ja fona salonus. M\u0101ksla un m\u0113bele <strong>Belle \u00c9poque<\/strong> Par\u012bz\u0113 bija nedal\u0101mas.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u269c\ufe0f <strong>RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Redzama ra\u017eot\u0101ja z\u012bmoga nav. Tom\u0113r bronzas <em>ormolu<\/em> furnit\u016bras izpildes l\u012bmenis \u2014 <em>putti<\/em> anatomisk\u0101 precizit\u0101te, saules medaljona deta\u013cu asums, <em>maskarona<\/em> sejas plastisk\u0101 ekspresija \u2014 nep\u0101rprotami nor\u0101da uz augst\u0101k\u0101s klases <strong>Par\u012bzes<\/strong> kabinetista darbn\u012bcu vai specializ\u0113tu bronzas <em>fondeur<\/em> sadarb\u012bbu ar <em>\u00e9b\u00e9niste<\/em>.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Par\u012bz\u0113<\/strong> 19. gadsimta otraj\u0101 pus\u0113 darboj\u0101s vair\u0101kas <em>maisons<\/em> \u2014 nami \u2014 kas specializ\u0113j\u0101s tie\u0161i \u0161\u0101d\u0101s <strong>Luija XV\/XVI<\/strong> stila <em>reproductions de qualit\u00e9<\/em>: <strong>Zwiener<\/strong>, <strong>Linke<\/strong>, <strong>Beurdeley<\/strong> un citi. \u0160\u012bs darbn\u012bcas ne tikai kop\u0113ja 18. gadsimta prototipos, bet rad\u012bja pa\u0161as savas bronzas programmas, kas da\u017ek\u0101rt p\u0101rsp\u0113ja ori\u0123in\u0101lus sav\u0101 plastiskaj\u0101 bag\u0101t\u012bb\u0101.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><em>Kingwood \u00e0 chevrons<\/em> \u2014 ro\u017ekoka <em>herringbone<\/em> furnieris ar smalku <em>tulipwood<\/em> ielaidumu gar mal\u0101m un s\u0101nu pane\u013cu \u0123eometriskie <em>parquetry<\/em> r\u0101m\u0113jumi \u2014 ir tipiska augst\u0101k\u0101s klases Par\u012bzes izpildes iez\u012bme, kas at\u0161\u0137ir \u0161o gabalu no provinci\u0101las vai sekund\u0101ras produkcijas.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udc8e <strong>RETUMS UN NOZ\u012aME<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><em>Commode en bombe<\/em> ar pilnu <em>ormolu<\/em> bronzas programmu \u2014 <em>putti<\/em> rokturiem, saules medaljonu, <em>maskarona<\/em> apak\u0161u un <em>rocaille<\/em> k\u0101ju ap\u0161uvumiem \u2014 \u0161\u0101d\u0101 integrit\u0101t\u0113 un \u0161\u0101d\u0101 <em>kingwood<\/em> furniera kvalit\u0101t\u0113 starptautiskaj\u0101 antikv\u0101ru tirg\u016b ir iev\u0113rojami piepras\u012bta. \u0160\u0101di gabali regul\u0101ri par\u0101d\u0101s Drouot, Christie&#8217;s un Sotheby&#8217;s izsol\u0113s k\u0101 augst\u0101k\u0101s klases <strong>Belle \u00c9poque<\/strong> <em>\u00e9b\u00e9nisterie<\/em> paraugi.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Bronzas <em>putti<\/em> \u2014 muzic\u0113jo\u0161i e\u0146\u0123e\u013ci \u2014 ir viens no <strong>Luija XV<\/strong> stila ikonisk\u0101kajiem mot\u012bviem, kas <strong>Belle \u00c9poque<\/strong> ieguva jaunu renesansi un \u0161obr\u012bd ir viens no kolekcion\u0101ru piepras\u012bt\u0101kajiem bronzas furnit\u016bras veidiem Par\u012bzes <em>salles des ventes<\/em>.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udd6f\ufe0f <strong>PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u0160\u012b kumode ir telpu centr\u0101lais akcents \u2014 t\u0101 ir pietiekami pla\u0161a, lai kalpotu k\u0101 galvenais m\u0113belis \u0113damistab\u0101, salon\u0101 vai gu\u013camistab\u0101, bet pietiekami kompakta, lai iek\u013cautos bez domin\u0113\u0161anas. <em>Breccia Violette<\/em> marmora s\u0101rtie, pel\u0113kie un violetie to\u0146i ar <em>kingwood<\/em> siltajiem sarkanbronzas to\u0146iem un zeltain\u0101 bronzas <em>ormolu<\/em> veido vienu no vizu\u0101li izsmalcin\u0101t\u0101kaj\u0101m kr\u0101su kombin\u0101cij\u0101m klasiskaj\u0101 interjera m\u0101ksl\u0101.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Interjera dizaineri izmanto \u0161\u0101du gabalu k\u0101 <em>pi\u00e8ce ma\u00eetresse<\/em> \u2014 galveno gabalu \u2014 ap kuru tiek veidota viss telpu komplekts. Fotogr\u0101fiem un <em>set design<\/em> speci\u0101listiem <em>bombe<\/em> forma un <em>ormolu<\/em> bronzas sp\u012bdums ir nep\u0101rsp\u0113jams fotofons.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udf81 <strong>D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Muzic\u0113jo\u0161i e\u0146\u0123e\u013ci \u2014 <em>putti<\/em> \u2014 ir m\u0101kslas, m\u016bzikas un b\u0113rni\u0161\u0137\u012bgas prieka simbols, kas \u0161o kumodi padara par iedvesmojo\u0161u d\u0101vanu m\u0101ksliniekiem, m\u016bzi\u0137iem vai ikvienam, kur\u0161 nov\u0113rt\u0113 skaistumu ar dzi\u013cu noz\u012bmi. Saules medaljons s\u0101nu panel\u012b nes <strong>Apollona<\/strong> \u2014 gaismas, m\u0101kslas un harmonijas dieva \u2014 simboliku. K\u0101 reprezentat\u012bva d\u0101vana augst\u0101kaj\u0101 l\u012bmen\u012b \u2014 neatk\u0101rtojama.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udd0d <strong>ST\u0100VOKLIS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Labs visp\u0101r\u0113jais st\u0101voklis priek\u0161metam \u0161\u0101da vecuma un klases m\u0113belei. <em>Kingwood<\/em> furnieris saglab\u0101jies labi \u2014 redzama dab\u012bga vecuma patina, smalkas kr\u0101sojuma to\u0146u vari\u0101cijas. <em>Breccia Violette<\/em> marmora virsma ar dab\u012bg\u0101m marmora tekst\u016bras \u012bpatn\u012bb\u0101m un vecuma patinu \u2014 autentiskuma apliecin\u0101jums. Bronzas <em>ormolu<\/em> furnit\u016bra \u2014 <em>putti<\/em>, saules medaljons, <em>maskarona<\/em> seja, k\u0101ju ap\u0161uvumi \u2014 ori\u0123in\u0101la, ar dabisku zeltainu patinu. Atvilkt\u0146i funkcion\u0101li, iek\u0161puse ozol\u0101.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\uddec\ud83c\udde7 <strong>DESCRIPTION IN ENGLISH<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udcd0 <strong>DIMENSIONS<\/strong> Height 87 cm \u00d7 width 110 cm \u00d7 depth 52 cm. Very heavy.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<h3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\"><strong>Kingwood Bombe Commode with Musical Cherubs, Sun Mascaron and Breccia Marble Top \u2014 Louis XV \/ Louis XVI Transition Style, Belle \u00c9poque, France, circa 1870\u20131900.<\/strong><\/h3>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udfdb\ufe0f <strong>PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">This commode belongs to the most distinguished furniture genre of the <strong>Belle \u00c9poque<\/strong> \u2014 the <em>commode en bombe<\/em> with <em>ormolu<\/em> bronze mounts and marble top. The <strong>Belle \u00c9poque<\/strong> lasted from 1871 to 1914, and it was during this period that <strong>France<\/strong> produced the most consistently high-quality commodes, reproducing and interpreting the <strong>Louis XV<\/strong> and <strong>Louis XVI<\/strong> tradition with new technical means and artistic ambition.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">This piece belongs to that extraordinarily fertile transitional moment when the <strong>Louis XV<\/strong> <em>bombe<\/em> form \u2014 curved front, scrolling legs, asymmetrical <em>tablier<\/em> apron \u2014 still held its proportions, while <strong>Louis XVI<\/strong> discipline was already bringing a symmetrical bronze programme and <em>marqueterie \u00e0 chevrons<\/em> veneer. Both aesthetics coexist here with rare harmony.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><em>Kingwood<\/em> \u2014 <em>bois de violette<\/em> \u2014 was the favourite veneer of 18th-century <strong>Versailles<\/strong> cabinetmakers. Its intensely red-bronze tones with violet undertones make it the most visually striking European wood, supplied to France from Brazil. <strong>Belle \u00c9poque<\/strong> cabinetmakers used it as a deliberate historical reference \u2014 <em>kingwood<\/em> commodes were an unmistakable signal of the continuation of the court tradition.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The bronze <em>ormolu<\/em> mount programme is deliberate and unified: musical <em>putti<\/em> \u2014 angels with instruments \u2014 as drawer handles; an <em>Apollo<\/em> sun mascaron with a ray crown on the side panel; a female <em>mascaron<\/em> mask with a laurel wreath on the <em>tablier<\/em> apron; and <em>rocaille<\/em> leg sabots with floral motifs. This is not merely decoration \u2014 it is a mythological narrative of beauty, music, and solar light, cast in bronze.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Pierre-Auguste Renoir<\/strong> was at that time painting his most celebrated dance scenes \u2014 <strong><em>Bal du moulin de la Galette<\/em> <\/strong>(1876) and <strong><em>Dance at Bougival<\/em><\/strong>(1883) \u2014 in which precisely this kind of furniture richness adorned the background salons. Art and furniture in <strong>Belle \u00c9poque<\/strong> Paris were inseparable.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u269c\ufe0f <strong>MAKER AND MARKS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">No visible maker&#8217;s mark. However, the execution level of the bronze <em>ormolu<\/em> mounts \u2014 the anatomical precision of the <em>putti<\/em>, the sharpness of the sun mascaron&#8217;s detail, the plastic expressiveness of the female mask \u2014 unmistakably points to a first-rank <strong>Paris<\/strong> cabinetmaker&#8217;s atelier, or a specialised bronze <em>fondeur<\/em> collaborating with an <em>\u00e9b\u00e9niste<\/em>.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">In <strong>Paris<\/strong> in the second half of the 19th century, several <em>maisons<\/em> specialised in precisely this kind of high-quality <strong>Louis XV\/XVI<\/strong> <em>reproduction<\/em>: <strong>Zwiener<\/strong>, <strong>Linke<\/strong>, <strong>Beurdeley<\/strong> and others. These workshops did not merely copy 18th-century prototypes; they created their own bronze programmes that sometimes surpassed the originals in plastic richness.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The <em>kingwood \u00e0 chevrons<\/em> veneer with a delicate <em>tulipwood<\/em> stringing along the edges and the geometric <em>parquetry<\/em> framing on the side panels is a characteristic mark of high-grade Parisian execution, distinguishing this piece from provincial or secondary production.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udc8e <strong>RARITY AND SIGNIFICANCE<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">A <em>commode en bombe<\/em> with a complete <em>ormolu<\/em> bronze programme \u2014 <em>putti<\/em> handles, sun mascaron, <em>mascarona<\/em> apron, and <em>rocaille<\/em> leg sabots \u2014 in this integrity and <em>kingwood<\/em> veneer quality is highly sought after on the international antiques market. Such pieces regularly appear at Drouot, Christie&#8217;s, and Sotheby&#8217;s as prime examples of <strong>Belle \u00c9poque<\/strong> <em>\u00e9b\u00e9nisterie<\/em>.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Musical <em>putti<\/em> \u2014 playing angels \u2014 are one of the most iconic motifs of the <strong>Louis XV<\/strong> style, which experienced a new renaissance in the <strong>Belle \u00c9poque<\/strong> and are currently among the most sought-after bronze mount types in the Parisian <em>salles des ventes<\/em>.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udd6f\ufe0f <strong>INTERIOR, DESIGN AND PHOTOGRAPHY USE<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">This commode is a room&#8217;s central accent \u2014 wide enough to serve as the principal piece in a dining room, salon, or bedroom, yet compact enough to integrate without dominating. The <em>Breccia Violette<\/em> marble&#8217;s pink, grey, and violet tones with <em>kingwood<\/em>&#8216;s warm red-bronze and the gilded <em>ormolu<\/em> bronze compose one of the most visually refined colour combinations in classical interior art.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Interior designers use such a piece as a <em>pi\u00e8ce ma\u00eetresse<\/em> \u2014 the master piece \u2014 around which the entire room ensemble is composed. For photographers and set designers, the <em>bombe<\/em> form and the <em>ormolu<\/em> bronze brilliance make an unsurpassable photographic backdrop.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udf81 <strong>AS A GIFT<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Musical <em>putti<\/em> \u2014 playing angels \u2014 are a symbol of art, music, and joyful innocence, making this commode an inspiring gift for artists, musicians, or anyone who values beauty with deep meaning. The sun mascaron on the side panel carries the symbolism of <strong>Apollo<\/strong> \u2014 god of light, art, and harmony. As a representative gift at the highest level \u2014 unrepeatable.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83d\udd0d <strong>CONDITION<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Good overall condition for a piece of this age and quality. The <em>kingwood<\/em> veneer well preserved \u2014 natural age patina visible, subtle tonal variations. The <em>Breccia Violette<\/em> marble top with natural marble texture characteristics and age patina \u2014 confirmation of authenticity. Bronze <em>ormolu<\/em> mounts \u2014 <em>putti<\/em>, sun mascaron, female mask, leg sabots \u2014 original, with a natural warm gilded patina. Drawers functional, oak interior.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The condition of the piece is fully reflected in the photographs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mas\u012bva ro\u017ekoka furniera kumode ar <em>bombe<\/em> frontu, Breccia Violette marmora virsmu un izcilas kvalit\u0101tes bronzas furnit\u016bru \u2014 muzic\u0113jo\u0161i e\u0146\u0123e\u013ci, saules medaljons s\u0101nos, maskarona seja apak\u0161\u0101. Luijs XV\/XVI, Francija, ap 1870.\u20131900. Augstums 87 cm \u00d7 garums 110 cm \u00d7 dzi\u013cums 52 cm.<\/p>\n","protected":false},"featured_media":26277,"template":"","meta":[],"product_brand":[],"product_cat":[221,207,204],"product_tag":[],"class_list":["post-26276","product","type-product","status-publish","has-post-thumbnail","product_cat-kumodes","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/26276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/26277"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=26276"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=26276"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=26276"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=26276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}