{"id":2619,"date":"2020-07-28T12:22:04","date_gmt":"2020-07-28T09:22:04","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=2619"},"modified":"2026-09-07T20:20:25","modified_gmt":"2026-09-07T17:20:25","slug":"fine-wood-carving-console-with-marble-surface-large-size-599","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/fine-wood-carving-console-with-marble-surface-large-size-599\/","title":{"rendered":"Smalka kokgriezumu Konsole \u2014 Luja XV \/ Rokoko stils, Francija, ap 1860\u20131890 (599)"},"content":{"rendered":"<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Augstums 73 cm \u00d7 Garums 113 cm \u00d7 Dzi\u013cums 48 cm<\/strong><\/p>\n<h3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\">Konsole \u2014 Luja XV \/ Rokoko stils, Francija, ap 1860\u20131890 (599)<\/h3>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Luja XV \/ Rokok\u014d stils. Francija. Aptuveni 1860\u20131890.<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Smalka un plastiska sienas konsole ozolkoka mas\u012bv\u0101 ar izcili dzi\u013cu un prec\u012bzu roku kokgriezumu \u2014 viens no reprezentat\u012bv\u0101kajiem <strong>Historicisma<\/strong> laikmeta <em>menuiserie<\/em> paraugiem, kas atk\u0101rto <strong>Luja XV<\/strong> dv\u0113seli ar br\u012bvu, dz\u012bv\u012bgu roku. \u010cetras graciozas <em>cabriole<\/em> tipa k\u0101jas ar izteiktu S-veida l\u012bkumu nosl\u0113dzas delik\u0101tos <em>vol\u016btu<\/em> gala elementos. Fr\u012bzi rot\u0101 bag\u0101t\u012bga, tr\u012bsdimension\u0101la atv\u0113rta <em>rocaille<\/em> kompoz\u012bcija: centr\u0101 \u2014 sul\u012bgs lapu un glieme\u017ev\u0101ku <em>kartu\u0161a<\/em>, ko ieskauj br\u012bvi teko\u0161as <em>akantus<\/em> lapas un <em>vol\u016btas<\/em>. Virs t\u0101s \u2014 rombveida restes (<em>treillis<\/em>) frizis ar per\u013cu apmali. Viss \u0161is dekors ir cirsts ar \u0101rk\u0101rt\u012bgu dzi\u013cumu \u2014 nevis plakana reljefu apdare, bet patiesi skulptur\u0101ls dai\u013camatniec\u012bbas darbs.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Galda virsma \u2014 dab\u012bga marmora pl\u0101tne iesild\u012bt\u0101 zeltaini-oker\u0101 ar horizont\u0101l\u0101m pel\u0113kbr\u016bn\u0101m dz\u012bsl\u0101m, kas atg\u0101dina pl\u016bsto\u0161u travert\u012bnu. \u0160is marmors ir klasisks Dienvidfrancijas vai It\u0101lijas iegulas tonis \u2014 <em>jaune de Sienne<\/em> vai <em>giallo reale<\/em> grupas akmens.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><em>\ud83c\uddf1\ud83c\uddfb Luja XV laikmeta momentuz\u0146\u0113mums:<\/em> Lion\u0101, 1878. gada ruden\u012b, galdnieks Anr\u012b O\u017ee bija tikko pabeidzis jauno konsoli pas\u016bt\u012bt\u0101jam \u2014 tekstilr\u016bpniekam no Ru\u0101nas. Vi\u0146\u0161 nolika uz marmora pl\u0101tnes vienu sveci, atk\u0101p\u0101s tr\u012bs so\u013cus atpaka\u013c un ar galvu nedaudz s\u0101\u0146us apl\u016bkoja fr\u012b\u017ea \u0113nu sp\u0113li. Priek\u0161mets bija pabeigts. Bet O\u017ee v\u0113l kav\u0113j\u0101s un nekust\u012bgi skat\u012bj\u0101s uz <em>kartu\u0161a<\/em> centra lapu \u2014 it k\u0101 gaid\u012btu, ka t\u0101 pakust\u0113sies.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Ra\u017eot\u0101js un mar\u0137\u0113jums.<\/strong> Z\u012bmogs nav redzams fotogr\u0101fij\u0101s. Rokdarba kvalit\u0101te \u2014 dzi\u013cums, br\u012bv\u012bba un anatomisk\u0101 precizit\u0101te kokgriezum\u0101 \u2014 nor\u0101da uz pieredz\u0113ju\u0161u galdnieku, kas str\u0101d\u0101ja Francijas provinc\u0113 vai Par\u012bz\u0113 Historicisma uzplaukuma period\u0101 (1860\u20131890). \u0160aj\u0101 laik\u0101 Francij\u0101 bija virkne darbn\u012bcu, kas specializ\u0113j\u0101s <em>style Louis XV<\/em> atdzim\u0161an\u0101 augst\u0101kajai <em>haute bourgeoisie<\/em> un mui\u017eniec\u012bbai.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Retums un noz\u012bme.<\/strong> Konsol\u0113m ar \u0161\u0101du kokgriezuma dzi\u013cumu un marmora virsmu ir augsts antikv\u0101ru tirgus piepras\u012bjums. Tr\u012bsdimension\u0101ls atv\u0113rts <em>rocaille<\/em> fr\u012bzis \u2014 nevis plakans, bet patiesi skulptur\u0101ls \u2014 ir sal\u012bdzino\u0161i rets. \u0160\u0101di priek\u0161meti tiek akt\u012bvi mekl\u0113ti gan Francij\u0101, gan starptautiskajos aukcionos.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Pielietojums interjer\u0101, dizain\u0101 un fotogr\u0101fij\u0101.<\/strong> Konsole ide\u0101li iek\u013caujas klasisk\u0101 fran\u010du vai eklektisk\u0101 interjer\u0101 \u2014 k\u0101 hall\u0113, t\u0101 viesistab\u0101. Marmora virsma der ziedu v\u0101z\u0113m, pulkste\u0146iem vai dekorat\u012bviem priek\u0161metiem. Fotogr\u0101fiem \u2014 izcila fona m\u0113bele modes, juvelierizstr\u0101d\u0101jumu vai vintage ap\u0123\u0113rbu uz\u0146\u0113mumiem.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>St\u0101voklis.<\/strong> Koka korpuss lab\u0101 visp\u0101r\u0113j\u0101 st\u0101vokl\u012b; kokgriezums neskarts. Atsevi\u0161\u0137as marmora virsmas malas ar nelielu laika patinu. <em>Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/em><\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\uddf7\ud83c\uddfa<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\u0412\u044b\u0441\u043e\u0442\u0430 73 \u0441\u043c \u00d7 \u0414\u043b\u0438\u043d\u0430 113 \u0441\u043c \u00d7 \u0413\u043b\u0443\u0431\u0438\u043d\u0430 48 \u0441\u043c<\/strong><\/p>\n<h3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\">\u041a\u043e\u043d\u0441\u043e\u043b\u044c \u2014 \u0441\u0442\u0438\u043b\u044c \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV \/ \u0420\u043e\u043a\u043e\u043a\u043e, \u0424\u0440\u0430\u043d\u0446\u0438\u044f, \u043e\u043a\u043e\u043b\u043e 1860\u20131890 \u0433\u0433. (599)<\/h3>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\u0421\u0442\u0438\u043b\u044c \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV \/ \u0420\u043e\u043a\u043e\u043a\u043e. \u0424\u0440\u0430\u043d\u0446\u0438\u044f. \u041e\u043a\u043e\u043b\u043e 1860\u20131890 \u0433\u0433.<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u0418\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u0430\u044f \u043d\u0430\u0441\u0442\u0435\u043d\u043d\u0430\u044f \u043a\u043e\u043d\u0441\u043e\u043b\u044c \u0438\u0437 \u043c\u0430\u0441\u0441\u0438\u0432\u0430 \u0434\u0443\u0431\u0430 \u0441 \u0438\u0441\u043a\u043b\u044e\u0447\u0438\u0442\u0435\u043b\u044c\u043d\u043e \u0433\u043b\u0443\u0431\u043e\u043a\u043e\u0439 \u0438 \u0442\u043e\u0447\u043d\u043e\u0439 \u0440\u0443\u0447\u043d\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u043e\u0439 \u2014 \u043e\u0434\u0438\u043d \u0438\u0437 \u043d\u0430\u0438\u0431\u043e\u043b\u0435\u0435 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0445 \u043e\u0431\u0440\u0430\u0437\u0446\u043e\u0432 <em>menuiserie<\/em> \u044d\u043f\u043e\u0445\u0438 <strong>\u0418\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430<\/strong>, \u0432\u043e\u0441\u043f\u0440\u043e\u0438\u0437\u0432\u043e\u0434\u044f\u0449\u0435\u0439 \u0434\u0443\u0445 <strong>\u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV<\/strong> \u0441 \u0436\u0438\u0432\u043e\u0439 \u0438 \u0441\u0432\u043e\u0431\u043e\u0434\u043d\u043e\u0439 \u0440\u0443\u043a\u043e\u0439. \u0427\u0435\u0442\u044b\u0440\u0435 \u0433\u0440\u0430\u0446\u0438\u043e\u0437\u043d\u044b\u0435 \u043d\u043e\u0436\u043a\u0438 \u0442\u0438\u043f\u0430 <em>cabriole<\/em> \u0441 \u0432\u044b\u0440\u0430\u0436\u0435\u043d\u043d\u044b\u043c S-\u043e\u0431\u0440\u0430\u0437\u043d\u044b\u043c \u0438\u0437\u0433\u0438\u0431\u043e\u043c \u0437\u0430\u0432\u0435\u0440\u0448\u0430\u044e\u0442\u0441\u044f \u0434\u0435\u043b\u0438\u043a\u0430\u0442\u043d\u044b\u043c\u0438 \u044d\u043b\u0435\u043c\u0435\u043d\u0442\u0430\u043c\u0438 \u0432 \u0444\u043e\u0440\u043c\u0435 <em>\u0432\u043e\u043b\u044e\u0442<\/em>. \u0424\u0440\u0438\u0437 \u0443\u043a\u0440\u0430\u0448\u0435\u043d \u0431\u043e\u0433\u0430\u0442\u043e\u0439 \u0442\u0440\u0451\u0445\u043c\u0435\u0440\u043d\u043e\u0439 \u043e\u0442\u043a\u0440\u044b\u0442\u043e\u0439 \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0435\u0439 <em>rocaille<\/em>: \u0432 \u0446\u0435\u043d\u0442\u0440\u0435 \u2014 \u043f\u044b\u0448\u043d\u044b\u0439 \u043a\u0430\u0440\u0442\u0443\u0448 \u0438\u0437 \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0438 \u0440\u0430\u043a\u043e\u0432\u0438\u043d, \u043e\u043a\u0440\u0443\u0436\u0451\u043d\u043d\u044b\u0439 \u0441\u0432\u043e\u0431\u043e\u0434\u043d\u043e \u0442\u0435\u043a\u0443\u0449\u0438\u043c\u0438 \u043b\u0438\u0441\u0442\u044c\u044f\u043c\u0438 <em>\u0430\u043a\u0430\u043d\u0442\u0430<\/em> \u0438 <em>\u0432\u043e\u043b\u044e\u0442\u0430\u043c\u0438<\/em>. \u041d\u0430\u0434 \u043d\u0438\u043c \u2014 \u0444\u0440\u0438\u0437 \u0440\u043e\u043c\u0431\u043e\u0432\u0438\u0434\u043d\u043e\u0439 \u0440\u0435\u0448\u0451\u0442\u043a\u0438 (<em>treillis<\/em>) \u0441 \u0436\u0435\u043c\u0447\u0443\u0436\u043d\u044b\u043c \u043a\u0430\u043d\u0442\u043e\u043c. \u0412\u0441\u044f \u044d\u0442\u0430 \u0440\u0435\u0437\u044c\u0431\u0430 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u0430 \u0441 \u0438\u0441\u043a\u043b\u044e\u0447\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0433\u043b\u0443\u0431\u0438\u043d\u043e\u0439 \u2014 \u043d\u0435 \u043f\u043b\u043e\u0441\u043a\u0438\u0439 \u0440\u0435\u043b\u044c\u0435\u0444, \u0430 \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u043e \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u043d\u0430\u044f \u0440\u0430\u0431\u043e\u0442\u0430 \u043a\u0440\u0430\u0441\u043d\u043e\u0434\u0435\u0440\u0435\u0432\u0449\u0438\u043a\u0430.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u0421\u0442\u043e\u043b\u0435\u0448\u043d\u0438\u0446\u0430 \u2014 \u043f\u043b\u0438\u0442\u0430 \u043d\u0430\u0442\u0443\u0440\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u0430 \u0432 \u0442\u0451\u043f\u043b\u043e\u043c \u0437\u043e\u043b\u043e\u0442\u0438\u0441\u0442\u043e-\u043e\u0445\u0440\u0438\u0441\u0442\u043e\u043c \u0442\u043e\u043d\u0435 \u0441 \u0433\u043e\u0440\u0438\u0437\u043e\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u043c\u0438 \u0441\u0435\u0440\u043e-\u043a\u043e\u0440\u0438\u0447\u043d\u0435\u0432\u044b\u043c\u0438 \u043f\u0440\u043e\u0436\u0438\u043b\u043a\u0430\u043c\u0438, \u043d\u0430\u043f\u043e\u043c\u0438\u043d\u0430\u044e\u0449\u0438\u043c\u0438 \u0442\u0435\u043a\u0443\u0449\u0438\u0439 \u0442\u0440\u0430\u0432\u0435\u0440\u0442\u0438\u043d. \u042d\u0442\u043e\u0442 \u043c\u0440\u0430\u043c\u043e\u0440 \u2014 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0442\u043e\u043d \u043a\u0430\u043c\u0435\u043d\u043e\u043b\u043e\u043c\u0435\u043d \u042e\u0436\u043d\u043e\u0439 \u0424\u0440\u0430\u043d\u0446\u0438\u0438 \u0438\u043b\u0438 \u0418\u0442\u0430\u043b\u0438\u0438, \u043e\u0442\u043d\u043e\u0441\u044f\u0449\u0438\u0439\u0441\u044f \u043a \u0433\u0440\u0443\u043f\u043f\u0435 <em>jaune de Sienne<\/em> \u0438\u043b\u0438 <em>giallo reale<\/em>.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><em>\ud83c\uddf7\ud83c\uddfa \u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV:<\/em> \u0412 \u041b\u0438\u043e\u043d\u0435, \u043e\u0441\u0435\u043d\u044c\u044e 1878 \u0433\u043e\u0434\u0430, \u0441\u0442\u043e\u043b\u044f\u0440 \u0410\u043d\u0440\u0438 \u041e\u0436\u0435 \u0442\u043e\u043b\u044c\u043a\u043e \u0447\u0442\u043e \u0437\u0430\u043a\u043e\u043d\u0447\u0438\u043b \u043d\u043e\u0432\u0443\u044e \u043a\u043e\u043d\u0441\u043e\u043b\u044c \u0434\u043b\u044f \u0437\u0430\u043a\u0430\u0437\u0447\u0438\u043a\u0430 \u2014 \u0442\u0435\u043a\u0441\u0442\u0438\u043b\u044c\u043d\u043e\u0433\u043e \u0444\u0430\u0431\u0440\u0438\u043a\u0430\u043d\u0442\u0430 \u0438\u0437 \u0420\u0443\u0430\u043d\u0430. \u041e\u043d \u043f\u043e\u0441\u0442\u0430\u0432\u0438\u043b \u043d\u0430 \u043c\u0440\u0430\u043c\u043e\u0440\u043d\u0443\u044e \u0441\u0442\u043e\u043b\u0435\u0448\u043d\u0438\u0446\u0443 \u043e\u0434\u043d\u0443 \u0441\u0432\u0435\u0447\u0443, \u043e\u0442\u0441\u0442\u0443\u043f\u0438\u043b \u043d\u0430 \u0442\u0440\u0438 \u0448\u0430\u0433\u0430 \u043d\u0430\u0437\u0430\u0434 \u0438, \u0447\u0443\u0442\u044c \u0441\u043a\u043b\u043e\u043d\u0438\u0432 \u0433\u043e\u043b\u043e\u0432\u0443 \u043d\u0430\u0431\u043e\u043a, \u0440\u0430\u0441\u0441\u043c\u043e\u0442\u0440\u0435\u043b \u0438\u0433\u0440\u0443 \u0442\u0435\u043d\u0435\u0439 \u043d\u0430 \u0444\u0440\u0438\u0437\u0435. \u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u0431\u044b\u043b \u0433\u043e\u0442\u043e\u0432. \u041d\u043e \u041e\u0436\u0435 \u0432\u0441\u0451 \u043c\u0435\u0434\u043b\u0438\u043b \u0438 \u043d\u0435\u043f\u043e\u0434\u0432\u0438\u0436\u043d\u043e \u0441\u043c\u043e\u0442\u0440\u0435\u043b \u043d\u0430 \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u044b\u0439 \u043b\u0438\u0441\u0442 \u043a\u0430\u0440\u0442\u0443\u0448\u0430 \u2014 \u0441\u043b\u043e\u0432\u043d\u043e \u043e\u0436\u0438\u0434\u0430\u044f, \u0447\u0442\u043e \u0442\u043e\u0442 \u0448\u0435\u0432\u0435\u043b\u044c\u043d\u0451\u0442\u0441\u044f.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\u041f\u0440\u043e\u0438\u0437\u0432\u043e\u0434\u0438\u0442\u0435\u043b\u044c \u0438 \u043c\u0430\u0440\u043a\u0438\u0440\u043e\u0432\u043a\u0430.<\/strong> \u041a\u043b\u0435\u0439\u043c\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445 \u043d\u0435 \u043e\u0431\u043d\u0430\u0440\u0443\u0436\u0435\u043d\u043e. \u041a\u0430\u0447\u0435\u0441\u0442\u0432\u043e \u0440\u0435\u0437\u044c\u0431\u044b \u2014 \u0435\u0451 \u0433\u043b\u0443\u0431\u0438\u043d\u0430, \u0441\u0432\u043e\u0431\u043e\u0434\u0430 \u0438 \u0430\u043d\u0430\u0442\u043e\u043c\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0442\u043e\u0447\u043d\u043e\u0441\u0442\u044c \u2014 \u0443\u043a\u0430\u0437\u044b\u0432\u0430\u0435\u0442 \u043d\u0430 \u043e\u043f\u044b\u0442\u043d\u043e\u0433\u043e \u043c\u0430\u0441\u0442\u0435\u0440\u0430-\u043a\u0440\u0430\u0441\u043d\u043e\u0434\u0435\u0440\u0435\u0432\u0449\u0438\u043a\u0430, \u0440\u0430\u0431\u043e\u0442\u0430\u0432\u0448\u0435\u0433\u043e \u0432\u043e \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0439 \u043f\u0440\u043e\u0432\u0438\u043d\u0446\u0438\u0438 \u0438\u043b\u0438 \u0432 \u041f\u0430\u0440\u0438\u0436\u0435 \u0432 \u043f\u0435\u0440\u0438\u043e\u0434 \u0440\u0430\u0441\u0446\u0432\u0435\u0442\u0430 \u0418\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430 (1860\u20131890). \u0412 \u044d\u0442\u043e \u0432\u0440\u0435\u043c\u044f \u0432\u043e \u0424\u0440\u0430\u043d\u0446\u0438\u0438 \u0434\u0435\u0439\u0441\u0442\u0432\u043e\u0432\u0430\u043b \u0440\u044f\u0434 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u0438\u0445, \u0441\u043f\u0435\u0446\u0438\u0430\u043b\u0438\u0437\u0438\u0440\u043e\u0432\u0430\u0432\u0448\u0438\u0445\u0441\u044f \u043d\u0430 \u0432\u043e\u0437\u0440\u043e\u0436\u0434\u0435\u043d\u0438\u0438 <em>style Louis XV<\/em> \u0434\u043b\u044f <em>haute bourgeoisie<\/em> \u0438 \u0430\u0440\u0438\u0441\u0442\u043e\u043a\u0440\u0430\u0442\u0438\u0438.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\u0420\u0435\u0434\u043a\u043e\u0441\u0442\u044c \u0438 \u0437\u043d\u0430\u0447\u0438\u043c\u043e\u0441\u0442\u044c.<\/strong> \u041a\u043e\u043d\u0441\u043e\u043b\u0438 \u0441 \u043f\u043e\u0434\u043e\u0431\u043d\u043e\u0439 \u0433\u043b\u0443\u0431\u0438\u043d\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u044b \u0438 \u043c\u0440\u0430\u043c\u043e\u0440\u043d\u043e\u0439 \u0441\u0442\u043e\u043b\u0435\u0448\u043d\u0438\u0446\u0435\u0439 \u043f\u043e\u043b\u044c\u0437\u0443\u044e\u0442\u0441\u044f \u0432\u044b\u0441\u043e\u043a\u0438\u043c \u0441\u043f\u0440\u043e\u0441\u043e\u043c \u043d\u0430 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u043c \u0440\u044b\u043d\u043a\u0435. \u0422\u0440\u0451\u0445\u043c\u0435\u0440\u043d\u044b\u0439 \u043e\u0442\u043a\u0440\u044b\u0442\u044b\u0439 \u0444\u0440\u0438\u0437 <em>rocaille<\/em> \u2014 \u043d\u0435 \u043f\u043b\u043e\u0441\u043a\u0438\u0439, \u0430 \u0438\u0441\u0442\u0438\u043d\u043d\u043e \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u043d\u044b\u0439 \u2014 \u0432\u0441\u0442\u0440\u0435\u0447\u0430\u0435\u0442\u0441\u044f \u0441\u0440\u0430\u0432\u043d\u0438\u0442\u0435\u043b\u044c\u043d\u043e \u0440\u0435\u0434\u043a\u043e. \u0422\u0430\u043a\u0438\u0435 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u044b \u0430\u043a\u0442\u0438\u0432\u043d\u043e \u0440\u0430\u0437\u044b\u0441\u043a\u0438\u0432\u0430\u044e\u0442\u0441\u044f \u043a\u0430\u043a \u0432\u043e \u0424\u0440\u0430\u043d\u0446\u0438\u0438, \u0442\u0430\u043a \u0438 \u043d\u0430 \u043c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u044b\u0445 \u0430\u0443\u043a\u0446\u0438\u043e\u043d\u0430\u0445.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\u041f\u0440\u0438\u043c\u0435\u043d\u0435\u043d\u0438\u0435 \u0432 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0435, \u0434\u0438\u0437\u0430\u0439\u043d\u0435 \u0438 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u0438.<\/strong> \u041a\u043e\u043d\u0441\u043e\u043b\u044c \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u043e \u0432\u043f\u0438\u0441\u044b\u0432\u0430\u0435\u0442\u0441\u044f \u0432 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0439 \u0438\u043b\u0438 \u044d\u043a\u043b\u0435\u043a\u0442\u0438\u0447\u043d\u044b\u0439 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440 \u2014 \u043a\u0430\u043a \u0432 \u043f\u0440\u0438\u0445\u043e\u0436\u0435\u0439, \u0442\u0430\u043a \u0438 \u0432 \u0433\u043e\u0441\u0442\u0438\u043d\u043e\u0439. \u041c\u0440\u0430\u043c\u043e\u0440\u043d\u0430\u044f \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u044c \u043f\u043e\u0434\u0445\u043e\u0434\u0438\u0442 \u0434\u043b\u044f \u0446\u0432\u0435\u0442\u043e\u0447\u043d\u044b\u0445 \u0432\u0430\u0437, \u0447\u0430\u0441\u043e\u0432 \u0438\u043b\u0438 \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u044b\u0445 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u043e\u0432. \u0414\u043b\u044f \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u043e\u0432 \u2014 \u043f\u0440\u0435\u0432\u043e\u0441\u0445\u043e\u0434\u043d\u044b\u0439 \u0444\u043e\u043d\u043e\u0432\u044b\u0439 \u043f\u0440\u0435\u0434\u043c\u0435\u0442 \u043c\u0435\u0431\u0435\u043b\u0438 \u0434\u043b\u044f \u0441\u044a\u0451\u043c\u043e\u043a \u043c\u043e\u0434\u044b, \u044e\u0432\u0435\u043b\u0438\u0440\u043d\u044b\u0445 \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u0438\u0439 \u0438\u043b\u0438 \u0432\u0438\u043d\u0442\u0430\u0436\u043d\u043e\u0439 \u043e\u0434\u0435\u0436\u0434\u044b.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435.<\/strong> \u0414\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u044b\u0439 \u043a\u043e\u0440\u043f\u0443\u0441 \u0432 \u0445\u043e\u0440\u043e\u0448\u0435\u043c \u043e\u0431\u0449\u0435\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438; \u0440\u0435\u0437\u044c\u0431\u0430 \u043d\u0435 \u043f\u043e\u0432\u0440\u0435\u0436\u0434\u0435\u043d\u0430. \u041d\u0430 \u043e\u0442\u0434\u0435\u043b\u044c\u043d\u044b\u0445 \u043a\u0440\u0430\u044f\u0445 \u043c\u0440\u0430\u043c\u043e\u0440\u043d\u043e\u0439 \u0441\u0442\u043e\u043b\u0435\u0448\u043d\u0438\u0446\u044b \u2014 \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u0430\u044f \u043f\u0430\u0442\u0438\u043d\u0430 \u0432\u0440\u0435\u043c\u0435\u043d\u0438. <em>\u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/em><\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\uddec\ud83c\udde7<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Height 73 cm \u00d7 Length 113 cm \u00d7 Depth 48 cm<\/strong><\/p>\n<h3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\">Console Table \u2014 Louis XV \/ Rococo Style, France, circa 1860\u20131890 (599)<\/h3>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Louis XV \/ Rococo style. France. Circa 1860\u20131890.<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">An elegantly sculptural wall console in solid oak with exceptionally deep and precise hand carving \u2014 one of the finest examples of <strong>Historicist<\/strong> <em>menuiserie<\/em> reinterpreting the spirit of <strong>Louis XV<\/strong> with a free and confident hand. Four graceful <em>cabriole<\/em> legs with a pronounced S-curve terminate in delicate scrolled <em>volute<\/em> feet. The apron features a richly three-dimensional open <em>rocaille<\/em> composition: a central cartouche of leaves and shells, flanked by freely flowing <em>acanthus<\/em> and <em>volutes<\/em>. Above, a diamond-pattern <em>treillis<\/em> frieze with a pearl-bead border. The carving throughout is of extraordinary depth \u2014 not a flat relief but a genuinely sculptural achievement.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The top is a slab of natural marble in warm golden ochre with horizontal grey-brown veining reminiscent of flowing travertine \u2014 a tone characteristic of southern French or Italian quarries of the <em>jaune de Sienne<\/em> or <em>giallo reale<\/em> family.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><em>\ud83c\uddec\ud83c\udde7 Louis XV period snapshot:<\/em> In Lyon, in the autumn of 1878, a cabinetmaker named Henri Aug\u00e9 had just finished a new console for a textile merchant from Rouen. He placed a single candle on the marble top, stepped back three paces, and tilted his head slightly to study the shadows across the frieze. The piece was complete. But Aug\u00e9 lingered, his eyes fixed on the central leaf of the cartouche \u2014 as though waiting for it to stir.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Maker and marks.<\/strong> No maker&#8217;s mark is visible in the photographs. The quality of the carving \u2014 its depth, freedom, and anatomical precision \u2014 points to an accomplished cabinetmaker working in the French provinces or Paris during the height of the Historicist revival (1860\u20131890). This period saw numerous ateliers specialising in the <em>style Louis XV<\/em> for the <em>haute bourgeoisie<\/em> and nobility.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Rarity and significance.<\/strong> Consoles combining carving of this depth with a marble top are actively sought on the antiques market. A genuinely three-dimensional open <em>rocaille<\/em> apron \u2014 sculptural rather than flat \u2014 is comparatively rare and commands collector interest in France and at international auction.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Interior and photographic use.<\/strong> This console suits a classical French or eclectic interior \u2014 in an entrance hall or reception room alike. The marble surface is ideal for floral arrangements, clocks, or decorative objects. For photographers, it provides an excellent prop for fashion, jewellery, and vintage clothing shoots.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Condition.<\/strong> The wooden frame is in good overall condition; the carving is intact. The marble top shows minor patina at certain edges consistent with age. <em>The condition of the item is fully reflected in the photographs.<\/em><\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\udde9\ud83c\uddea<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>H\u00f6he 73 cm \u00d7 L\u00e4nge 113 cm \u00d7 Tiefe 48 cm<\/strong><\/p>\n<h3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\">Konsole \u2014 Louis-XV-Stil \/ Rokoko, Frankreich, um 1860\u20131890 (599)<\/h3>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Louis-XV-Stil \/ Rokoko. Frankreich. Um 1860\u20131890.<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Eine elegant skulpturale Wandkonsole aus massiver Eiche mit au\u00dfergew\u00f6hnlich tiefer und pr\u00e4ziser Handschnitzerei \u2014 eines der eindrucksvollsten Beispiele historistischer <em>menuiserie<\/em>, die den Geist des <strong>Louis XV<\/strong> mit freier, sicherer Hand neu interpretiert. Vier grazile <em>Cabriole<\/em>-Beine mit ausgepr\u00e4gtem S-Schwung enden in feinen <em>Voluten<\/em>-F\u00fc\u00dfen. Die Sch\u00fcrze zeigt eine reich dreidimensionale, offene <em>Rocaille<\/em>-Komposition: ein zentrales Kartuschenfeld aus Bl\u00e4ttern und Muscheln, flankiert von frei flie\u00dfenden <em>Akanthus<\/em>-Bl\u00e4ttern und <em>Voluten<\/em>. Dar\u00fcber ein rautenf\u00f6rmiger <em>Treillis<\/em>-Fries mit Perlstabborte. Die Schnitzerei ist von au\u00dfergew\u00f6hnlicher Tiefe \u2014 kein flaches Relief, sondern eine wahrhaft skulpturale Leistung.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Die Platte besteht aus einem St\u00fcck Naturmarmor in warmem Goldocker mit horizontalen graubraunen \u00c4derungen \u2014 ein Ton der s\u00fcdfranz\u00f6sischen oder italienischen <em>jaune de Sienne<\/em>&#8211; bzw. <em>giallo reale<\/em>-Familie.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><em>\ud83c\udde9\ud83c\uddea Momentaufnahme der Louis-XV-Zeit:<\/em> In Lyon, im Herbst 1878, hatte ein Tischler namens Henri Aug\u00e9 gerade eine neue Konsole f\u00fcr einen Textilkaufmann aus Rouen fertiggestellt. Er stellte eine einzelne Kerze auf die Marmorplatte, trat drei Schritte zur\u00fcck und neigte den Kopf leicht zur Seite, um das Schattenspiel auf dem Fries zu betrachten. Das St\u00fcck war vollendet. Aber Aug\u00e9 verweilte noch, den Blick unverwandt auf das zentrale Blatt der Kartusche gerichtet \u2014 als wartete er darauf, dass es sich bewegte.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Hersteller und Marken.<\/strong> Auf den Fotografien ist kein Herstellerstempel erkennbar. Die Qualit\u00e4t der Schnitzerei \u2014 ihre Tiefe, Freiheit und anatomische Pr\u00e4zision \u2014 weist auf einen erfahrenen Kunsttischler hin, der w\u00e4hrend des Historismus-Aufschwungs (1860\u20131890) in der franz\u00f6sischen Provinz oder in Paris t\u00e4tig war.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Seltenheit und Bedeutung.<\/strong> Konsolen mit dieser Schnitztiefe und einer Marmorplatte sind auf dem Antiquit\u00e4tenmarkt gesucht. Ein wahrhaft dreidimensionaler, offener <em>Rocaille<\/em>-Fries ist vergleichsweise selten und erzielt Sammlerinteresse in Frankreich und auf internationalen Auktionen.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Verwendung in Interieur und Fotografie.<\/strong> Die Konsole eignet sich f\u00fcr ein klassisch-franz\u00f6sisches oder eklektisches Interieur \u2014 im Eingangsbereich ebenso wie im Salon. Die Marmoroberfl\u00e4che eignet sich f\u00fcr Blumenarrangements, Uhren oder Dekorationsobjekte. F\u00fcr Fotografen ist sie eine ausgezeichnete Requisite f\u00fcr Mode-, Schmuck- und Vintage-Aufnahmen.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Zustand.<\/strong> Der Holzkorpus ist in gutem Allgemeinzustand; die Schnitzerei ist unversehrt. Die Marmorplatte zeigt an einzelnen Kanten eine leichte Alterspatina. <em>Der Zustand des Objekts ist vollst\u00e4ndig in den Fotografien dokumentiert.<\/em><\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\ud83c\uddeb\ud83c\uddf7<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Hauteur 73 cm \u00d7 Longueur 113 cm \u00d7 Profondeur 48 cm<\/strong><\/p>\n<h3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\">Console \u2014 Style Louis XV \/ Rococo, France, vers 1860\u20131890 (599)<\/h3>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Style Louis XV \/ Rococo. France. Vers 1860\u20131890.<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Une console murale d&#8217;une \u00e9l\u00e9gance sculpturale en ch\u00eane massif, orn\u00e9e d&#8217;une sculpture \u00e0 la main d&#8217;une profondeur et d&#8217;une pr\u00e9cision exceptionnelles \u2014 l&#8217;un des plus beaux exemples de <em>menuiserie<\/em> historiciste r\u00e9interpr\u00e9tant l&#8217;esprit du <strong>Louis XV<\/strong> avec une main libre et assur\u00e9e. Quatre pieds <em>cabriole<\/em> gracieux \u00e0 galbe prononc\u00e9 se terminent par de d\u00e9l\u00e9gants pieds en <em>volutes<\/em>. La ceinture pr\u00e9sente une riche composition ouverte en <em>rocaille<\/em> tridimensionnelle : un cartouche central de feuilles et de coquilles, encadr\u00e9 de feuilles <em>d&#8217;acanthe<\/em> et de <em>volutes<\/em> librement model\u00e9es. Au-dessus, une frise en r\u00e9sille losang\u00e9e (<em>treillis<\/em>) avec une bordure en chapelet. La sculpture est d&#8217;une profondeur exceptionnelle \u2014 non pas un relief plat mais une v\u00e9ritable r\u00e9alisation sculpturale.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Le plateau est constitu\u00e9 d&#8217;une dalle de marbre naturel d&#8217;un ocre dor\u00e9 chaud avec des veinures gris-brun horizontales \u00e9voquant un travertin fluide \u2014 un ton caract\u00e9ristique des carri\u00e8res du sud de la France ou d&#8217;Italie de la famille <em>jaune de Sienne<\/em> ou <em>giallo reale<\/em>.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><em>\ud83c\uddeb\ud83c\uddf7 Instantan\u00e9 de l&#8217;\u00e9poque Louis XV :<\/em> \u00c0 Lyon, \u00e0 l&#8217;automne 1878, un \u00e9b\u00e9niste nomm\u00e9 Henri Aug\u00e9 venait de terminer une nouvelle console pour un n\u00e9gociant en textile de Rouen. Il posa une unique bougie sur le plateau de marbre, recula de trois pas et inclina l\u00e9g\u00e8rement la t\u00eate pour observer le jeu des ombres sur la frise. La pi\u00e8ce \u00e9tait achev\u00e9e. Mais Aug\u00e9 s&#8217;attarda, les yeux fix\u00e9s sur la feuille centrale du cartouche \u2014 comme s&#8217;il attendait qu&#8217;elle fr\u00e9misse.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Fabricant et marques.<\/strong> Aucun poin\u00e7on n&#8217;est visible sur les photographies. La qualit\u00e9 de la sculpture \u2014 sa profondeur, sa libert\u00e9 et sa pr\u00e9cision anatomique \u2014 indique un \u00e9b\u00e9niste accompli travaillant en province fran\u00e7aise ou \u00e0 Paris durant l&#8217;apog\u00e9e du renouveau historiciste (1860\u20131890).<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Raret\u00e9 et importance.<\/strong> Les consoles alliant une sculpture de cette profondeur \u00e0 un plateau en marbre sont activement recherch\u00e9es sur le march\u00e9 des antiquit\u00e9s. Une ceinture en <em>rocaille<\/em> ouverte et v\u00e9ritablement tridimensionnelle est comparativement rare et suscite l&#8217;int\u00e9r\u00eat des collectionneurs en France et dans les ventes aux ench\u00e8res internationales.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>Utilisation en d\u00e9coration et photographie.<\/strong> Cette console convient \u00e0 un int\u00e9rieur classique fran\u00e7ais ou \u00e9clectique \u2014 dans un hall d&#8217;entr\u00e9e comme dans un salon. Le plateau de marbre est id\u00e9al pour des compositions florales, des pendules ou des objets d\u00e9coratifs. Pour les photographes, elle constitue un accessoire remarquable pour des prises de vue mode, joaillerie ou v\u00eatements vintage.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\u00c9tat.<\/strong> Le corps en bois est en bon \u00e9tat g\u00e9n\u00e9ral ; la sculpture est intacte. Le plateau de marbre pr\u00e9sente une l\u00e9g\u00e8re patine du temps sur certains bords. <em>L&#8217;\u00e9tat de la pi\u00e8ce est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ozolkoka konsole ar dzi\u013cu roku kokgriezumu rokok\u014d stil\u0101 un zeltaini-okera marmora virsmu. Luja XV stils, Francija, ap 1860\u20131890. Augstums 73 \u00d7 garums 105,5 \u00d7 dzi\u013cums 48 cm.<\/p>\n","protected":false},"featured_media":2620,"template":"","meta":[],"product_brand":[],"product_cat":[216,207,204],"product_tag":[],"class_list":["post-2619","product","type-product","status-publish","has-post-thumbnail","product_cat-konsoles","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/2619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/2620"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=2619"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=2619"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=2619"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=2619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}