{"id":25871,"date":"2024-05-23T12:07:22","date_gmt":"2024-05-23T09:07:22","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=25871"},"modified":"2026-09-07T23:50:45","modified_gmt":"2026-09-07T20:50:45","slug":"9-37","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/9-37\/","title":{"rendered":"J\u016bgendstila D\u0101mu Galdi\u0146\u0161 ar Za\u013cu Samta Virsmu un Liras Plaukti\u0146u \u2014 Art Nouveau, Francija\/Be\u013c\u0123ija, ap 1895.\u20131910. (4780)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong> Augstums 108 cm \u00d7 garums 69,5 cm \u00d7 dzi\u013cums 42 cm<\/p>\n

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J\u016bgendstila D\u0101mu Galdi\u0146\u0161 ar Za\u013cu Samta Virsmu un Liras Formas Plaukti\u0146u \u2014 Art Nouveau<\/em>, Francija \/ Be\u013c\u0123ija, ap 1895.\u20131910.<\/strong><\/h3>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
\u0160is izsmalcin\u0101tais d\u0101mu galdi\u0146\u0161 pieder Belle \u00c9poque<\/strong> laikmeta spilgt\u0101kajam m\u0101kslinieciskajam izteiksmei \u2014 J\u016bgendstilam<\/strong> jeb Art Nouveau<\/em>, kas Rietumeirop\u0101 uzplauka 1890.\u20131910. gados k\u0101 reakcija pret industri\u0101l\u0101s laikmeta sausumu, mekl\u0113jot iedvesmu dabas organiskaj\u0101s form\u0101s. Priek\u0161mets rad\u012bts tie\u0161i taj\u0101 br\u012bd\u012b, kad Art Nouveau<\/em> bija sasniedzis savu kulmin\u0101ciju \u2014 katrs elements \u0161eit ir apzin\u0101ts l\u0113mums: pusm\u0113ness formas galda virsma, lyre<\/em> formas caurstr\u0101d\u0101tais starpstienis, izliekt\u0101s k\u0101jas ar apak\u0161\u0113jo ap\u013cveida savienojumu, un aug\u0161st\u0101va galerie<\/em> ar \u0123eometriski ornament\u0101liem bumbul\u012b\u0161iem un re\u017e\u0123iem, kas n\u0101k no Aesthetic Movement<\/strong> un Jap\u0101nisma<\/strong> ietekmes \u2014 t\u0101 laika modes, ko Par\u012bz\u0113 un Brisel\u0113 kolekcion\u0113ja ar kaisl\u012bbu.<\/p>\n
Galda virsmas kidney<\/em> jeb pusm\u0113ness forma ir klasisks bonheur-du-jour<\/em> un d\u0101mu salona galdi\u0146u risin\u0101jums \u2014 tas nav nejau\u0161s, bet funkcion\u0101ls: sieviete var\u0113ja s\u0113d\u0113t tie\u0161i pie galda, it k\u0101 ieskauta taj\u0101. Za\u013c\u0101 samta virsma \u2014 dzi\u013c\u0101 smaragdza\u013c\u0101 ton\u012b \u2014 pie\u0161\u0137ir gabalam teatr\u0101lu eleganci.<\/p>\n
Tie\u0161i 1900. gad\u0101 Par\u012bz\u0113 norisin\u0101j\u0101s Pasaules izst\u0101de, kur\u0101 Art Nouveau<\/em> guva savu liel\u0101ko triumfu \u2014 Hektors Gim\u0101rs prezent\u0113ja savas Par\u012bzes metro stacijas, Em\u012bls Gall\u0113 demonstr\u0113ja stikla m\u0101kslu, un \u0161\u0101di galdi\u0146i rot\u0101ja lab\u0101ko Par\u012bzes dz\u012bvok\u013cu salonus. Pasaule skat\u012bj\u0101s uz Par\u012bzi k\u0101 uz skaistuma galvaspils\u0113tu, un \u0161is galdi\u0146\u0161 ir t\u0101s elpas da\u013ca.<\/p>\n
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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n
Redzama maza met\u0101la pl\u0101ksn\u012bte atvilknes iek\u0161pus\u0113 \u2014 teksts nav skaidri salas\u0101ms, ta\u010du t\u0101s kl\u0101tb\u016btne liecina par profesion\u0101lu ra\u017eot\u0101ju<\/strong>, nevis amatnieku darbu. P\u0113c konstrukcijas kvalit\u0101tes, lyre<\/em> starpstie\u0146a izstr\u0101des precizit\u0101tes un aug\u0161st\u0101va galerie<\/em> \u0123eometrisk\u0101 ornamenta \u0161is galds atbilst Francijas<\/strong> vai Be\u013c\u0123ijas<\/strong> augst\u0101k\u0101s klases galdniec\u012bbas trad\u012bcijai \u2014 ra\u017eot\u0101jiem, kas str\u0101d\u0101ja Art Nouveau<\/em> un Aesthetic Movement<\/em> gar\u0101 un pieg\u0101d\u0101ja savus darbus presti\u017eiem m\u0113be\u013cu tirgot\u0101jiem Par\u012bz\u0113<\/strong>, Brisel\u0113<\/strong> un Lje\u017e\u0101<\/strong>. Ozolkoka (ch\u00eane<\/em>) izmanto\u0161ana kop\u0101 ar smalk\u0101 palissandre<\/em> tipa tum\u0161ajiem finieriem atvilkn\u0113 ir rakstur\u012bga Be\u013c\u0123ijas un Zieme\u013cfrancijas augst\u0101k\u0101s klases produkcijai.<\/p>\n
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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
Art Nouveau<\/em> d\u0101mu galdi\u0146i ar saglab\u0101tu ori\u0123in\u0101lo samta virsmu, funkcion\u0113jo\u0161u atvilkni ar ori\u0123in\u0101lu bronzas rokturi un divl\u012bme\u0146u konstrukciju ir iev\u0113rojami reti \u2014 jo \u012bpa\u0161i tad, ja visi tr\u012bs elementi (lyre<\/em> starpstienis, aug\u0161st\u0101va galerie<\/em> ar \u0123eometrisku ornamentu un pusm\u0113ness virsma) saglab\u0101ju\u0161ies kopum\u0101. \u0160\u0101di gabali regul\u0101ri par\u0101d\u0101s Par\u012bzes, Amsterdamas un Londonas izsoles namos, un to piepras\u012bjums Skandin\u0101vij\u0101, V\u0101cij\u0101 un ASV tikai pieaug \u2014 Art Nouveau<\/em> m\u0113beles piedz\u012bvo stabilu renesansi starptautiskaj\u0101 kolekcion\u0101ru pasaul\u0113.<\/p>\n
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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
\u0160is galdi\u0146\u0161 ir univers\u0101ls un daudzpus\u012bgs. Tas izskat\u0101s organiski eklektisk\u0101 salon\u0101<\/strong> blakus tum\u0161am samta d\u012bv\u0101nam, skandin\u0101visk\u0101 interjer\u0101<\/strong> k\u0101 kontrasts balt\u0101m sien\u0101m, un modern\u0101 dz\u012bvokl\u012b<\/strong> \u2014 k\u0101 viens iev\u0113rojams akcentgabals. Interjera dizaineri to izmanto ar\u012b k\u0101 blakusgaldu pie gultas<\/strong>, v\u0101zu vai porcel\u0101na ekspoz\u012bcijas galdu<\/strong>, vai makij\u0101\u017ea st\u016bra galdi\u0146u<\/strong> ar spoguli. Fotogr\u0101fij\u0101s \u2014 ide\u0101ls flat lay<\/em> pamatne ar bag\u0101t\u012bgu koka tekst\u016bru un za\u013co samtu. Galda lyre<\/em> starpstienis rad\u012bs izcilu \u0113nu sp\u0113li pie pareizas apgaismojuma le\u0146\u0137a.<\/p>\n
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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n
\u0160is galdi\u0146\u0161 ir ide\u0101la d\u0101vana sievietei ar izsmalcin\u0101tu gaumi<\/strong> \u2014 interjera dizainerei, m\u0101kslas kolekcion\u0101rei vai literat\u016bras cien\u012bt\u0101jai. Za\u013c\u0101 samta virsma un Art Nouveau<\/em> forma padara to par unik\u0101lu jubilejas vai k\u0101zu d\u0101vanu<\/strong>. Maz\u0101ks, bet \u013coti noz\u012bm\u012bgs \u2014 piem\u0113rots ar\u012b k\u0101 korporat\u012bvs d\u0101vin\u0101jums<\/strong> arhitekt\u016bras birojam vai dizaina studijas vad\u012bt\u0101jam.<\/p>\n
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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
M\u0113bele ir izcil\u0101 st\u0101vokl\u012b, \u0146emot v\u0113r\u0101 t\u0101s vecumu. Ozolkoka virsmas ir t\u012bras, bez b\u016btiskiem boj\u0101jumiem. Za\u013c\u0101 samta virsma ir saglab\u0101jusies lab\u0101 st\u0101vokl\u012b \u2014 bez pl\u012bsumiem, ar vieglu dab\u012bgu nolietojumu. Bronzas atvilknes rokturis un sl\u0113dzene ir funkcion\u0101li un saglab\u0101ju\u0161ies labi. Lyre<\/em> starpstie\u0146a grie\u0161anas darbs \u2014 prec\u012bzs un nesaboj\u0101ts. Aug\u0161st\u0101va galerie<\/em> \u0123eometriskie ornamenti neskarti. Atvilknes iek\u0161pus\u0113 redzama neliela met\u0101la pl\u0101ksn\u012bte \u2014 iesp\u0113jams ra\u017eot\u0101ja z\u012bmogs. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n
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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n
\ud83d\udcd0 DIMENSIONS<\/strong> Height 108 cm \u00d7 length 69.5 cm \u00d7 depth 42 cm<\/p>\n
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Art Nouveau Lady’s Writing Table with Green Velvet Surface and Lyre Shelf \u2014 Art Nouveau<\/em>, France \/ Belgium, circa 1895\u20131910.<\/strong><\/h3>\n
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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n
This refined lady’s table belongs to the most expressive chapter of the Belle \u00c9poque<\/strong> \u2014 Art Nouveau<\/strong>, which flourished across Western Europe from approximately 1890 to 1910 as a rejection of industrial-age austerity, drawing inspiration from nature’s organic forms. The piece was created at the very peak of Art Nouveau<\/em>‘s influence \u2014 every element here reflects deliberate artistic intent: the kidney-shaped tabletop, the lyre<\/em>-form pierced lower shelf, the gently curved legs with their arching cross-stretcher, and the upper galerie<\/em> with its geometric bobbin-and-lattice ornament drawn from the Aesthetic Movement<\/strong> and Japonisme<\/strong> \u2014 the fashions that Parisian and Brussels collectors pursued with passion.<\/p>\n
The kidney form of the tabletop is a classic solution for bonheur-du-jour<\/em> and lady’s salon tables \u2014 functional as much as aesthetic: a woman could sit close to the desk, almost embraced by it. The deep emerald green velvet surface lends the piece a theatrical, intimate elegance.<\/p>\n
It was in precisely 1900 that Paris hosted the Exposition Universelle, where Art Nouveau<\/em> achieved its greatest triumph \u2014 Hector Guimard unveiled his Paris M\u00e9tro entrances, \u00c9mile Gall\u00e9 exhibited his glass art, and tables such as this one graced the salons of the city’s finest apartments. The world looked to Paris as the capital of beauty, and this piece carries a fragment of that breath.<\/p>\n
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\u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n
A small metal plaque is visible inside the drawer \u2014 the text is not fully legible, but its presence indicates a professional manufacturer<\/strong> rather than a workshop piece. Based on the quality of construction, the precision of the lyre<\/em> shelf carving, and the geometric ornament of the upper galerie<\/em>, this table corresponds to the highest tradition of French<\/strong> or Belgian<\/strong> cabinetmaking \u2014 makers working in the spirit of Art Nouveau<\/em> and the Aesthetic Movement<\/strong>, supplying their pieces to prestigious furniture retailers in Paris<\/strong>, Brussels<\/strong>, and Li\u00e8ge<\/strong>. The use of oak (ch\u00eane<\/em>) combined with darker palissandre<\/em>-type veneers in the drawer interior is characteristic of top-tier production from northern France<\/strong> and Belgium<\/strong>.<\/p>\n
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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
Art Nouveau<\/em> lady’s tables retaining their original velvet surface, a functioning drawer with original bronze hardware, and a two-tier construction are notably rare \u2014 particularly when all three signature elements (the lyre<\/em> shelf, the upper galerie<\/em> with geometric ornament, and the kidney-shaped top) survive intact together. Such pieces appear regularly at auction houses in Paris, Amsterdam, and London, and demand from Scandinavia, Germany, and the United States continues to grow \u2014 Art Nouveau<\/em> furniture is experiencing a sustained international renaissance among collectors and interior designers alike.<\/p>\n
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\ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n
This table is versatile and adaptable. It fits organically in an eclectic salon<\/strong> alongside a dark velvet sofa, in a Scandinavian interior<\/strong> as a contrast to white walls, or in a contemporary apartment<\/strong> as a single statement piece. Interior designers use it as a bedside table<\/strong>, a display table for vases or porcelain<\/strong>, or a vanity corner table<\/strong> with a mirror. In photography \u2014 an ideal flat lay<\/em> surface with rich wood grain and green velvet. The lyre<\/em> shelf will cast exceptional shadow play under angled lighting.<\/p>\n
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\ud83c\udf81 AS A GIFT<\/strong><\/p>\n
An ideal gift for a woman of refined taste<\/strong> \u2014 an interior designer, an art collector, or a lover of literature. The emerald velvet surface and Art Nouveau<\/em> form make it a unique anniversary or wedding gift<\/strong>. Modest in size but significant in character \u2014 equally suited as a corporate gift<\/strong> for an architectural firm or design studio director.<\/p>\n
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\ud83d\udd0d CONDITION<\/strong><\/p>\n
The piece is in excellent condition for its age. The oak surfaces are clean and free of significant damage. The green velvet surface is well-preserved \u2014 no tears, with light natural wear consistent with age. The bronze drawer pull and lock are functional and in good condition. The lyre<\/em> shelf piercing is precise and undamaged. The upper galerie<\/em> geometric ornaments are intact. A small metal plaque is visible inside the drawer \u2014 possibly a maker’s mark. The condition of the piece is fully reflected in the photographs.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"
Elegants d\u0101mu galdi\u0146\u0161 ar pusm\u0113ness formas za\u013cu samta virsmu, liras formas caurstr\u0101d\u0101tu apak\u0161plauktu un \u0123eometrisku galerie aug\u0161st\u0101vu. Art Nouveau stils, Francija \/ Be\u013c\u0123ija, ap 1895.\u20131910. Augstums 108 cm \u00d7 garums 69,5 cm \u00d7 dzi\u013cums 42 cm. Funkcion\u0113jo\u0161a atvilkne ar bronzas rokturi.<\/p>\n","protected":false},"featured_media":25872,"template":"","meta":[],"product_brand":[],"product_cat":[213,216,207,204],"product_tag":[],"class_list":["post-25871","product","type-product","status-publish","has-post-thumbnail","product_cat-galdi-mebeles","product_cat-konsoles","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/25871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/25872"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=25871"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=25871"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=25871"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=25871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}