{"id":25492,"date":"2024-05-02T21:47:26","date_gmt":"2024-05-02T18:47:26","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=25492"},"modified":"2026-09-07T23:45:37","modified_gmt":"2026-09-07T20:45:37","slug":"9-25","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/9-25\/","title":{"rendered":"Sievietes Biste, Vid\u0113ja Izm\u0113ra, Smaga (4735)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Augstums: 53 cm. Platums: 36 cm. Svars: iev\u0113rojams \u2014 terakotas dob\u0101 l\u0113juma tehnolo\u0123ija (apak\u0161\u0101 redzama ov\u0101la dobuma atvere) samazina masu, ta\u010du fig\u016bra joproj\u0101m ir mas\u012bva un stabila. Taisnst\u016brveida pamatne.<\/p>\n

Sievietes Bists ar Lauru Vainagu \u2014 Historisms un J\u016bgendstila Prel\u016bdija, Francija vai Centr\u0101leiropa, ap 1880.\u20131900.<\/strong><\/p>\n

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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n

\u0160\u012b biste pieder tam augl\u012bgajam p\u0101rejas br\u012bdim, kad Historisms v\u0113l tur\u0113ja savas formas \u2014 ant\u012bkais lauru vainags, klasisk\u0101 galvas veido\u0161anas trad\u012bcija, akad\u0113misk\u0101 proporcionalit\u0101te \u2014, bet J\u016bgendstils jau atnesa jaunu plastikas valodu: br\u012bv\u0101s, viegli haotisk\u0101s matadatas, emocion\u0101lo sejas izteiksmi ar nolaist\u0101m ac\u012bm un iek\u0161\u0113ju dom\u012bgumu, k\u0101 ar\u012b t\u0113rpa \u0101rk\u0101rt\u012bgi br\u012bvo, gandr\u012bz teatr\u0101lo pl\u016bdumu. Abas est\u0113tikas \u0161eit sadz\u012bvo vien\u0101 objekt\u0101.<\/p>\n

Sievietes seja ir klasiski akad\u0113miska \u2014 regul\u0101ri vaibsti, sp\u0113c\u012bgs zods, augsti vaigu kauli<\/p>\n

. Tom\u0113r vi\u0146as skatiens \u2014 pazemin\u0101ts, klus\u0113jo\u0161i sap\u0146ains \u2014 jau nes to J\u016bgendstilam rakstur\u012bgo iek\u0161\u0113jo atrau\u0161anos no pasaules, kas tik labi paz\u012bstama no Alphonse Mucha grafik\u0101m un Gustave Klimt portretiem. Lauru vainags ir divk\u0101rs simbols: gan ant\u012bk\u0101s uzvaras z\u012bme, gan 19. gadsimta romantisk\u0101 izt\u0113le par ide\u0101lo sievi\u0161\u0137\u012bbu \u2014 m\u016bza, po\u0113tese, dieviete.<\/p>\n

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\u269c\ufe0f RA\u017dOT\u0100JS UN STILISTISK\u0100 PIEDER\u012aBA<\/strong><\/p>\n

Fotogr\u0101fij\u0101s nav redzams ra\u017eot\u0101ja paraksts vai z\u012bmogs, tom\u0113r vair\u0101ki elementi \u013cauj prec\u012bzi lokaliz\u0113t \u0161o priek\u0161metu Eiropas augst\u0101k\u0101s klases dekorat\u012bv\u0101s plastisk\u0101s m\u0101kslas trad\u012bcij\u0101. Dob\u0101 terakotas tehnolo\u0123ija ar rakstur\u012bgo sarkano m\u0101la redzam\u012bbu apak\u0161\u0101 ir tie\u0161s liecinieks profesion\u0101lai r\u016bpnieciskajai ra\u017eo\u0161anai, k\u0101da bija rakstur\u012bga Par\u012bzes, V\u012bnes un Berl\u012bnes liel\u0101kaj\u0101m terakotas darbn\u012bc\u0101m 1880.\u20131900. gados. Tamnieku kr\u0101sojums \u2014 melni br\u016bna patina ar sarkaniem plankumiem \u2014 ir veids, k\u0101 terakotai pie\u0161\u0137irt bronzas izskatu, kas bija \u013coti piepras\u012bts augst\u0101k\u0101s bur\u017eu\u0101zijas m\u0101ju interjeriem: tas deva luksusa vizu\u0101lo efektu par pieejam\u0101ku cenu nek\u0101 \u012bsts bronzas l\u0113jums.<\/p>\n

\u0160\u0101da tipa bisti \u2014 liela izm\u0113ra, ar lauru vainagu rot\u0101t\u0101s sievietes t\u0113ls \u2014 bija popul\u0101ri Par\u012bzes un V\u012bnes m\u0101kslas salonos un uz\u0146\u0113mumu, kas specializ\u0113j\u0101s dekorat\u012bvaj\u0101 plastik\u0101 pla\u0161am gaum\u012bgam tirgum, katalogos. Sal\u012bdzin\u0101mi priek\u0161meti paz\u012bstami no Manufrance katalogiem (Francija), k\u0101 ar\u012b no Austrijas un \u010cehijas terakotas darbn\u012bcu produkcijas.<\/p>\n

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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n

\u0160\u0101da izm\u0113ra un kvalit\u0101tes terakotas bisti \u2014 ar izteiktu stilu p\u0101rejas perioda skaistumu, saglab\u0101tu ori\u0123in\u0101lo tum\u0161o patinu un bez b\u016btiskiem struktur\u0101liem boj\u0101jumiem \u2014 par\u0101d\u0101s antikv\u0101ru tirg\u016b sam\u0113r\u0101 reti. Liel\u0101koties \u0161\u0101di priek\u0161meti laika gait\u0101 ir zaud\u0113ju\u0161i deta\u013cas (lauru vainaga lapas, pleca tekstila malas) vai ar\u012b patina ir p\u0101rlakota modern\u0101s restavr\u0101cij\u0101s. \u0160is eksempl\u0101rs saglab\u0101jies iev\u0113rojami ori\u0123in\u0101l\u0101 st\u0101vokl\u012b. Kolekcion\u0101ri, kuri mekl\u0113 liela izm\u0113ra Historisma vai J\u016bgendstila perioda fig\u016bras ar emocion\u0101lu kl\u0101tb\u016btni, \u0161o periodu augstu v\u0113rt\u0113.<\/p>\n

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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n

53 cm augst\u0101 biste ir noz\u012bm\u012bgs interjera elements, kas pats par sevi veido istabas noska\u0146u. Uz marmora vai koka postamenta klasisk\u0101 vai eklektisk\u0101 interjera vid\u0113 tas rada muzejisk\u0101 kolekcijas objekta iespaidu. J\u016bgendstila vai Historisma interjeros \u2014 blakus aptum\u0161otam ozolkoka m\u0113belim, \u0101das kr\u0113slam vai smagam tekstilam \u2014 bists k\u013c\u016bst par kulmin\u0101cijas punktu. Laikmet\u012bgos interejros, jo \u012bpa\u0161i tad, ja sienas ir pel\u0113kas vai baltas un m\u0113beles \u2014 met\u0101la un betona est\u0113tikas \u2014, \u0161is tum\u0161i br\u016bnais bists darbojas k\u0101 sp\u0113c\u012bgs kontrasts, kas telpu uzreiz paaugstina est\u0113tiskaj\u0101 kategorij\u0101. Modes un interjera fotogr\u0101fij\u0101 \u0161\u0101da fig\u016bra ir iem\u012b\u013cots rekviz\u012bts \u2014 t\u0101 st\u0101sta par laikmetu, gaum\u012bgumu un v\u0113sturi bez v\u0101rdiem.<\/p>\n

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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n

Sievietes bists ar lauru vainagu \u2014 uzvaras, gudr\u012bbas un m\u0101kslinieciskuma simbols \u2014 ir izcila d\u0101vana sievietei, kura augstu v\u0113rt\u0113 m\u0101kslu, kult\u016brv\u0113sturi un est\u0113tiku. Tas der k\u0101 reprezentat\u012bva d\u0101vana m\u0101kslas pasaul\u0113 \u2014 galeriju vad\u012bt\u0101j\u0101m, kult\u016bras iest\u0101\u017eu direktor\u0113m, kolekcion\u0101r\u0113m. Lauru vainags k\u0101 uzvaras simbols to padara ar\u012b par piem\u0113rotu d\u0101vanu iev\u0113rojamiem sasniegumiem \u2014 aizst\u0101v\u0113tai disert\u0101cijai, godalgotam projektam, jubilejam, kas iez\u012bm\u0113 dz\u012bves lielus pagrieziena punktus.<\/p>\n

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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n

Bists saglab\u0101jies visp\u0101r\u0113ji lab\u0101 st\u0101vokl\u012b, \u0146emot v\u0113r\u0101 t\u0101 vecumu un izm\u0113ru. Ori\u0123in\u0101l\u0101 tum\u0161i br\u016bn\u0101 patina ar sarkaniem m\u0101la atsegumiem ir autentiska un net\u012b\u0161a \u2014 t\u0101 radusies dab\u012bg\u0101 nolietojum\u0101, nevis restaur\u0101cij\u0101. Lauru vainaga lapas uzr\u0101da meh\u0101niskus boj\u0101jumus \u2014 vair\u0101kas lapas ir da\u013c\u0113ji atl\u016bzu\u0161as vai noapa\u013coju\u0161\u0101s, kas ir gaid\u0101ms priek\u0161metiem ar tik smalk\u0101m izvirz\u012bt\u0101m deta\u013c\u0101m. Pleca t\u0113rpa mal\u0101s redzamas neliel\u0101s skaidas. Apak\u0161\u0113j\u0101 ov\u0101l\u0101 atvere ir vesela un skaidri par\u0101da autentisko terakotas sarkano m\u0101lu. Nav redzamu restaur\u0101ciju vai p\u0101rlakojumu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n

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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n

Female Bust with Laurel Wreath \u2014 Historicism and the Prelude to Art Nouveau, France or Central Europe, circa 1880\u20131900<\/strong><\/p>\n

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\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n

Height: 53 cm. Width: 36 cm. Weight: substantial \u2014 the hollow terracotta casting technique (an oval aperture is visible on the underside) reduces overall mass, yet the figure remains imposing and stable. Rectangular integral base.<\/p>\n

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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n

This bust belongs to that fertile transitional moment when Historicism still held its forms \u2014 the antique laurel wreath, the classical tradition of head composition, academic proportionality \u2014 while Art Nouveau was already bringing a new plastic language: freely flowing, slightly unruly hair, an emotionally inward facial expression with lowered eyes, and the extraordinarily loose, almost theatrical fall of the drapery. Both aesthetics coexist within this single object.<\/p>\n

The woman’s face is classically academic \u2014 regular features, a strong chin, high cheekbones. Yet her gaze \u2014 lowered, quietly dreaming \u2014 already carries that Art Nouveau quality of inner withdrawal from the world, so familiar from Alphonse Mucha’s graphics and Gustav Klimt’s portraits. The laurel wreath is a double symbol: both the ancient mark of victory and the 19th-century Romantic imagination of ideal femininity \u2014 muse, poetess, goddess.<\/p>\n

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\u269c\ufe0f MAKER AND STYLISTIC ATTRIBUTION<\/strong><\/p>\n

No maker’s signature or stamp is visible in the photographs; however, several elements allow precise placement within the tradition of high-quality European decorative sculpture. The hollow terracotta technique with the characteristic red clay visible at the base is direct evidence of professional industrial production of the kind associated with the major Parisian, Viennese and Berlin terracotta workshops of the 1880s\u20131900s. The painted finish \u2014 a dark brown patina with exposed red clay areas \u2014 was a standard method of giving terracotta the appearance of bronze, which was in great demand among the upper bourgeoisie: it delivered the visual effect of luxury at a more accessible cost than a true bronze cast.<\/p>\n

Busts of this type \u2014 large-format, depicting a woman crowned with laurel \u2014 were featured in the catalogues of Parisian and Viennese decorative sculpture firms catering to a broad but discriminating market. Comparable pieces are known from Manufrance catalogues (France) as well as Austrian and Bohemian terracotta workshop production.<\/p>\n

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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n

Terracotta busts of this scale and quality \u2014 with the distinctive beauty of a stylistic transitional period, a well-preserved original dark patina and no significant structural damage \u2014 appear comparatively rarely on the antiques market. In the majority of cases, pieces of this type have lost details over time (laurel leaf tips, textile shoulder edges) or the patina has been overpainted in modern restorations. This example survives in a remarkably original state. Collectors seeking large-format figures from the Historicism or Art Nouveau transitional period with strong emotional presence hold this era in high regard.<\/p>\n

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\ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n

At 53 cm in height, this bust is a significant interior element that establishes the mood of a room in its own right. Placed on a marble or wooden pedestal within a classical or eclectic interior, it creates the impression of a museum-grade collection piece. Within Historicist or Art Nouveau settings \u2014 alongside darkened oak furniture, a leather armchair or heavy textiles \u2014 the bust becomes the focal point. In contemporary interiors, particularly where walls are grey or white and furnishings follow a metal-and-concrete aesthetic, this dark brown figure functions as a powerful contrast that immediately elevates the space into a higher aesthetic category. In fashion and interior photography, such a figure is a prized prop \u2014 it speaks of era, refinement and history without words.<\/p>\n

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\ud83c\udf81 AS A GIFT AND PERSONALISATION<\/strong><\/p>\n

A female bust crowned with laurel \u2014 the symbol of victory, wisdom and artistic achievement \u2014 is an exceptional gift for a woman who values art, cultural history and aesthetics. It is well suited as a representative gift within the art world: for gallery directors, heads of cultural institutions, or collectors. The laurel wreath as a symbol of triumph also makes it an appropriate gift to mark significant achievements \u2014 a defended dissertation, an awarded project, or a milestone anniversary marking a major turning point in life.<\/p>\n

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\ud83d\udd0d CONDITION<\/strong><\/p>\n

The bust survives in generally good condition for its age and scale. The original dark brown patina with areas of exposed red clay is authentic and unrestored \u2014 it has developed through natural ageing rather than modern intervention. The laurel wreath leaves show mechanical wear \u2014 several are partially chipped or rounded at the tips, which is to be expected in pieces with such delicate projecting details. Minor chips are present along the edges of the shoulder drapery. The oval aperture on the underside is intact and clearly reveals the authentic red terracotta clay. No restorations or overpainting are visible. The condition of the piece is fully reflected in the photographs.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\ud83d\udcd0 IZM\u0112RI Augstums: 53 cm. Platums: 36 cm. Svars: iev\u0113rojams \u2014 terakotas dob\u0101 l\u0113juma tehnolo\u0123ija (apak\u0161\u0101 redzama ov\u0101la dobuma atvere)<\/p>\n","protected":false},"featured_media":25493,"template":"","meta":[],"product_brand":[],"product_cat":[232,204],"product_tag":[],"class_list":["post-25492","product","type-product","status-publish","has-post-thumbnail","product_cat-figuras-2","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/25492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/25493"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=25492"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=25492"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=25492"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=25492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}