{"id":25425,"date":"2024-05-02T21:36:36","date_gmt":"2024-05-02T18:36:36","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=25425"},"modified":"2026-09-07T23:45:03","modified_gmt":"2026-09-07T20:45:03","slug":"9-22","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/9-22\/","title":{"rendered":"Ant\u012bka Luija XV stila tr\u012bs atvilkt\u0146u kumode ar zelt\u012bt\u0101m deta\u013c\u0101m un parket\u0113tu virsmu (4732)"},"content":{"rendered":"

\ud83c\uddf1\ud83c\uddfb LATVIE\u0160U VALODAS BLOKS<\/strong><\/p>\n

Izm\u0113ri: Augstums \u2014 85 cm Garums \u2014 140 cm Dzi\u013cums \u2014 45,5 cm<\/p>\n

Ant\u012bka Luija XV stila tr\u012bs atvilkt\u0146u kumode ar zelt\u012bt\u0101m deta\u013c\u0101m un parket\u0113tu virsmu<\/strong><\/p>\n

M\u0101kslinieciski izsmalcin\u0101ta, liela izm\u0113ra un neparasti eleganta 19. gadsimta beigu fran\u010du m\u0113be\u013cu m\u0101kslas p\u0113rle \u2014 tr\u012bs atvilkt\u0146u kumode, kas rad\u012bta karaliskaj\u0101 un pl\u016bsto\u0161aj\u0101 Luija XV stila<\/strong> (fran\u010du rokoko v\u0113sturisk\u0101 renesanse) est\u0113tik\u0101 (antique Louis XV style light oak commode<\/em>). M\u0113beles korpuss ir izgatavots no augstv\u0113rt\u012bga, gai\u0161a ozolkoka, kas izce\u013cas ar izteiksm\u012bgu, dabisku un dzi\u013cu koksnes \u0161\u0137iedras tekst\u016bru. Kumodes fas\u0101dei ir klasisks, maigi vi\u013c\u0146ots “arbaleta” (serpentine) izliekums, kas pie\u0161\u0137ir m\u0113belei plastiskumu un vizu\u0101lu vieglumu, neskatoties uz t\u0101s pamat\u012bgajiem izm\u0113riem.<\/p>\n

\u012apa\u0161a \u0161\u012b priek\u0161meta v\u0113rt\u012bba ir t\u0101 aug\u0161\u0113j\u0101 virsma, kas meistar\u012bgi finier\u0113ta un salikta dekorat\u012bv\u0101 “skuji\u0146as” (chevron\/parquetry) parketa rakst\u0101, ko ietver mas\u012bvs, zelt\u012bts ozolkoka profila r\u0101mis. Kumodei ir tr\u012bs ietilp\u012bgas atvilktnes, kuru priek\u0161\u0113jos pildi\u0146us un sadalo\u0161\u0101s joslas rot\u0101 smalkas, profil\u0113tas zelt\u012bta koka l\u012bst\u012btes. Atvilkt\u0146u fas\u0101des akcent\u0113 kr\u0101\u0161\u0146i, mas\u012bvi un detaliz\u0113ti izlieti misi\u0146a (vai bronzas) rokturi ar izteiksm\u012bgiem rokoko stila akanta lapu, ziedu un dabas dzinumu mot\u012bviem, k\u0101 ar\u012b asimetriski atsl\u0113gu vairodzi\u0146i. M\u0113beli balsta \u010detras eleganti izliektas (cabriole) k\u0101jas, kuru priek\u0161\u0113j\u0101s \u0161\u0137autnes un st\u016brus rot\u0101 pl\u016bsto\u0161as zelta joslas, kas p\u0101riet plastisk\u0101s, liet\u0101s akanta lapu p\u0113di\u0146\u0101s (sabots).<\/p>\n

Izgatavo\u0161anas periods<\/strong> 19. gadsimta beigas, aptuveni 1880.\u20131890. gads. Historisma \/ Neorokoko periods. Francija.<\/p>\n

Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/strong> Izcils Francijas galdniec\u012bbas meistara roku darbs no vado\u0161aj\u0101m Par\u012bzes vai Lionas darbn\u012bc\u0101m, kas specializ\u0113j\u0101s 18. gadsimta karalisko m\u0113be\u013cu rekonstrukcij\u0101 un piel\u0101go\u0161an\u0101 19. gadsimta bur\u017eu\u0101zijas luksusa pras\u012bb\u0101m.<\/p>\n

Retums un noz\u012bme<\/strong> Liel\u0101k\u0101 \u0161\u012bs kumodes v\u0113rt\u012bba ir t\u0101s gai\u0161ais koksnes tonis un neparastais dekorat\u012bvais risin\u0101jums \u2014 parasti \u0161\u0101da veida Luija XV stila m\u0113beles tika veidotas no tum\u0161a sarkankoka vai smaga riekstkoka ar tum\u0161u mar\u0137etr\u012b. Gai\u0161\u0101, tekstur\u0113t\u0101 ozola izmanto\u0161ana savienojum\u0101 ar maigu zelta kr\u0101sas akcent\u0113\u0161anu padara \u0161o kumodi vizu\u0101li gai\u0161u, modernu un teicami integr\u0113jamu m\u016bsdienu gai\u0161ajos interjeros, saglab\u0101jot t\u0101s monument\u0101lo v\u0113sturisko v\u0113rt\u012bbu.<\/p>\n

Pielietojums<\/strong> Kumode ir piln\u012bb\u0101 funkcion\u0101la un kalpos k\u0101 galvenais reprezentat\u012bvais akcents dz\u012bvojam\u0101 istab\u0101, pla\u0161\u0101 priek\u0161nam\u0101 vai gu\u013camistab\u0101. T\u0101 ir ide\u0101li piem\u0113rota virs t\u0101s novietotam lielam spogulim zelta r\u0101m\u012b, gleznai, k\u0101 ar\u012b bronzas pulkste\u0146iem vai ziedu v\u0101z\u0113m.<\/p>\n

St\u0101voklis<\/strong> Lielisk\u0101 ant\u012bk\u0101 saglab\u0101t\u012bb\u0101. Ozolkoka konstrukcija un atvilkt\u0146u kastes ir piln\u012bgi stingras, taisnas un stabilas. Atvilktnes b\u012bd\u0101s viegli un gludi. Ori\u0123in\u0101lais koka kr\u0101sojums un zelt\u012bjums uz l\u012bst\u0113m un k\u0101ji\u0146\u0101m ir ieguvis c\u0113lu, dabisku un nevienm\u0113r\u012bgu v\u0113sturisko nodilumu (pat\u012bnu), kas tikai pastiprina m\u0113beles autentiskumu un \u0161armu. Virsma ir t\u012bra un gluda.<\/p>\n

Kult\u016brv\u0113sturiskais momentuz\u0146\u0113mums:<\/strong><\/em> Lieti\u0161\u0137\u0101s m\u0101kslas meistars un dizainers Ansis C\u012brulis v\u0113l\u0101 vakara stund\u0101 s\u0113d\u0113ja pie sava darbn\u012bcas galda, klusi un r\u0101mi dungodams k\u0101du senu Kurzemes melodiju. Vi\u0146\u0161 ritmiski piesita ar z\u012bmuli pa galda malu, l\u016bkodamies uz tikko uzskic\u0113to telpas interjera metu, kur\u0101 nacion\u0101lo rakstu l\u012bnijas l\u0113ni ieguva savu ritmu un stingr\u012bbu. Turpat blakus, lampas siltaj\u0101 gaism\u0101, st\u0101v\u0113ja nesen no Par\u012bzes atvest\u0101 gai\u0161\u0101 ozolkoka kumode \u2014 t\u0101s pl\u016bsto\u0161\u0101s rokoko l\u012bnijas un spo\u017eie zelt\u012bjuma akcenti uztv\u0113ra liesmas atspulgus, radot p\u0101rsteidzo\u0161u viegluma un gadsimtiem p\u0101rbaud\u012btas elegances harmoniju. C\u012brulis ar apbr\u012bnu p\u0113t\u012bja t\u0101s skuji\u0146as rakst\u0101 veidoto virsmu un lietos bronzas rokturus, un \u0161\u012b c\u0113l\u0101 m\u0113bele acumirkl\u012b p\u0101rv\u0113rta vienk\u0101r\u0161u darba nakts mirkli pirms jaunu mot\u012bvu rad\u012b\u0161anas par piln\u012bgu un svin\u012bgu m\u0101kslas ritu\u0101lu.<\/em><\/p>\n

\ud83c\uddf7\ud83c\uddfa \u0420\u0423\u0421\u0421\u041a\u0418\u0419 \u0411\u041b\u041e\u041a<\/strong><\/p>\n

\u0420\u0430\u0437\u043c\u0435\u0440\u044b: \u0412\u044b\u0441\u043e\u0442\u0430 \u2014 85 \u0441\u043c \u0414\u043b\u0438\u043d\u0430 \u2014 140 \u0441\u043c \u0413\u043b\u0443\u0431\u0438\u043d\u0430 \u2014 45,5 \u0441\u043c<\/p>\n

\u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u0442\u0440\u0435\u0445\u0434\u0432\u0435\u0440\u043d\u044b\u0439 \u043a\u043e\u043c\u043e\u0434 \u0432 \u0441\u0442\u0438\u043b\u0435 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV \u0441 \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u044b\u043c \u0434\u0435\u043a\u043e\u0440\u043e\u043c \u0438 \u043f\u0430\u0440\u043a\u0435\u0442\u043d\u044b\u043c \u0442\u043e\u043f\u043e\u043c<\/strong><\/h3>\n

\u0418\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u044b\u0439, \u0431\u043e\u043b\u044c\u0448\u043e\u0439 \u0438 \u043d\u0435\u043e\u0431\u044b\u0447\u0430\u0439\u043d\u043e \u044d\u043b\u0435\u0433\u0430\u043d\u0442\u043d\u044b\u0439 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0439 \u043a\u043e\u043c\u043e\u0434 \u043a\u043e\u043d\u0446\u0430 19 \u0432\u0435\u043a\u0430, \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u044e\u0449\u0438\u0439 \u0441\u043e\u0431\u043e\u0439 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u044b\u0439 \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u043d\u0435\u043e\u0440\u043e\u043a\u043e\u043a\u043e \u0432 \u043a\u043e\u0440\u043e\u043b\u0435\u0432\u0441\u043a\u043e\u043c \u0441\u0442\u0438\u043b\u0435 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XV<\/strong> (antique Louis XV style light oak commode<\/em>). \u041a\u043e\u043c\u043e\u0434 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d \u0438\u0437 \u0432\u044b\u0441\u043e\u043a\u043e\u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0441\u0432\u0435\u0442\u043b\u043e\u0433\u043e \u0434\u0443\u0431\u0430 \u0441 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0442\u0435\u043a\u0441\u0442\u0443\u0440\u043e\u0439 \u0434\u0435\u0440\u0435\u0432\u0430. \u0424\u0430\u0441\u0430\u0434 \u043a\u043e\u043c\u043e\u0434\u0430 \u0438\u043c\u0435\u0435\u0442 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0432\u043e\u043b\u043d\u043e\u043e\u0431\u0440\u0430\u0437\u043d\u044b\u0439 \u0438\u0437\u0433\u0438\u0431 “\u0430\u0440\u0431\u0430\u043b\u0435\u0442” (serpentine), \u043f\u0440\u0438\u0434\u0430\u044e\u0449\u0438\u0439 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u043e\u0439 \u043c\u0435\u0431\u0435\u043b\u0438 \u043f\u043b\u0430\u0441\u0442\u0438\u0447\u043d\u043e\u0441\u0442\u044c \u0438 \u0433\u0440\u0430\u0446\u0438\u044e.<\/p>\n

\u041e\u0441\u043e\u0431\u043e\u0435 \u0434\u043e\u0441\u0442\u043e\u0438\u043d\u0441\u0442\u0432\u043e \u044d\u0442\u043e\u0433\u043e \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 \u2014 \u0435\u0433\u043e \u0432\u0435\u0440\u0445\u043d\u044f\u044f \u0441\u0442\u043e\u043b\u0435\u0448\u043d\u0438\u0446\u0430, \u0434\u0435\u043a\u043e\u0440\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u0430\u044f \u0432 \u0442\u0435\u0445\u043d\u0438\u043a\u0435 \u043f\u0430\u0440\u043a\u0435\u0442\u043d\u043e\u0433\u043e \u043d\u0430\u0431\u043e\u0440\u0430 “\u0432 \u0435\u043b\u043e\u0447\u043a\u0443” (chevron\/parquetry) \u0438 \u043e\u0431\u0440\u0430\u043c\u043b\u0435\u043d\u043d\u0430\u044f \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u044b\u043c \u0434\u0443\u0431\u043e\u0432\u044b\u043c \u043f\u0440\u043e\u0444\u0438\u043b\u0435\u043c. \u041a\u043e\u043c\u043e\u0434 \u043e\u0441\u043d\u0430\u0449\u0435\u043d \u0442\u0440\u0435\u043c\u044f \u0432\u043c\u0435\u0441\u0442\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c\u0438 \u044f\u0449\u0438\u043a\u0430\u043c\u0438, \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u043d\u044b\u043c\u0438 \u0442\u043e\u043d\u043a\u0438\u043c\u0438 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u044b\u043c\u0438 \u0440\u0435\u0439\u043a\u0430\u043c\u0438. \u0424\u0430\u0441\u0430\u0434\u044b \u044f\u0449\u0438\u043a\u043e\u0432 \u0434\u0435\u043a\u043e\u0440\u0438\u0440\u043e\u0432\u0430\u043d\u044b \u0442\u044f\u0436\u0435\u043b\u044b\u043c\u0438 \u043b\u0438\u0442\u044b\u043c\u0438 \u043b\u0430\u0442\u0443\u043d\u043d\u044b\u043c\u0438 (\u0438\u043b\u0438 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u043c\u0438) \u0440\u0443\u0447\u043a\u0430\u043c\u0438 \u0438 \u0430\u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u044b\u043c\u0438 \u043a\u043b\u044e\u0447\u0435\u0432\u0438\u043d\u0430\u043c\u0438 \u0441 \u0440\u043e\u043a\u0430\u0439\u043b\u044c\u043d\u044b\u043c\u0438 \u043c\u043e\u0442\u0438\u0432\u0430\u043c\u0438 \u0430\u043a\u0430\u043d\u0442\u043e\u0432\u044b\u0445 \u043b\u0438\u0441\u0442\u044c\u0435\u0432. \u0418\u0437\u0434\u0435\u043b\u0438\u0435 \u043e\u043f\u0438\u0440\u0430\u0435\u0442\u0441\u044f \u043d\u0430 \u0447\u0435\u0442\u044b\u0440\u0435 \u0438\u0437\u043e\u0433\u043d\u0443\u0442\u044b\u0445 \u043a\u0430\u0431\u0440\u0438\u043e\u043b\u044f (\u043d\u043e\u0436\u043a\u0438) \u0441 \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u044b\u043c\u0438 \u0430\u043a\u0446\u0435\u043d\u0442\u0430\u043c\u0438 \u0438 \u043b\u0438\u0442\u044b\u043c\u0438 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u043c\u0438 \u0431\u0430\u0448\u043c\u0430\u043a\u0430\u043c\u0438 (sabots) \u0432\u043d\u0438\u0437\u0443. \u0421\u0432\u0435\u0442\u043b\u044b\u0439 \u0442\u043e\u043d \u0434\u0435\u0440\u0435\u0432\u0430 \u0434\u0435\u043b\u0430\u0435\u0442 \u044d\u0442\u043e\u0442 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0448\u0435\u0434\u0435\u0432\u0440 \u043b\u0435\u0433\u043a\u0438\u043c \u0438 \u043f\u0440\u0438\u043c\u0435\u043d\u0438\u043c\u044b\u043c \u0432 \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u044b\u0445 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0438 \u044d\u043a\u043b\u0435\u043a\u0442\u0438\u0447\u043d\u044b\u0445 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430\u0445.<\/p>\n

\u0418\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0441\u044e\u0436\u0435\u0442:<\/strong><\/em> \u041c\u0430\u0441\u0442\u0435\u0440 \u043f\u0440\u0438\u043a\u043b\u0430\u0434\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0438 \u0434\u0438\u0437\u0430\u0439\u043d\u0435\u0440 \u0410\u043d\u0441\u0438\u0441 \u0426\u0438\u0440\u0443\u043b\u0438\u0441 (Ansis C\u012brulis) \u0432 \u043f\u043e\u0437\u0434\u043d\u0438\u0439 \u0432\u0435\u0447\u0435\u0440\u043d\u0438\u0439 \u0447\u0430\u0441 \u0441\u0438\u0434\u0435\u043b \u0437\u0430 \u0441\u0442\u043e\u043b\u043e\u043c \u0441\u0432\u043e\u0435\u0439 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u043e\u0439, \u0442\u0438\u0445\u043e \u0438 \u0441\u043f\u043e\u043a\u043e\u0439\u043d\u043e \u043d\u0430\u043f\u0435\u0432\u0430\u044f \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u0443\u044e \u043a\u0443\u0440\u043b\u044f\u043d\u0434\u0441\u043a\u0443\u044e \u043f\u0435\u0441\u043d\u044e. \u041e\u043d \u0440\u0438\u0442\u043c\u0438\u0447\u043d\u043e \u043f\u043e\u0441\u0442\u0443\u043a\u0438\u0432\u0430\u043b \u043a\u0430\u0440\u0430\u043d\u0434\u0430\u0448\u043e\u043c \u043f\u043e \u043a\u0440\u0430\u044e \u0441\u0442\u043e\u043b\u0430, \u0440\u0430\u0441\u0441\u043c\u0430\u0442\u0440\u0438\u0432\u0430\u044f \u0442\u043e\u043b\u044c\u043a\u043e \u0447\u0442\u043e \u043d\u0430\u0431\u0440\u043e\u0441\u0430\u043d\u043d\u044b\u0439 \u044d\u0441\u043a\u0438\u0437 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430, \u0433\u0434\u0435 \u043b\u0438\u043d\u0438\u0438 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043e\u0440\u043d\u0430\u043c\u0435\u043d\u0442\u0430 \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u043e\u0431\u0440\u0435\u0442\u0430\u043b\u0438 \u0441\u0432\u043e\u0439 \u0440\u0438\u0442\u043c. \u0420\u044f\u0434\u043e\u043c, \u0432 \u0442\u0435\u043f\u043b\u043e\u043c \u0441\u0432\u0435\u0442\u0435 \u0437\u0430\u0436\u0436\u0435\u043d\u043d\u043e\u0439 \u043b\u0430\u043c\u043f\u044b, \u0432\u044b\u0441\u0438\u043b\u0441\u044f \u043f\u0440\u0438\u0432\u0435\u0437\u0435\u043d\u043d\u044b\u0439 \u0438\u0437 \u041f\u0430\u0440\u0438\u0436\u0430 \u0441\u0432\u0435\u0442\u043b\u044b\u0439 \u0434\u0443\u0431\u043e\u0432\u044b\u0439 \u043a\u043e\u043c\u043e\u0434 \u2014 \u0435\u0433\u043e \u043f\u043b\u0430\u0432\u043d\u044b\u0435 \u0440\u043e\u043a\u0430\u0439\u043b\u044c\u043d\u044b\u0435 \u0438\u0437\u0433\u0438\u0431\u044b \u0438 \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u044b\u0435 \u0430\u043a\u0446\u0435\u043d\u0442\u044b \u043b\u043e\u0432\u0438\u043b\u0438 \u043e\u0442\u0431\u043b\u0435\u0441\u043a\u0438 \u043f\u043b\u0430\u043c\u0435\u043d\u0438, \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u044f \u0433\u0430\u0440\u043c\u043e\u043d\u0438\u044e \u043b\u0435\u0433\u043a\u043e\u0441\u0442\u0438 \u0438 \u043f\u0440\u043e\u0432\u0435\u0440\u0435\u043d\u043d\u043e\u0433\u043e \u0432\u0435\u043a\u0430\u043c\u0438 \u0438\u0437\u044f\u0449\u0435\u0441\u0442\u0432\u0430. \u0426\u0438\u0440\u0443\u043b\u0438\u0441 \u0441 \u0432\u043e\u0441\u0445\u0438\u0449\u0435\u043d\u0438\u0435\u043c \u0438\u0437\u0443\u0447\u0430\u043b \u043f\u0430\u0440\u043a\u0435\u0442\u043d\u044b\u0439 \u0440\u0438\u0441\u0443\u043d\u043e\u043a \u0435\u0433\u043e \u0441\u0442\u043e\u043b\u0435\u0448\u043d\u0438\u0446\u044b \u0438 \u043b\u0438\u0442\u044b\u0435 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u0435 \u0440\u0443\u0447\u043a\u0438, \u0438 \u044d\u0442\u043e\u0442 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u0439 \u043f\u0440\u0435\u0434\u043c\u0435\u0442 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u043d\u043e \u043f\u0440\u0435\u0432\u0440\u0430\u0449\u0430\u043b \u043e\u0431\u044b\u0447\u043d\u043e\u0435 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u043a\u043e\u0439 \u043d\u043e\u0447\u0438 \u043f\u0435\u0440\u0435\u0434 \u0441\u043e\u0437\u0434\u0430\u043d\u0438\u0435\u043c \u043d\u043e\u0432\u044b\u0445 \u043c\u043e\u0442\u0438\u0432\u043e\u0432 \u0432 \u0437\u0430\u0432\u0435\u0440\u0448\u0435\u043d\u043d\u044b\u0439 \u0438 \u0442\u043e\u0440\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0440\u0438\u0442\u0443\u0430\u043b \u043a\u0440\u0430\u0441\u043e\u0442\u044b.<\/em><\/p>\n

\ud83c\uddec\ud83c\udde7 ENGLISH BLOCK<\/strong><\/p>\n

Dimensions: Height \u2014 85 cm Length \u2014 140 cm Depth \u2014 45.5 cm<\/p>\n

Antiquarian Louis XV Style Light Oak Three-Drawer Commode with Parquetry Top<\/strong><\/h2>\n

This exceptional late 19th-century French commode is a definitive statement of period luxury, showcasing a beautifully proportioned serpentine chest in the elegant Louis XV style<\/strong> (antique Louis XV style light oak commode<\/em>). Masterfully constructed from high-grade solid light oak with a highly pronounced natural grain, the commode features a classic “crossbow” curved facade that lends a graceful, fluid movement to the heavy structure.<\/p>\n

The crown jewel of this piece is its outstanding parquetry top surface, masterfully veneered in a decorative herringbone (chevron) pattern and bordered by a robust gilded oak profile molding. The chest is equipped with three spacious drawers highlighted by fine gilded wooden framing. The drawer fronts are embellished with heavy, highly detailed cast brass (or bronze) pulls and asymmetrical lock escutcheons featuring ornate Rococo acanthus leaf and foliate scrolls. Supported on four elegantly shaped cabriole legs trimmed with gold leaf accents and terminating in cast bronze foliage sabots, this compact yet commodious cabinet introduces a stately presence. The light, textured oak finish makes it an exceptionally versatile and desirable choice for contemporary light-toned interiors.<\/p>\n

Period Style snapshot:<\/strong><\/em> The applied artist and designer Ansis C\u012brulis (Ansis C\u012brulis) sat at his studio table late into the night, quietly and serenely humming an old Latvian tune. He rhythmically tapped a pencil against the table’s edge, gazing at a freshly completed interior design sketch where the lines of traditional motifs slowly gained their rhythm. Right there, in the warm light of the lit lamp, stood the light oak commode recently brought from Paris \u2014 its flowing Rococo curves and bright gilded accents catching the reflections of the flame, creating a harmony of weightless elegance. C\u012brulis admired its parquetry top and cast bronze mounts, and this noble piece instantly transformed an ordinary moment of a working night before creating new motifs into a complete and solemn ritual of beauty.<\/em><\/p>\n

\ud83c\udde9\ud83c\uddea GERMAN BLOCK<\/strong><\/p>\n

Abmessungen: H\u00f6he \u2014 85 cm Breite \u2014 140 cm Tiefe \u2014 45,5 cm<\/p>\n

Antike Kommode im Louis-XV-Stil aus hellem Eichenholz mit Parkettplatte<\/strong><\/h3>\n

Diese exquisite dreit\u00fcrige Prunk-Kommode aus der Zeit um 1885 dokumentiert die spielerische Eleganz des franz\u00f6sischen Kunstschaffens im Louis-XV-Stil<\/strong> (antique Louis XV style light oak commode<\/em>). Das massive Geh\u00e4use ist komplett aus hellem Eichenholz mit einer wundersch\u00f6nen, markanten Maserung gefertigt. Die geschwungene (serpentinforme) Front verleiht dem herrschaftlichen M\u00f6belst\u00fcck eine flie\u00dfende Bewegung und plastische Leichtigkeit.<\/p>\n

Das absolute Highlight dieser Kommode ist die meisterhaft furnierte Deckplatte mit dekorativem Fischgr\u00e4ten-Parkettmuster (Parquetry), gefasst von einer vergoldeten Profilborte. Die Kommode verf\u00fcgt \u00fcber drei ger\u00e4umige Schubladen, die von zierlichen vergoldeten Holzst\u00e4ben gerahmt werden. Die Fronten werden von schweren, gegossenen Rocaille-Messinggriffen und asymmetrischen Schl\u00fcsselschildern mit plastischen Akanthusbl\u00e4ttern geziert. Die Kommode ruht auf vier elegant geschwungenen Cabriole-Beinen, die mit feiner Blattvergoldung akzentuiert sind und in massiven, gegossenen Bronze-Sabots enden. Ein seltener Gl\u00fccksfall durch die Kombination aus hellem Holz und edlem Golddekor.<\/p>\n

Momentaufnahme der Epoche:<\/strong><\/em> Der Kunsthandwerker und Designer Ansis C\u012brulis (Ansis C\u012brulis) sa\u00df in sp\u00e4ten Abendstunden am Tisch seines Ateliers und summte leise und friedlich eine alte Melodie. Er klopfte rhythmisch mit dem Bleistift gegen die Tischkante und betrachtete den Entwurf eines Rauminterieurs, dessen Linien langsam an Rhythmus gewannen. Gleich daneben, im warmen Licht der brennenden Lampe, stand die helle Eichenkommode aus Paris \u2014 ihre flie\u00dfenden Rokoko-Linien und die gl\u00e4nzenden Goldakzente fingen den Widerschein der Flamme ein und vermittelten ein Gef\u00fchl von Leichtigkeit und historischer Geborgenheit. C\u012brulis bewunderte die Parkettplatte und die gegossenen Beschl\u00e4ge, und dieses edle M\u00f6belst\u00fcck machte den gew\u00f6hnlichen Moment einer Arbeitsnacht vor dem Entwurf neuer Motive augenblicklich zu einem vollendeten und feierlichen Ritual der Sch\u00f6nheit.<\/em><\/p>\n

\ud83c\uddeb\ud83c\uddf7 FRENCH BLOCK<\/strong><\/p>\n

Dimensions : Hauteur \u2014 85 cm Largeur \u2014 140 cm Profondeur \u2014 45,5 cm<\/p>\n

Commode ancienne de style Louis XV en ch\u00eane clair \u00e0 plateau marquet\u00e9<\/strong><\/h3>\n

Une pr\u00e9cieuse et \u00e9l\u00e9gante commode \u00e0 trois tiroirs de la fin du XIXe si\u00e8cle, illustrant avec brio la gr\u00e2ce du style Louis XV<\/strong> et du n\u00e9o-rocaille (antique Louis XV style light oak commode<\/em>). Enti\u00e8rement con\u00e7ue en ch\u00eane clair de forte section pr\u00e9sentant de belles veinures naturelles, elle arbore une fa\u00e7ade mouvement\u00e9e en arbal\u00e8te qui apporte dynamisme et l\u00e9g\u00e8ret\u00e9 visuelle \u00e0 l’ensemble.<\/p>\n

Le plateau sup\u00e9rieur, d’un grand raffinement, pr\u00e9sente un important d\u00e9cor marquet\u00e9 en chevrons (parquetry) ceint d’un cadre moulur\u00e9 \u00e0 la feuille d’or. La commode ouvre par trois grands tiroirs soulign\u00e9s par de fines baguettes dor\u00e9es. La fa\u00e7ade s’orne d’une riche garniture de bronzes rocaille dor\u00e9s tr\u00e8s finement cisel\u00e9s, comprenant des poign\u00e9es de tirage et des entr\u00e9es de serrure asym\u00e9triques \u00e0 d\u00e9cor de coquilles et rinceaux feuillag\u00e9s. Elle repose sur quatre pieds galb\u00e9s soulign\u00e9s par des filets dor\u00e9s et termin\u00e9s par de d\u00e9licats sabots feuillag\u00e9s en bronze dor\u00e9. Cette pi\u00e8ce rare de proportions parfaites se distingue par son ch\u00eane blond, id\u00e9al pour les int\u00e9rieurs classiques et contemporains.<\/p>\n

Instantan\u00e9 de l’\u00e9poque :<\/strong><\/em> L’artisan d’art et designer Ansis C\u012brulis (Ansis C\u012brulis) \u00e9tait assis \u00e0 la table de son atelier tard dans la nuit, fredonnant doucement et sereinement un vieil air populaire. Il tapotait en rythme un crayon contre le bord de la table, observant l’\u00e9bauche d’un projet de d\u00e9coration dont les lignes prenaient lentement leur rythme. Juste l\u00e0, dans la lumi\u00e8re chaude de la lampe allum\u00e9e, se dressait la commode en ch\u00eane blond r\u00e9cemment rapport\u00e9e de Paris \u2014 ses courbes rocaille fluides et ses accents dor\u00e9s captaient les reflets de la flamme, apportant une harmonie de l\u00e9g\u00e8ret\u00e9 et d’\u00e9l\u00e9gance historique. C\u012brulis observait avec admiration son plateau en chevrons et ses bronzes fondus, et cet objet noble transformait instantan\u00e9ment un instant ordinaire de nuit de travail avant le dessin de nouveaux motifs en un rituel de beaut\u00e9 complet et noble.<\/em><\/p>\n

\ud83c\udde9\ud83c\uddf0 DANISH BLOCK<\/strong><\/p>\n

Dimensioner: H\u00f8jde \u2014 85 cm Bredde \u2014 140 cm Dybde \u2014 45,5 cm<\/p>\n

Antik kommode i lys eg i Louis XV-stil med parkettoverflade<\/strong><\/h3>\n

Dette us\u00e6dvanligt smukke og kunstnerisk udf\u00f8rte tre-skuffers m\u00f8bel fra slutningen af det 19. \u00e5rhundrede pr\u00e6senterer sig med storsl\u00e5et fransk elegance i Louis XV-stil<\/strong> (antique Louis XV style light oak commode<\/em>). Kommoden er udf\u00f8rt i massiv lys eg med en markant, naturlig \u00e5retegning. Fronten har en flot buet “arbalet”-form (serpentine), der giver skuffem\u00f8blet en plastisk og elegant form.<\/p>\n

Kommodens absolutte highlight er den meisterlige topplade udf\u00f8rt i sildebensparket (parquetry), indrammet af en forgyldt profilkant i egetr\u00e6. Kommoden har tre rummelige skuffer dekoreret med fine forgyldte tr\u00e6lister. Skuffefronter flankeres af kraftige, detaljerede messinghanke (eller bronzebeslag) og asymmetriske n\u00f8gleskilte med flotte blade og blomstermotiver i rokoko-stil. De fire svungne ben er dekoreret med forgyldte linjer og afsluttes med forgyldte akantusblad-sko (sabots). Fremst\u00e5r i perfekt antik stand med en smuk alderspatina i de forgyldte detaljer.<\/p>\n

\u00d8jebliksbillede fra epoken:<\/strong><\/em> Kunsth\u00e5ndv\u00e6rkeren og designeren Ansis C\u012brulis (Ansis C\u012brulis) sad ved sit atelierbord sent om aftenen, mens han stille og fredeligt nynnede en gammel melodi. Han bankede rytmisk med blyanten mod bordkanten og betragtede skitsen af et ruminteri\u00f8r, hvor linjerne langsomt fandt deres rytme. Lige ved siden af den t\u00e6ndte lampe stod den lyse egetr\u00e6skommode fra Paris \u2014 dens svungne rokoko-linjer og de gyldne akcenter fangede sk\u00e6ret fra flammen og gav en f\u00f8lelse af lethed og historisk tryghed. C\u012brulis beundrede dens parketm\u00f8nstrede overflade og de st\u00f8bte messinghanke, og dette \u00e6dle m\u00f8bel forvandlede \u00f8jeblikkeligt en helt almindelig arbejdsaften f\u00f8r tegningen af nye motiver til et rent og \u00e6delt sk\u00f8nhedsritual.<\/em><\/p>\n

\ud83c\uddf8\ud83c\uddea SWEDISH BLOCK<\/strong><\/p>\n

Dimensioner: H\u00f6jd \u2014 85 cm Bredd \u2014 140 cm Djup \u2014 45,5 cm<\/p>\n

Antik byr\u00e5 i ljus ek i Louis XV-stil med parkettyta<\/strong><\/h3>\n

En utomordentligt graci\u00f6s och elegant byr\u00e5 med tre l\u00e5dor fr\u00e5n sent 1800-tal, utf\u00f6rd i en p\u00e5kostad Louis XV-stil<\/strong> (antique Louis XV style light oak commode<\/em>). Korpuset \u00e4r tillverkat i massiv ljus ek med en vacker och djup naturlig \u00e5dring. Byr\u00e5ns front har en klassisk mjukt sv\u00e4ngd arbalet-form (serpentine) som ger den monumentala m\u00f6beln en behaglig plastisk form och l\u00e4tthet.<\/p>\n

Byr\u00e5ns stora k\u00e4nnetecken \u00e4r dess fantastiska toppskiva, meisterligt fanerad i ett dekorativt fiskbensm\u00f6nster (parquetry) omgivet av en f\u00f6rgylld profilram. Byr\u00e5n har tre djupa l\u00e5dor som ramas in av tunna f\u00f6rgyllda lister. L\u00e5dorna pryds av tunga gjutna m\u00e4ssingshandtag (eller bronsbeslag) samt asymmetriska nyckelskyltar i rokoko-stil med akantusblad och blommande dorn. De fyra eleganta kabriolbenen pryds av f\u00f6rgyllda f\u00e4lt och avslutas med skulpturala f\u00f6rgyllda sko-beslag (sabots). Byr\u00e5n \u00e4r i ett synnerligen gott och stabilt antikskick med en vacker originalpatina i f\u00f6rgyllningen.<\/p>\n

\u00d6gonblicksbild fr\u00e5n jugendtiden:<\/strong><\/em> Konsthantverkaren och formgivaren Ansis C\u012brulis (Ansis C\u012brulis) satt vid sitt arbetsbord sent p\u00e5 kv\u00e4llen och nynnade tyst och fridfullt p\u00e5 en gammal melodi. Han knackade rytmiskt med blyertspennan mot bordskanten och betraktade skissen av ett rumsinteri\u00f6r, d\u00e4r linjerna l\u00e5ngsamt sm\u00e4lte samman i ett eget m\u00f6nster. Precis bredvid den t\u00e4nda lampan stod byr\u00e5n i ljus ek fr\u00e5n Paris \u2014 dess sv\u00e4ngda rokoko-linjer och gl\u00e4nsande guldakcenter reflekterade l\u00e5gans ljus och spred en k\u00e4nsla av l\u00e4tthet och historisk trygghet. C\u012brulis studerade dess fiskbensm\u00f6nstrade ovansida och de gjutna m\u00e4ssingsbeslagen, och denna \u00e4dla m\u00f6bel f\u00f6rvandlade omedelbart en vanlig arbetskv\u00e4ll f\u00f6re skissandet av nya motiv till en full\u00e4ndad och \u00e4del sk\u00f6nhetsritual.<\/em><\/p>\n

\ud83c\uddf3\ud83c\uddf4 NORWEGIAN BLOCK<\/strong><\/p>\n

Dimensjoner: H\u00f8yde \u2014 85 cm Bredde \u2014 140 cm Dybde \u2014 45,5 cm<\/p>\n

Antikk kommode i lys eik i Louis XV-stil med parkettoverflate<\/strong><\/h3>\n

Dette er en usedvanlig vakker og staselig tre-skuffers kommode fra slutten av 1800-tallet, utf\u00f8rt i en rik fransk Louis XV-stil<\/strong> (antique Louis XV style light oak commode<\/em>). Kommoden er utf\u00f8rt i hel lys eik med en nydelig, naturlig trestruktur. Fronten har en klassisk svungen “arbalet”-form (serpentine) som gir m\u00f8belet en flytende bevegelse og visuell letthet.<\/p>\n

Kommodens st\u00f8rste samleobjekt-verdi ligger i den meisterlig utf\u00f8rte toppplaten med sildbeinsm\u00f8nstret parkett (parquetry), omkranset av en forgylt profilkant. Kommoden har tre dype skuffer dekorert med fine forgylte tr\u00e9lister. Skuffefronter er utstyrt med tunge, forseggjorte messingh\u00e5ndtak og asymmetriske n\u00f8kkelskilt dekorert med rokoko-akantusblader. De fire svungne bena er pyntet med forgylte linjer og avsluttes med forgylte bronsesko (sabots). Fremst\u00e5r i utmerket antikk stand med en flott alderspatina i de forgylte detaljene.<\/p>\n

\u00d8yeblikksbilde fra jugendtiden:<\/strong><\/em> Kunsth\u00e5ndverkeren og designeren Ansis C\u012brulis (Ansis C\u012brulis) satt ved sitt atelierbord sent om kvelden, mens han stille og fredelig nynnet en gammel tone. Han banket rytmisk med blyanten mot bordkanten og betraktet en skisse av et rominteri\u00f8r, der de fine linjene langsomt fant sin rytme. Like ved siden av den tente lampen stod kommoden i lys eik fra Paris \u2014 dens svungne rokoko-linjer og de gylne akcentene fanget sk\u00e6ret fra flammen og ga en f\u00f8lelse av letthet og historisk trygghet. C\u012brulis beundret dens sildbeinsm\u00f8nstrede overflate og de st\u00f8pte messingh\u00e5ndtakene, og dette edle m\u00f8belet forvandlet \u00f8yeblikkelig en helt vanlig kveldsstund f\u00f8r skisseringen av nye motiver til et rent og edelt skj\u00f8nnhetsritual.<\/em><\/p>\n

\ud83c\uddeb\ud83c\uddee FINNISH BLOCK<\/strong><\/p>\n

Mitat: Korkeus \u2014 85 cm Leveys \u2014 140 cm Syvyys \u2014 45,5 cm<\/p>\n

Antiikkinen vaalea tamminen lipasto Ludvig XV -tyylill\u00e4 ja parkettikannella<\/strong><\/h3>\n

Eritt\u00e4in n\u00e4ytt\u00e4v\u00e4, kolmella laatikolla varustettu ranskalainen lipasto 1800-luvun lopulta, joka edustaa upeaa Ludvig XV -tyylist\u00e4<\/strong> muotokielt\u00e4 kauneimmillaan (antique Louis XV style light oak commode<\/em>). Lipasto on valmistettu kokonaan vaaleasta, tihe\u00e4syisest\u00e4 tammesta, jossa on kaunis luonnollinen puunsyykuvio. Etuosan pehme\u00e4 “arbalet”-kaarros (serpentine) tuo vankkarakenteiseen kalusteeseen hienostunutta plastisuutta ja keveytt\u00e4.<\/p>\n

T\u00e4m\u00e4n kalusteen arvokkain yksityiskohta on sen upea kansilevy, joka on mestarillisesti kuvioitu kalanruotoparketilla (parquetry) ja viimeistelty kullatulla tammiprofiilikehyksell\u00e4. Lipastossa on kolme tilavaa laatikkoa, joita kehyst\u00e4v\u00e4t ohuet kullatut koristelistat. Laatikoiden etuosassa on raskaat, yksityiskohtaisesti valetut messinkiset (tai pronssiset) rokokoovetimet ja asymmetriset avainkilvet akantuksenlehtikuvioilla. Nelj\u00e4 kaarevaa jalkaa on koristeltu kultauksella ja ne p\u00e4\u00e4ttyv\u00e4t valettuihin pronssitassuihin (sabots). Lipasto on erinomaisessa ja vankassa kunnossa, ja sen kultauksissa on kaunis vanha patina.<\/p>\n

Ajan tunnelma:<\/strong><\/em> Taideteollisuusmies ja muotoilija Ansis C\u012brulis (Ansis C\u012brulis) istui ty\u00f6skentelyp\u00f6yt\u00e4ns\u00e4 \u00e4\u00e4ress\u00e4 my\u00f6h\u00e4\u00e4n illalla ja hyr\u00e4ili hiljaa ja tyynesti vanhaa kurmaalaista s\u00e4velm\u00e4\u00e4. H\u00e4n naputti rytmikk\u00e4\u00e4sti lyijykyn\u00e4\u00e4 p\u00f6yd\u00e4n reunaa vasten ja katseli juuri luonnostelemaansa huoneinteri\u00f6\u00f6rin mallia, jossa perinteisten kuvioiden linjat sulautuivat hitaasti omaan rytmiins\u00e4. Siin\u00e4 aivan sytytetyn lampun vieress\u00e4 seisoi Pariisista tuotu vaalea tammilipasto \u2014 sen kaarevat rokokoolinjat ja kirkkaat kultaukset vangitsivat l\u00e4mpim\u00e4n valon luoden keveyden ja vuosisataisen eleganssin sopusoinnun. C\u012brulis ihaili sen kalanruotokuviollista kantta ja valettuja messinkisi\u00e4 vetimi\u00e4, ja t\u00e4m\u00e4 vankka esine muutti silm\u00e4nr\u00e4p\u00e4yksess\u00e4 ty\u00f6y\u00f6n arkisen hetken ennen uusien luonnosten piirt\u00e4mist\u00e4 ajattoman estetiikan kuolemattomaksi rituaaliksi.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Ekskluz\u012bva un eleganta 19. gadsimta beigu fran\u010du Luija XV stila (Louis XV style) gai\u0161a ozolkoka tr\u012bs atvilkt\u0146u kumode ar izliektu fas\u0101di, skuji\u0146as rakst\u0101 veidotu virsmu un kr\u0101\u0161\u0146iem zelt\u012btiem rokoko bronzas rot\u0101jumiem (4732).<\/p>\n","protected":false},"featured_media":25426,"template":"","meta":[],"product_brand":[],"product_cat":[221,207,204],"product_tag":[],"class_list":["post-25425","product","type-product","status-publish","has-post-thumbnail","product_cat-kumodes","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/25425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/25426"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=25425"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=25425"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=25425"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=25425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}