{"id":25297,"date":"2024-05-02T19:13:24","date_gmt":"2024-05-02T16:13:24","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=25297"},"modified":"2026-09-07T23:43:21","modified_gmt":"2026-09-07T20:43:21","slug":"9-14","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/9-14\/","title":{"rendered":"Atverams Sp\u0113\u013cu Galds ar Za\u013cu Filca Virsmu un Grebtu Dekor\u0101ciju \u2014 Louis XV stils, Francija, ap 1860.\u20131890. (4724)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong> Augstums 74,5 cm \u00d7 garums 86 cm \u00d7 dzi\u013cums 43,5 cm. Virsma atverot: 87 cm \u00d7 86 cm.<\/p>\n

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Atverams Sp\u0113\u013cu Galds ar Za\u013cu Filca Virsmu un Grebtu Dekor\u0101ciju \u2014 Louis XV stils, Francija, ap 1860.\u20131890.<\/strong><\/h3>\n

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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n

\u0160is elegantais atveramais sp\u0113\u013cu galds pieder Belle \u00c9poque<\/strong> laikmeta grezn\u0101kajam m\u0101kslinieciskajam mantojumam \u2014 tas rad\u012bts period\u0101, kad Louis XV<\/strong> stila atdzim\u0161ana (N\u00e9o-Louis XV<\/em>) bija sasniegusi savu kulmin\u0101ciju Francij\u0101<\/strong> un Be\u013c\u0123ij\u0101<\/strong>. Historicisms<\/strong> \u0161eit izpau\u017eas viscaur \u2014 izliekt\u0101s cabriole<\/em> k\u0101jas ar melnin\u0101tu \u00e9b\u00e8ne<\/em> grebto acanthus<\/em> un glieme\u017ev\u0101ku (rocaille<\/em>) dekor\u0101ciju pie k\u0101ju savienojumiem, vi\u013c\u0146ain\u0101 serpentine<\/em> forma galdvirsmai un apak\u0161apmale ar ritmiskiem izliektiem rocaille<\/em> mot\u012bviem \u2014 tas viss ir apzin\u0101ts v\u0113sturisk\u0101 18. gadsimta elegances izsaukums.<\/p>\n

\u0160is priek\u0161mets pieder tam augl\u012bgajam p\u0101rejas br\u012bdim, kad Historicisms<\/strong> v\u0113l tur\u0113ja savas formas ar prec\u012bzu v\u0113sturisku cit\u0101tu, bet Belle \u00c9poque<\/strong> greznuma kult\u016bra jau atnesa jaunu dz\u012bvesprieku un teatr\u0101lumu \u2014 abas est\u0113tikas \u0161eit sadz\u012bvo vien\u0101 objekt\u0101 ar izcilu harmoniju.<\/p>\n

Table de jeu<\/em> \u2014 sp\u0113\u013cu galds \u2014 bija neat\u0146emama Par\u012bzes<\/strong> augst\u0101s bur\u017eu\u0101zijas salona sast\u0101vda\u013ca. Pie \u0161\u0101diem galdiem tika sp\u0113l\u0113ti k\u0101rtis, \u0161ahs un domino; ap to pulc\u0113j\u0101s laikmeta intelektu\u0101l\u0101 elite. Virsmas atver\u0161ana p\u0101rv\u0113r\u0161as par ritu\u0101lu \u2014 za\u013cais filcs atveras k\u0101 te\u0101tra aizkars, aicinot uz vakara sp\u0113li.<\/p>\n

Em\u012bls Zol\u0101 taj\u0101 laik\u0101 rakst\u012bja Nana<\/em> \u2014 un tie\u0161i \u0161\u0101dos salonos dz\u012bvoja vi\u0146a varo\u0146i. Pie \u0161\u0101da galda var\u0113ja s\u0113d\u0113t ban\u0137ieri, rakstnieki un dzejnieki, kam\u0113r \u0101r\u0101 Par\u012bzes ielas mirdz\u0113ja no g\u0101zes laternu gaismas.<\/p>\n

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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n

Redzama mar\u0137\u0113juma nav konstat\u0113ts. P\u0113c koksnes kvalit\u0101tes \u2014 iesp\u0113jams rosewood<\/em> (palissandre<\/em>) vai tum\u0161s ozols ar augstu sp\u012bdumu \u2014 un melnin\u0101to grebumu precizit\u0101tes pie k\u0101ju savienojumiem, \u0161is galds atbilst augst\u0101k\u0101s klases Par\u012bzes<\/strong> vai Be\u013c\u0123ijas<\/strong> galdniec\u012bbas trad\u012bcijai. Cabriole<\/em> k\u0101ju griezums, rocaille<\/em> grebumi un serpentine<\/em> formas virsma ir rakstur\u012bgas N\u00e9o-Louis XV<\/strong> manufakt\u016br\u0101m, kas Francij\u0101<\/strong> darboj\u0101s 1850.\u20131890. gados un pieg\u0101d\u0101ja savus darbus aristokr\u0101tiskiem un bur\u017eu\u0101ziskiem pas\u016bt\u012bt\u0101jiem. Aizmugures vienk\u0101r\u0161\u0101k\u0101 apdare ir rakstur\u012bga laikmetam \u2014 priek\u0161puse veidota ar visu m\u0101ksliniecisko uzman\u012bbu.<\/p>\n

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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n

Atverami sp\u0113\u013cu galdi ar saglab\u0101tu ori\u0123in\u0101lo za\u013co filca virsmu, funkcion\u0113jo\u0161u viru meh\u0101nismu un piln\u012bgu cabriole<\/em> k\u0101ju komplektu ir iev\u0113rojami reti antikv\u0101ru tirg\u016b. Liel\u0101k\u0101 da\u013ca \u0161\u0101du gaidu ir zaud\u0113ju\u0161i filca virsmu vai k\u0101jas ir tiku\u0161as restaur\u0113tas. \u0160aj\u0101 gad\u012bjum\u0101 filca za\u013c\u0101 virsma ar zelta filet<\/em> apmali ir saglab\u0101jusies, viras darbojas, un grebumu deta\u013cas pie k\u0101j\u0101m ir skaidri salas\u0101mas. Starptautiskajos izsoles namos \u2014 Christie’s<\/strong>, Sotheby’s<\/strong> un Drouot<\/strong> \u2014 \u0161\u0101di gabali regul\u0101ri atrod pirc\u0113jus Francij\u0101, V\u0101cij\u0101, Skandin\u0101vij\u0101 un ASV.<\/p>\n

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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n

\u0160is galds ir \u0101rk\u0101rt\u012bgi daudzpus\u012bgs. Aizv\u0113rt\u0101 st\u0101vokl\u012b tas funkcion\u0113 k\u0101 elegants konsoles galds<\/strong> priek\u0161telp\u0101, gaiten\u012b vai dz\u012bvojam\u0101 istab\u0101 \u2014 ide\u0101ls v\u0101zei, lampai vai m\u0101kslas objekta ekspoz\u012bcijai. Atverot \u2014 tas p\u0101rv\u0113r\u0161as par pilnv\u0113rt\u012bgu sp\u0113\u013cu vai darba galdu<\/strong>. Interjera dizaineri to izmanto k\u0101 centr\u0101lo akcentu eklektisk\u0101 vai klasisk\u0101 interjer\u0101<\/strong>, apk\u0101rt\u0113jai m\u0113belei izv\u0113loties tum\u0161u samtu vai zeltainu porcel\u0101nu. Fotogr\u0101fij\u0101s \u2014 ide\u0101ls vides elements ar bag\u0101t\u012bgu koka tekst\u016bru, grebumu deta\u013c\u0101m un za\u013co filcu k\u0101 kr\u0101su akcentu.<\/p>\n

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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n

\u0160is galds ir reprezentat\u012bva korporat\u012bva vai diplom\u0101tiska d\u0101vana<\/strong> augst\u0101k\u0101 l\u012bmen\u012b \u2014 juristam, bankierim, arhitektam vai m\u0101kslas kolekcion\u0101ram. Sp\u0113\u013cu galda simbolika \u2014 intelekts, strat\u0113\u0123ija, elegance \u2014 padara to par \u012bpa\u0161u d\u0101vin\u0101jumu \u0161aha sp\u0113l\u0113t\u0101jam, pokera entuziastam vai salona kult\u016bras cien\u012bt\u0101jam<\/strong>. Vienlaikus tas ir izcils jubilejas vai m\u0101jas iesv\u0113t\u012b\u0161anas d\u0101vin\u0101jums<\/strong> \u0123imenei ar izsmalcin\u0101tu gaumi.<\/p>\n

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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n

M\u0113bele ir lab\u0101 visp\u0101r\u0113j\u0101 st\u0101vokl\u012b, \u0146emot v\u0113r\u0101 t\u0101s vecumu \u2014 aptuveni 130\u2013160 gadus. Koka virsmas ir ar dabisku laikmeta pat\u012bnu un atsevi\u0161\u0137iem s\u012bkiem skr\u0101p\u0113jumiem. Atv\u0113rt\u0101s virsmas filcs saglab\u0101jies ar nelielu nolietojumu un atsevi\u0161\u0137iem s\u012bkiem traipiem \u2014 redzams fotogr\u0101fij\u0101s. Grebumi pie k\u0101ju savienojumiem ir skaidri un labi saglab\u0101ju\u0161ies. Viru meh\u0101nisms funkcion\u0113. Aizmugur\u0113 redzamas vecuma p\u0113das \u2014 rakstur\u012bgi autentiskam laikmeta gabalam. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n

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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n

\ud83d\udcd0 DIMENSIONS<\/strong> Height 74.5 cm \u00d7 length 86 cm \u00d7 depth 43.5 cm. Surface when open: 87 cm \u00d7 86 cm.<\/p>\n

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Folding Card Table with Green Baize Surface and Carved Decoration \u2014 Louis XV Style, France, circa 1860\u20131890.<\/strong><\/h3>\n

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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n

This elegant folding card table belongs to the most refined artistic legacy of the Belle \u00c9poque<\/strong> \u2014 created during the period when the Louis XV<\/strong> revival (N\u00e9o-Louis XV<\/em>) had reached its peak in France<\/strong> and Belgium<\/strong>. Historicism<\/strong> is expressed throughout \u2014 the curved cabriole<\/em> legs with ebonised carved acanthus<\/em> and rocaille<\/em> shell motifs at the knee joints, the serpentine<\/em> form of the tabletop, and the undulating apron with rhythmic rocaille<\/em> ornament \u2014 all are deliberate evocations of 18th-century elegance.<\/p>\n

This piece inhabits that fertile transitional moment when Historicism<\/strong> still held its precise historical quotation, while the Belle \u00c9poque<\/strong> culture of luxury had already introduced new theatricality and joie de vivre \u2014 both aesthetics coexist in this single object with exceptional harmony.<\/p>\n

The table de jeu<\/em> \u2014 card table \u2014 was an essential fixture of the Parisian<\/strong> haute bourgeoisie salon. At such tables cards, chess, and dominoes were played; around them gathered the intellectual elite of the era. The act of opening the surface becomes a ritual \u2014 the green baize unfolds like a theatre curtain, inviting the evening’s play to begin.<\/p>\n

\u00c9mile Zola was writing Nana<\/em> in those very years \u2014 and it was in salons precisely like this that his characters lived. At a table such as this one, bankers, writers, and poets might have gathered, while outside the streets of Paris glittered under the glow of gas lanterns.<\/p>\n

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\u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n

No visible maker’s mark has been identified. Based on the quality of the timber \u2014 likely rosewood<\/em> (palissandre<\/em>) or a dark polished oak \u2014 and the precision of the ebonised carved details at the knee joints, this table corresponds to the highest tradition of Parisian<\/strong> or Belgian<\/strong> cabinetmaking. The cabriole<\/em> leg profile, rocaille<\/em> carvings, and serpentine<\/em> tabletop form are characteristic of N\u00e9o-Louis XV<\/strong> workshops operating in France<\/strong> between 1850 and 1890, supplying aristocratic and upper-bourgeois clientele. The simpler finish on the reverse is typical of the period \u2014 the front face executed with full artistic attention.<\/p>\n

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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n

Folding card tables retaining their original green baize surface, functioning hinge mechanism, and complete cabriole<\/em> leg set are notably rare on the antique market. The majority of such pieces have lost their baize or had their legs restored. Here, the green baize with gold filet<\/em> border survives, the hinges function, and the carved details at the legs remain clearly legible. At international auction houses \u2014 Christie’s<\/strong>, Sotheby’s<\/strong>, and Drouot<\/strong> \u2014 comparable pieces regularly attract buyers across France<\/strong>, Germany<\/strong>, Scandinavia<\/strong>, and the United States<\/strong>.<\/p>\n

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\ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n

This table is exceptionally versatile. When closed, it functions as an elegant console table<\/strong> in an entrance hall, corridor, or living room \u2014 ideal for a vase, lamp, or art object. When open, it becomes a full card or work table<\/strong>. Interior designers use it as a central accent piece in eclectic or classical interiors<\/strong>, surrounding it with dark velvet or gilded porcelain. In photography \u2014 an ideal environmental element combining rich wood grain, carved detail, and the green baize as a colour accent.<\/p>\n

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\ud83c\udf81 AS A GIFT<\/strong><\/p>\n

A representative corporate or diplomatic gift<\/strong> at the highest level \u2014 for a lawyer, banker, architect, or art collector. The card table’s symbolism \u2014 intellect, strategy, elegance \u2014 makes it a distinctive gift for a chess player, poker enthusiast, or lover of salon culture<\/strong>. Equally outstanding as an anniversary or housewarming gift<\/strong> for a family of refined taste.<\/p>\n

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\ud83d\udd0d CONDITION<\/strong><\/p>\n

The piece is in good overall condition given its age of approximately 130\u2013160 years. The wood surfaces show natural patina and isolated minor scratches consistent with age. The baize on the open surface survives with light wear and isolated minor marks \u2014 visible in the photographs. The carved details at the knee joints are clear and well-preserved. The hinge mechanism is functional. The reverse shows age-appropriate wear typical of an authentic period piece. The condition of the piece is fully reflected in the photographs.<\/strong><\/p>\n

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Atverams sp\u0113\u013cu galds ar za\u013cu filca virsmu un zelta apmali, cabriole k\u0101j\u0101m ar grebtu rocaille dekor\u0101ciju. Louis XV stils, Francija, ap 1860.\u20131890. Augstums 74,5 cm \u00d7 garums 86 cm \u00d7 dzi\u013cums 43,5 cm. Atverot virsma: 87 \u00d7 86 cm. Funkcion\u0113jo\u0161s viru meh\u0101nisms.<\/p>\n","protected":false},"featured_media":25298,"template":"","meta":[],"product_brand":[],"product_cat":[247,213,216,204],"product_tag":[],"class_list":["post-25297","product","type-product","status-publish","has-post-thumbnail","product_cat-aizslietni","product_cat-galdi-mebeles","product_cat-konsoles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/25297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/25298"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=25297"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=25297"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=25297"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=25297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}