\ud83c\uddf1\ud83c\uddfb<\/p>\n
Augstums: 118 cm<\/p>\n
Platums: 74 cm<\/p>\n
Par\u012bzes pi\u013cu spo\u017eums un 19. gadsimta kokt\u0113lniec\u012bbas augst\u0101k\u0101 klase satiekas \u0161aj\u0101 iespaid\u012bg\u0101 izm\u0113ra, monument\u0101laj\u0101 zelt\u012bta koka r\u0101m\u012b. Priek\u0161mets ir izcils un t\u012brs fran\u010du Napoleona III stila (otr\u0101s imp\u0113rijas historisma)<\/i> paraugs. R\u0101mja pamatstrukt\u016bru veido sp\u0113c\u012bgs, ov\u0101ls koka profils, kas stiliz\u0113ts k\u0101 dabisks, vij\u012bgs koka stumbrs ar zaru mezgliem. Tam vis\u0101 perimetr\u0101 p\u0101ri kl\u0101jas neparasti dzi\u013ci, plastiski un ar rok\u0101m izstr\u0101d\u0101ti kokgriezumi \u2014 pl\u016bsto\u0161as akanta lapu v\u012btnes un reljefi, tr\u012bsdimension\u0101li ziedu pumpuri, kas burtiski “izaug” no r\u0101mja pamatnes.<\/p>\n
\u012apa\u0161u vizu\u0101lo varen\u012bbu \u0161im m\u0101kslas darbam pie\u0161\u0137ir t\u0101 izteiksm\u012bg\u0101 karte\u013ca tipa kompoz\u012bcija. Aug\u0161da\u013c\u0101 to vainago divi kr\u0101\u0161\u0146i flor\u0101lie kro\u0146i, kas tiecas uz aug\u0161u, savuk\u0101rt apak\u0161\u0113j\u0101 da\u013c\u0101 zaru mot\u012bvs nosl\u0113dzas ar dinamiski sav\u012btu lentes mezglu un div\u0101m lejupv\u0113rst\u0101m dekorat\u012bv\u0101m k\u0101ji\u0146\u0101m, kas pie\u0161\u0137ir r\u0101mim stabilit\u0101tes un pabeigt\u012bbas saj\u016btu. Virsmas zelt\u012bjums ir saglab\u0101jis c\u0113lu, pies\u0101tin\u0101tu toni, kur laika gait\u0101 izveidojusies smalka plaisi\u0146u mikrot\u012bkla tekst\u016bra (crackle<\/i>) reljefa padzi\u013cin\u0101jumos pastiprina katras griezuma l\u012bnijas dzi\u013cumu un \u0113nas.<\/p>\n
Laikmeta momentuz\u0146\u0113mums, R\u012bgas bir\u017eas nama gai\u0161\u0101 z\u0101le:<\/i><\/b> R\u012bgas bir\u017eas nama augstajos, ar zelt\u012btu apmetumu rot\u0101tajos salonos valda 19. gadsimta nogales p\u0113cpusdienas c\u0113lums. Pa augstajiem logiem, ko kl\u0101j smagas samta aizkaru krokas, z\u0101les interjer\u0101 iepl\u016bst maiga, zelta kr\u0101sas gaisma, kas l\u0113ni sl\u012bd p\u0101ri pul\u0113tajam ozolkoka parketam. \u0160aj\u0101 vid\u0113, starp tur\u012bgu ba\u0146\u0137ieru un tirgot\u0101ju \u0123ime\u0146u portretiem, pie sienas greznojas monument\u0101lais fran\u010du koka r\u0101mis, kura vij\u012bgie akanta lapu mot\u012bvi un flor\u0101lie kro\u0146i tikko man\u0101mi laist\u0101s, atstarojot krist\u0101la lustru t\u016bksto\u0161iem atbl\u0101zmu.<\/i><\/p>\n
R\u0101mis, kas ietver augstv\u0113rt\u012bgu faset\u0113tu ven\u0113cie\u0161u stikla spoguli, pieder pie tiem interjera elementiem, kurus viet\u0113jie bir\u017eas aristokr\u0101ti pas\u016bt\u012bja tie\u0161i no Par\u012bzes, lai savos namos ienestu Eiropas imp\u0113rijas pla\u0161umu un stila t\u012br\u012bbu. \u0160eit, starp svar\u012bgiem tirdzniec\u012bbas l\u012bgumiem un sarun\u0101m par t\u0113jas un tekstila importu, \u0161is r\u0101mis st\u0101v k\u0101 nesatricin\u0101ms elegances simbols. Taj\u0101 mirkl\u012b, kad z\u0101l\u0113 ien\u0101k Augusts fon Etingens<\/b>, kur\u0161, k\u0101rtojot savas smalk\u0101s z\u012bda kaklasaites mezglu, uz br\u012bdi piest\u0101j greznaj\u0101 spogul\u012b, pasaule uz mirkli apst\u0101jas \u0161aj\u0101 zelta un kokgriezumu burv\u012bb\u0101, atspogu\u013cojot visus 19. gadsimta beigu uzplaukuma ide\u0101lus.<\/i><\/p>\n
Augusts fon Etingens, b\u016bdams viena no spilgt\u0101kaj\u0101m sava laika person\u012bb\u0101m un R\u012bgas sabiedr\u012bbas dzin\u0113jsp\u0113kiem, nov\u0113rt\u0113 \u0161o fran\u010du meistardarbu k\u0101 apliecin\u0101jumu labai gaumei un statusam. Vi\u0146a skatiens spogul\u012b ir \u012bss, ta\u010du caururbjo\u0161s \u2013 tas atspogu\u013co ne tikai perfekto \u0101r\u0113jo izskatu, bet ar\u012b to p\u0101rliec\u012bbu, ar k\u0101du vi\u0146\u0161 un vi\u0146a laikabiedri veidoja R\u012bgas tirdzniec\u012bbas un kult\u016bras seju. Kam\u0113r \u0101rpus\u0113 d\u0101rd\u0113ja straujais 19. gadsimta beigu ekonomiskais ritms, \u0161eit, r\u0101mja zelt\u012btaj\u0101 apsk\u0101vien\u0101, laiks uz mirkli zaud\u0113ja savu \u0101trumu, atst\u0101jot tikai miera, est\u0113tikas un nemain\u012bgas v\u0113rt\u012bbas saj\u016btu.<\/i><\/p>\n
\ud83c\uddf7\ud83c\uddfa<\/p>\n
\u0411\u043b\u0435\u0441\u043a \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u0438\u0445 \u0441\u0430\u043b\u043e\u043d\u043e\u0432 \u0438 \u0432\u044b\u0441\u043e\u0447\u0430\u0439\u0448\u0435\u0435 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u0442\u0432\u043e \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u043e\u0439 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u044b XIX \u0432\u0435\u043a\u0430 \u0441\u043e\u0435\u0434\u0438\u043d\u0438\u043b\u0438\u0441\u044c \u0432 \u044d\u0442\u043e\u0439 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u043e\u0439, \u043a\u0440\u0443\u043f\u043d\u043e\u0439 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u043e\u0439 \u0440\u0430\u043c\u0435 \u0438\u0437 \u043c\u0430\u0441\u0441\u0438\u0432\u0430 \u0434\u0435\u0440\u0435\u0432\u0430. \u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u044b\u0439 \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0433\u043e \u0441\u0442\u0438\u043b\u044f \u041d\u0430\u043f\u043e\u043b\u0435\u043e\u043d\u0430 III (\u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430 \u0412\u0442\u043e\u0440\u043e\u0439 \u0438\u043c\u043f\u0435\u0440\u0438\u0438)<\/i>. \u041e\u0441\u043d\u043e\u0432\u0443 \u043e\u0432\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043f\u0440\u043e\u0444\u0438\u043b\u044f \u0444\u043e\u0440\u043c\u0438\u0440\u0443\u0435\u0442 \u0441\u0442\u0438\u043b\u0438\u0437\u043e\u0432\u0430\u043d\u043d\u044b\u0439 \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u044b\u0439 \u0441\u0442\u0432\u043e\u043b \u0441 \u0441\u0443\u0447\u043a\u0430\u043c\u0438, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u043f\u043e \u0432\u0441\u0435\u043c\u0443 \u043f\u0435\u0440\u0438\u043c\u0435\u0442\u0440\u0443 \u0431\u043e\u0433\u0430\u0442\u043e \u0443\u043a\u0440\u0430\u0448\u0435\u043d \u0433\u043b\u0443\u0431\u043e\u043a\u043e\u0439 \u0440\u0443\u0447\u043d\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u043e\u0439 \u2014 \u043f\u044b\u0448\u043d\u044b\u043c\u0438 \u0433\u0438\u0440\u043b\u044f\u043d\u0434\u0430\u043c\u0438 \u0438\u0437 \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0430\u043a\u0430\u043d\u0442\u0430 \u0438 \u043e\u0431\u044a\u0435\u043c\u043d\u044b\u043c\u0438 \u0446\u0432\u0435\u0442\u043e\u0447\u043d\u044b\u043c\u0438 \u0431\u0443\u0442\u043e\u043d\u0430\u043c\u0438. \u0412\u0435\u0440\u0445\u043d\u044e\u044e \u0447\u0430\u0441\u0442\u044c \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0438 \u0432\u0435\u043d\u0447\u0430\u044e\u0442 \u0434\u0432\u0430 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u0445 \u0444\u043b\u043e\u0440\u0430\u043b\u044c\u043d\u044b\u0445 \u043a\u043e\u0440\u043e\u043d\u044b-\u0433\u0440\u0435\u0431\u043d\u044f, \u0430 \u043d\u0438\u0436\u043d\u044e\u044e \u0447\u0430\u0441\u0442\u044c \u0437\u0430\u0432\u0435\u0440\u0448\u0430\u0435\u0442 \u0434\u0438\u043d\u0430\u043c\u0438\u0447\u043d\u043e \u0437\u0430\u0432\u044f\u0437\u0430\u043d\u043d\u044b\u0439 \u043b\u0435\u043d\u0442\u043e\u0447\u043d\u044b\u0439 \u0443\u0437\u0435\u043b \u0438 \u0434\u0432\u0435 \u0438\u0437\u044f\u0449\u043d\u044b\u0435 \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u044b\u0435 \u043d\u043e\u0436\u043a\u0438-\u043e\u043f\u043e\u0440\u044b.<\/p>\n
\u0417\u0430\u0440\u0438\u0441\u043e\u0432\u043a\u0430 \u044d\u043f\u043e\u0445\u0438, \u0441\u0432\u0435\u0442\u043b\u044b\u0439 \u0437\u0430\u043b \u0420\u0438\u0436\u0441\u043a\u043e\u0433\u043e \u0431\u0438\u0440\u0436\u0435\u0432\u043e\u0433\u043e \u0434\u043e\u043c\u0430:<\/i><\/b> \u0412 \u0432\u044b\u0441\u043e\u043a\u0438\u0445, \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u043d\u044b\u0445 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u043e\u0439 \u043b\u0435\u043f\u043d\u0438\u043d\u043e\u0439 \u0437\u0430\u043b\u0430\u0445 \u0420\u0438\u0436\u0441\u043a\u043e\u0433\u043e \u0431\u0438\u0440\u0436\u0435\u0432\u043e\u0433\u043e \u0434\u043e\u043c\u0430 \u0446\u0430\u0440\u0438\u0442 \u0441\u043f\u043e\u043a\u043e\u0439\u0441\u0442\u0432\u0438\u0435 \u0432\u0435\u0447\u0435\u0440\u0430 \u043a\u043e\u043d\u0446\u0430 XIX \u0432\u0435\u043a\u0430. \u0427\u0435\u0440\u0435\u0437 \u0432\u044b\u0441\u043e\u043a\u0438\u0435 \u043e\u043a\u043d\u0430, \u0437\u0430\u0434\u0440\u0430\u043f\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0435 \u0442\u044f\u0436\u0435\u043b\u044b\u043c \u0431\u0430\u0440\u0445\u0430\u0442\u043e\u043c, \u0432 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440 \u043f\u0440\u043e\u043d\u0438\u043a\u0430\u0435\u0442 \u043c\u044f\u0433\u043a\u0438\u0439 \u0437\u043e\u043b\u043e\u0442\u0438\u0441\u0442\u044b\u0439 \u0441\u0432\u0435\u0442, \u0441\u043a\u043e\u043b\u044c\u0437\u044f\u0449\u0438\u0439 \u043f\u043e \u043f\u0430\u0440\u043a\u0435\u0442\u0443. \u0412 \u044d\u0442\u043e\u0439 \u0441\u0440\u0435\u0434\u0435, \u0441\u0440\u0435\u0434\u0438 \u043f\u043e\u0440\u0442\u0440\u0435\u0442\u043e\u0432 \u0431\u043e\u0433\u0430\u0442\u044b\u0445 \u0431\u0430\u043d\u043a\u0438\u0440\u043e\u0432 \u0438 \u043a\u0443\u043f\u0446\u043e\u0432, \u043d\u0430 \u0441\u0442\u0435\u043d\u0435 \u043a\u0440\u0430\u0441\u0443\u0435\u0442\u0441\u044f \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u0430\u044f \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0430\u044f \u0440\u0430\u043c\u0430, \u0447\u044c\u0438 \u0438\u0437\u044f\u0449\u043d\u044b\u0435 \u043c\u043e\u0442\u0438\u0432\u044b \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0430\u043a\u0430\u043d\u0442\u0430 \u0435\u0434\u0432\u0430 \u0437\u0430\u043c\u0435\u0442\u043d\u043e \u043c\u0435\u0440\u0446\u0430\u044e\u0442 \u0432 \u043e\u0442\u0441\u0432\u0435\u0442\u0430\u0445 \u0445\u0440\u0443\u0441\u0442\u0430\u043b\u044c\u043d\u044b\u0445 \u043b\u044e\u0441\u0442\u0440.<\/i><\/p>\n
\u0420\u0430\u043c\u0430, \u043e\u0431\u0440\u0430\u043c\u043b\u044f\u044e\u0449\u0430\u044f \u0432\u044b\u0441\u043e\u043a\u043e\u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435 \u0432\u0435\u043d\u0435\u0446\u0438\u0430\u043d\u0441\u043a\u043e\u0435 \u0437\u0435\u0440\u043a\u0430\u043b\u043e, \u044f\u0432\u043b\u044f\u0435\u0442\u0441\u044f \u0442\u0435\u043c \u0441\u0430\u043c\u044b\u043c \u044d\u043b\u0435\u043c\u0435\u043d\u0442\u043e\u043c \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u043c\u0435\u0441\u0442\u043d\u0430\u044f \u044d\u043b\u0438\u0442\u0430 \u0437\u0430\u043a\u0430\u0437\u044b\u0432\u0430\u043b\u0430 \u043f\u0440\u044f\u043c\u043e \u0438\u0437 \u041f\u0430\u0440\u0438\u0436\u0430, \u0447\u0442\u043e\u0431\u044b \u043f\u0440\u0438\u043d\u0435\u0441\u0442\u0438 \u0432 \u0441\u0432\u043e\u0438 \u0434\u043e\u043c\u0430 \u0440\u0430\u0437\u043c\u0430\u0445 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0439 \u0438\u043c\u043f\u0435\u0440\u0438\u0438. \u0417\u0434\u0435\u0441\u044c, \u0441\u0440\u0435\u0434\u0438 \u0432\u0430\u0436\u043d\u0435\u0439\u0448\u0438\u0445 \u0442\u043e\u0440\u0433\u043e\u0432\u044b\u0445 \u0441\u0434\u0435\u043b\u043e\u043a \u0438 \u0440\u0430\u0437\u0433\u043e\u0432\u043e\u0440\u043e\u0432 \u043e\u0431 \u0438\u043c\u043f\u043e\u0440\u0442\u0435 \u0447\u0430\u044f \u0438 \u0442\u043a\u0430\u043d\u0435\u0439, \u044d\u0442\u0430 \u0440\u0430\u043c\u0430 \u0441\u0442\u043e\u0438\u0442 \u043a\u0430\u043a \u043d\u0435\u0437\u044b\u0431\u043b\u0435\u043c\u044b\u0439 \u0441\u0438\u043c\u0432\u043e\u043b \u0441\u0442\u0438\u043b\u044f. \u0412 \u0442\u043e\u0442 \u043c\u043e\u043c\u0435\u043d\u0442, \u043a\u043e\u0433\u0434\u0430 \u0432 \u0437\u0430\u043b \u0432\u0445\u043e\u0434\u0438\u0442 \u0410\u0432\u0433\u0443\u0441\u0442 \u0444\u043e\u043d \u042d\u0442\u0442\u0438\u043d\u0433\u0435\u043d<\/b>, \u043a\u043e\u0442\u043e\u0440\u044b\u0439, \u043f\u043e\u043f\u0440\u0430\u0432\u043b\u044f\u044f \u0443\u0437\u0435\u043b \u0441\u0432\u043e\u0435\u0433\u043e \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u043e\u0433\u043e \u0448\u0435\u043b\u043a\u043e\u0432\u043e\u0433\u043e \u0433\u0430\u043b\u0441\u0442\u0443\u043a\u0430, \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u0437\u0430\u043c\u0438\u0440\u0430\u0435\u0442 \u0443 \u0437\u0435\u0440\u043a\u0430\u043b\u0430, \u043c\u0438\u0440 \u0441\u043b\u043e\u0432\u043d\u043e \u043e\u0441\u0442\u0430\u043d\u0430\u0432\u043b\u0438\u0432\u0430\u0435\u0442\u0441\u044f \u0432 \u044d\u0442\u043e\u043c \u043e\u0447\u0430\u0440\u043e\u0432\u0430\u043d\u0438\u0438 \u0437\u043e\u043b\u043e\u0442\u0430 \u0438 \u0440\u0435\u0437\u044c\u0431\u044b, \u043e\u0442\u0440\u0430\u0436\u0430\u044f \u0432\u0441\u0435 \u0438\u0434\u0435\u0430\u043b\u044b \u043f\u0440\u043e\u0446\u0432\u0435\u0442\u0430\u043d\u0438\u044f \u043a\u043e\u043d\u0446\u0430 XIX \u0432\u0435\u043a\u0430.<\/i><\/p>\n
\u0410\u0432\u0433\u0443\u0441\u0442 \u0444\u043e\u043d \u042d\u0442\u0442\u0438\u043d\u0433\u0435\u043d, \u0431\u0443\u0434\u0443\u0447\u0438 \u043e\u0434\u043d\u043e\u0439 \u0438\u0437 \u044f\u0440\u0447\u0430\u0439\u0448\u0438\u0445 \u0444\u0438\u0433\u0443\u0440 \u0441\u0432\u043e\u0435\u0433\u043e \u0432\u0440\u0435\u043c\u0435\u043d\u0438 \u0438 \u0434\u0432\u0438\u0436\u0443\u0449\u0435\u0439 \u0441\u0438\u043b\u043e\u0439 \u0440\u0438\u0436\u0441\u043a\u043e\u0433\u043e \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0430, \u043e\u0446\u0435\u043d\u0438\u0432\u0430\u0435\u0442 \u044d\u0442\u043e\u0442 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0439 \u0448\u0435\u0434\u0435\u0432\u0440 \u043a\u0430\u043a \u0437\u043d\u0430\u043a \u0445\u043e\u0440\u043e\u0448\u0435\u0433\u043e \u0432\u043a\u0443\u0441\u0430 \u0438 \u0441\u0442\u0430\u0442\u0443\u0441\u0430. \u0415\u0433\u043e \u0432\u0437\u0433\u043b\u044f\u0434 \u0432 \u0437\u0435\u0440\u043a\u0430\u043b\u0435 \u043a\u043e\u0440\u043e\u0442\u043e\u043a, \u043d\u043e \u043f\u0440\u043e\u043d\u0438\u0446\u0430\u0442\u0435\u043b\u0435\u043d \u2014 \u043e\u043d \u043e\u0442\u0440\u0430\u0436\u0430\u0435\u0442 \u043d\u0435 \u0442\u043e\u043b\u044c\u043a\u043e \u0431\u0435\u0437\u0443\u043f\u0440\u0435\u0447\u043d\u044b\u0439 \u0432\u043d\u0435\u0448\u043d\u0438\u0439 \u0432\u0438\u0434, \u043d\u043e \u0438 \u0442\u0443 \u0443\u0432\u0435\u0440\u0435\u043d\u043d\u043e\u0441\u0442\u044c, \u0441 \u043a\u043e\u0442\u043e\u0440\u043e\u0439 \u043e\u043d \u0438 \u0435\u0433\u043e \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0438\u043a\u0438 \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u043b\u0438 \u043e\u0431\u043b\u0438\u043a \u0440\u0438\u0436\u0441\u043a\u043e\u0439 \u0442\u043e\u0440\u0433\u043e\u0432\u043b\u0438 \u0438 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b. \u041f\u043e\u043a\u0430 \u0441\u043d\u0430\u0440\u0443\u0436\u0438 \u0433\u0440\u0435\u043c\u0435\u043b \u0441\u0442\u0440\u0435\u043c\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u044d\u043a\u043e\u043d\u043e\u043c\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0440\u0438\u0442\u043c \u043a\u043e\u043d\u0446\u0430 XIX \u0432\u0435\u043a\u0430, \u0437\u0434\u0435\u0441\u044c, \u0432 \u0437\u043e\u043b\u043e\u0442\u044b\u0445 \u043e\u0431\u044a\u044f\u0442\u0438\u044f\u0445 \u0440\u0430\u043c\u044b, \u0432\u0440\u0435\u043c\u044f \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u0437\u0430\u043c\u0435\u0434\u043b\u0438\u043b\u043e \u0441\u0432\u043e\u0439 \u0445\u043e\u0434, \u043e\u0441\u0442\u0430\u0432\u0438\u0432 \u043b\u0438\u0448\u044c \u0447\u0443\u0432\u0441\u0442\u0432\u043e \u043f\u043e\u043a\u043e\u044f, \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0438 \u0438 \u043d\u0435\u0437\u044b\u0431\u043b\u0435\u043c\u043e\u0439 \u0446\u0435\u043d\u043d\u043e\u0441\u0442\u0438.<\/i><\/p>\n
\ud83c\uddec\ud83c\udde7<\/p>\n
The opulence of Parisian salons and the pinnacle of 19th-century wood-carving traditions converge in this monumental, exceptionally large antique gilt wood frame. This artistic masterpiece is a definitive statement piece of the French Napoleon III style (Second Empire Historicism)<\/i>. The structural oval profile is expertly sculpted to resemble a natural, undulating tree branch with realistic knots, dramatically enveloped across its entire perimeter by deep, fluid, hand-carved acanthus leaf vines and three-dimensional floral buds emerging from the wooden core.<\/p>\n
Historicist era snapshot, The Bright Hall of the Riga Bourse:<\/i><\/b> Inside the lofty, gilt-adorned salons of the Riga Bourse, a serene atmosphere of the late 19th century unfolds. Through the tall windows, draped in heavy velvet, soft golden light cascades into the room, sliding slowly across the polished oak parquet. Within this environment, surrounded by the portraits of affluent merchant families, the monumental French wooden frame hangs on the wall, its intricate acanthus leaf motifs and floral crests shimmering faintly in the thousand-fold reflections of the crystal chandeliers.<\/i><\/p>\n
The frame, which houses a high-quality faceted Venetian mirror, is one of those interior centerpieces commissioned directly from Paris by local bourse aristocrats to infuse their homes with the grand scale of the European empire. Here, amidst discussions of tea imports and textile trade, this frame stands as an unyielding symbol of elegance. As August von Oettingen<\/b> steps into the hall, adjusting the knot of his refined silk tie and pausing briefly before the ornate mirror, the world stands still in this fascination of gold and wood-carving, mirroring all the ideals of late 19th-century prosperity.<\/i><\/p>\n
August von Oettingen, being one of the most prominent personalities of his time and a driving force of Riga’s society, appreciates this French masterpiece as a testament to good taste and status. His glance in the mirror is brief yet piercing \u2013 it reflects not only a flawless appearance but also the conviction with which he and his contemporaries shaped the face of Riga’s commerce and culture. While the rapid economic rhythm of the late 19th century roared outside, here, in the golden embrace of the frame, time slowed for a moment, leaving only a sense of peace, aesthetics, and lasting value.<\/i><\/p>\n
\ud83c\udde9\ud83c\uddea<\/p>\n
Pariser Pracht und die hohe Schnitzkunst des 19. Jahrhunderts verbinden sich in diesem monumentalen, au\u00dfergew\u00f6hnlich gro\u00dfen vergoldeten Holzrahmen. Das Prunkst\u00fcck ist ein reines Beispiel des franz\u00f6sischen Napoleon III. Stils (Historismus der zweiten Welle)<\/i>. Die ovale Basis ist als nat\u00fcrlicher Ast mit Astl\u00f6chern gestaltet und mit tiefen, von Hand geschnitzten Akanthusbl\u00e4ttern und Bl\u00fctenknospen besetzt. Die Oberseite wird von zwei gro\u00dfen floralen Kronen bekr\u00f6nt, w\u00e4hrend die Unterseite von einer pr\u00e4chtigen Schleife abgeschlossen wird.<\/p>\n
Historismus-Epochenaufnahme, Der helle Saal des Rigaer B\u00f6rsenhauses:<\/i><\/b> In den hohen, mit vergoldetem Stuck verzierten S\u00e4len des Rigaer B\u00f6rsenhauses herrscht die gediegene Ruhe des ausgehenden 19. Jahrhunderts. Durch die mit schwerem Samt drapierten Fenster f\u00e4llt ein weiches, goldenes Licht in den Raum und gleitet \u00fcber das polierte Eichenparkett. In diesem Umfeld, zwischen den Portr\u00e4ts wohlhabender Kaufmannsfamilien, thront der monumentale franz\u00f6sische Holzrahmen an der Wand, dessen Akanthusbl\u00e4tter im Schein der Kristallleuchter sanft gl\u00e4nzen.<\/i><\/p>\n
Der Rahmen, der einen wertvollen venezianischen Spiegel umschlie\u00dft, geh\u00f6rt zu jenen Einrichtungsgegenst\u00e4nden, die lokale B\u00f6rsenaristokraten direkt aus Paris orderten, um den Glanz des europ\u00e4ischen Reiches in ihre H\u00e4user zu bringen. Hier, inmitten wichtiger Handelsgespr\u00e4che, steht dieser Rahmen als ein unersch\u00fctterliches Symbol der Eleganz. Als August von Oettingen<\/b> den Saal betritt, seinen raffinierten Seidenkrawattenknoten richtet und kurz vor dem pr\u00e4chtigen Spiegel verweilt, scheint die Welt f\u00fcr einen Moment in dieser Verzauberung aus Gold und Schnitzkunst stillzustehen.<\/i><\/p>\n
August von Oettingen, als eine der herausragendsten Pers\u00f6nlichkeiten seiner Zeit und treibende Kraft der Rigaer Gesellschaft, wei\u00df dieses franz\u00f6sische Meisterwerk als Zeichen von gutem Geschmack und Status zu sch\u00e4tzen. Sein Blick in den Spiegel ist kurz, aber durchdringend \u2013 er spiegelt nicht nur sein makelloses Auftreten wider, sondern auch die \u00dcberzeugung, mit der er und seine Zeitgenossen das Gesicht des Rigaer Handels und der Kultur pr\u00e4gten. W\u00e4hrend drau\u00dfen der schnelle wirtschaftliche Rhythmus des sp\u00e4ten 19. Jahrhunderts tobte, schien hier, in der goldenen Umarmung des Rahmens, die Zeit f\u00fcr einen Moment langsamer zu laufen und nur ein Gef\u00fchl von Frieden und \u00e4sthetischem Wert zu hinterlassen.<\/i><\/p>\n
\ud83c\uddeb\ud83c\uddf7<\/p>\n
Le prestige des salons parisiens et le sommet de la sculpture sur bois du XIXe si\u00e8cle se rencontrent dans ce grand cadre ovale en bois dor\u00e9 d’\u00e9poque fin XIXe si\u00e8cle. Cette pi\u00e8ce d’apparat est un exemple parfait du style Napol\u00e9on III (second Empire)<\/i>. La structure ovale est sculpt\u00e9e \u00e0 l’imitation d’une branche naturelle, enti\u00e8rement recouverte d’une frise de feuilles d’acanthe sculpt\u00e9es \u00e0 la main et de boutons floraux en relief. Le sommet est somptueusement couronn\u00e9 de deux cr\u00eates fleuries, tandis que la base se termine par un n\u0153ud de ruban et deux pieds en volute.<\/p>\n
Instantan\u00e9 de l’\u00e9poque, Le salon lumineux de la Bourse de Riga :<\/i><\/b> Dans les salles hautes et richement orn\u00e9es de stucs dor\u00e9s de la Bourse de Riga, r\u00e8gne le calme d’une fin de XIXe si\u00e8cle. \u00c0 travers les fen\u00eatres drap\u00e9es de velours lourd, une lumi\u00e8re dor\u00e9e et douce p\u00e9n\u00e8tre, glissant sur le parquet en ch\u00eane poli. Dans cet environnement, parmi les portraits des familles de riches marchands, la monumentale pendule de chemin\u00e9e fran\u00e7aise tr\u00f4ne au mur, ses motifs de feuilles d’acanthe scintillant sous les reflets des lustres en cristal.<\/i><\/p>\n
Ce cadre, abritant un miroir v\u00e9nitien de haute qualit\u00e9, fait partie de ces pi\u00e8ces command\u00e9es directement \u00e0 Paris par les aristocrates locaux pour insuffler \u00e0 leurs demeures l’ampleur de l’empire europ\u00e9en. Ici, entre les n\u00e9gociations commerciales, ce cadre s’impose comme un symbole d’\u00e9l\u00e9gance in\u00e9branlable. Au moment o\u00f9 August von Oettingen<\/b> entre dans le salon, ajustant le n\u0153ud de sa cravate en soie raffin\u00e9e et s’arr\u00eatant un instant devant le miroir orn\u00e9, le monde semble s’arr\u00eater un instant dans cette fascination d’or et de sculptures, refl\u00e9tant tous les id\u00e9aux de la prosp\u00e9rit\u00e9 de la fin du XIXe si\u00e8cle.<\/i><\/p>\n
August von Oettingen, figure marquante de son temps et moteur de la soci\u00e9t\u00e9 rigoise, appr\u00e9cie ce chef-d’\u0153uvre fran\u00e7ais comme le t\u00e9moignage d’un go\u00fbt distingu\u00e9 et d’un statut social \u00e9lev\u00e9. Son regard dans le miroir est bref mais per\u00e7ant \u2014 il refl\u00e8te non seulement son apparence impeccable, mais aussi la conviction avec laquelle lui et ses contemporains ont fa\u00e7onn\u00e9 le visage du commerce et de la culture \u00e0 Riga. Alors que le rythme \u00e9conomique effr\u00e9n\u00e9 de la fin du XIXe si\u00e8cle r\u00e9sonnait \u00e0 l’ext\u00e9rieur, ici, dans l’\u00e9treinte dor\u00e9e du cadre, le temps semblait ralentir un instant, ne laissant place qu’au sentiment de paix, d’esth\u00e9tique et de valeur durable.<\/i><\/p>\n
\ud83c\udde9\ud83c\uddf0<\/p>\n
Fransk salon-elegance og fineste billedsk\u00e6rerh\u00e5ndv\u00e6rk fra 1800-tallet m\u00f8des i denne monumentale, store forgyldte tr\u00e6ramme. Rammen er et pragteksemplar p\u00e5 den franske Napoleon III stil<\/i>. Den ovale grundform er sk\u00e5ret som en naturlig gren med knaster, rigt dekoreret med dybe, h\u00e5ndsk\u00e5rne akantusblade og blomsterknopper. Toppen krones af to flotte blomsteropsatser, og bunden afsluttes af en elegant b\u00e5ndsl\u00f8jfe og to sm\u00e5 f\u00f8dder.<\/p>\n
Historistisk tidsbillede, Den lyse sal i Riga B\u00f8rs:<\/i><\/b> I de h\u00f8je, gulddekorerede sale i Riga B\u00f8rs hersker en fredelig stemning af slutningen af det 19. \u00e5rhundrede. Gennem de tunge fl\u00f8jlsgardiner str\u00f8mmer et bl\u00f8dt, gyldent lys ind i rummet og glider hen over det polerede egetr\u00e6sparket. I dette milj\u00f8, blandt portr\u00e6tter af velhavende k\u00f8bmandsfamilier, pryder den monumentale franske tr\u00e6ramme v\u00e6ggen, hvor dens akantusblade glimter svagt i krystallysekronernes sk\u00e6r.<\/i><\/p>\n
Rammen, der rummer et fint venetiansk spejl, er et af de interi\u00f8relementer, som lokale b\u00f8rseksperter bestilte direkte fra Paris for at bringe det europ\u00e6iske imperiums storhed ind i deres hjem. Her, midt i vigtige handelsforhandlinger, st\u00e5r denne ramme som et urokkeligt symbol p\u00e5 elegance. Da August von Oettingen<\/b> tr\u00e6der ind i salen og et kort \u00f8jeblik stopper foran spejlet for at rette sin fornemme silkekravat, synes verden et \u00f8jeblik at st\u00e5 stille i denne fortryllelse af guld og udsk\u00e6ringer.<\/i><\/p>\n
August von Oettingen, som en af sin tids mest fremtr\u00e6dende personligheder og en drivkraft i Rigas samfundsliv, v\u00e6rds\u00e6tter dette franske mesterv\u00e6rk som et bevis p\u00e5 god smag og status. Hans blik i spejlet er kort, men gennemtr\u00e6ngende \u2013 det afspejler ikke blot hans up\u00e5klagelige ydre, men ogs\u00e5 den overbevisning, hvormed han og hans samtidige formede Rigas handels- og kulturliv. Mens det hastige \u00f8konomiske tempo i det 19. \u00e5rhundredes slutning buldrede udenfor, s\u00e5 det ud til, at tiden i rammen gyldne favntag et \u00f8jeblik gik langsommere og efterlod kun en f\u00f8lelse af fred, \u00e6stetik og varig v\u00e6rdi.<\/i><\/p>\n
\ud83c\uddf8\ud83c\uddea<\/p>\n
Fransk salongselektricitet och h\u00f6gklassigt bildhuggarhandverk m\u00f6ts i denna monumentala, stora f\u00f6rgyllda tr\u00e4ram. Detta m\u00e4sterverk \u00e4r ett typexempel p\u00e5 den franska Napoleon III-stilen (andra kejsard\u00f6met)<\/i>. Den ovala profilen \u00e4r skuren som en naturlig gren med kvistar, dramatiskt omsluten av djupa, handskurna akanthusblad och blomknoppar i relief. Kr\u00f6net smyckas av en dubbel blomsterdekor och basen avslutas med en bandsrosett.<\/p>\n
Historisk tidsbild, Den ljusa salen i Riga B\u00f6rs:<\/i><\/b> I de h\u00f6ga, gulddekorerade salarna i Riga B\u00f6rs r\u00e5der det sena 1800-talets fridfulla st\u00e4mning. Genom de tunga sammetsgardinerna str\u00f6mmar ett mjukt, gyllene ljus in i rummet och glider \u00f6ver det polerade ekparketten. I denna milj\u00f6, bland portr\u00e4tt av f\u00f6rm\u00f6gna k\u00f6pmannafamiljer, pryder den monumentala franska tr\u00e4ramen v\u00e4ggen, d\u00e4r dess akanthusblad glimmar svagt i kristallkronornas sken.<\/i><\/p>\n
Ramen, som inrymmer en fint venetiansk spegel, \u00e4r ett av de inredningsobjekt som lokala b\u00f6rsaristokrater best\u00e4llde direkt fr\u00e5n Paris f\u00f6r att inf\u00f6ra det europeiska imperiets storhet i sina hem. H\u00e4r, mitt bland viktiga handelsf\u00f6rhandlingar, st\u00e5r denna ram som en orubblig symbol f\u00f6r elegans. N\u00e4r August von Oettingen<\/b> tr\u00e4der in i salen och stannar till ett kort \u00f6gonblick framf\u00f6r spegeln f\u00f6r att r\u00e4tta till sin f\u00f6rn\u00e4ma sidenkravatt, tycks v\u00e4rlden ett \u00f6gonblick st\u00e5 stilla i denna f\u00f6rtrollning av guld och sniderier.<\/i><\/p>\n
August von Oettingen, som en av sin tids mest framst\u00e5ende personligheter och en drivkraft i Rigas samh\u00e4llsliv, uppskattar detta franska m\u00e4sterverk som ett bevis p\u00e5 god smak och status. Hans blick i spegeln \u00e4r kort men genomtr\u00e4ngande \u2013 den speglar inte bara hans oklanderliga yttre, utan ocks\u00e5 den \u00f6vertygelse med vilken han och hans samtida formade Rigas handels- och kulturliv. Medan det snabba ekonomiska tempot under 1800-talets slut dundrade utanf\u00f6r, tycktes tiden i ramens gyllene famn f\u00f6r ett \u00f6gonblick g\u00e5 l\u00e5ngsammare och l\u00e4mna kvar en k\u00e4nsla av frid, estetik och varaktigt v\u00e4rde.<\/i><\/p>\n
\ud83c\uddf3\ud83c\uddf4<\/p>\n
Fransk salon-eleganse og fineste billedsk\u00e6rerh\u00e5ndv\u00e6rk fra 1800-tallet m\u00f8des i denne monumentale, store forgyldte tr\u00e6ramme. Rammen er et pragteksemplar p\u00e5 den franske Napoleon III stil<\/i>. Den ovale grundform er sk\u00e5ret som en naturlig gren med knaster, rigt dekoreret med dybe, h\u00e5ndsk\u00e5rne akantusblade og blomsterknopper. Toppen krones af to flotte blomsteropsatser, og bunden afsluttes af en elegant b\u00e5ndsl\u00f8jfe og to sm\u00e5 f\u00f8dder.<\/p>\n
Historistisk tidsbilde, Den lyse sal i Riga B\u00f8rs:<\/i><\/b> I de h\u00f8ye, gull dekorerte salene i Riga B\u00f8rs hersker en fredelig stemning av slutten av det 19. \u00e5rhundrede. Gjennom de tunge fl\u00f8yelsgardinene str\u00f8mmer et bl\u00f8dt, gyllent lys inn i rommet og glir hen over det polerte egetr\u00e6sparkettet. I dette milj\u00f8et, blant portretter av velhavende kj\u00f8pmannsfamilier, pryder den monumentale franske tr\u00e6rammen veggen, hvor dens akantusblade glimter svakt i krystallysekronenes skj\u00e6r.<\/i><\/p>\n
Rammen, som rommer et fint venetiansk spejl, er et av de interi\u00f8relementene, som lokale b\u00f8rseksperter bestilte direkte fra Paris for \u00e5 bringe det europeiske imperiets storhet inn i deres hjem. Her, midt i viktige handelsforhandlinger, st\u00e5r denne rammen som et urokkelig symbol p\u00e5 eleganse. Da August von Oettingen<\/b> trer inn i salen og et kort \u00f8yeblikk stopper foran speilet for \u00e5 rette sin fornemme silkekravat, synes verden et \u00f8yeblikk \u00e5 st\u00e5 stille i denne fortryllelse av gull og utskj\u00e6ringer.<\/i><\/p>\n
August von Oettingen, som en av sin tids mest fremtredende personligheter og en drivkraft i Rigas samfunnsliv, verdsetter dette franske mesterverket som et bevis p\u00e5 god smak og status. Hans blikk i speilet er kort, men gjennomtrengende \u2013 det gjenspeiler ikke bare hans up\u00e5klagelige ytre, men ogs\u00e5 den overbevisningen han og hans samtidige formet Rigas handels- og kulturliv med. Mens det hastige \u00f8konomiske tempoet p\u00e5 slutten av det 19. \u00e5rhundre dundret utenfor, syntes tiden i rammens gylne favntak et \u00f8yeblikk \u00e5 g\u00e5 langsommere og etterlot bare en f\u00f8lelse av fred, estetikk og varig verdi.<\/i><\/p>\n
\ud83c\uddeb\ud83c\uddee<\/p>\n
Pariisin salonkien loisto ja 1800-luvun puunveistotaidon huipennus kohtaavat t\u00e4ss\u00e4 monumentaalisessa, eritt\u00e4in suuressa kultakehyksess\u00e4. Esine on puhdasoppinen ranskalaisen Napoleon III -tyylin (historismin)<\/i> edustaja. Soikea runko on veistetty j\u00e4ljittelem\u00e4\u00e4n luonnollista oksaa, jota ymp\u00e4r\u00f6iv\u00e4t syv\u00e4t, k\u00e4sin veistetyt akantuksenlehdet ja kolmiulotteiset kukannuput. Yl\u00e4osaa koristaa kaksi upeaa kasvihuipennusta, ja alaosan p\u00e4\u00e4tt\u00e4\u00e4 solmitun nauhan muotoilu.<\/p>\n
Historismin aikakauden tuokiokuva, Riian p\u00f6rssitalon valoisa sali:<\/i><\/b> Riian p\u00f6rssitalon korkeissa, kultakoristelluissa saleissa vallitsee 1800-luvun lopun rauhallinen tunnelma. Painavien samettiverhojen l\u00e4pi huoneeseen siivil\u00f6ityy pehme\u00e4\u00e4, kultaista valoa, joka liukuu kiillotetun tammiparketin yli. T\u00e4ss\u00e4 ymp\u00e4rist\u00f6ss\u00e4, varakkaiden kauppiassukujen muotokuvien keskell\u00e4, monumentaalinen ranskalainen puukehys koristaa sein\u00e4\u00e4, ja sen akantuksenlehdet kimaltavat himme\u00e4sti kristallikruunujen loisteessa.<\/i><\/p>\n
T\u00e4m\u00e4 kehys, joka ymp\u00e4r\u00f6i korkealaatuista venetsialaista peili\u00e4, on yksi niist\u00e4 sisustusesineist\u00e4, joita paikalliset p\u00f6rssiylimykset tilasivat suoraan Pariisista tuodakseen Euroopan imperiumin loistoa koteihinsa. T\u00e4\u00e4ll\u00e4, t\u00e4rkeiden kauppaneuvottelujen keskell\u00e4, kehys seisoo j\u00e4rkkym\u00e4tt\u00f6m\u00e4n\u00e4 eleganssin symbolina. Kun August von Oettingen<\/b> astuu saliin ja pys\u00e4htyy hetkeksi peilin eteen korjaamaan hienoa silkkiasuaan, maailma tuntuu hetken pys\u00e4htyv\u00e4n t\u00e4ss\u00e4 kullan ja puunveiston lumouksessa.<\/i><\/p>\n
August von Oettingen, yhten\u00e4 aikansa merkitt\u00e4vimmist\u00e4 persoonallisuuksista ja Riian yhteiskunnan voimahahmoista, arvostaa t\u00e4t\u00e4 ranskalaista mestariteosta hyv\u00e4n maun ja statuksen osoituksena. H\u00e4nen katseensa peiliss\u00e4 on lyhyt mutta l\u00e4pitunkeva \u2013 se heijastaa paitsi moitteetonta ulkomuotoa, my\u00f6s sit\u00e4 vakaumusta, jolla h\u00e4n ja h\u00e4nen aikalaisensa muovasivat Riian kaupank\u00e4ynnin ja kulttuurin kasvoja. Samaan aikaan kun 1800-luvun lopun kiivas taloudellinen rytmi jylisi ulkopuolella, t\u00e4ss\u00e4 kehyksen kultaisessa syleilyss\u00e4 aika n\u00e4ytti hidastuvan hetkeksi, j\u00e4tt\u00e4en j\u00e4lkeens\u00e4 vain rauhan, estetiikan ja pysyv\u00e4n arvon tunnun.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"
Monument\u0101ls, kr\u0101\u0161\u0146s un liela izm\u0113ra ant\u012bks fran\u010du koka r\u0101mis ar izteiksm\u012bgu zelt\u012bjumu, izgatavots 19. gadsimta otr\u0101s puses fran\u010du historisma (Napoleona III) stil\u0101. R\u0101mja ov\u0101lo formu veido plastisks zaru un stumbru kaluma mot\u012bvs, ko vis\u0101 perimetr\u0101 bag\u0101t\u012bgi apvij ar rok\u0101m grieztas akanta lapas un reljefi ziedu pumpuri. R\u0101mja aug\u0161da\u013cu vainago divi grezni flor\u0101lie kro\u0146i, bet apak\u0161da\u013cu nosl\u0113dz elegants, sav\u012bts lentes mezgls un divi stiliz\u0113ti r\u0101mja balsti. Izcils priek\u0161mets liela spogu\u013ca vai par\u0101des portreta ekspon\u0113\u0161anai.<\/p>\n","protected":false},"featured_media":24402,"template":"","meta":[],"product_brand":[],"product_cat":[206,225,210,224,204],"product_tag":[1159,1745,1747,1746,1744,1124,517,428,1157,917,1054,640,641,687,1748,1749],"class_list":["post-24401","product","type-product","status-publish","has-post-thumbnail","product_cat-gleznas","product_cat-ramji-gleznas","product_cat-spoguli","product_cat-spoguli-spoguli","product_cat-visas-lietas","product_tag-19-gadsimts","product_tag-antique-french-large-gilt-wood-frame","product_tag-augusts-fon-etingens","product_tag-birzas-nams","product_tag-francu-antikas-mebeles","product_tag-gleznas-ramis","product_tag-historisms","product_tag-koka-ramis","product_tag-kokgriezumi","product_tag-napoleona-iii-stils","product_tag-riga","product_tag-spogula-ramis","product_tag-zelta-ramis","product_tag-zeltits-ramis","product_tag-1748","product_tag-1749","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/24401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/24402"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=24401"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=24401"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=24401"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=24401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}