Es atvainojos, Andri! Sist\u0113ma \u0161oreiz tie\u0161\u0101m patva\u013c\u012bgi p\u0101rk\u0101pa m\u016bsu dzel\u017eaino noform\u0113juma standartu. K\u013c\u016bda ir identific\u0113ta un t\u016bl\u012bt pat piln\u012bb\u0101 likvid\u0113ta.<\/p>\n
P\u0101rsl\u0113dzu atpaka\u013c prec\u012bzo strukt\u016bru \u2014 bez numur\u0113tiem virsrakstiem, izmantojot tikai skaidros emoji karodzi\u0146us<\/b> pie katras valodas sada\u013cas, dzel\u017eaini saglab\u0101jot visus SEO laukus (A\u2013F), tehniskos datus un pilnos, neapgrieztos tekstus ar pol\u0101rp\u0113tnieku Evstafiju Tjaginu.<\/p>\n
\u0160eit ir perfektais un gala variants izvieto\u0161anai m\u0101jaslap\u0101:<\/p>\n
G \u2014 Antique french marble mantle clock with bronze figure of a writer<\/p>\n
A \u2014 Monument\u0101ls ant\u012bks fran\u010du meln\u0101 akmens un za\u013c\u0101 marmora kam\u012bna pulkstenis ar rakstnieka fig\u016bru (antique french marble mantle clock) (537)<\/p>\n
TAGS \u2014 ant\u012bks pulkstenis, kam\u012bna pulkstenis, melnais marmors, za\u013cais marmors, bronzas fig\u016bra, rakstnieks, historisma stils, 19. gadsimts, fran\u010du pulkstenis, galda pulkstenis, antique french marble mantle clock, Libava, Karosta, Tjagins<\/p>\n
B \u2014 Impres\u012bvs, liela izm\u0113ra un neparasti smags ant\u012bks fran\u010du kam\u012bna pulkstenis grezn\u0101 19. gadsimta historisma stil\u0101. Pulkste\u0146a pamatne un ietvars veidoti no mas\u012bva, pul\u0113ta Be\u013c\u0123ijas meln\u0101 akmens, ko priek\u0161pus\u0113 rot\u0101 izteiksm\u012bgi tum\u0161i za\u013c\u0101 marmora (Vert de Mer<\/i>) pane\u013ci un apa\u013c\u0161 medaljons. Kompoz\u012bciju vainago tum\u0161i patin\u0113ta met\u0101la\/bronzas skulpt\u016bra, kur\u0101 att\u0113lots dom\u012bgs 16.\u201317. gadsimta rakstnieks vai dzejnieks ar spalvu rok\u0101, s\u0113\u017eam pie gr\u0101matu kr\u0101vuma un tintn\u012bcas uz dekorat\u012bva kr\u0113sla. Pulkstenim ir balta emaljas ciparn\u012bca ar romie\u0161u cipariem un ori\u0123in\u0101lais meh\u0101nisms.<\/p>\n
C \u2014 Antique French Marble Mantle Clock Bronze Figure<\/p>\n
D \u2014 This antique french marble mantle clock features a solid black stone base with green marble inserts and a finely detailed bronze figure of a seated writer.<\/p>\n
E \u2014 antique french marble mantle clock<\/p>\n
F \u2014 antique-french-marble-mantle-clock-bronze-writer-537<\/p>\n
\ud83c\uddf1\ud83c\uddfb<\/p>\n
Augstums: 45 cm<\/p>\n
Platums: 53 cm<\/p>\n
Akad\u0113misk\u0101 elegance, v\u012bri\u0161\u0137\u012bgs pamat\u012bgums un 19. gadsimta nogales monument\u0101lais gars satiekas \u0161aj\u0101 iespaid\u012bg\u0101 izm\u0113ra un neparasti smagaj\u0101 fran\u010du kam\u012bna pulksten\u012b. \u0160is m\u0101kslas priek\u0161mets ir izcils historisma<\/i> laikmeta meistardarbs, kur\u0101 apvienota augst\u0101ko aprindu t\u0113lniec\u012bba un akme\u0146ka\u013cu meistar\u012bba. Pulkste\u0146a mas\u012bvais korpuss ir izkaldin\u0101ts no dzi\u013ci melna, pul\u0113ta Be\u013c\u0123ijas akmens (Noir Belge<\/i>), kura stingr\u0101s, arhitektonisk\u0101s l\u012bnijas priek\u0161pus\u0113 teicami m\u012bkstina un kontrast\u0113 izsmalcin\u0101tas, tum\u0161i za\u013c\u0101 marmora (Vert de Mer<\/i>) pl\u0101ksnes un centr\u0101lais, apa\u013cais marmora medaljons ar izteiksm\u012bgu dabisko \u0161\u0137iedru rakstu.<\/p>\n
Kompoz\u012bcijas aug\u0161da\u013cu vainago liela, \u013coti detaliz\u0113ta un tum\u0161i patin\u0113ta bronzas\/met\u0101la skulpt\u016bra, kas att\u0113lo renesanses vai baroka laikmeta intelektu\u0101li \u2014 rakstnieku, dzejnieku vai zin\u0101tnieku v\u0113sturisk\u0101 t\u0113rp\u0101 ar dunci pie jostas. Vi\u0146\u0161 ir par\u0101d\u012bts dzi\u013c\u0101 domu proces\u0101, s\u0113\u017eam uz grezna, polster\u0113ta kr\u0113sla ar virpot\u0101m k\u0101j\u0101m, kam\u0113r vi\u0146a roka balst\u0101s uz tikko pabeigta t\u012bstok\u013ca, bet blakus uz pulkste\u0146a ietvara novietots gr\u0101matu kr\u0101vums un rakst\u0101mlietas. Pulkstenim ir klasiska, balta emaljas ciparn\u012bca ar melniem romie\u0161u cipariem un diviem tinuma caurumiem, ko ietver spo\u017es misi\u0146a r\u0101m\u012btis ar ori\u0123in\u0101lo stiklu, bet aizmugur\u0113 caur stiklotaj\u0101m durti\u0146\u0101m ir redzams v\u0113sturiskais fran\u010du enkura tipa meh\u0101nisms ar zvanu.<\/p>\n
Izgatavo\u0161anas periods<\/b><\/p>\n
19. gadsimta p\u0113d\u0113j\u0101 ceturksne, aptuveni 1880.\u20131895. gads. \u0160aj\u0101 historisma uzplaukuma period\u0101 Eiropas imp\u0113riju sabiedr\u012bb\u0101, mui\u017e\u0101s un vado\u0161o milit\u0101ristu salonos tie\u0161i \u0161\u0101di smagi, tum\u0161a akmens pulkste\u0146i ar v\u0113sturisk\u0101m un akad\u0113misk\u0101m fig\u016br\u0101m bija pats galvenais kabineta un par\u0101des z\u0101les statusa simbols.<\/p>\n
Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b><\/p>\n
Meh\u0101nisma konstrukcija, korpusa akme\u0146u griezums un skulpt\u016bras augst\u0101 detaliz\u0101cija (no t\u0113rpa krok\u0101m l\u012bdz pat gr\u0101matu v\u0101kiem) liecina par vado\u0161o Par\u012bzes pulkste\u0146u manufakt\u016bru meistardarbu. \u0160\u0101da l\u012bme\u0146a monument\u0101los pulkste\u0146us komplekt\u0101 ar kam\u012bna v\u0101z\u0113m vai kandelabriem labpr\u0101t iepirka guber\u0146u centriem, lai iek\u0101rtotu pils\u0113tas arhitektu, tiesne\u0161u un flotes elites namus.<\/p>\n
Retums un noz\u012bme<\/b><\/p>\n
Pulkste\u0146a v\u0113rt\u012bba sl\u0113pjas t\u0101 neskartaj\u0101 akmens strukt\u016br\u0101 un skulpt\u016bras integrit\u0101t\u0113. T\u0101 k\u0101 objekts ir \u0101rk\u0101rt\u012bgi smags, transport\u0113\u0161anas laik\u0101 gadsimta gait\u0101 \u0161\u0101diem marmora korpusiem \u013coti bie\u017ei tika noskald\u012bti st\u016bri vai aplauztas smalk\u0101s fig\u016bras deta\u013cas (spalva, dun\u010da rokturis). \u0160is eksempl\u0101rs ir sasniedzis m\u016bsu dienas teicam\u0101 vizu\u0101laj\u0101 un tehniskaj\u0101 st\u0101vokl\u012b.<\/p>\n
Pielietojums<\/b><\/p>\n
\u0160is monument\u0101lais pulkstenis ir rad\u012bts, lai k\u013c\u016btu par jebkuras telpas vizu\u0101lo enkuru. Tas ide\u0101li izskat\u012bsies uz liela, ant\u012bka kam\u012bna dzegas, uz mas\u012bva ozolkoka rakst\u0101mgalda kabinet\u0101, bibliot\u0113k\u0101 vai uz par\u0101des konsoles pla\u0161\u0101 priek\u0161nam\u0101 blakus v\u0113sturisk\u0101m glezn\u0101m, acumirkl\u012b pie\u0161\u0137irot interjeram aristokr\u0101tisku pamat\u012bgumu un intelektu\u0101lu dzi\u013cumu.<\/p>\n
St\u0101voklis<\/b><\/p>\n
Pulkstenis ir teicam\u0101 ant\u012bk\u0101 st\u0101vokl\u012b. Meln\u0101 akmens un za\u013c\u0101 marmora korpuss ir piln\u012bgi vesels, bez plais\u0101m vai noskald\u012bjumiem, saglab\u0101jot c\u0113lo, v\u0113sturisko pul\u0113jumu. Bronzas\/met\u0101la fig\u016bra ir stingra, ar ori\u0123in\u0101lo, nevainojamo tum\u0161o patinu un vis\u0101m smalkaj\u0101m deta\u013c\u0101m. Ciparn\u012bcas emalja ir t\u012bra, bez plais\u0101m vai defektiem. Meh\u0101nisms ir piln\u012bgs, vizu\u0101li t\u012brs un saglab\u0101ts autentisk\u0101 komplekt\u0101cij\u0101. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
Laikmeta momentuz\u0146\u0113mums, pol\u0101rp\u0113tnieks Evstafijs Tjagins:<\/i><\/b> Libavas Zieme\u013cu priek\u0161pils\u0113tas klusaj\u0101, pamat\u012bgaj\u0101 dz\u012bvojam\u0101 nam\u0101 valda r\u0101ms sv\u0113tdienas p\u0113cpusdienas mieri\u0146\u0161. Telpu piepilda tikko uzlietas t\u0113jas arom\u0101ts un smagn\u0113ja, mier\u012bga pulkste\u0146a tik\u0161\u0137\u0113\u0161ana, ko laiku pa laikam papildina t\u0101la, ritmiska tvaika \u0101muru duna no Tosmares ku\u0123ub\u016bv\u0113tavas puses. Pie galda, p\u0101rlasot vecas eksped\u012bciju dienasgr\u0101matas un Jaun\u0101s Zemes (\u041d\u043e\u0432\u0430\u044f \u0417\u0435\u043c\u043b\u044f) pirmos meteorolo\u0123iskos pierakstus, s\u0113\u017e pension\u0113tais flotes virsnieks un le\u0123end\u0101rais pol\u0101rp\u0113tnieks Evstafijs Tjagins. Vi\u0146\u0161 ir v\u012brs, kura dzel\u017eainais raksturs, Sevastopoles aizst\u0101v\u0113\u0161anas r\u016bd\u012bjums un drosme reiz l\u0113va vi\u0146am kop\u0101 ar sievu un mazo d\u0113lu p\u0101rziemot baisajos pol\u0101rajos tuksne\u0161os, nodibinot pirmo past\u0101v\u012bgo gl\u0101b\u0161anas staciju uz skarbaj\u0101m Arktikas klint\u012bm.<\/i><\/p>\n
Vi\u0146a skatiens uz mirkli apst\u0101jas istabas centr\u0101, kur virs tum\u0161\u0101 koka skapja majest\u0101tiski pace\u013cas neparasti smagais fran\u010du meln\u0101 akmens un za\u013c\u0101 j\u016bras marmora kam\u012bna pulkstenis. T\u0101 aug\u0161da\u013c\u0101 s\u0113do\u0161\u0101 bronzas rakstnieka vai zin\u0101tnieka fig\u016bra, kas ar spalvu rok\u0101 ir grimusi tikpat dzi\u013c\u0101s un neat\u0161\u0137etin\u0101m\u0101s p\u0101rdom\u0101s par dabas sp\u0113kiem, vakara saul\u0113 met garas \u0113nas p\u0101r balto emaljas ciparn\u012bcu. Tjagins klusi pasmaida, ar pirkstu galiem saj\u016btot v\u0113sa akmens gludumu \u2014 \u0161is fran\u010du klasisk\u0101 skaistuma un v\u012bri\u0161\u0137\u012bg\u0101 pamat\u012bguma \u0161edevrs, kas v\u0113l\u0101k, 1903. gada janv\u0101r\u012b, pieredz\u0113s sirm\u0101 j\u016brasbrauc\u0113ja p\u0113d\u0113jos dz\u012bves mirk\u013cus pirms vi\u0146a guld\u012b\u0161anas Libavas Zieme\u013cu kapos, vi\u0146a m\u0101j\u0101 ienes nesatricin\u0101mu Eiropas miera un akad\u0113misk\u0101 c\u0113luma auru. \u0100r\u0101 aiz loga l\u0113ni pabrauc pirmie paj\u016bgi, bet \u0161eit laiks uz mirkli piln\u012bb\u0101 apst\u0101jas ap vienu p\u0113tnieka spalvu.<\/i><\/p>\n
\ud83c\uddf7\ud83c\uddfa<\/p>\n
\u041c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u0440\u0430\u0437\u043c\u0430\u0445 \u043a\u0430\u043c\u043d\u0435\u0440\u0435\u0437\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u043f\u043e\u0437\u0434\u043d\u0435\u0433\u043e \u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430<\/i> \u0438 \u0432\u044b\u0441\u043e\u043a\u043e\u0435 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0447\u0435\u0441\u043a\u043e\u0435 \u0438\u0437\u044f\u0449\u0435\u0441\u0442\u0432\u043e \u043a\u043e\u043d\u0446\u0430 XIX \u0432\u0435\u043a\u0430 \u0441\u043e\u0435\u0434\u0438\u043d\u0438\u043b\u0438\u0441\u044c \u0432 \u044d\u0442\u0438\u0445 \u043a\u0440\u0443\u043f\u043d\u044b\u0445, \u043d\u0435\u043e\u0431\u044b\u0447\u0430\u0439\u043d\u043e \u0442\u044f\u0436\u0435\u043b\u044b\u0445 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0445 \u043a\u0430\u043c\u0438\u043d\u043d\u044b\u0445 \u0447\u0430\u0441\u0430\u0445. \u041a\u043e\u0440\u043f\u0443\u0441 \u043f\u0440\u0438\u0431\u043e\u0440\u0430 \u0432\u044b\u0441\u0435\u0447\u0435\u043d \u0438\u0437 \u0433\u043b\u0443\u0431\u043e\u043a\u043e\u0433\u043e \u0447\u0435\u0440\u043d\u043e\u0433\u043e \u0431\u0435\u043b\u044c\u0433\u0438\u0439\u0441\u043a\u043e\u0433\u043e \u043a\u0430\u043c\u043d\u044f (Noir Belge<\/i>), \u0441\u0442\u0440\u043e\u0433\u043e\u0441\u0442\u044c \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u043d\u044b\u0445 \u043b\u0438\u043d\u0438\u0439 \u043a\u043e\u0442\u043e\u0440\u043e\u0433\u043e \u043f\u043e\u0434\u0447\u0435\u0440\u043a\u043d\u0443\u0442\u0430 \u0432\u0441\u0442\u0430\u0432\u043a\u0430\u043c\u0438 \u0438\u0437 \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u043e\u0433\u043e \u0442\u0435\u043c\u043d\u043e-\u0437\u0435\u043b\u0435\u043d\u043e\u0433\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u0430 (Vert de Mer<\/i>) \u0441 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c \u043f\u0440\u0438\u0440\u043e\u0434\u043d\u044b\u043c \u0440\u0438\u0441\u0443\u043d\u043a\u043e\u043c \u0432\u0435\u043d. \u041a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044e \u0432\u0435\u043d\u0447\u0430\u0435\u0442 \u0431\u043e\u043b\u044c\u0448\u0430\u044f, \u0432\u044b\u0441\u043e\u043a\u043e\u0434\u0435\u0442\u0430\u043b\u0438\u0437\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u0430\u044f \u0444\u0438\u0433\u0443\u0440\u0430 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044f \u0438\u043b\u0438 \u043c\u044b\u0441\u043b\u0438\u0442\u0435\u043b\u044f \u044d\u043f\u043e\u0445\u0438 \u0412\u043e\u0437\u0440\u043e\u0436\u0434\u0435\u043d\u0438\u044f \u0432 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u043a\u043e\u0441\u0442\u044e\u043c\u0435, \u0437\u0430\u0441\u0442\u044b\u0432\u0448\u0435\u0433\u043e \u0432 \u0433\u043b\u0443\u0431\u043e\u043a\u043e\u043c \u0440\u0430\u0437\u0434\u0443\u043c\u044c\u0435 \u043d\u0430\u0434 \u0440\u0443\u043a\u043e\u043f\u0438\u0441\u044c\u044e \u0440\u044f\u0434\u043e\u043c \u0441\u043e \u0441\u0442\u043e\u043f\u043a\u043e\u0439 \u043a\u043d\u0438\u0433. \u0427\u0430\u0441\u044b \u043e\u0441\u043d\u0430\u0449\u0435\u043d\u044b \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u043c \u0431\u0435\u043b\u044b\u043c \u044d\u043c\u0430\u043b\u0435\u0432\u044b\u043c \u0446\u0438\u0444\u0435\u0440\u0431\u043b\u0430\u0442\u043e\u043c \u0441 \u0440\u0438\u043c\u0441\u043a\u0438\u043c\u0438 \u0446\u0438\u0444\u0440\u0430\u043c\u0438 \u0438 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u043c \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u043c \u043c\u0435\u0445\u0430\u043d\u0438\u0437\u043c\u043e\u043c.<\/p>\n
\u041f\u0435\u0440\u0438\u043e\u0434 \u0438\u0437\u0433\u043e\u0442\u043e\u0432\u043b\u0435\u043d\u0438\u044f<\/b><\/p>\n
\u041f\u043e\u0441\u043b\u0435\u0434\u043d\u044f\u044f \u0447\u0435\u0442\u0432\u0435\u0440\u0442\u044c XIX \u0432\u0435\u043a\u0430, \u043f\u0440\u0438\u043c\u0435\u0440\u043d\u043e 1880\u20131895 \u0433\u043e\u0434\u0430 \u2014 \u0437\u043e\u043b\u043e\u0442\u0430\u044f \u044d\u043f\u043e\u0445\u0430, \u043a\u043e\u0433\u0434\u0430 \u0442\u0430\u043a\u0438\u0435 \u0442\u044f\u0436\u0435\u043b\u044b\u0435 \u043a\u0430\u043c\u0435\u043d\u043d\u044b\u0435 \u0447\u0430\u0441\u044b \u0441\u043b\u0443\u0436\u0438\u043b\u0438 \u0433\u043b\u0430\u0432\u043d\u044b\u043c \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u0438\u0435\u043c \u043f\u0430\u0440\u0430\u0434\u043d\u044b\u0445 \u0437\u0430\u043b\u043e\u0432 \u0438 \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u043e\u0432 \u0432\u043e\u0435\u043d\u043d\u043e\u0439 \u0438 \u0438\u043d\u0442\u0435\u043b\u043b\u0435\u043a\u0442\u0443\u0430\u043b\u044c\u043d\u043e\u0439 \u044d\u043b\u0438\u0442\u044b \u0415\u0432\u0440\u043e\u043f\u044b.<\/p>\n
\u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435<\/b><\/p>\n
\u0427\u0430\u0441\u044b \u043d\u0430\u0445\u043e\u0434\u044f\u0442\u0441\u044f \u0432 \u043b\u0438\u0447\u043d\u043e\u043c \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438. \u041a\u043e\u0440\u043f\u0443\u0441 \u0438\u0437 \u0447\u0435\u0440\u043d\u043e\u0433\u043e \u043a\u0430\u043c\u043d\u044f \u0438 \u0437\u0435\u043b\u0435\u043d\u043e\u0433\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u0430 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0446\u0435\u043b, \u0431\u0435\u0437 \u0441\u043a\u043e\u043b\u043e\u0432, \u0442\u0440\u0435\u0449\u0438\u043d \u0438 \u0440\u0435\u0441\u0442\u0430\u0432\u0440\u0430\u0446\u0438\u0439. \u041c\u0435\u0442\u0430\u043b\u043b\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0444\u0438\u0433\u0443\u0440\u0430 \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u0430 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u0443\u044e \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u0443\u044e \u0442\u0435\u043c\u043d\u0443\u044e \u043f\u0430\u0442\u0438\u043d\u0443. \u042d\u043c\u0430\u043b\u0435\u0432\u044b\u0439 \u0446\u0438\u0444\u0435\u0440\u0431\u043b\u0430\u0442 \u0447\u0438\u0441\u0442\u044b\u0439, \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u0439 \u043c\u0435\u0445\u0430\u043d\u0438\u0437\u043c \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u043f\u043e\u043b\u043d\u043e\u0439 \u043a\u043e\u043c\u043f\u043b\u0435\u043a\u0442\u0430\u0446\u0438\u0438. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n
\u0417\u0430\u0440\u0438\u0441\u043e\u0432\u043a\u0430 \u044d\u043f\u043e\u0445\u0438, \u043f\u043e\u043b\u044f\u0440\u043d\u044b\u0439 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u0442\u0435\u043b\u044c \u0415\u0432\u0441\u0442\u0430\u0444\u0438\u0439 \u0422\u044f\u0433\u0438\u043d:<\/i><\/b> \u0412 \u0442\u0438\u0445\u043e\u043c, \u0441\u043e\u043b\u0438\u0434\u043d\u043e\u043c \u0434\u043e\u043c\u0435 \u0432 \u0441\u0435\u0432\u0435\u0440\u043d\u043e\u0439 \u0447\u0430\u0441\u0442\u0438 \u041b\u0438\u0431\u0430\u0432\u044b \u0446\u0430\u0440\u0438\u0442 \u043f\u043e\u043a\u043e\u0439 \u0432\u043e\u0441\u043a\u0440\u0435\u0441\u043d\u043e\u0433\u043e \u0432\u0435\u0447\u0435\u0440\u0430. \u041a\u043e\u043c\u043d\u0430\u0442\u0443 \u043d\u0430\u043f\u043e\u043b\u043d\u044f\u0435\u0442 \u043c\u0435\u0440\u043d\u043e\u0435, \u0442\u044f\u0436\u0435\u043b\u043e\u0435 \u0442\u0438\u043a\u0430\u043d\u044c\u0435 \u0447\u0430\u0441\u043e\u0432, \u043f\u0435\u0440\u0435\u043a\u043b\u0438\u043a\u0430\u044e\u0449\u0435\u0435\u0441\u044f \u0441 \u0434\u0430\u043b\u0435\u043a\u0438\u043c \u0433\u0443\u043b\u043e\u043c \u043f\u0430\u0440\u043e\u0432\u044b\u0445 \u043c\u043e\u043b\u043e\u0442\u043e\u0432 \u0441\u043e \u0441\u0442\u043e\u0440\u043e\u043d\u044b \u0422\u043e\u0441\u043c\u0430\u0440\u0441\u043a\u043e\u0433\u043e \u0441\u0443\u0434\u043e\u0441\u0442\u0440\u043e\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0437\u0430\u0432\u043e\u0434\u0430. \u0417\u0430 \u0441\u0442\u043e\u043b\u043e\u043c, \u043f\u0435\u0440\u0435\u043b\u0438\u0441\u0442\u044b\u0432\u0430\u044f \u0441\u0442\u0430\u0440\u044b\u0435 \u044d\u043a\u0441\u043f\u0435\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u044b\u0435 \u0434\u043d\u0435\u0432\u043d\u0438\u043a\u0438 \u0438 \u043f\u0435\u0440\u0432\u044b\u0435 \u043c\u0435\u0442\u0435\u043e\u0440\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043e\u0442\u0447\u0435\u0442\u044b \u041d\u043e\u0432\u043e\u0439 \u0417\u0435\u043c\u043b\u0438, \u0441\u0438\u0434\u0438\u0442 \u043e\u0442\u0441\u0442\u0430\u0432\u043d\u043e\u0439 \u0444\u043b\u043e\u0442\u0441\u043a\u0438\u0439 \u043e\u0444\u0438\u0446\u0435\u0440, \u043b\u0435\u0433\u0435\u043d\u0434\u0430\u0440\u043d\u044b\u0439 \u043f\u043e\u043b\u044f\u0440\u043d\u044b\u0439 \u0438\u0441\u0441\u043b\u0435\u0434\u043e\u0432\u0430\u0442\u0435\u043b\u044c \u0415\u0432\u0441\u0442\u0430\u0444\u0438\u0439 \u0422\u044f\u0433\u0438\u043d. \u042d\u0442\u043e\u0442 \u0447\u0435\u043b\u043e\u0432\u0435\u043a, \u0437\u0430\u0449\u0438\u0442\u043d\u0438\u043a \u0421\u0435\u0432\u0430\u0441\u0442\u043e\u043f\u043e\u043b\u044f, \u043a\u043e\u0433\u0434\u0430-\u0442\u043e \u043f\u0440\u043e\u044f\u0432\u0438\u043b \u043d\u0435\u0432\u0435\u0440\u043e\u044f\u0442\u043d\u043e\u0435 \u043c\u0443\u0436\u0435\u0441\u0442\u0432\u043e, \u043e\u0442\u043f\u0440\u0430\u0432\u0438\u0432\u0448\u0438\u0441\u044c \u0432 \u043f\u043e\u043b\u044f\u0440\u043d\u044b\u0435 \u043f\u0443\u0441\u0442\u044b\u043d\u0438 \u041a\u0440\u0430\u0439\u043d\u0435\u0433\u043e \u0421\u0435\u0432\u0435\u0440\u0430 \u0432\u043c\u0435\u0441\u0442\u0435 \u0441 \u0436\u0435\u043d\u043e\u0439 \u0438 \u043c\u0430\u043b\u0435\u043d\u044c\u043a\u0438\u043c \u0441\u044b\u043d\u043e\u043c, \u0447\u0442\u043e\u0431\u044b \u043e\u0441\u043d\u043e\u0432\u0430\u0442\u044c \u043f\u0435\u0440\u0432\u043e\u0435 \u043f\u043e\u0441\u0442\u043e\u044f\u043d\u043d\u043e\u0435 \u0440\u0443\u0441\u0441\u043a\u043e\u0435 \u043f\u043e\u0441\u0435\u043b\u0435\u043d\u0438\u0435 \u0438 \u0441\u043f\u0430\u0441\u0430\u0442\u0435\u043b\u044c\u043d\u0443\u044e \u0441\u0442\u0430\u043d\u0446\u0438\u044e \u043d\u0430 \u0441\u0443\u0440\u043e\u0432\u044b\u0445 \u0430\u0440\u043a\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0441\u043a\u0430\u043b\u0430\u0445.<\/i><\/p>\n
\u0415\u0433\u043e \u0432\u0437\u0433\u043b\u044f\u0434 \u043e\u0441\u0442\u0430\u043d\u0430\u0432\u043b\u0438\u0432\u0430\u0435\u0442\u0441\u044f \u0432 \u0446\u0435\u043d\u0442\u0440\u0435 \u043a\u043e\u043c\u043d\u0430\u0442\u044b, \u0433\u0434\u0435 \u043d\u0430\u0434 \u043a\u043e\u043c\u043e\u0434\u043e\u043c \u0432\u0435\u043b\u0438\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e \u0432\u043e\u0437\u0432\u044b\u0448\u0430\u044e\u0442\u0441\u044f \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0435 \u043a\u0430\u043c\u0438\u043d\u043d\u044b\u0435 \u0447\u0430\u0441\u044b \u0438\u0437 \u0447\u0435\u0440\u043d\u043e\u0433\u043e \u043a\u0430\u043c\u043d\u044f \u0438 \u0433\u043b\u0443\u0431\u043e\u043a\u043e\u0433\u043e \u0437\u0435\u043b\u0435\u043d\u043e\u0433\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u0430. \u0411\u0440\u043e\u043d\u0437\u043e\u0432\u0430\u044f \u0444\u0438\u0433\u0443\u0440\u0430 \u0441\u0438\u0434\u044f\u0449\u0435\u0433\u043e \u043c\u044b\u0441\u043b\u0438\u0442\u0435\u043b\u044f, \u0437\u0430\u0441\u0442\u044b\u0432\u0448\u0435\u0433\u043e \u0441 \u043f\u0435\u0440\u043e\u043c \u0432 \u0440\u0443\u043a\u0435 \u043d\u0430\u0434 \u0440\u0430\u0441\u043a\u0440\u044b\u0442\u044b\u043c \u0441\u0432\u0438\u0442\u043a\u043e\u043c, \u0432 \u043b\u0443\u0447\u0430\u0445 \u0437\u0430\u0445\u043e\u0434\u044f\u0449\u0435\u0433\u043e \u0441\u043e\u043b\u043d\u0446\u0430 \u043e\u0442\u0431\u0440\u0430\u0441\u044b\u0432\u0430\u0435\u0442 \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u044b\u0435 \u0442\u0435\u043d\u0438 \u043d\u0430 \u0431\u0435\u043b\u044b\u0439 \u044d\u043c\u0430\u043b\u0435\u0432\u044b\u0439 \u0446\u0438\u0444\u0435\u0440\u0431\u043b\u0430\u0442. \u0422\u044f\u0433\u0438\u043d \u043f\u043e\u0434\u0445\u043e\u0434\u0438\u0442 \u0431\u043b\u0438\u0436\u0435 \u0438 \u043a\u0430\u0441\u0430\u0435\u0442\u0441\u044f \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u043e\u0439, \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u043e \u0433\u043b\u0430\u0434\u043a\u043e\u0439 \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u0438 \u043a\u0430\u043c\u043d\u044f \u2014 \u044d\u0442\u043e\u0442 \u0448\u0435\u0434\u0435\u0432\u0440 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0439 \u043a\u043b\u0430\u0441\u0441\u0438\u043a\u0438, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u0432 \u044f\u043d\u0432\u0430\u0440\u0435 1903 \u0433\u043e\u0434\u0430 \u0437\u0430\u0444\u0438\u043a\u0441\u0438\u0440\u0443\u0435\u0442 \u043f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0435 \u043c\u0438\u043d\u0443\u0442\u044b \u0436\u0438\u0437\u043d\u0438 \u0441\u0442\u0430\u0440\u043e\u0433\u043e \u043c\u043e\u0440\u0435\u043f\u043b\u0430\u0432\u0430\u0442\u0435\u043b\u044f \u043f\u0435\u0440\u0435\u0434 \u0435\u0433\u043e \u0443\u043f\u043e\u043a\u043e\u0435\u043d\u0438\u0435\u043c \u043d\u0430 \u041b\u0438\u0431\u0430\u0432\u0441\u043a\u043e\u043c \u0413\u0430\u0440\u043d\u0438\u0437\u043e\u043d\u043d\u043e\u043c (\u0421\u0435\u0432\u0435\u0440\u043d\u043e\u043c) \u043a\u043b\u0430\u0434\u0431\u0438\u0449\u0435, \u043f\u0440\u0438\u0432\u043d\u043e\u0441\u0438\u0442 \u0432 \u0434\u043e\u043c \u043d\u0435\u0440\u0443\u0448\u0438\u043c\u044b\u0439 \u0434\u0443\u0445 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0433\u043e \u043f\u043e\u043a\u043e\u044f \u0438 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0432\u0435\u043b\u0438\u0447\u0438\u044f \u043f\u0435\u0440\u0435\u0434 \u043b\u0438\u0446\u043e\u043c \u0432\u0435\u0447\u043d\u043e\u0441\u0442\u0438. \u0417\u0430 \u043e\u043a\u043d\u043e\u043c \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u0442\u044f\u043d\u0443\u0442\u0441\u044f \u043f\u043e\u0432\u043e\u0437\u043a\u0438, \u0430 \u0432 \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0435 \u0432\u0440\u0435\u043c\u044f \u0441\u043b\u043e\u0432\u043d\u043e \u0437\u0430\u043c\u0435\u0440\u043b\u043e \u0432\u043e\u043a\u0440\u0443\u0433 \u043e\u0434\u043d\u043e\u0433\u043e \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u043e\u0433\u043e \u043f\u0435\u0440\u0430.<\/i><\/p>\n
\ud83c\uddec\ud83c\udde7<\/p>\n
Academic weight, masculine grounding, and the architectural grandness of the late 19th-century Historicist<\/i> movement converge in this exceptionally large and remarkably heavy antique French mantle clock. This horological masterpiece is a definitive statement piece, showcasing an elite marriage of sculpture and premium stone masonry. The monumental clock case is expertly hewn from deep, polished Belgian black stone (Noir Belge<\/i>), its strict linear silhouette dramatically enhanced by rich panels and a central round medallion of deep green sea-marmor (Vert de Mer<\/i>) displaying vivid, organic internal veining.<\/p>\n
Crowning the structure is a substantial, highly detailed patinated bronze\/metal sculpture depicting a Renaissance or Baroque era intellectual\u2014a writer, poet, or philosopher in period dress with a dagger fixed to his belt. He is captured in a state of profound contemplation, seated upon an upholstered armchair with turned legs, his arm resting over a newly completed scroll while a stack of historical texts and an inkwell sit atop the clock casing below. The clock features a clean white enamel dial with crisp black Roman numerals flanked by dual winding apertures, protected by a burnished brass bezel with its original glass cover, while the reverse reveals a traditional French brass movement complete with its counting bell.<\/p>\n
Production Period<\/b><\/p>\n
Final quarter of the 19th century, circa 1880\u20131895. During this golden era of European revival design, substantial dark stone clocks crowned with academic or allegorical figures served as the definitive status symbols within the offices, grand libraries, and drawing rooms of high-ranking commanders and civic visionaries.<\/p>\n
Condition<\/b><\/p>\n
The clock stands in excellent antique condition. The Belgian black stone and green marble housing is entirely intact, displaying no chips or cracks while retaining its noble, historic high-gloss polish. The bronze figure is structurally robust, boasting an unaltered deep patina with all fine attributes fully preserved. The enamel dial is pristine, and the mechanical movement remains complete and visually clean. Fully reflected in the photos.<\/p>\n
Historismus era snapshot, Polar Explorer Evstafiy Tyagin:<\/i><\/b> Inside the quiet, substantial residence in the northern quarter of Libava, a peaceful Sunday afternoon unfolds. The room is filled with the slow, heavy ticking of a clock, punctuated only by the distant, rhythmic hum of steam hammers echoing from the nearby Tosmare shipyard. Sitting at his desk, reviewing old expedition logs and the very first meteorological charts of Novaya Zemlya, is the retired naval officer and legendary polar explorer Evstafiy Tyagin. He is a man of iron-willed Sevastopol conditioning, whose immense courage once led him to venture into the frozen Arctic wastes alongside his wife and infant son to establish the first permanent imperial rescue station upon those stark, unforgiving polar cliffs.<\/i><\/p>\n
His gaze anchors upon the center of his desk where an extraordinarily heavy French black stone and green marble clock commands the space. The bronze thinker figure crowning the case, frozen with a pen in hand over an open manuscript, appears lost in a state of contemplation as deep as the explorer\u2019s own, casting long, detailed shadows across the white enamel dial in the fading sunset. Tyagin steps forward, running his fingertips over the cool, flawless surface of the green marble panels\u2014finding this masterpiece of French classicism, which would later log the old seafarer’s final hours in January 1903 before his burial at the Libava Northern (Garnizon) Cemetery, a reassuring sanctuary of old-world European order. Outside, horse-drawn carriages roll slowly past, while here inside the study, time stands still around a single bronze pen.<\/i><\/p>\n
\ud83c\udde9\ud83c\uddea<\/p>\n
Akademische Eleganz und herrschaftliche Schwere verbinden sich in dieser au\u00dfergew\u00f6hnlich gro\u00dfen und massiven franz\u00f6sischen Kaminuhr des Sp\u00e4thistorismus. Das Geh\u00e4use aus tiefschwarzem belgischem Stein (Noir Belge<\/i>) kontrastiert edel mit den Paneelen aus dunkelgr\u00fcnem Meermarmor (Vert de Mer<\/i>). Die bekr\u00f6nende gro\u00dfe Bronzefigur stellt einen Gelehrten oder Dichter des 16. Jahrhunderts dar, der mit einer Schreibfeder in tiefen Gedanken \u00fcber ein Manuskript versunken ist. Ein Meisterwerk des Pariser Kunsthandwerks f\u00fcr den gehobenen Salon.<\/p>\n
Historismus-Epochenaufnahme, Polarforscher Evstafiy Tyagin:<\/i><\/b> In einem ruhigen, gediegenen Wohnhaus in den n\u00f6rdlichen Au\u00dfenbezirken von Libava herrscht sonnt\u00e4gliche Nachmittagsstille. Der Raum ist erf\u00fcllt vom Duft frisch aufgebr\u00fchten Tees und dem gleichm\u00e4\u00dfigen, schweren Ticken einer Uhr, untermalt vom fernen, rhythmischen Dr\u00f6hnen der Dampfh\u00e4mmer aus den Tosmare-Werften. Am Schreibtisch sitzt der pensionierte Marineoffizier und legend\u00e4re Polarforscher Evstafiy Tyagin und geht alte Expeditionstageb\u00fccher sowie die ersten meteorologischen Aufzeichnungen von Nowaja Semlja durch. Er ist ein Mann von eisernem Charakter und sewastopoler Abh\u00e4rtung, dessen Mut es ihm einst erlaubte, zusammen mit seiner Frau und seinem kleinen Sohn in den eisigen Polarw\u00fcsten zu \u00fcberwintern, um die erste permanente Rettungsstation auf den kargen arktischen Felsen zu errichten.<\/i><\/p>\n
Sein Blick verweilt auf der Mitte des Raumes, wo sich \u00fcber dem dunklen Holzschrank die au\u00dfergew\u00f6hnlich schwere franz\u00f6sische Kaminuhr aus schwarzem Stein und gr\u00fcnem Meermarmor erhebt. Die darauf sitzende Bronzefigur eines Gelehrten, der mit der Feder in der Hand in ebenso tiefe Gedanken \u00fcber die Kr\u00e4fte der Natur versunken ist, wirft im Licht der Abendsonne lange Schatten \u00fcber das wei\u00dfe Emaillezifferblatt. Tyagin l\u00e4chelt still und sp\u00fcrt die k\u00fchle Gl\u00e4tte des Steins \u2014 dieses Meisterwerk franz\u00f6sischer Klassik, das sp\u00e4ter im Januar 1903 die letzten Lebensminuten des alten Seefahrers vor seiner Bestattung auf dem Nordfriedhof von Libava messen wird, bringt eine Aura europ\u00e4ischer Ruhe in sein Haus. Drau\u00dfen ziehen die Kutschen vorbei, w\u00e4hrend im Arbeitszimmer die Zeit um eine einzige Bronzefeder stillzustehen scheint.<\/i><\/p>\n
\ud83c\uddeb\ud83c\uddf7<\/p>\n
L’\u00e9l\u00e9gance acad\u00e9mique et la puissance de la taille du marbre s’unissent dans cette monumentale et tr\u00e8s lourde pendule de chemin\u00e9e d’\u00e9poque fin XIXe si\u00e8cle. Le corps en pierre noire de Belgique (Noir Belge<\/i>) offre une structure rigoureuse, adoucie par la pr\u00e9sence de m\u00e9daillons et de plaques en marbre vert de mer au veinage d’origine. La sculpture en bronze patin\u00e9 repr\u00e9sente un po\u00e8te ou un philosophe assis, plume \u00e0 la main, m\u00e9ditant sur un parchemin. Un mod\u00e8le de prestige destin\u00e9 aux grands cabinets d’apparat.<\/p>\n
Instantan\u00e9 de l’\u00e9poque, l’explorateur polaire Evstafiy Tyagin :<\/i><\/b> Dans une demeure paisible et digne des quartiers nord de Libava, le calme du dimanche apr\u00e8s-midi s’installe. La pi\u00e8ce est empreinte de l’ar\u00f4me du th\u00e9 frais et du tic-tac lourd et r\u00e9gulier d’une pendule, soutenu par le grondement rythmique et lointain des marteaux-pilons des chantiers de Tosmare. Assis \u00e0 son bureau, relisant ses anciens journaux d’exp\u00e9dition et les premiers relev\u00e9s m\u00e9t\u00e9orologiques de la Nouvelle-Zemble (Novaya Zemlya), se trouve l’officier de marine en retraite et l\u00e9gendaire explorateur polaire Evstafiy Tyagin. C’est un homme au caract\u00e8re d’acier forg\u00e9 lors du si\u00e8ge de S\u00e9bastopol, dont le courage immense lui permit autrefois d’hiverner avec sa femme et son jeune fils dans les d\u00e9serts glac\u00e9s de l’Arctique pour y fonder la premi\u00e8re station de sauvetage permanente.<\/i><\/p>\n
Son regard se pose au centre de la pi\u00e8ce, o\u00f9 s’\u00e9l\u00e8ve majestueusement, au-dessus du buffet en bois sombre, une tr\u00e8s lourde pendule de chemin\u00e9e fran\u00e7aise en pierre noire et marbre vert de mer. La figure en bronze d’un savant assis, plong\u00e9 plume \u00e0 la main dans des pens\u00e9es aussi profondes que celles de l’explorateur, projette de longues ombres sur le cadran en \u00e9mail blanc sous le soleil couchant. Tyagin sourit en effleurant la pierre lisse et fra\u00eeche \u2014 ce chef-d’\u0153uvre du classicisme fran\u00e7ais, qui mesurera en janvier 1903 les derniers instants du vieux marin avant son repos \u00e9ternel au cimeti\u00e8re du Nord (Garnison) de Libava, apporte un havre de paix europ\u00e9enne. Dehors, les voitures passent lentement, tandis que dans le cabinet, le temps s’arr\u00eate autour d’une plume de bronze.<\/i><\/p>\n
\ud83c\udde9\ud83c\uddf0<\/p>\n
Maskulin tyngde og klassisk fransk st\u00f8bekunst forenes i dette pragtfulde og meget tunge kaminur fra historismen. Den stramme urkasse i sort belgisk marmor kontrasteres flot af de levende \u00e5rer i den gr\u00f8nne hav-marmor. Den store bronzestatue viser en klassisk t\u00e6nker eller digter, som sidder ved siden af sine skrifter og b\u00f8ger, fordybet i akademiske overvejelser. Fremst\u00e5r i s\u00e6rdeles flot og komplet stand.<\/p>\n
Historistisk tidsbillede, polarforsker Evstafiy Tyagin:<\/i><\/b> I et roligt og solidt bolighus i Libavas nordlige udkant hersker en fredelig s\u00f8ndag eftermiddag. Rummet er fyldt med duften af te og det tunge, rolige tikkeri fra et ur, ledsaget af den fjerne, rytmiske dunken fra damphamrene p\u00e5 Tosmare-skibsv\u00e6rftet. Ved skrivebordet sidder den pensionerede fl\u00e5deofficer og legendariske polarforsker Evstafiy Tyagin og gennemser gamle ekspeditionsdagb\u00f8ger og de allerf\u00f8rste meteorologiske optegnelser fra Novaya Zemlya. Han er en mand af jernh\u00e5rd karakter og sevastopolsk viljestyrke, hvis mod engang fik ham til at overvintre i de iskolde polar\u00f8rkener sammen med sin kone og lille s\u00f8n for at grundl\u00e6gge den f\u00f8rste permanente redningsstation p\u00e5 de barske arktiske klipper.<\/i><\/p>\n
Hans blik dv\u00e6ler ved midten af rummet, hvor det us\u00e6dvanligt tunge franske kaminur i sort sten og gr\u00f8nt marmor rejser sig majest\u00e6tisk over det m\u00f8rke tr\u00e6skab. Bronzefiguren af en siddende t\u00e6nker, der med pen i h\u00e5nden er sunket ned i dybe overvejelser om naturens kr\u00e6fter, kaster lange skygger over den hvide emaljecifret i aftensolen. Tyagin smiler for sig selv, da han m\u00e6rker stenens k\u00f8lige glathed \u2014 dette mesterv\u00e6rk af fransk klassicisme, som senere i januar 1903 vil t\u00e6lle den gamle s\u00f8farers sidste timer f\u00f8r hans begravelse p\u00e5 Libavas Nordre (Garnizons) Kirkeg\u00e5rd, bringer en dyp europ\u00e6isk fred ind i hans hjem. Udenfor k\u00f8rer vognene langsomt forbi, mens tiden p\u00e5 kontoret synes at st\u00e5 stille om en enkelt bronzepen.<\/i><\/p>\n
\ud83c\uddf8\ud83c\uddea<\/p>\n
Akademisk tyngd och kontinental elegans m\u00f6ts i detta mycket massiva och st\u00e5tliga franska kaminur fr\u00e5n sp\u00e4da historismen. Den arkitektoniska basen i polerad svart m\u00e4ssing\/sten kontrasterar vackert mot den gr\u00f6na havsmarmorns m\u00f6nstring. Den stora, patinerade bronsstatyn f\u00f6rest\u00e4ller en historisk diktare eller forskare, gripen av djupa tankar framf\u00f6r sina manuskript och b\u00f6cker. Ett magnifikt prydnadsf\u00f6rem\u00e5l f\u00f6r herrummet eller salongen.<\/p>\n
Historisk tidsbild, polarforskare Evstafiy Tyagin:<\/i><\/b> I ett stilla och gediget bostadshus i Libavas norra utkanter r\u00e5der en fridfull s\u00f6ndagseftermiddag. Rummet \u00e4r fyllt av doften fr\u00e5n nybryggt te och det tunga, j\u00e4mna tickandet fr\u00e5n ett ur, untermalt av det avl\u00e4gsna, rytmiska dunkandet fr\u00e5n \u00e5nghamrarna vid Tosmare-varvet. Vid skrivbordet sitter den pensionerade marinofficeren och legendariske polarforskaren Evstafiy Tyagin och studerar gamla expeditionsdagb\u00f6cker och de allra f\u00f6rsta meteorologiska anteckningarna fr\u00e5n Novaja Zemlja. Han \u00e4r en man av st\u00e5lh\u00e5rd karakt\u00e4r och sevastopolsk h\u00e4rdning, vars mod en g\u00e5ng fick honom att \u00f6vervintra i de iskalla polar\u00f6knarna tillsammans med sin hustru och lilla son f\u00f6r att anl\u00e4gga den f\u00f6rsta permanenta r\u00e4ddningsstationen p\u00e5 de karga arktiska klipporna.<\/i><\/p>\n
Hans blick fastnar p\u00e5 rummets mitt, d\u00e4r det ovanligt tunga franska kaminuret i svart sten och gr\u00f6n havsmarmor h\u00f6jer sig majest\u00e4tiskt \u00f6ver det m\u00f6rka tr\u00e4sk\u00e5pet. Bronfiguren av en sittande l\u00e4rd, som med pennan i handen \u00e4r sjunken i djupa tankar \u00f6ver naturkrafterna, kastar l\u00e5nga skuggor \u00f6ver den vita emaljurtavlan i kv\u00e4llssolen. Tyagin ler tyst n\u00e4r han k\u00e4nner stenens svala glatthet \u2014 detta m\u00e4sterverk av fransk klassicism, som senare i januari 1903 ska m\u00e4ta den gamle sj\u00f6fararens sista timmar i livet f\u00f6re hans gravs\u00e4ttning p\u00e5 Libavas Norra (Garnizons) begravningsplats, sk\u00e4nker en fl\u00e4kt av europeisk frid \u00e5t hans hem. Utanf\u00f6r rullar vagnarna sakta f\u00f6rbi, medan tiden i ritkontoret verkar st\u00e5 stilla kring en gyllene bronspenna.<\/i><\/p>\n
\ud83c\uddf3\ud83c\uddf4<\/p>\n
Maskulin tyngde og klassisk fransk st\u00f8pekunst forenes i dette pragtfulde og meget tunge kaminuret fra historismen. Den stramme urkassen i sort belgisk marmor kontrasteres flott av de levende \u00e5rene i den gr\u00f8nne hav-marmoren. Den store bronsestatuen viser en klassisk tenker eller dikter, som sidder ved siden af sine skrifter og b\u00f8ker, fordybet i akademiske overvejelser. Fremst\u00e5r i s\u00e6rdeles flott og komplett stand.<\/p>\n
Historistisk tidsbilde, polarforsker Evstafiy Tyagin:<\/i><\/b> I et rolig og solid bolighus i Libavas nordlige utkant hersker en fredelig s\u00f8ndag ettermiddag. Rommet er fylt med duften av te og det tunge, rolige tikkeri fra et ur, ledsaget av den fjerne, rytmiske dunken fra damphamrene p\u00e5 Tosmare-skibsv\u00e6rftet. Ved skrivebordet sitter den pensjonerte fl\u00e5teoffiseren og legendariske polarforskeren Evstafiy Tyagin og gjennomser gamle ekspedisjonsdagb\u00f8ger og de allerf\u00f8rste meteorologiske optegnelser fra Novaya Zemlya. Han er en mand af jernh\u00e5rd karakter og sevastopolsk viljestyrke, hvis mod engang fikk ham til at overvintre i de iskolde polar\u00f8rkener sammen med sin kone og lille s\u00f8n for at grundl\u00e6gge den f\u00f8rste permanente redningsstation p\u00e5 de barske arktiske klipper.<\/i><\/p>\n
Hans blik dv\u00e6ler ved midten af rummet, hvor det us\u00e6dvanligt tunge franske kaminur i sort stein og gr\u00f8nt marmor rejser sig majest\u00e6tisk over det m\u00f8rke tr\u00e6skab. Bronzefiguren af en siddende t\u00e6nker, der med pen i h\u00e5nden er sunket ned i dybe overvejelser om naturens kr\u00e6fter, kaster lange skygger over den hvide emaljecifret i aftensolen. Tyagin smiler for seg selv, da han m\u00e6rker stenens k\u00f8lige glathed \u2014 dette mesterv\u00e6rk af fransk klassicisme, som senere i januar 1903 vil t\u00e6lle den gamle s\u00f8farers sidste timer f\u00f8r hans begravelse p\u00e5 Libavas Nordre (Garnizons) Kirkeg\u00e5rd, bringer en dyp europeisk fred ind i hans hjem. Udenfor kj\u00f8rer vognene langsomt forbi, mens tiden p\u00e5 kontoret synes at st\u00e5 stille om en enkelt bronzepen.<\/i><\/p>\n
\ud83c\uddeb\ud83c\uddee<\/p>\n
Miehek\u00e4s j\u00e4m\u00e4kkyys, korkealuokkainen kiventy\u00f6st\u00f6 ja historismin akateeminen henki kohtaavat t\u00e4ss\u00e4 poikkeuksellisen suuressa ja painavassa ranskalaisessa takkakellossa. Mustan belgialaisen kiven (Noir Belge<\/i>) tiukat linjat saavat rinnalleen vihre\u00e4n merimarmorin (Vert de Mer<\/i>) eloisat luonnonkuviot. Kellon p\u00e4\u00e4ll\u00e4 istuva suuri pronssiveistos esitt\u00e4\u00e4 1500-luvun oppisatunutta tai kirjailijaa sulkakyn\u00e4 k\u00e4dess\u00e4\u00e4n, syviss\u00e4 mietteiss\u00e4\u00e4n k\u00e4sikirjoituksen \u00e4\u00e4rell\u00e4. Alkuper\u00e4inen Parisin mestariteos arvokkaaseen sisustukseen.<\/p>\n
Historismin aikakauden tuokiokuva, naparetkeilij\u00e4 Evstafij Tjagin:<\/i><\/b> Libavan pohjoisosan hiljaisessa ja vankassa asuintalossa vallitsee sunnuntai-iltap\u00e4iv\u00e4n rauha. Huoneen t\u00e4ytt\u00e4\u00e4 tuoreen teen tuoksu ja kellon raskas, tasainen raksutus, jota s\u00e4est\u00e4\u00e4 kaukainen, rytminen h\u00f6yryvasaroiden jylin\u00e4 Tosmarin telakalta. P\u00f6yd\u00e4n \u00e4\u00e4ress\u00e4 istuu el\u00e4kkeell\u00e4 oleva laivastoupseeri ja legendaarinen naparetkeilij\u00e4 Evstafij Tjagin selaillen vanhoja p\u00e4iv\u00e4kirjojaan ja Novaja Zemljan ensimm\u00e4isi\u00e4 s\u00e4\u00e4havaintoja. H\u00e4n on Sevastopolin taisteluissa karaistunut ja rautaisen tahdon omaava mies, jonka rohkeus sai h\u00e4net aikoinaan talvehtimaan hyisess\u00e4 Pohjoisessa vaimonsa ja pienen poikansa kanssa perustakseen ensimm\u00e4isen pysyv\u00e4n pelastusaseman Arktiksen karuille kallioille.<\/i><\/p>\n
H\u00e4nen katseensa pys\u00e4htyy huoneen keskelle, miss\u00e4 tumman puukaapin p\u00e4\u00e4ll\u00e4 kohoaa majesteettisesti poikkeuksellisen raskas ranskalainen mustasta kivest\u00e4 ja vihre\u00e4st\u00e4 merimarmorista valmistettu takkakello. Sen p\u00e4\u00e4ll\u00e4 istuva pronssinen tiedemiehen hahmo, joka kyn\u00e4 k\u00e4dess\u00e4\u00e4n n\u00e4ytt\u00e4\u00e4 vajonneen yht\u00e4 syviin pohdintoihin luonnonvoimista, langettaa ilta-auringossa pitki\u00e4 varjoja valkoiselle emalikellotaululle. Tjagin hymyilee itsekseen ja tuntee kiven viile\u00e4n sileyden \u2014 t\u00e4m\u00e4 ranskalaisen klassismin mestariteos, joka tammikuussa 1903 mittaa vanhan merenkulkijan viimeiset elinminuutit ennen h\u00e4nen hautaamistaan Libavan Pohjoiselle (Garnisonin) hautausmaalle, tuo kotiin eurooppalaisen rauhan auran. Ulkona vaunut kulkevat hitaasti kadulla, mutta t\u00e4\u00e4ll\u00e4 ty\u00f6huoneessa aika pys\u00e4htyy yhden pronssisen kyn\u00e4n ymp\u00e4rille.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"
Impres\u012bvs, liela izm\u0113ra un neparasti smags ant\u012bks fran\u010du kam\u012bna pulkstenis grezn\u0101 19. gadsimta historisma stil\u0101. Pulkste\u0146a pamatne un ietvars veidoti no mas\u012bva, pul\u0113ta Be\u013c\u0123ijas meln\u0101 akmens, ko priek\u0161pus\u0113 rot\u0101 izteiksm\u012bgi tum\u0161i za\u013c\u0101 marmora (Vert de Mer<\/i>) pane\u013ci un apa\u013c\u0161 medaljons. Kompoz\u012bciju vainago tum\u0161i patin\u0113ta met\u0101la\/bronzas skulpt\u016bra, kur\u0101 att\u0113lots dom\u012bgs 16.\u201317. gadsimta rakstnieks vai dzejnieks ar spalvu rok\u0101, s\u0113\u017eam pie gr\u0101matu kr\u0101vuma un tintn\u012bcas uz dekorat\u012bva kr\u0113sla. Pulkstenim ir balta emaljas ciparn\u012bca ar romie\u0161u cipariem un ori\u0123in\u0101lais meh\u0101nisms.<\/p>\n","protected":false},"featured_media":2413,"template":"","meta":[],"product_brand":[],"product_cat":[205,204],"product_tag":[1159,1167,1175,1171,1178,1173,1174,568,1168,1176,1053,1169,1172,1170,1177],"class_list":["post-2412","product","type-product","status-publish","has-post-thumbnail","product_cat-pulksteni","product_cat-visas-lietas","product_tag-19-gadsimts","product_tag-antiks-pulkstenis","product_tag-antique-french-marble-mantle-clock","product_tag-bronzas-figura","product_tag-evstafijs-tjagins","product_tag-francu-pulkstenis","product_tag-galda-pulkstenis","product_tag-historisma-stils","product_tag-kamina-pulkstenis","product_tag-karosta","product_tag-libava","product_tag-melnais-marmors","product_tag-rakstnieks","product_tag-zalais-marmors","product_tag-1177","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/2412","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/2413"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=2412"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=2412"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=2412"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=2412"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}