Height\u00a0 66cm
\n\ud83c\uddf1\ud83c\uddfb<\/p>\n
Augstums: 66 cm<\/p>\n
Platums: 79 cm<\/p>\n
Cena ir nor\u0101d\u012bta par m\u0101kslas darbu piln\u0101 komplekt\u0101cij\u0101 ar r\u0101mi.<\/p>\n
Burv\u012bga ant\u012bka klus\u0101s dabas e\u013c\u013cas glezna “Hrizant\u0113mas un \u0101boli” elegant\u0101 r\u0101m\u012b (L. Baraum, 1908. gads)<\/p>\n
gadsimta s\u0101kuma Eiropas re\u0101lisma skolas lab\u0101k\u0101s trad\u012bcijas un klasiskais Nature Mort \u0161arms str\u0101vo no \u0161\u012b vid\u0113ja izm\u0113ra m\u0101kslas darba. Glezna ie\u0146em \u012bpa\u0161u vietu fran\u010du skolas gleznot\u0101ja L. Baro (L. Baraum) mantojum\u0101, fiks\u0113jot z\u012bm\u012bgo 1908. gadu. Uz audekla ar meistara otas triepienu uzburta r\u0101ma un int\u012bma kompoz\u012bcija \u2014 stikla v\u0101ze ar kupliem, baltiem hrizant\u0113mu ziediem, ap kuru izk\u0101rtoti sul\u012bgi, ruden\u012bgi \u0101boli. Autora sp\u0113ja tvert gaismas reflekstus stikla virsm\u0101 un ziedlapi\u0146u tr\u012bsdimension\u0101lo vieglumu pie\u0161\u0137ir darbam \u012bpa\u0161u po\u0113tismu un akad\u0113misku dzi\u013cumu.<\/p>\n
M\u0101kslas darbu ieskauj t\u0101 laika est\u0113tikai piln\u012bb\u0101 atbilsto\u0161s, kvalitat\u012bvs koka r\u0101mis ar c\u0113lu un attur\u012bgu zelta kr\u0101sas p\u0101rkl\u0101jumu. R\u0101mja dizains ar smalkaj\u0101m josl\u0101m un garentaisn\u0101 profila dzi\u013cumu ir veidots t\u0101, lai nev\u0101jin\u0101tu pa\u0161a glezniec\u012bbas si\u017eeta kr\u0101su nianses, bet gan kalpotu k\u0101 elegants, pabeigts ietvars. Audekla apak\u0161\u0113j\u0101 st\u016br\u012b iekl\u0101ts skaidri salas\u0101ms un dzel\u017eaini fiks\u0113ts autora ori\u0123in\u0101lais paraksts kop\u0101 ar tap\u0161anas gadu.<\/p>\n
Glezna un r\u0101mis ir teicam\u0101 ant\u012bk\u0101 st\u0101vokl\u012b. Uz audekla virsmas ir redzama dabiski izveidojusies, smalka laika patina un kr\u0101sas plaisi\u0146u tekst\u016bra (craquelure), kas tikai pastiprina priek\u0161meta autentiskumu un v\u0113sturisko v\u0113rt\u012bbu. Aizmugur\u0113 saglab\u0101jusies ori\u0123in\u0101l\u0101 koka apak\u0161r\u0101mja konstrukcija ar v\u0113sturiskajiem stiprin\u0101jumiem. \u0160is m\u0101kslas darbs b\u016bs izcils un inteli\u0123ents akcents viesistab\u0101, \u0113damistab\u0101 vai salon\u0101, piesaistot katra skat\u012bt\u0101ja uzman\u012bbu ar savu nemain\u012bgo v\u0113rt\u012bbu un m\u0101ksliniecisko izpild\u012bjumu.<\/p>\n
Laikmeta momentuz\u0146\u0113mums, R\u012bgas m\u0101kslas salona izst\u0101de: R\u012bgas centra elegantajos gaite\u0146os, kur tikko atv\u0113rta jaun\u0101k\u0101 Eiropas modern\u0101s un re\u0101lisma glezniec\u012bbas izst\u0101de, valda patiesi pacil\u0101ts un dz\u012bv\u012bgs 1908. gada p\u0113cpusdienas drudzis. Telp\u0101, kas smar\u017eo p\u0113c d\u0101mu smalkaj\u0101m Par\u012bzes smar\u017e\u0101m un kungu cig\u0101riem, apmekl\u0113t\u0101ju p\u016blis l\u0113n\u0101m virz\u0101s gar sien\u0101m, l\u012bdz apst\u0101jas pie salona centr\u0101laj\u0101 da\u013c\u0101 izst\u0101d\u012bt\u0101 darba. Vair\u0101ku pils\u0113tas mecen\u0101tu un lab\u0101ko otas meistaru skatieni piekalas audeklam, kur\u0101 ar apbr\u012bnojamu re\u0101lisma vieglumu laist\u0101s balt\u0101s hrizant\u0113mas un uz galda izk\u0101rtotie \u0101boli.<\/p>\n
K\u0101ds ietekm\u012bgs R\u012bgas bir\u017eas kungs, turot rok\u0101 sudraba pensneju, uzrun\u0101 blakus st\u0101vo\u0161o m\u0101kslas kriti\u0137i, nor\u0101dot uz izsmalcin\u0101to fran\u010du meistara L. Baro (L. Baraum) rokrakstu un zelt\u012bto, attur\u012bgi smalku koka r\u0101mi. \u0160\u012b klus\u0101 daba, kas burtiski elpo ar Par\u012bzes salonu atmosf\u0113ru un gaism\u0113nu sasp\u0113li, ienes pils\u0113tas kultur\u0101laj\u0101 elit\u0113 tie\u0161i to mekl\u0113to Eiropas elpu, p\u0113c kuras tik \u013coti sl\u0101pst plauksto\u0161\u0101 Baltijas metropole. Sarunas k\u013c\u016bst klus\u0101kas, kad mecen\u0101ti s\u0101k apspriest darba ieg\u0101des nosac\u012bjumus sav\u0101m priv\u0101taj\u0101m kolekcij\u0101m.<\/p>\n
Gleznas st\u016br\u012b skaidri redzamais gads \u2014 1908 \u2014 un elegantais izpild\u012bjums perfekti sasaucas ar to pils\u0113tas uzplaukuma atmosf\u0113ru, kur\u0101 dzimst jaunas idejas, glu\u017ei k\u0101 le\u0123end\u0101raj\u0101 Homo Novus laikmeta noska\u0146\u0101. Kam\u0113r \u0101rpus\u0113, aiz salona logiem, gar\u0101m pabrauc pirmie tramvaji un pils\u0113tas steidz\u012bg\u0101 inteli\u0123ence bauda rudens novakari, \u0161eit, izst\u0101\u017eu z\u0101les klusum\u0101, gleznas zelta ietvars un hrizant\u0113mu maigais mirdzums uz mirkli apst\u0101dina laiku, atst\u0101jot vietu tikai t\u012brai est\u0113tikai un nevainojamai m\u0101kslas provei.<\/p>\n
\ud83c\uddf7\ud83c\uddfa<\/p>\n
\u0412\u043d\u0435\u0448\u043d\u0438\u0435 \u0440\u0430\u0437\u043c\u0435\u0440\u044b: 66 \u0441\u043c x 79 \u0441\u043c<\/p>\n
\u0426\u0435\u043d\u0430 \u0443\u043a\u0430\u0437\u0430\u043d\u0430 \u0437\u0430 \u043a\u0430\u0440\u0442\u0438\u043d\u0443 \u0432 \u043f\u043e\u043b\u043d\u043e\u043c \u043a\u043e\u043c\u043f\u043b\u0435\u043a\u0442\u0435 \u0441 \u0440\u0430\u043c\u043e\u0439.<\/p>\n
\u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u0430\u044f \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0430\u044f \u043d\u0430\u0442\u044e\u0440\u043c\u043e\u0440\u0442\u043d\u0430\u044f \u043a\u0430\u0440\u0442\u0438\u043d\u0430 \u043c\u0430\u0441\u043b\u043e\u043c \u00ab\u0425\u0440\u0438\u0437\u0430\u043d\u0442\u0435\u043c\u044b \u0438 \u044f\u0431\u043b\u043e\u043a\u0438\u00bb \u0432 \u0437\u043e\u043b\u043e\u0442\u043e\u0439 \u0440\u0430\u043c\u0435 (L. Baraum, 1908 \u0433.)<\/p>\n
\u041b\u0443\u0447\u0448\u0438\u0435 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0439 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u0448\u043a\u043e\u043b\u044b \u0440\u0435\u0430\u043b\u0438\u0437\u043c\u0430 \u0438 \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u044b\u0439 \u0448\u0430\u0440\u043c \u043d\u0430\u0447\u0430\u043b\u0430 XX \u0432\u0435\u043a\u0430 \u0441\u043e\u0435\u0434\u0438\u043d\u0438\u043b\u0438\u0441\u044c \u0432 \u044d\u0442\u043e\u043c \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430. \u041a\u0430\u0440\u0442\u0438\u043d\u0430 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u0432\u044b\u0434\u0430\u044e\u0449\u0435\u0435\u0441\u044f \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u043e\u0435 \u043f\u043e\u043b\u043e\u0442\u043d\u043e \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0433\u043e \u043c\u0430\u0441\u0442\u0435\u0440\u0430 \u041b. \u0411\u0430\u0440\u043e (L. Baraum), \u0434\u0430\u0442\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u043e\u0435 \u0437\u043d\u0430\u043c\u0435\u043d\u043e\u0441\u043d\u044b\u043c 1908 \u0433\u043e\u0434\u043e\u043c. \u041d\u0430 \u0445\u043e\u043b\u0441\u0442\u0435 \u0441 \u043f\u043e\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0442\u043e\u0447\u043d\u043e\u0441\u0442\u044c\u044e \u0438 \u043c\u044f\u0433\u043a\u043e\u0441\u0442\u044c\u044e \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0441\u044e\u0436\u0435\u0442 \u2014 \u0441\u0442\u0435\u043a\u043b\u044f\u043d\u043d\u0430\u044f \u0432\u0430\u0437\u0430 \u0441 \u043f\u044b\u0448\u043d\u044b\u043c\u0438 \u0431\u0435\u043b\u044b\u043c\u0438 \u0445\u0440\u0438\u0437\u0430\u043d\u0442\u0435\u043c\u0430\u043c\u0438 \u0438 \u0440\u0430\u0437\u043b\u043e\u0436\u0435\u043d\u043d\u044b\u0435 \u043d\u0430 \u0441\u0442\u043e\u043b\u0435 \u0441\u043f\u0435\u043b\u044b\u0435 \u044f\u0431\u043b\u043e\u043a\u0438. \u0410\u0432\u0442\u043e\u0440\u0441\u043a\u0430\u044f \u043f\u043e\u0434\u043f\u0438\u0441\u044c \u0438 \u0433\u043e\u0434 \u0447\u0435\u0442\u043a\u043e \u0440\u0430\u0437\u043b\u0438\u0447\u0438\u043c\u044b \u0432 \u043f\u0440\u0430\u0432\u043e\u043c \u043d\u0438\u0436\u043d\u0435\u043c \u0443\u0433\u043b\u0443 \u043a\u0430\u0440\u0442\u0438\u043d\u044b.<\/p>\n
\u0412\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u0443\u044e \u0446\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u044f \u043f\u043e\u0434\u0447\u0435\u0440\u043a\u0438\u0432\u0430\u0435\u0442 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u0430\u044f, \u0441\u0434\u0435\u0440\u0436\u0430\u043d\u043d\u0430\u044f \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0430\u044f \u0440\u0430\u043c\u0430 \u0437\u043e\u043b\u043e\u0442\u043e\u0433\u043e \u0446\u0432\u0435\u0442\u0430. \u0425\u043e\u043b\u0441\u0442 \u0438 \u0440\u0430\u043c\u0430 \u043d\u0430\u0445\u043e\u0434\u044f\u0442\u0441\u044f \u0432 \u043e\u0442\u043b\u0438\u0447\u043d\u043e\u043c \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438, \u0441 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u043c \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u043c \u043a\u0440\u0430\u043a\u0435\u043b\u044e\u0440\u043e\u043c, \u043f\u043e\u0434\u0442\u0432\u0435\u0440\u0436\u0434\u0430\u044e\u0449\u0438\u043c \u0441\u043e\u043b\u0438\u0434\u043d\u044b\u0439 \u0432\u043e\u0437\u0440\u0430\u0441\u0442 \u0432\u0435\u0449\u0438.<\/p>\n
\u0417\u0430\u0440\u0438\u0441\u043e\u0432\u043a\u0430 \u044d\u043f\u043e\u0445\u0438, \u0432\u044b\u0441\u0442\u0430\u0432\u043a\u0430 \u0432 \u0420\u0438\u0436\u0441\u043a\u043e\u043c \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u043c \u0441\u0430\u043b\u043e\u043d\u0435: \u0412 \u0437\u0430\u043b\u0430\u0445 \u0420\u0438\u0436\u0441\u043a\u043e\u0433\u043e \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0441\u0430\u043b\u043e\u043d\u0430 \u0432 \u0441\u0430\u043c\u043e\u043c \u0440\u0430\u0437\u0433\u0430\u0440\u0435 \u043e\u0441\u0435\u043d\u0438 1908 \u0433\u043e\u0434\u0430 \u0446\u0430\u0440\u0438\u0442 \u043e\u0436\u0438\u0432\u043b\u0435\u043d\u043d\u0430\u044f \u0430\u0442\u043c\u043e\u0441\u0444\u0435\u0440\u0430. \u041f\u0443\u0431\u043b\u0438\u043a\u0430, \u0441\u043e\u0441\u0442\u043e\u044f\u0449\u0430\u044f \u0438\u0437 \u0432\u0438\u0434\u043d\u044b\u0445 \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u0438\u0445 \u043c\u0435\u0446\u0435\u043d\u0430\u0442\u043e\u0432 \u0438 \u043b\u0443\u0447\u0448\u0438\u0445 \u043c\u0430\u0441\u0442\u0435\u0440\u043e\u0432 \u043a\u0438\u0441\u0442\u0438 \u0442\u043e\u0433\u043e \u0432\u0440\u0435\u043c\u0435\u043d\u0438, \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u043f\u0440\u043e\u0434\u0432\u0438\u0433\u0430\u0435\u0442\u0441\u044f \u0432\u0434\u043e\u043b\u044c \u0441\u0442\u0435\u043d, \u043f\u043e\u043a\u0430 \u0432\u0441\u0435\u043e\u0431\u0449\u0435\u0435 \u0432\u043d\u0438\u043c\u0430\u043d\u0438\u0435 \u043d\u0435 \u043f\u0440\u0438\u043a\u043e\u0432\u044b\u0432\u0430\u0435\u0442 \u043f\u043e\u043b\u043e\u0442\u043d\u043e \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0433\u043e \u043c\u0430\u0441\u0442\u0435\u0440\u0430 \u041b. \u0411\u0430\u0440\u043e (L. Baraum) \u0441 \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u0435\u043c \u0431\u0435\u043b\u044b\u0445 \u0445\u0440\u0438\u0437\u0430\u043d\u0442\u0435\u043c \u0438 \u044f\u0431\u043b\u043e\u043a. \u0416\u0438\u0432\u043e\u0439 \u0440\u0435\u0430\u043b\u0438\u0437\u043c \u0438 \u0442\u043e\u043d\u043a\u0430\u044f \u0438\u0433\u0440\u0430 \u0441\u0432\u0435\u0442\u0430 \u043d\u0430 \u0445\u043e\u043b\u0441\u0442\u0435 \u043f\u0440\u0438\u0442\u044f\u0433\u0438\u0432\u0430\u044e\u0442 \u0432\u0437\u0433\u043b\u044f\u0434\u044b \u0437\u043d\u0430\u0442\u043e\u043a\u043e\u0432.<\/p>\n
\u041e\u0434\u0438\u043d \u0438\u0437 \u0438\u0437\u0432\u0435\u0441\u0442\u043d\u044b\u0445 \u0440\u0438\u0436\u0441\u043a\u0438\u0445 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u0435\u0440\u043e\u0432, \u043f\u043e\u043f\u0440\u0430\u0432\u043b\u044f\u044f \u043f\u0435\u043d\u0441\u043d\u0435, \u0442\u0438\u0445\u043e \u043e\u0431\u0441\u0443\u0436\u0434\u0430\u0435\u0442 \u0441 \u043a\u0440\u0438\u0442\u0438\u043a\u043e\u043c \u0431\u0435\u0437\u0443\u043f\u0440\u0435\u0447\u043d\u044b\u0439 \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u0438\u0439 \u0441\u0442\u0438\u043b\u044c \u043a\u0430\u0440\u0442\u0438\u043d\u044b \u0438 \u0435\u0435 \u043b\u0430\u043a\u043e\u043d\u0438\u0447\u043d\u0443\u044e \u0437\u043e\u043b\u043e\u0442\u0443\u044e \u0440\u0430\u043c\u0443. \u042d\u0442\u043e\u0442 \u043d\u0430\u0442\u044e\u0440\u043c\u043e\u0440\u0442 \u043f\u0440\u0438\u043d\u043e\u0441\u0438\u0442 \u0432 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043d\u0443\u044e \u0436\u0438\u0437\u043d\u044c \u0433\u043e\u0440\u043e\u0434\u0430 \u0442\u0443 \u0441\u0430\u043c\u0443\u044e \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u0443\u044e \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u043e\u0441\u0442\u044c, \u043a\u043e\u0442\u043e\u0440\u0430\u044f \u0442\u0430\u043a \u0446\u0435\u043d\u0438\u043b\u0430\u0441\u044c \u0432 \u044d\u043f\u043e\u0445\u0443 \u0431\u0443\u0440\u043d\u043e\u0433\u043e \u0440\u0430\u0441\u0446\u0432\u0435\u0442\u0430 \u0420\u0438\u0433\u0438, \u043d\u0430\u043f\u043e\u043c\u0438\u043d\u0430\u044f \u0430\u0442\u043c\u043e\u0441\u0444\u0435\u0440\u0443 \u0437\u043d\u0430\u043c\u0435\u043d\u0438\u0442\u043e\u0433\u043e \u0440\u043e\u043c\u0430\u043d\u0430 Homo Novus. \u041c\u0435\u0446\u0435\u043d\u0430\u0442\u044b \u043d\u0430\u0447\u0438\u043d\u0430\u044e\u0442 \u043d\u0435\u0433\u0440\u043e\u043c\u043a\u043e \u043f\u0435\u0440\u0435\u0433\u043e\u0432\u0430\u0440\u0438\u0432\u0430\u0442\u044c\u0441\u044f \u043e \u043f\u0440\u0438\u043e\u0431\u0440\u0435\u0442\u0435\u043d\u0438\u0438 \u043f\u043e\u043b\u043e\u0442\u043d\u0430 \u0434\u043b\u044f \u0441\u0432\u043e\u0438\u0445 \u0447\u0430\u0441\u0442\u043d\u044b\u0445 \u0433\u0430\u043b\u0435\u0440\u0435\u0439.<\/p>\n
\u041f\u043e\u043a\u0430 \u0437\u0430 \u043e\u043a\u043d\u0430\u043c\u0438 \u0441\u0430\u043b\u043e\u043d\u0430 \u0448\u0443\u043c\u0438\u0442 \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u0430\u044f \u0436\u0438\u0437\u043d\u044c \u043d\u0430\u0447\u0430\u043b\u0430 \u0432\u0435\u043a\u0430, \u0437\u0434\u0435\u0441\u044c, \u0432 \u0442\u0438\u0448\u0438\u043d\u0435 \u0432\u044b\u0441\u0442\u0430\u0432\u043a\u0438, \u0437\u043e\u043b\u043e\u0442\u043e\u0439 \u0431\u043b\u0435\u0441\u043a \u0440\u0430\u043c\u044b \u0438 \u043d\u0435\u0436\u043d\u043e\u0435 \u0441\u0438\u044f\u043d\u0438\u0435 \u0431\u0435\u043b\u044b\u0445 \u0446\u0432\u0435\u0442\u043e\u0432 \u0441\u043b\u043e\u0432\u043d\u043e \u043e\u0441\u0442\u0430\u043d\u0430\u0432\u043b\u0438\u0432\u0430\u044e\u0442 \u0432\u0440\u0435\u043c\u044f, \u043e\u0441\u0442\u0430\u0432\u043b\u044f\u044f \u043c\u0435\u0441\u0442\u043e \u043b\u0438\u0448\u044c \u0434\u043b\u044f \u0447\u0438\u0441\u0442\u043e\u0433\u043e \u0432\u043e\u0441\u0445\u0438\u0449\u0435\u043d\u0438\u044f \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u044b\u043c \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u043e\u043c.<\/p>\n
\ud83c\uddec\ud83c\udde7<\/p>\n
Outer dimensions: 66 cm x 79 cm<\/p>\n
Price is for the complete artwork including the frame.<\/p>\n
Antique French Oil on Canvas Painting “Chrysanthemums and Apples” \u2014 Still Life, Dated 1908 by L. Baraum (antique french oil painting still life)<\/p>\n
The finest traditions of the European classical school of realism and the refined charm of the early 20th century converge in this elegant still life composition. This canvas is a definitive original work by French school painter L. Baraum, dated 1908. The artwork captures a serene arrangement\u2014a clear glass vase cradling lush, white chrysanthemums, surrounded by rich, autumnal apples scattered across a table. The artist’s mastery over light reflections within the glass and the delicate, three-dimensional texture of the petals imbues the canvas with remarkable depth.<\/p>\n
Framing the artwork is a period-correct, high-quality wood frame finished in a subtle, sophisticated golden coloration. The clean lines and deep profile of the frame are engineered to enhance the tonal variations of the oil paint without overpowering the scene. The artist’s original signature along with the date “1908” is clearly legible in the lower right corner. Both canvas and frame remain in excellent antique condition, showing a fine historic crackle texture (craquelure) that underscores its age and authenticity.<\/p>\n
Historicist era snapshot, The Riga Art Salon Exhibition: Inside the elegant halls of a prominent Riga art salon, an air of dynamic excitement commands the late afternoon of 1908. A sophisticated crowd of local art patrons, wealthy merchants, and the city\u2019s leading painters moves slowly past the exhibits, eventually anchoring before a striking French still life depicting white chrysanthemums and scattered apples. The vivid realism and masterfully captured light play upon the canvas instantly draw the focus of the gathered elite.<\/p>\n
A notable Riga merchant, adjusting his silver pince-nez, discusses the impeccable European handling of the work with a fellow connoisseur, praising the artist L. Baraum and the frame’s elegant, restrained gilt finish. This quiet masterpiece brings a breath of Parisian salon culture directly into the Baltic metropolis during its great economic and artistic revival, perfectly mirroring the grand, ambitious spirit of the historic Homo Novus era. Low murmurs fill the corner as patrons begin discussing acquisition terms for their private collections.<\/p>\n
While outside the tall salon windows, the first electric trams clatter past and the busy city moves through the autumn dusk, a quiet sanctuary remains within these walls. The golden embrace of the frame and the soft, luminous petals on the canvas hold time perfectly still, leaving a lasting testament to early 20th-century aesthetic refinement and high painterly quality.<\/p>\n
\ud83c\udde9\ud83c\uddea<\/p>\n
Au\u00dfenma\u00dfe: 66 cm x 79 cm<\/p>\n
Der Preis gilt f\u00fcr das komplette Kunstwerk inklusive Rahmen.<\/p>\n
Antikes franz\u00f6sisches \u00d6lgem\u00e4lde \u201eChrysanthemen und \u00c4pfel\u201c \u2014 Stillleben von L. Baraum, datiert 1908 (antique french oil painting still life)<\/p>\n
Die besten Traditionen der europ\u00e4ischen klassischen Malschule des Realismus verbinden sich in diesem feinen Stillleben aus dem Jahr 1908. Das \u00d6lgem\u00e4lde auf Leinwand ist ein Originalwerk des franz\u00f6sischen Meisters L. Baraum, dessen Signatur unten rechts deutlich lesbar ist. Die Komposition zeigt eine gl\u00e4serne Vase mit \u00fcppigen wei\u00dfen Chrysanthemen, umgeben von herbstlichen \u00c4pfeln. Ein schlichter, aber edler goldfarbener Holzrahmen unterstreicht die feine Lichtf\u00fchrung des Werkes. Das Gem\u00e4lde befindet sich in einem hervorragenden antiken Zustand mit einer sch\u00f6nen historischen Krakelee-Struktur.<\/p>\n
Historismus-Epochenaufnahme, Die Ausstellung im R\u012bgaer Kunstsalon: In den eleganten S\u00e4len eines R\u012bgaer Kunstsalons herrscht im Herbst 1908 ein gesch\u00e4ftiges Treiben. Ein anspruchsvolles Publikum aus lokalen Kunstm\u00e4zenen, wohlhabenden Kaufleuten und den f\u00fchrenden Malern der Stadt bewegt sich langsam an den Exponaten vorbei, bis es schlie\u00dflich vor einem bemerkenswerten franz\u00f6sischen Stillleben verweilt. Der lebendige Realismus der wei\u00dfen Bl\u00fcten und die feine Vergoldung des Rahmens ziehen sofort alle Blicke auf sich.<\/p>\n
Ein bekannter R\u012bgaer Kaufmann blickt durch sein silbernes Pince-Nez und diskutiert mit einem Kunstkritiker \u00fcber die makellose europ\u00e4ische Handschrift des Werkes. Er lobt den K\u00fcnstler L. Baraum und den eleganten, zur\u00fcckhaltenden Goldrahmen. Dieses feine Stillleben bringt den Glanz der Pariser Salons direkt in die aufstrebende Metropole \u2013 ganz im Geiste des Homo Novus, nach dem sich die baltische Elite sehnt. Die Gespr\u00e4che werden leiser, als die M\u00e4zene beginnen, \u00fcber die Kaufbedingungen zu verhandeln.<\/p>\n
Die deutlich sichtbare Jahreszahl 1908 in der Ecke des Gem\u00e4ldes korrespondiert perfekt mit der Aufbruchstimmung einer Stadt, in der neue Ideen geboren werden. W\u00e4hrend drau\u00dfen vor den hohen Fenstern des Salons die ersten elektrischen Stra\u00dfenbahnen vorbeifahren und das B\u00fcrgertum die herbstliche D\u00e4mmerung genie\u00dft, verharren die Kenner hier in and\u00e4chtigem Schweigen. Das weiche Licht auf der Leinwand und der goldene Rahmen scheinen die Zeit f\u00fcr einen Moment komplett anzuhalten.<\/p>\n
\ud83c\uddeb\ud83c\uddf7<\/p>\n
Dimensions : 66 cm x 79 cm<\/p>\n
Le prix indiqu\u00e9 comprend l’\u0153uvre d’art compl\u00e8te avec son cadre.<\/p>\n
Tableau Antique \u00e0 l’Huile “Chrysanth\u00e8mes et Pommes” \u2014 Nature Morte par L. Baraum, dat\u00e9 1908 (antique french oil painting still life)<\/p>\n
Cette \u0153uvre incarne les plus pures traditions de l’\u00e9cole classique europ\u00e9enne du r\u00e9alisme du d\u00e9but du XXe si\u00e8cle. Ce tableau est une nature morte originale sign\u00e9e et dat\u00e9e 1908 par le peintre de l’\u00e9cole fran\u00e7aise L. Baraum. La composition pr\u00e9sente un vase en verre transparent abritant de somptueux chrysanth\u00e8mes blancs, entour\u00e9 de pommes d’automne dispos\u00e9es sur une table. L’\u0153uvre est mise en valeur par son cadre d’origine en bois dor\u00e9 au profil sobre et \u00e9l\u00e9gant. L’ensemble est en excellent \u00e9tat de conservation avec une fine craquelure d’\u00e9poque.<\/p>\n
Instantan\u00e9 de l’\u00e9poque, L’exposition au Salon d’Art de R\u012bga : \u00c0 l’automne 1908, une atmosph\u00e8re d’effervescence intellectuelle et mondaine r\u00e8gne dans les salons d’art de R\u012bga. Une foule \u00e9l\u00e9gante compos\u00e9e de m\u00e9c\u00e8nes locaux, de riches marchands et des meilleurs peintres de l’\u00e9poque se presse dans les galeries. Le public avance lentement le long des cimaises jusqu’\u00e0 s’arr\u00eater, fascin\u00e9, devant une nature morte fran\u00e7aise repr\u00e9sentant des chrysanth\u00e8mes blancs et des pommes. Le r\u00e9alisme vibrant des fleurs et la subtile gestion de la lumi\u00e8re captivent imm\u00e9diatement l’\u00e9lite rassembl\u00e9e.<\/p>\n
Un important n\u00e9gociant de la ville, ajustant son pince-nez en argent, commente la facture impeccablement europ\u00e9enne de l’\u0153uvre avec un critique d’art, saluant le talent de L. Baraum et la sobri\u00e9t\u00e9 dor\u00e9e du cadre. Cette nature morte apporte un souffle des salons parisiens au c\u0153ur de la m\u00e9tropole balte en pleine renaissance culturelle, rappelant l’esprit ambitieux de l’\u00e9poque du Homo Novus. Les murmures se font plus bas lorsque les premiers collectionneurs commencent \u00e0 s’enqu\u00e9rir des conditions d’acquisition de la toile.<\/p>\n
L’ann\u00e9e 1908, inscrite distinctement au bas de la toile, r\u00e9sonne en parfaite harmonie avec cette p\u00e9riode d’essor urbain o\u00f9 germent les id\u00e9es nouvelles. Alors qu’\u00e0 l’ext\u00e9rieur des grandes fen\u00eatres du salon, les premiers tramways \u00e9lectriques tintent dans le cr\u00e9puscule automnal, la galerie reste un sanctuaire de paix. L’or du cadre et le blanc lumineux des p\u00e9tales suspendent le vol du temps, laissant place au pur plaisir esth\u00e9tique d’un chef-d’\u0153uvre de l’\u00e9cole fran\u00e7aise.<\/p>\n
\ud83c\udde9\ud83c\uddf0<\/p>\n
Ydre m\u00e5l: 66 cm x 79 cm<\/p>\n
Prisen er angivet for det komplette kunstv\u00e6rk inklusiv ramme.<\/p>\n
Antikt Fransk Oliemalerie “Krysantemum og \u00c6bler” \u2014 Stilleben af L. Baraum, dateret 1908 (antique french oil painting still life)<\/p>\n
Dette smukke, antikke oliemaleri p\u00e5 l\u00e6rred forener de fineste traditioner fra den europ\u00e6iske klassiske realismeskole i begyndelsen af 1900-tallet. V\u00e6rket er udf\u00f8rt av den franske maler L. Baraum, hvis originale signatur og dateringen “1908” er tydeligt synlig i nederste hj\u00f8rne. Kompositionen viser en glasevase med hvide krysantemumblomster omgivet af efter\u00e5rs\u00e6bler. Maleriet er indrammet i en enkel, elegant guldramme, der fremh\u00e6ver v\u00e6rkets fine lysindfald. B\u00e5de l\u00e6rred og ramme fremst\u00e5r i flot antik stand med en fin historisk krakelering.<\/p>\n
Historistisk tidsbillede, Udstillingen i R\u012bgas Kunstsalon: I efter\u00e5ret 1908 hersker der en forventningsfuld og livlig stemning i R\u012bgas f\u00f8rende kunstsalon. En sofistikeret skare af lokale kunstm\u00e6cener, rige k\u00f8bm\u00e6nd og byens dygtigste malere bev\u00e6ger sig langsomt forbi udstillingerne. De stopper op og samler sig foran et nyankommet fransk stilleben, der viser hvide krysantemum og spredte \u00e6bler. Blomsternes levende realisme og det mesterligt fangede lys p\u00e5 l\u00e6rredet fanger straks den samlede elites opm\u00e6rksomhed.<\/p>\n
En fremtr\u00e6dende k\u00f8bmand retter p\u00e5 sit s\u00f8lv-pincenez og diskuterer maleriets europ\u00e6iske kvalitet med en kunstkender, mens han roser kunstneren L. Baraum og rammens elegante guldoverflade. Dette stilleben bringer en snert af parisisk salonkultur direkte ind i den baltiske metropol midt under dens store \u00f8konomiske og kunstneriske opblomstring, hvilket passer perfekt til Homo Novus-tidens ambiti\u00f8se \u00e5nd. Lavm\u00e6lte stemmer spreder sig i hj\u00f8rnet, efterh\u00e5nden som m\u00e6cenerne begynder at forhandle om prisen.<\/p>\n
Det tydelige \u00e5rstal 1908 i hj\u00f8rnet af l\u00e6rredet harmonerer smukt med denne tid, hvor byen vokser, og nye ideer opst\u00e5r. Alt imens de elektriske sporvogne ruller forbi uden for de h\u00f8je salonvinduer, og borgerskabet nyder efter\u00e5rsaftenen, forbliver udstillingssalen en fredfyldt oase. Rammens gyldne indramning og blomsternes milde gl\u00f8d synes at standse tiden, og efterlader et varigt indtryk af h\u00f8j kunstnerisk kvalitet.<\/p>\n
\ud83c\uddf8\ud83c\uddea<\/p>\n
Ytterm\u00e5tt: 66 cm x 79 cm<\/p>\n
Priset avser det kompletta konstverket inklusive ram.<\/p>\n
Antik Fransk Oljem\u00e5lning \u201dKrysantemum och \u00c4pplen\u201d \u2014 Stilleben av L. Baraum, daterad 1908 (antique french oil painting still life)<\/p>\n
Detta eleganta antika stilleben p\u00e5 duk f\u00f6renar den europeiska klassiska realismens fr\u00e4msta traditioner fr\u00e5n sekelskiftet 1900. M\u00e5lningen \u00e4r ett originalverk av den franske m\u00e5laren L. Baraum, vars signatur och datering \u201d1908\u201d \u00e4r tydligt l\u00e4sbar i det nedre h\u00f6rnet. Kompositionen visar en glasvas med fylliga vita krysantemumblommor omgivna av h\u00f6st\u00e4pplen. M\u00e5lningen ramas in av en stilren, elegant guldram i tr\u00e4 som framh\u00e4ver konstverkets fina ljusspel. Konstverket \u00e4r i utm\u00e4rkt antikskick med en fin historisk krackelering.<\/p>\n
Historisk tidsbild, Utst\u00e4llningen i R\u012bgas Konstsalon: Under h\u00f6sten 1908 r\u00e5der en febril och f\u00f6rv\u00e4ntansfull aktivitet i R\u012bgas f\u00f6rn\u00e4ma konstsalong. En sofistikerad publik best\u00e5ende av lokala konstmecenater, f\u00f6rm\u00f6gna k\u00f6pm\u00e4n och stadens fr\u00e4msta m\u00e5lare r\u00f6r sig l\u00e5ngsamt l\u00e4ngs v\u00e4ggarna. De stannar slutligen till och samlas framf\u00f6r ett franskt stilleben med vita krysantemum och utspridda \u00e4pplen. Blommornas levande realism och den m\u00e4sterliga ljusbehandlingen p\u00e5 duken f\u00e4ngslar omedelbart den samlade eliten.<\/p>\n
En inflytelserik k\u00f6pman r\u00e4ttar till sin pincen\u00e9 i silver och diskuterar m\u00e5lningens oklanderliga europeiska kvalitet med en konstkritiker. Han ber\u00f6mmer konstn\u00e4ren L. Baraum och ramens strama, eleganta guldglans. Detta stillsamma m\u00e4sterverk tillf\u00f6r en fl\u00e4kt av de parisiska salongerna till den baltiska metropolen mitt under dess ekonomiska och kulturella blomstring \u2013 helt i Homo Novus-epokens ambiti\u00f6sa anda. L\u00e5ga viskningar fyller rummet n\u00e4r samlare b\u00f6rjar diskutera k\u00f6pvillkoren.<\/p>\n
Det tydliga \u00e5rtalet 1908 i dukens h\u00f6rn harmonierar perfekt med den atmosf\u00e4r av framtidstro som pr\u00e4glar staden d\u00e4r nya id\u00e9er f\u00f6ds. Medan de f\u00f6rsta elektriska sp\u00e5rvagnarna skramlar f\u00f6rbi utanf\u00f6r de h\u00f6ga f\u00f6nstren och stadsborna njuter av h\u00f6stkv\u00e4llen, f\u00f6rblir utst\u00e4llningssalen en fristad. Ramens gyllene glans och krysantemumens milda mjukhet tycks stoppa tiden, och l\u00e4mnar efter sig ett best\u00e5ende intryck av h\u00f6gsta konstn\u00e4rliga kvalitet.<\/p>\n
\ud83c\uddf3\ud83c\uddf4<\/p>\n
Ytre m\u00e5l: 66 cm x 79 cm<\/p>\n
Prisen gjelder for det komplette kunstverket inkludert ramme.<\/p>\n
Antikk Fransk Oljemaleri “Krysantemum og Epler” \u2014 Stilleben av L. Baraum, datert 1908 (antique french oil painting still life)<\/p>\n
Dette vakre, antikke oljemaleriet p\u00e5 lerret forener de fineste tradisjonene fra den europeiske klassiske realismeskolen p\u00e5 begynnelsen av 1900-tallet. Verket er utf\u00f8rt av den franske maleren L. Baraum, og hans originale signatur og dateringen “1908” ie tydelig synlig i det nedre hj\u00f8rnet. Komposisjonen viser en glassvase med hvite krysantemumblomster omgitt av h\u00f8stepler. Maleriet er innrammet i en enkel, elegant gullramme som fremhever verkets fine lys. B\u00e5de lerret og ramme fremst\u00e5r i flott antik stand med en fin historisk krakelering.<\/p>\n
Historistisk tidsbilde, Utstillingen i R\u012bgas Kunstsalon: I etter\u00e5ret 1908 hersker det en spent og livlig stemning i R\u012bgas ledende kunstsalong. En sofistikert skare av lokale kunstmesener, rike kj\u00f8pmenn og byens dyktigste malere beveger seg langsomt forbi utstillingene. De stopper opp og samler seg foran et nyankommet fransk stilleben som viser hvite krysantemum og epler. Blomstenes levende realisme og det mesterlige lyset p\u00e5 lerretet fanger straks elitens oppmerksomhet.<\/p>\n
En fremtredende forretningsmann retter p\u00e5 s\u00f8lv-pincenezen sin og diskuterer maleriets europeiske kvalitet med en kunstkjenner, mens han roser kunstneren L. Baraum og rammens elegante gullramme. Dette stillebenet bringer et snev av parisisk salongkultur direkte inn i den baltiske metropolen midt under dens store \u00f8konomiske og kunstneriske oppblomstring, noe som passer perfekt til Homo Novus-tidens ambisi\u00f8se \u00e5nd. Lavm\u00e6lte stemmer sprer seg i hj\u00f8rnet etter hvert som samlere begynner \u00e5 forhandle om kj\u00f8pet.<\/p>\n
Det tydelige \u00e5rstallet 1908 i hj\u00f8rnet av lerretet harmonerer vakkert med denne tiden hvor byen vokser og nye ideer oppst\u00e5r. Alt imens de elektriske trikkene ruller forbi utenfor de h\u00f8ye salongvinduene og borgerskapet nyter h\u00f8stkvelden, forblir utstillingssalen en fredelig oase. Rammens gyldne innramming og blomstenes milde gl\u00f8d synes \u00e5 stanse tiden, og etterlater et varig inntrykk av h\u00f8y kunstnerisk kvalitet.<\/p>\n
\ud83c\uddeb\ud83c\uddee<\/p>\n
Ulkomitat: 66 cm x 79 cm<\/p>\n
Hinta ilmoitettu kokonaiselle taideteokselle kehyksineen.<\/p>\n
Antiikkinen Ranskalainen \u00d6ljymaalaus \u201dKrysanteemit ja Omenat\u201d \u2014 Asetelma, L. Baraum, p\u00e4iv\u00e4tty 1908 (antique french oil painting still life)<\/p>\n
Eurooppalaisen klassisen realismin parhaat perinteet ja 1900-luvun alun hienostunut charmi kohtaavat t\u00e4ss\u00e4 kauniissa asetelmassa. Kangas\u00f6ljymaalaus on ranskalaisen koulukunnan mestarin L. Baraumin alkuper\u00e4isteos, ja taiteilijan allekirjoitus sek\u00e4 vuosiluku \u201d1908\u201d ovat selke\u00e4sti luettavissa kuva-alan alakulmassa. Kompositio esitt\u00e4\u00e4 lasimaljakkoon aseteltuja valkoisia krysanteemeja ja p\u00f6yd\u00e4lle levitettyj\u00e4 syysomenoita. Maalausta ymp\u00e4r\u00f6i tyylik\u00e4s, hillityn kultainen puukehys, joka korostaa teoksen hienoa valon ja varjon leikki\u00e4. Teos on erinomaisessa antiikkikunnossa kauniilla historiallisella krakeloinnilla.<\/p>\n
Historismin aikakauden tuokiokuva, Riian taidesalongin n\u00e4yttely: Syksyll\u00e4 1908 Riian johtavassa taidesalongissa vallitsee innostunut ja vilkas tunnelma. Paikalliset taidemesenaatit, varakkaat kauppiaat ja kaupungin parhaat maalarit liikkuvat hitaasti teosten ohi, kunnes he pys\u00e4htyv\u00e4t salin keskelle asetetun ranskalaisen asetelman \u00e4\u00e4reen. Valkoisten krysanteemien el\u00e4v\u00e4 realismi ja kankaalle vangittu mestarillinen valon leikki vangitsevat v\u00e4litt\u00f6m\u00e4sti ker\u00e4\u00e4ntyneen eliitin huomion.<\/p>\n
Arvokas riikalainen kauppias korjaa hopeista lornjettiaan ja keskustelee teoksen korkeasta eurooppalaisesta laadusta taidekriitikon kanssa, kehuen taiteilija L. Baraumia ja kehyksen hillitty\u00e4 kultausta. T\u00e4m\u00e4 herkk\u00e4 asetelma tuo tuulahduksen Pariisin salonkien loistoa her\u00e4\u00e4v\u00e4\u00e4n baltialaiseen metropoliin \u2013 t\u00e4ydellisesti Homo Novus -aikakauden kunnianhimoisessa hengess\u00e4. Kuiskaukset t\u00e4ytt\u00e4v\u00e4t salin kulman, kun ker\u00e4ilij\u00e4t alkavat neuvotella teoksen ostoehdoista gallerian johdon kanssa.<\/p>\n
Kankaan kulmassa selke\u00e4sti n\u00e4kyv\u00e4 vuosiluku 1908 harmonisoi t\u00e4ydellisesti sen ajan hengen kanssa, jolloin kaupunki kasvaa ja uudet ajatukset syntyv\u00e4t. Samaan aikaan kun ensimm\u00e4iset s\u00e4hk\u00f6raitiovaunut kolistelevat ohi salongin korkeiden ikkunoiden ulkopuolella ja herrasv\u00e4ki nauttii syysillasta, n\u00e4yttelysali pysyy rauhallisena turvapaikkana. Kehyksen kultainen syleily ja kukkien lempe\u00e4 loiste n\u00e4ytt\u00e4v\u00e4t pys\u00e4ytt\u00e4v\u00e4n ajan, j\u00e4tt\u00e4en j\u00e4lkeens\u00e4 puhtaan esteettisen nautinnon.
\nWidth 79\u0441m<\/p>\n
\u0412\u044b\u0441\u043e\u0442\u0430\u00a0 66cm
\n\u0428\u0438\u0440\u0438\u043d\u0430 79\u0441m<\/p>\n","protected":false},"excerpt":{"rendered":"
Izsmalcin\u0101ta un akad\u0113miski smalka ant\u012bka e\u013c\u013cas glezna uz audekla, kur\u0101 att\u0113lots klasisks Nature Mort<\/i> si\u017eets \u2014 maigas, baltas hrizant\u0113mas stikla v\u0101z\u0113 un uz galda izk\u0101rtoti ruden\u012bgi \u0101boli. Darba autors ir fran\u010du skolas meistars L. Baro (L. Baraum), kura izteiksm\u012bgais paraksts un dat\u0113jums “1908” redzams gleznas apak\u0161\u0113j\u0101 labaj\u0101 st\u016br\u012b. Glezna ir ietverta c\u0113l\u0101, attur\u012bgi grezn\u0101 zelta kr\u0101sas koka r\u0101m\u012b ar smalku profil\u0113jumu, kas nevainojami izce\u013c gadsimta s\u0101kuma re\u0101lisma un impresionisma gaism\u0113nu sasp\u0113li.<\/p>\n","protected":false},"featured_media":2316,"template":"","meta":[],"product_brand":[],"product_cat":[206,204],"product_tag":[800,676,650,1827,1830,1826,628,1828,1829,704,1054,641],"class_list":["post-2315","product","type-product","status-publish","has-post-thumbnail","product_cat-gleznas","product_cat-visas-lietas","product_tag-20-gadsimta-sakums","product_tag-antika-glezna","product_tag-ellas-glezna","product_tag-francu-maksla","product_tag-homo-novus","product_tag-hrizantemas","product_tag-klusa-daba","product_tag-l-baraum","product_tag-makslas-salons","product_tag-realisms","product_tag-riga","product_tag-zelta-ramis","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/2315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/2316"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=2315"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=2315"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=2315"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=2315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}