\ud83c\uddf1\ud83c\uddfb Luija XVI kr\u0113sli ar roku balstiem \u2014 Luija XVI stils, Francija, 19. gs. otr\u0101 puse<\/strong><\/p>\n

\u0160is elegantais p\u0101ris fote\u013cu (louis xvi chairs<\/em>) ir Luija XVI stila<\/strong> darbs riekstkok\u0101<\/strong>, kur\u0101 valda klasicisma m\u0113ren\u012bba, l\u012bdzsvars un smalkums. Taisnst\u016bra mediljona atzveltni vainago kokgriezuma lentes bante<\/strong> (n\u0153ud de ruban<\/em>) ar lapotni \u2014 kokt\u0113lnieka darbs, kas rakstur\u012bgs \u0161im stilam. Polster\u0113jums ir spo\u017es dzeltens sv\u012btrains z\u012bds<\/strong>, iez\u012bm\u0113ts ar dekorat\u012bvu bronz\u0113tu naglu rindu; polster\u0113tie man\u0161etes roku balsti balst\u0101s uz akanta rot\u0101tiem atbalstiem, bet kanel\u0113t\u0101s, virpot\u0101s konusveida k\u0101jas<\/strong> ar rozet\u0113m aug\u0161st\u016bros pie\u0161\u0137ir siluetam vieglu, vertik\u0101lu ritmu.<\/p>\n

Izm\u0113ri: augstums 73 cm, garums 111 cm, platums 56 cm.<\/p>\n

Izgatavo\u0161anas periods, m\u0101kslas stils, laikmets<\/strong> Kr\u0113sli darin\u0101ti 19. gadsimta otraj\u0101 pus\u0113<\/strong>, kad Francij\u0101 plauka Luija XVI stila<\/strong> atdzim\u0161ana \u2014 atgrie\u0161an\u0101s pie 18. gadsimta klasicisma p\u0113c rokoko l\u012bk\u0146u p\u0101rpiln\u012bbas. \u0160im stilam rakstur\u012bga taisna, arhitektoniska uzb\u016bve: kanel\u0113tas k\u0101jas k\u0101 ant\u012bkas kolonnas, simetrija, lentes, ziedu v\u012btnes un rozetes. T\u0101 bija haute bourgeoisie un aristokr\u0101tijas salonu valoda \u2014 attur\u012bga, bet izsmalcin\u0101ta.<\/p>\n

Luija XVI laikmeta momentuz\u0146\u0113mums:<\/em> modiste Roze Bert\u0113na (Rose Bertin<\/em>) ien\u0101ca salon\u0101 un aps\u0113d\u0101s uz mirkli, kl\u0113p\u012b turot z\u012bda paraugu rituli \u2014 pirkstu gali sajuta sv\u012btraina auduma v\u0113so sp\u012bdumu, k\u0101ju kanel\u016bru ritmu zem delnas. Pa logu krita Par\u012bzes p\u0113cpusdienas zelts, kaut kur skan\u0113ja klaves\u012bns. Forma, uz kuras vi\u0146a atp\u016bt\u0101s, bija viegla un taisna k\u0101 kolonna, un vi\u0146a pasmaid\u012bja, jo zin\u0101ja \u2014 t\u0101, kas s\u0113\u017e \u0161\u0101d\u0101 kr\u0113sl\u0101, jau pieder skaistuma pasaulei.<\/p>\n

Materi\u0101ls un kokgriezums<\/strong> Karkass darin\u0101ts riekstkok\u0101 ar siltu, dab\u012bgu patinu. Atzveltnes vainagojuma lente, akanta lapas uz roku balstiem un st\u016bru rozetes ir \u012bsts figur\u0101ls kokgriezums; kanel\u0113t\u0101s k\u0101jas un per\u013cu virkne pa mal\u0101m papildina klasicisma valodu. Polster\u0113tie roku balstu spilventi\u0146i pievieno komfortu reprezentablajam siluetam.<\/p>\n

Retums un noz\u012bme<\/strong> Saska\u0146ots fote\u013cu p\u0101ris vien\u0101 stil\u0101 ir v\u0113rt\u012bgs \u2014 divi kr\u0113sli kop\u0101 veido simetrisku salona kompoz\u012bciju, kas vienm\u0113r bijusi klasiska interjera sirds.<\/p>\n

St\u0101voklis<\/strong> Kr\u0113sli ir lab\u0101, stabil\u0101 antikv\u0101r\u0101 st\u0101vokl\u012b ar dab\u012bgu vecuma patinu kok\u0101. Dzeltenais z\u012bda polster\u0113jums saglab\u0101jies ar laikmetam atbilsto\u0161u valk\u0101jumu un sp\u012bdumu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n

Pielietojums interjer\u0101<\/strong> P\u0101ris lieliski noder\u0113s viesistab\u0101, budu\u0101r\u0101 vai pie kam\u012bna, klasisk\u0101, Luija XVI vai eklektisk\u0101 interjer\u0101. Divi simetriski novietoti fote\u013ci rada elegantu, salonisku akcentu. Cena nor\u0101d\u012bta par 1 kr\u0113slu; pieejami 2 gabali.<\/p>\n

\n
\ud83c\uddf7\ud83c\uddfa \u041a\u0440\u0435\u0441\u043b\u0430 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI \u0441 \u043f\u043e\u0434\u043b\u043e\u043a\u043e\u0442\u043d\u0438\u043a\u0430\u043c\u0438 \u2014 \u0441\u0442\u0438\u043b\u044c \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI, \u0424\u0440\u0430\u043d\u0446\u0438\u044f, \u0432\u0442\u043e\u0440\u0430\u044f \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0430 XIX \u0432\u0435\u043a\u0430<\/strong><\/p>\n
\u042d\u0442\u0430 \u044d\u043b\u0435\u0433\u0430\u043d\u0442\u043d\u0430\u044f \u043f\u0430\u0440\u0430 \u043a\u0440\u0435\u0441\u0435\u043b<\/strong> \u2014 \u0440\u0430\u0431\u043e\u0442\u0430 \u0441\u0442\u0438\u043b\u044f \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI<\/strong> \u0432 \u043e\u0440\u0435\u0445\u0435<\/strong>, \u0433\u0434\u0435 \u0446\u0430\u0440\u044f\u0442 \u0441\u0434\u0435\u0440\u0436\u0430\u043d\u043d\u043e\u0441\u0442\u044c, \u0440\u0430\u0432\u043d\u043e\u0432\u0435\u0441\u0438\u0435 \u0438 \u0443\u0442\u043e\u043d\u0447\u0451\u043d\u043d\u043e\u0441\u0442\u044c \u043a\u043b\u0430\u0441\u0441\u0438\u0446\u0438\u0437\u043c\u0430. \u041f\u0440\u044f\u043c\u043e\u0443\u0433\u043e\u043b\u044c\u043d\u0443\u044e \u0441\u043f\u0438\u043d\u043a\u0443-\u043c\u0435\u0434\u0430\u043b\u044c\u043e\u043d \u0432\u0435\u043d\u0447\u0430\u0435\u0442 \u0440\u0435\u0437\u043d\u043e\u0439 \u0431\u0430\u043d\u0442 \u0438\u0437 \u043b\u0435\u043d\u0442\u044b<\/strong> (n\u0153ud de ruban<\/em>) \u0441 \u043b\u0438\u0441\u0442\u0432\u043e\u0439 \u2014 \u0440\u0430\u0431\u043e\u0442\u0430 \u0440\u0435\u0437\u0447\u0438\u043a\u0430 \u043f\u043e \u0434\u0435\u0440\u0435\u0432\u0443, \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u043d\u0430\u044f \u0434\u043b\u044f \u044d\u0442\u043e\u0433\u043e \u0441\u0442\u0438\u043b\u044f. \u041e\u0431\u0438\u0432\u043a\u0430 \u2014 \u0431\u043b\u0435\u0441\u0442\u044f\u0449\u0438\u0439 \u0436\u0451\u043b\u0442\u044b\u0439 \u043f\u043e\u043b\u043e\u0441\u0430\u0442\u044b\u0439 \u0448\u0451\u043b\u043a<\/strong>, \u043e\u0447\u0435\u0440\u0447\u0435\u043d\u043d\u044b\u0439 \u0440\u044f\u0434\u043e\u043c \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u044b\u0445 \u0431\u0440\u043e\u043d\u0437\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0445 \u0433\u0432\u043e\u0437\u0434\u0435\u0439; \u043c\u044f\u0433\u043a\u0438\u0435 \u043c\u0430\u043d\u0436\u0435\u0442\u044b \u043f\u043e\u0434\u043b\u043e\u043a\u043e\u0442\u043d\u0438\u043a\u043e\u0432 \u043e\u043f\u0438\u0440\u0430\u044e\u0442\u0441\u044f \u043d\u0430 \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u043d\u044b\u0435 \u0430\u043a\u0430\u043d\u0444\u043e\u043c \u0441\u0442\u043e\u0439\u043a\u0438, \u0430 \u043a\u0430\u043d\u043d\u0435\u043b\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0435 \u0442\u043e\u0447\u0451\u043d\u044b\u0435 \u043a\u043e\u043d\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043d\u043e\u0436\u043a\u0438<\/strong> \u0441 \u0440\u043e\u0437\u0435\u0442\u043a\u0430\u043c\u0438 \u0432 \u0432\u0435\u0440\u0445\u043d\u0438\u0445 \u0443\u0433\u043b\u0430\u0445 \u043f\u0440\u0438\u0434\u0430\u044e\u0442 \u0441\u0438\u043b\u0443\u044d\u0442\u0443 \u043b\u0451\u0433\u043a\u0438\u0439 \u0432\u0435\u0440\u0442\u0438\u043a\u0430\u043b\u044c\u043d\u044b\u0439 \u0440\u0438\u0442\u043c.<\/p>\n
\u0420\u0430\u0437\u043c\u0435\u0440\u044b: \u0432\u044b\u0441\u043e\u0442\u0430 73 \u0441\u043c, \u0434\u043b\u0438\u043d\u0430 111 \u0441\u043c, \u0448\u0438\u0440\u0438\u043d\u0430 56 \u0441\u043c.<\/p>\n
\u041a\u0440\u0435\u0441\u043b\u0430 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u044b \u0432\u043e \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0435 XIX \u0432\u0435\u043a\u0430<\/strong>, \u043a\u043e\u0433\u0434\u0430 \u0432\u043e \u0424\u0440\u0430\u043d\u0446\u0438\u0438 \u0440\u0430\u0441\u0446\u0432\u0435\u043b\u043e \u0432\u043e\u0437\u0440\u043e\u0436\u0434\u0435\u043d\u0438\u0435 \u0441\u0442\u0438\u043b\u044f \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI<\/strong> \u2014 \u0432\u043e\u0437\u0432\u0440\u0430\u0449\u0435\u043d\u0438\u0435 \u043a \u043a\u043b\u0430\u0441\u0441\u0438\u0446\u0438\u0437\u043c\u0443 XVIII \u0432\u0435\u043a\u0430 \u043f\u043e\u0441\u043b\u0435 \u0438\u0437\u043e\u0431\u0438\u043b\u0438\u044f \u0440\u043e\u043a\u0430\u0439\u043b\u044c\u043d\u044b\u0445 \u043b\u0438\u043d\u0438\u0439. \u0414\u043b\u044f \u044d\u0442\u043e\u0433\u043e \u0441\u0442\u0438\u043b\u044f \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u043d\u0430 \u043f\u0440\u044f\u043c\u0430\u044f, \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u044f: \u043a\u0430\u043d\u043d\u0435\u043b\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0435 \u043d\u043e\u0436\u043a\u0438 \u043a\u0430\u043a \u0430\u043d\u0442\u0438\u0447\u043d\u044b\u0435 \u043a\u043e\u043b\u043e\u043d\u043d\u044b, \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u044f, \u043b\u0435\u043d\u0442\u044b, \u0446\u0432\u0435\u0442\u043e\u0447\u043d\u044b\u0435 \u0433\u0438\u0440\u043b\u044f\u043d\u0434\u044b \u0438 \u0440\u043e\u0437\u0435\u0442\u043a\u0438. \u042d\u0442\u043e \u0431\u044b\u043b \u044f\u0437\u044b\u043a \u0441\u0430\u043b\u043e\u043d\u043e\u0432 haute bourgeoisie \u0438 \u0430\u0440\u0438\u0441\u0442\u043e\u043a\u0440\u0430\u0442\u0438\u0438 \u2014 \u0441\u0434\u0435\u0440\u0436\u0430\u043d\u043d\u044b\u0439, \u043d\u043e \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u044b\u0439.<\/p>\n
\u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI:<\/em> \u043c\u043e\u0434\u0438\u0441\u0442\u043a\u0430 \u0420\u043e\u0437\u0430 \u0411\u0435\u0440\u0442\u0435\u043d (Rose Bertin<\/em>) \u0432\u043e\u0448\u043b\u0430 \u0432 \u0441\u0430\u043b\u043e\u043d \u0438 \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u043f\u0440\u0438\u0441\u0435\u043b\u0430, \u0434\u0435\u0440\u0436\u0430 \u043d\u0430 \u043a\u043e\u043b\u0435\u043d\u044f\u0445 \u0441\u0432\u0438\u0442\u043e\u043a \u0441 \u043e\u0431\u0440\u0430\u0437\u0446\u043e\u043c \u0448\u0451\u043b\u043a\u0430 \u2014 \u043a\u043e\u043d\u0447\u0438\u043a\u0438 \u043f\u0430\u043b\u044c\u0446\u0435\u0432 \u043e\u0449\u0443\u0442\u0438\u043b\u0438 \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u044b\u0439 \u0431\u043b\u0435\u0441\u043a \u043f\u043e\u043b\u043e\u0441\u0430\u0442\u043e\u0439 \u0442\u043a\u0430\u043d\u0438, \u0440\u0438\u0442\u043c \u043a\u0430\u043d\u043d\u0435\u043b\u044e\u0440 \u043f\u043e\u0434 \u043b\u0430\u0434\u043e\u043d\u044c\u044e. \u0412 \u043e\u043a\u043d\u043e \u043b\u0438\u043b\u043e\u0441\u044c \u0437\u043e\u043b\u043e\u0442\u043e \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u0433\u043e \u043f\u043e\u043b\u0443\u0434\u043d\u044f, \u0433\u0434\u0435-\u0442\u043e \u0437\u0432\u0443\u0447\u0430\u043b \u043a\u043b\u0430\u0432\u0435\u0441\u0438\u043d. \u0424\u043e\u0440\u043c\u0430, \u043d\u0430 \u043a\u043e\u0442\u043e\u0440\u043e\u0439 \u043e\u043d\u0430 \u043e\u0442\u0434\u044b\u0445\u0430\u043b\u0430, \u0431\u044b\u043b\u0430 \u043b\u0451\u0433\u043a\u043e\u0439 \u0438 \u043f\u0440\u044f\u043c\u043e\u0439, \u043a\u0430\u043a \u043a\u043e\u043b\u043e\u043d\u043d\u0430, \u0438 \u043e\u043d\u0430 \u0443\u043b\u044b\u0431\u043d\u0443\u043b\u0430\u0441\u044c, \u0432\u0435\u0434\u044c \u0437\u043d\u0430\u043b\u0430: \u0442\u0430, \u0447\u0442\u043e \u0441\u0438\u0434\u0438\u0442 \u0432 \u0442\u0430\u043a\u043e\u043c \u043a\u0440\u0435\u0441\u043b\u0435, \u0443\u0436\u0435 \u043f\u0440\u0438\u043d\u0430\u0434\u043b\u0435\u0436\u0438\u0442 \u043c\u0438\u0440\u0443 \u043a\u0440\u0430\u0441\u043e\u0442\u044b.<\/p>\n
\u041a\u0440\u0435\u0441\u043b\u0430 \u0432 \u0445\u043e\u0440\u043e\u0448\u0435\u043c, \u0443\u0441\u0442\u043e\u0439\u0447\u0438\u0432\u043e\u043c \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438 \u0441 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u043f\u0430\u0442\u0438\u043d\u043e\u0439; \u0436\u0451\u043b\u0442\u0430\u044f \u0448\u0451\u043b\u043a\u043e\u0432\u0430\u044f \u043e\u0431\u0438\u0432\u043a\u0430 \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u0430\u0441\u044c \u0441 \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u043d\u044b\u043c \u0438\u0437\u043d\u043e\u0441\u043e\u043c \u0438 \u0431\u043b\u0435\u0441\u043a\u043e\u043c. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445. \u0421\u043e\u0433\u043b\u0430\u0441\u043e\u0432\u0430\u043d\u043d\u0430\u044f \u043f\u0430\u0440\u0430 \u043e\u0431\u0440\u0430\u0437\u0443\u0435\u0442 \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u0443\u044e \u0441\u0430\u043b\u043e\u043d\u043d\u0443\u044e \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044e. \u0426\u0435\u043d\u0430 \u0443\u043a\u0430\u0437\u0430\u043d\u0430 \u0437\u0430 1 \u043a\u0440\u0435\u0441\u043b\u043e; \u0434\u043e\u0441\u0442\u0443\u043f\u043d\u043e 2 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430.<\/p>\n
\n
\ud83c\uddec\ud83c\udde7 Louis XVI Chairs in Walnut with Yellow Silk \u2013 Louis XVI Style, France, Late 19th Century<\/strong><\/p>\n
This elegant pair of louis xvi chairs<\/strong> is a work of the Louis XVI style<\/strong> in walnut<\/strong>, ruled by the restraint, balance, and refinement of classicism. The rectangular medallion back is crowned by a carved ribbon bow<\/strong> (n\u0153ud de ruban<\/em>) with foliage \u2014 the work of a woodcarver typical of this style. The upholstery is a lustrous yellow striped silk<\/strong>, outlined by a row of decorative bronzed nails; the padded cuff armrests rest on acanthus-carved supports, while the fluted, turned tapering legs<\/strong> with rosettes at the upper corners give the silhouette a light vertical rhythm. As a pair, these louis xvi chairs<\/strong> form a symmetrical salon composition.<\/p>\n
Dimensions: height 73 cm, length 111 cm, width 56 cm.<\/p>\n
The chairs were made in the second half of the 19th century<\/strong>, when France saw a revival of the Louis XVI style<\/strong> \u2014 a return to 18th-century classicism after the abundance of rococo curves. The style is marked by a straight, architectural structure: fluted legs like antique columns, symmetry, ribbons, floral garlands, and rosettes. It was the language of haute bourgeoisie<\/em> and aristocratic salons \u2014 reserved yet exquisite.<\/p>\n
Louis XVI snapshot:<\/em> the couturi\u00e8re Rose Bertin (Rose Bertin<\/em>) entered the salon and sat for a moment, a roll of silk samples in her lap \u2014 her fingertips caught the cool sheen of the striped fabric, the rhythm of the fluting beneath her palm. Through the window fell the gold of a Paris afternoon, and somewhere a harpsichord sounded. The form on which she rested was light and straight as a column, and she smiled, for she knew that she who sits in such a chair already belongs to the world of beauty.<\/p>\n
The chairs are in good, stable antique condition with a natural patina to the wood; the yellow silk upholstery survives with age-appropriate wear and sheen. The condition is fully reflected in the photographs. The pair suits a sitting room, boudoir, or fireside in a classical, Louis XVI, or eclectic interior. The price is for 1 chair; 2 are available.<\/p>\n
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\ud83c\udde9\ud83c\uddea Louis-XVI-St\u00fchle aus Nussbaum mit gelber Seide \u2013 Louis-XVI-Stil, Frankreich, zweite H\u00e4lfte des 19. Jahrhunderts<\/strong><\/p>\n
Dieses elegante Paar Armlehnst\u00fchle<\/strong> ist eine Arbeit des Louis-XVI-Stils<\/strong> in Nussbaum<\/strong>, beherrscht von der Zur\u00fcckhaltung, dem Gleichgewicht und der Verfeinerung des Klassizismus. Die rechteckige Medaillonlehne kr\u00f6nt eine geschnitzte Bandschleife<\/strong> (n\u0153ud de ruban<\/em>) mit Laubwerk \u2014 die Arbeit eines Holzbildhauers, typisch f\u00fcr diesen Stil. Der Bezug ist eine gl\u00e4nzende gelb gestreifte Seide<\/strong>, ges\u00e4umt von einer Reihe dekorativer bronzierter N\u00e4gel; die gepolsterten Manschetten-Armlehnen ruhen auf akanthusverzierten St\u00fctzen, w\u00e4hrend die kannelierten, gedrechselten konischen Beine<\/strong> mit Rosetten an den oberen Ecken der Silhouette einen leichten vertikalen Rhythmus verleihen.<\/p>\n
Ma\u00dfe: H\u00f6he 73 cm, L\u00e4nge 111 cm, Breite 56 cm.<\/p>\n
Die St\u00fchle entstanden in der zweiten H\u00e4lfte des 19. Jahrhunderts<\/strong>, als in Frankreich eine Wiederbelebung des Louis-XVI-Stils<\/strong> aufkam \u2014 eine R\u00fcckkehr zum Klassizismus des 18. Jahrhunderts nach der F\u00fclle der Rokokokurven. Der Stil ist von einer geraden, architektonischen Struktur gepr\u00e4gt: kannelierte Beine wie antike S\u00e4ulen, Symmetrie, B\u00e4nder, Blumengirlanden und Rosetten. Es war die Sprache der Salons der haute bourgeoisie<\/em> und des Adels \u2014 zur\u00fcckhaltend, doch erlesen.<\/p>\n
Momentaufnahme der Louis-XVI-Zeit:<\/em> die Modistin Rose Bertin (Rose Bertin<\/em>) betrat den Salon und setzte sich einen Augenblick, eine Rolle Seidenmuster im Scho\u00df \u2014 die Fingerspitzen erf\u00fchlten den k\u00fchlen Glanz des gestreiften Stoffes, den Rhythmus der Kanneluren unter der Hand. Durch das Fenster fiel das Gold eines Pariser Nachmittags, irgendwo erklang ein Cembalo. Die Form, auf der sie ruhte, war leicht und gerade wie eine S\u00e4ule, und sie l\u00e4chelte, denn sie wusste: Wer in einem solchen Stuhl sitzt, geh\u00f6rt bereits der Welt der Sch\u00f6nheit an.<\/p>\n
Die St\u00fchle sind in gutem, stabilem antikem Zustand mit nat\u00fcrlicher Patina; der gelbe Seidenbezug ist mit altersgem\u00e4\u00dfer Abnutzung und Glanz erhalten. Der Zustand ist auf den Fotografien vollst\u00e4ndig wiedergegeben. Das Paar eignet sich f\u00fcr Wohnzimmer, Boudoir oder Kaminbereich im klassischen, Louis-XVI- oder eklektischen Interieur. Der Preis gilt f\u00fcr 1 Stuhl; 2 sind verf\u00fcgbar.<\/p>\n
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\ud83c\uddeb\ud83c\uddf7 Chaises Louis XVI en noyer \u00e0 la soie jaune \u2013 style Louis XVI, France, seconde moiti\u00e9 du XIXe si\u00e8cle<\/strong><\/p>\n
Cette \u00e9l\u00e9gante paire de fauteuils<\/strong> est une \u0153uvre du style Louis XVI<\/strong> en noyer<\/strong>, r\u00e9gie par la retenue, l’\u00e9quilibre et le raffinement du classicisme. Le dossier rectangulaire en m\u00e9daillon est couronn\u00e9 d’un n\u0153ud de ruban sculpt\u00e9<\/strong> (n\u0153ud de ruban<\/em>) feuillag\u00e9 \u2014 le travail d’un sculpteur sur bois, typique de ce style. La garniture est une soie jaune ray\u00e9e<\/strong> lustr\u00e9e, soulign\u00e9e d’une rang\u00e9e de clous bronz\u00e9s d\u00e9coratifs ; les accotoirs \u00e0 manchette rembourr\u00e9e reposent sur des supports sculpt\u00e9s d’acanthe, tandis que les pieds fusel\u00e9s cannel\u00e9s et tourn\u00e9s<\/strong>, \u00e0 rosaces aux angles sup\u00e9rieurs, conf\u00e8rent \u00e0 la silhouette un l\u00e9ger rythme vertical.<\/p>\n
Dimensions : hauteur 73 cm, longueur 111 cm, largeur 56 cm.<\/p>\n
Les chaises furent r\u00e9alis\u00e9es dans la seconde moiti\u00e9 du XIXe si\u00e8cle<\/strong>, lorsque la France connut un renouveau du style Louis XVI<\/strong> \u2014 un retour au classicisme du XVIIIe si\u00e8cle apr\u00e8s l’abondance des courbes rocaille. Le style se caract\u00e9rise par une structure droite et architecturale : pieds cannel\u00e9s comme des colonnes antiques, sym\u00e9trie, rubans, guirlandes de fleurs et rosaces. C’\u00e9tait le langage des salons de la haute bourgeoisie<\/em> et de l’aristocratie \u2014 sobre mais exquis.<\/p>\n
Instantan\u00e9 de l’\u00e9poque Louis XVI :<\/em> la modiste Rose Bertin (Rose Bertin<\/em>) entra dans le salon et s’assit un instant, un rouleau d’\u00e9chantillons de soie sur les genoux \u2014 le bout des doigts saisit l’\u00e9clat frais du tissu ray\u00e9, le rythme des cannelures sous la paume. Par la fen\u00eatre tombait l’or d’un apr\u00e8s-midi parisien, et quelque part r\u00e9sonnait un clavecin. La forme sur laquelle elle reposait \u00e9tait l\u00e9g\u00e8re et droite comme une colonne, et elle sourit, car elle savait : celle qui s’assoit dans une telle chaise appartient d\u00e9j\u00e0 au monde de la beaut\u00e9.<\/p>\n
Les chaises sont en bon \u00e9tat ancien, stable, avec une patine naturelle ; la garniture en soie jaune est conserv\u00e9e avec une usure et un \u00e9clat dus \u00e0 l’\u00e2ge. L’\u00e9tat est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies. La paire convient \u00e0 un salon, un boudoir ou un coin chemin\u00e9e, dans un int\u00e9rieur classique, Louis XVI ou \u00e9clectique. Le prix est pour 1 chaise ; 2 sont disponibles.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
P\u0101ris Luija XVI stila kr\u0113slu riekstkok\u0101 ar dzeltenu sv\u012btrainu z\u012bda audumu, lentes kokgriezumu un kanel\u0113t\u0101m k\u0101j\u0101m. Francija, 19. gs. otr\u0101 puse. Eleganti salona fote\u013ci ar polster\u0113tiem roku balstiem.<\/p>\n","protected":false},"featured_media":2077,"template":"","meta":[],"product_brand":[],"product_cat":[214,207,204],"product_tag":[],"class_list":["post-2076","product","type-product","status-publish","has-post-thumbnail","product_cat-kresli","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/2076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/2077"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=2076"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=2076"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=2076"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=2076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}