\ud83c\uddf1\ud83c\uddfb<\/p>\n
Augstums: 71 cm<\/p>\n
Platums: 49 cm<\/p>\n
Cena ir nor\u0101d\u012bta par 1 gab., pieejami 2 gab.<\/b><\/p>\n gadsimta Par\u012bzes augst\u0101k\u0101s sabiedr\u012bbas est\u0113tika un meistar\u012bba iemiesojas \u0161aj\u0101 izteiksm\u012bgaj\u0101 zelt\u012bta koka r\u0101m\u012b. Tas veidots elegant\u0101 fran\u010du historisma un Luija XVI stila sint\u0113z\u0113. R\u0101mja ov\u0101lo formu vizu\u0101li papla\u0161ina un izce\u013c unik\u0101ls, smalki za\u013cganpel\u0113ks iek\u0161\u0113jais paspart\u016b profils ar dekorat\u012bvu robotu apmali, kas pie\u0161\u0137ir dzi\u013cumu jebkuram taj\u0101 ievietotajam m\u0101kslas darbam vai spogulim. R\u0101mja perimetru rot\u0101 delik\u0101ti, simetriski izvietoti ziedu un lapu mot\u012bvi, bet t\u0101 kompozicion\u0101lo aug\u0161da\u013cu vainago iespaid\u012bgs, plastisks kartelis ar izteiksm\u012bgu akanta lapu un j\u016bras glieme\u017ev\u0101ka (rocaille<\/i>) pinumu.<\/p>\n<\/li>\n<\/ol>\n \u0160is izstr\u0101d\u0101jums ir neiko vair\u0101k k\u0101 tikai dekorat\u012bvs priek\u0161mets, bet gan re\u0101ls m\u0101kslas v\u0113stures liecinieks. R\u0101mja aizmugur\u0113 ir piln\u012bb\u0101 saglab\u0101jusies ori\u0123in\u0101l\u0101 fran\u010du darbn\u012bcas pap\u012bira eti\u0137ete: “Portrait BEL ART \u2013 Fabrique de Cadres, Paul Degrandsart, 3, Avenue de la Porte de Clignancourt, PARIS (18e Arr.)”<\/i>. Tas apliecina t\u0101 autentisko izcelsmi no slaven\u0101 Monmartras un Klinjank\u016bras m\u0101kslinieku un amatnieku kvart\u0101la Par\u012bz\u0113, kas gadsimtiem ilgi bijis Eiropas interjera modes epicentrs.<\/p>\n R\u0101mis ir apr\u012bkots ar ori\u0123in\u0101lo stiklu un iztur\u012bgu v\u0113sturisko auklas stiprin\u0101jumu aizmugur\u0113. Priek\u0161mets ir teicam\u0101 ant\u012bk\u0101 st\u0101vokl\u012b \u2014 koka konstrukcija ir stingra, kokgriezumu deta\u013cas ir piln\u012bb\u0101 saglab\u0101tas, un c\u0113lais zelta kr\u0101sas p\u0101rkl\u0101jums ir ieguvis pat\u012bkamu laika patinu ar smalku fakt\u016bru. T\u0101 k\u0101 pieejami divi identiski r\u0101mji, tie ir ide\u0101li piem\u0113roti simetriskas interjera kompoz\u012bcijas izveidei dz\u012bvojam\u0101 istab\u0101, z\u0101l\u0113 vai salon\u0101 abpus durv\u012bm, logam vai konsoles galdi\u0146am.<\/p>\n Laikmeta momentuz\u0146\u0113mums, Maksa Paula Ber\u010di darbn\u012bca:<\/i><\/b> Libavas pils\u0113tas arhitekta Maksa Paula Ber\u010di kabinet\u0101 1880. gada ruden\u012b valda rado\u0161a un eleganta inteli\u0123ence. Telp\u0101 smar\u017eo p\u0113c tikko maltas kafijas un tu\u0161as, bet pie sienas virs mas\u012bv\u0101 ras\u0113jam\u0101 galda lepni novietots \u0161is platais fran\u010du zelta r\u0101mis ar rakstur\u012bgo za\u013co paspart\u016b ietvaru. T\u0101 ori\u0123in\u0101laj\u0101 stikl\u0101, ko vainago kr\u0101\u0161\u0146s Par\u012bzes darbn\u012bcas glieme\u017ev\u0101ka kartelis, uz mirkli atspogu\u013cojas pa\u0161a bir\u0123ermeistara K\u0101r\u013ca \u016aliha siluets, kur\u0161 ir ieradies apspriest pils\u0113tas lielo \u0113ku ras\u0113jumus.<\/i><\/p>\n Ber\u010di, kura rokraksts dr\u012bz vien defin\u0113s visas pils\u0113tas sarkano \u0137ie\u0123e\u013cu un neorenesanses arhitekt\u016bru, nov\u0113rt\u0113 \u0161o Par\u012bzes meistara Pola Degrandsara darbu ar profesion\u0101lu t\u0113lnieka un arhitekta skatienu. Vi\u0146am \u0161is zelt\u012btais ietvars ir kas vair\u0101k par salonu rot\u0101jumu \u2013 tas ir stila un proporciju paraugs, kur\u0101 m\u0101ksliniecisk\u0101 br\u012bv\u012bba satiekas ar matem\u0101tisku simetriju. Kam\u0113r abi v\u012bri pie galda risina sarunas par jaun\u0101 Bir\u017eas nama b\u016bvniec\u012bbas deta\u013c\u0101m, \u0161is m\u0101kslas darbs pie sienas kalpo k\u0101 kluss apliecin\u0101jums tam, ka Libava jau sen ir elpojusi vien\u0101 ritm\u0101 ar lielo Eiropas kult\u016bru.<\/i><\/p>\n \u0100rpus\u0113, gar logiem, l\u0113ni aizbrauc k\u0101da kariete, un ostas str\u0101dnieku trok\u0161\u0146i t\u0101lum\u0101 atg\u0101dina par pils\u0113tas nepiel\u016bdzamo izaugsmi. Bet \u0161eit, arhitekta rado\u0161aj\u0101 patv\u0113rum\u0101, r\u0101mja zelta virsma un dzi\u013ci za\u013cais paspart\u016b ietvars notur to c\u0113lo mieru, ko nesp\u0113j izjaukt neviens laika grie\u017eus. \u016alihs viegli pam\u0101j ar galvu, apstiprinot k\u0101rt\u0113jo ras\u0113juma l\u012bniju, un abu pils\u0113tas di\u017egaru skatieni uz mirkli sastopas ar \u0161\u012b Par\u012bzes \u0161edevra nemain\u012bgo, c\u0113lo sp\u012bdumu, kas st\u0101v k\u0101 p\u0113d\u0113jais, izsmalcin\u0101tais vec\u0101 laikmeta z\u012bmogs.<\/i><\/p>\n \ud83c\uddf7\ud83c\uddfa<\/p>\n \u0412\u043d\u0435\u0448\u043d\u0438\u0435 \u0440\u0430\u0437\u043c\u0435\u0440\u044b: 71 \u0441\u043c x 49 \u0441\u043c<\/p>\n \u0426\u0435\u043d\u0430 \u0443\u043a\u0430\u0437\u0430\u043d\u0430 \u0437\u0430 1 \u0448\u0442., \u0432 \u043d\u0430\u043b\u0438\u0447\u0438\u0438 2 \u0448\u0442.<\/b><\/p>\n \u042d\u0441\u0442\u0435\u0442\u0438\u043a\u0430 \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u0438\u0445 \u0441\u0430\u043b\u043e\u043d\u043e\u0432 XIX \u0432\u0435\u043a\u0430 \u0432\u043e\u043f\u043b\u043e\u0449\u0435\u043d\u0430 \u0432 \u044d\u0442\u043e\u0439 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u043e\u0439 \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u043e\u0439 \u0440\u0430\u043c\u0435. \u0418\u0437\u0434\u0435\u043b\u0438\u0435 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043e \u0432 \u0441\u0442\u0438\u043b\u0435 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI \u0438 \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u043e \u0438\u0437\u044f\u0449\u043d\u044b\u043c \u0432\u043d\u0443\u0442\u0440\u0435\u043d\u043d\u0438\u043c \u043f\u0430\u0441\u043f\u0430\u0440\u0442\u0443 \u0437\u0435\u043b\u0435\u043d\u043e\u0432\u0430\u0442\u043e-\u0441\u0435\u0440\u043e\u0433\u043e \u043e\u0442\u0442\u0435\u043d\u043a\u0430 \u0441 \u0444\u0438\u0433\u0443\u0440\u043d\u043e\u0439 \u043a\u0440\u043e\u043c\u043a\u043e\u0439, \u043a\u043e\u0442\u043e\u0440\u0430\u044f \u043f\u0440\u0438\u0434\u0430\u0435\u0442 \u0433\u043b\u0443\u0431\u0438\u043d\u0443. \u0412\u0435\u0440\u0445\u043d\u044e\u044e \u0447\u0430\u0441\u0442\u044c \u0440\u0430\u043c\u044b \u0432\u0435\u043d\u0447\u0430\u0435\u0442 \u0431\u043e\u0433\u0430\u0442\u044b\u0439 \u0440\u0435\u0437\u043d\u043e\u0439 \u043a\u0430\u0440\u0442\u0443\u0448 \u0441 \u043c\u043e\u0442\u0438\u0432\u0430\u043c\u0438 \u0430\u043a\u0430\u043d\u0442\u043e\u0432\u043e\u0433\u043e \u043b\u0438\u0441\u0442\u0430 \u0438 \u043c\u043e\u0440\u0441\u043a\u043e\u0439 \u0440\u0430\u043a\u043e\u0432\u0438\u043d\u044b (rocaille<\/i>), \u0430 \u043f\u043e \u043f\u0435\u0440\u0438\u043c\u0435\u0442\u0440\u0443 \u0440\u0430\u0441\u043f\u043e\u043b\u043e\u0436\u0435\u043d\u044b \u0443\u0442\u043e\u043d\u0447\u0435\u043d\u043d\u044b\u0435 \u0444\u043b\u043e\u0440\u0430\u043b\u044c\u043d\u044b\u0435 \u0440\u0435\u043b\u044c\u0435\u0444\u044b. \u041d\u0430 \u043e\u0431\u043e\u0440\u043e\u0442\u043d\u043e\u0439 \u0441\u0442\u043e\u0440\u043e\u043d\u0435 \u0440\u0430\u043c\u044b \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u0430 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u0430\u044f \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u0430\u044f \u0431\u0443\u043c\u0430\u0436\u043d\u0430\u044f \u044d\u0442\u0438\u043a\u0435\u0442\u043a\u0430 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u043e\u0439: “Paul Degrandsart, Paris”<\/i>.<\/p>\n \u0417\u0430\u0440\u0438\u0441\u043e\u0432\u043a\u0430 \u044d\u043f\u043e\u0445\u0438, \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u0430\u044f \u041c\u0430\u043a\u0441\u0430 \u041f\u0430\u0443\u043b\u044f \u0411\u0435\u0440\u0447\u0438:<\/i><\/b> \u041e\u0441\u0435\u043d\u044c\u044e 1880 \u0433\u043e\u0434\u0430 \u0432 \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0435 \u0433\u043b\u0430\u0432\u043d\u043e\u0433\u043e \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u0440\u0430 \u041b\u0438\u0431\u0430\u0432\u044b \u041c\u0430\u043a\u0441\u0430 \u041f\u0430\u0443\u043b\u044f \u0411\u0435\u0440\u0447\u0438 \u0446\u0430\u0440\u0438\u0442 \u0430\u0442\u043c\u043e\u0441\u0444\u0435\u0440\u0430 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u043a\u043e\u0439 \u044d\u043b\u0435\u0433\u0430\u043d\u0442\u043d\u043e\u0441\u0442\u0438. \u0412 \u043a\u043e\u043c\u043d\u0430\u0442\u0435 \u043f\u0430\u0445\u043d\u0435\u0442 \u0441\u0432\u0435\u0436\u0435\u043c\u043e\u043b\u043e\u0442\u044b\u043c \u043a\u043e\u0444\u0435 \u0438 \u0442\u0443\u0448\u044c\u044e, \u0430 \u043d\u0430 \u0441\u0442\u0435\u043d\u0435 \u043d\u0430\u0434 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u044b\u043c \u0447\u0435\u0440\u0442\u0435\u0436\u043d\u044b\u043c \u0441\u0442\u043e\u043b\u043e\u043c \u0433\u043e\u0440\u0434\u043e \u0432\u0438\u0441\u0438\u0442 \u044d\u0442\u0430 \u0448\u0438\u0440\u043e\u043a\u0430\u044f \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0430\u044f \u0437\u043e\u043b\u043e\u0442\u0430\u044f \u0440\u0430\u043c\u0430 \u0441 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u043d\u044b\u043c \u0437\u0435\u043b\u0435\u043d\u044b\u043c \u043f\u0430\u0441\u043f\u0430\u0440\u0442\u0443. \u0412 \u0435\u0435 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u043e\u043c \u0441\u0442\u0435\u043a\u043b\u0435, \u0443\u0432\u0435\u043d\u0447\u0430\u043d\u043d\u043e\u043c \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u044b\u043c \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u0438\u043c \u043a\u0430\u0440\u0442\u0443\u0448\u0435\u043c, \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u043e\u0442\u0440\u0430\u0436\u0430\u0435\u0442\u0441\u044f \u0441\u0438\u043b\u0443\u044d\u0442 \u0441\u0430\u043c\u043e\u0433\u043e \u0431\u0443\u0440\u0433\u043e\u043c\u0438\u0441\u0442\u0440\u0430 \u041a\u0430\u0440\u043b\u0430 \u0423\u043b\u0438\u0445\u0430, \u043f\u0440\u0438\u0448\u0435\u0434\u0448\u0435\u0433\u043e \u043e\u0431\u0441\u0443\u0434\u0438\u0442\u044c \u0447\u0435\u0440\u0442\u0435\u0436\u0438 \u0433\u043b\u0430\u0432\u043d\u044b\u0445 \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u0438\u0445 \u0437\u0434\u0430\u043d\u0438\u0439.<\/i><\/p>\n \u0411\u0435\u0440\u0447\u0438, \u0447\u0435\u0439 \u043f\u043e\u0447\u0435\u0440\u043a \u0432\u0441\u043a\u043e\u0440\u0435 \u043e\u043f\u0440\u0435\u0434\u0435\u043b\u0438\u0442 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u0443 \u0432\u0441\u0435\u0433\u043e \u0433\u043e\u0440\u043e\u0434\u0430 \u0438\u0437 \u043a\u0440\u0430\u0441\u043d\u043e\u0433\u043e \u043a\u0438\u0440\u043f\u0438\u0447\u0430, \u043e\u0446\u0435\u043d\u0438\u0432\u0430\u0435\u0442 \u044d\u0442\u0443 \u0440\u0430\u0431\u043e\u0442\u0443 \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u0433\u043e \u043c\u0430\u0441\u0442\u0435\u0440\u0430 \u041f\u043e\u043b\u044f \u0414\u0435\u0433\u0440\u0430\u043d\u0441\u0430\u0440\u0430 \u043f\u0440\u043e\u0444\u0435\u0441\u0441\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u044b\u043c \u0432\u0437\u0433\u043b\u044f\u0434\u043e\u043c. \u0414\u043b\u044f \u043d\u0435\u0433\u043e \u044d\u0442\u043e \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u043e\u0435 \u043e\u0431\u0440\u0430\u043c\u043b\u0435\u043d\u0438\u0435 \u2014 \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u0441\u0442\u0438\u043b\u044f \u0438 \u043f\u0440\u043e\u043f\u043e\u0440\u0446\u0438\u0439, \u0433\u0434\u0435 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u0441\u0432\u043e\u0431\u043e\u0434\u0430 \u0432\u0441\u0442\u0440\u0435\u0447\u0430\u0435\u0442\u0441\u044f \u0441 \u043c\u0430\u0442\u0435\u043c\u0430\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0435\u0439. \u041f\u043e\u043a\u0430 \u0434\u0432\u043e\u0435 \u043c\u0443\u0436\u0447\u0438\u043d \u043e\u0431\u0441\u0443\u0436\u0434\u0430\u044e\u0442 \u0434\u0435\u0442\u0430\u043b\u0438 \u0441\u0442\u0440\u043e\u0438\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u0430 \u0431\u0443\u0434\u0443\u0449\u0435\u0433\u043e \u0437\u0434\u0430\u043d\u0438\u044f \u0411\u0438\u0440\u0436\u0438, \u044d\u0442\u043e \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u043d\u0430 \u0441\u0442\u0435\u043d\u0435 \u0441\u043b\u0443\u0436\u0438\u0442 \u043c\u043e\u043b\u0447\u0430\u043b\u0438\u0432\u044b\u043c \u043f\u043e\u0434\u0442\u0432\u0435\u0440\u0436\u0434\u0435\u043d\u0438\u0435\u043c \u0442\u043e\u0433\u043e, \u0447\u0442\u043e \u041b\u0438\u0431\u0430\u0432\u0430 \u0443\u0436\u0435 \u0434\u0430\u0432\u043d\u043e \u0434\u044b\u0448\u0438\u0442 \u0432 \u043e\u0434\u043d\u043e\u043c \u0440\u0438\u0442\u043c\u0435 \u0441 \u0432\u0435\u043b\u0438\u043a\u043e\u0439 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0439 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u043e\u0439.<\/i><\/p>\n \u0417\u0430 \u043e\u043a\u043d\u043e\u043c \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u043f\u0440\u043e\u0435\u0437\u0436\u0430\u0435\u0442 \u043a\u0430\u0440\u0435\u0442\u0430, \u0430 \u0448\u0443\u043c \u043f\u043e\u0440\u0442\u043e\u0432\u044b\u0445 \u0440\u0430\u0431\u043e\u0447\u0438\u0445 \u043d\u0430\u043f\u043e\u043c\u0438\u043d\u0430\u0435\u0442 \u043e \u0441\u0442\u0440\u0435\u043c\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u043c \u0440\u043e\u0441\u0442\u0435 \u0433\u043e\u0440\u043e\u0434\u0430. \u041d\u043e \u0437\u0434\u0435\u0441\u044c, \u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u043a\u043e\u043c \u0443\u0431\u0435\u0436\u0438\u0449\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u0440\u0430, \u0437\u043e\u043b\u043e\u0442\u0430\u044f \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u044c \u0440\u0430\u043c\u044b \u0438 \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u0439 \u0437\u0435\u043b\u0435\u043d\u044b\u0439 \u0446\u0432\u0435\u0442 \u043f\u0430\u0441\u043f\u0430\u0440\u0442\u0443 \u0441\u043e\u0445\u0440\u0430\u043d\u044f\u044e\u0442 \u0442\u043e \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u043e\u0435 \u0441\u043f\u043e\u043a\u043e\u0439\u0441\u0442\u0432\u0438\u0435, \u043a\u043e\u0442\u043e\u0440\u043e\u0435 \u043d\u0435 \u043f\u043e\u0434 \u0441\u0438\u043b\u0443 \u043d\u0430\u0440\u0443\u0448\u0438\u0442\u044c \u0432\u0440\u0435\u043c\u0435\u043d\u0438. \u0423\u043b\u0438\u0445 \u0441\u043b\u0435\u0433\u043a\u0430 \u043a\u0438\u0432\u0430\u0435\u0442, \u0443\u0442\u0432\u0435\u0440\u0436\u0434\u0430\u044f \u043e\u0447\u0435\u0440\u0435\u0434\u043d\u0443\u044e \u043b\u0438\u043d\u0438\u044e \u0447\u0435\u0440\u0442\u0435\u0436\u0430, \u0438 \u0432\u0437\u0433\u043b\u044f\u0434\u044b \u0434\u0432\u0443\u0445 \u0432\u0435\u043b\u0438\u043a\u0438\u0445 \u043b\u044e\u0434\u0435\u0439 \u0433\u043e\u0440\u043e\u0434\u0430 \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u0432\u0441\u0442\u0440\u0435\u0447\u0430\u044e\u0442\u0441\u044f \u0441 \u043d\u0435\u0438\u0437\u043c\u0435\u043d\u043d\u044b\u043c, \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u043c \u0441\u0438\u044f\u043d\u0438\u0435\u043c \u044d\u0442\u043e\u0433\u043e \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u0433\u043e \u0448\u0435\u0434\u0435\u0432\u0440\u0430.<\/i><\/p>\n \ud83c\uddec\ud83c\udde7<\/p>\n Outer dimensions: 71 cm x 49 cm<\/p>\n Price is per 1 unit, 2 units available.<\/b><\/p>\n The grandeur of 19th-century Parisian salons is beautifully captured in this masterfully carved oval gilt wood frame. Stylistically designed in the French Louis XVI revival taste, the frame features a unique, elegantly shaped inner passpartout border finished in a muted sage-green tone with a scrolled edge, adding striking visual depth to any artwork. The cresting is adorned with an impressive, deeply chiseled asymmetrical rocaille<\/i> shell and sweeping acanthus leaf composition, while the lower apron and sides are flanked by delicate floral rosettes.<\/p>\n Historicist era snapshot, The Workshop of Max Paul Bertschy:<\/i><\/b> In the autumn of 1880, a sense of creative and elegant intelligence fills the study of Libava\u2019s city architect, Max Paul Bertschy. The room smells of freshly ground coffee and ink, while upon the wall above the massive drafting table, this broad French oval gilt frame with its distinctive green passpartout commands attention. Within its original glass, crowned by the magnificent rocaille shell crest from Paris, the silhouette of Burgomaster Carl Gotthard Ulich is briefly reflected as he arrives to review the blueprints of the city’s grand new structures.<\/i><\/p>\n Bertschy, whose signature style would soon define the red-brick and Neo-Renaissance architecture of the entire city, appreciates this work by Parisian master Paul Degrandsart with the professional eye of both a sculptor and an architect. To him, this gilded border is an exemplary study of style and proportion, where artistic freedom meets mathematical symmetry. As the two men discuss the structural details of the upcoming Bourse House, this masterpiece stands as a silent testament that Libava has long shared the cultural pulse of Europe.<\/i><\/p>\n Outside the window, a horse-drawn carriage rolls slowly past, and the distant clamor of harbor laborers serves as a reminder of the town’s relentless growth. Yet here, within the architect’s creative sanctuary, the frame’s rich gilded surface and deep green liner maintain an aristocratic serenity that time cannot erode. Ulich nods approvingly at a newly drawn line, and the gaze of both city visionaries briefly meets the steadfast, noble luster of this Parisian treasure.<\/i><\/p>\n \ud83c\udde9\ud83c\uddea<\/p>\n Au\u00dfenma\u00dfe: 71 cm x 49 cm<\/p>\n Der Preis gilt pro 1 St\u00fcck, 2 St\u00fcck verf\u00fcgbar.<\/b><\/p>\n Pariser Eleganz des 19. Jahrhunderts verbindet sich in diesem prachtvollen ovalen vergoldeten Holzrahmen im Louis-XVI-Stil. Ein besonderes Highlight ist das wellenf\u00f6rmig geschnittene Innenpassepartout in einem edlen Salbeiton, das dem Rahmen zus\u00e4tzliche Tiefe verleiht. Die Oberseite wird von einer gro\u00dfen Rokoko-Kartusche mit Muschel- und Akanthusmotiven (Rocaille<\/i>) gekr\u00f6nt. Auf der R\u00fcckseite befindet sich das originale Werkstattetikett von “Paul Degrandsart, Paris”<\/i>.<\/p>\n Historismus-Epochenaufnahme, Das Atelier von Max Paul Bertschy:<\/i><\/b> Im Arbeitszimmer des Libauer Stadtarchitekten Max Paul Bertschy herrscht im Herbst 1880 eine Atmosph\u00e4re kreativer und eleganter Intelligenz. Der Raum duftet nach frisch gemahlenem Kaffee und Tusche, w\u00e4hrend an der Wand \u00fcber dem massiven Zeichentisch dieser breite franz\u00f6sische Goldrahmen mit seinem charakteristischen gr\u00fcnen Passepartout prangt. In seinem Originalglas spiegelt sich f\u00fcr einen Moment die Silhouette des B\u00fcrgermeisters Carl Gotthard Ulich wider, der gekommen ist, um die Baupl\u00e4ne der gro\u00dfen Geb\u00e4ude der Stadt zu besprechen.<\/i><\/p>\n Bertschy, dessen Handschrift bald die Backstein- und Neorenaissance-Architektur der gesamten Stadt pr\u00e4gen sollte, wei\u00df diese Arbeit des Pariser Meisters Paul Degrandsart mit dem geschulten Auge eines Architekten zu sch\u00e4tzen. F\u00fcr ihn ist dieser vergoldete Rahmen ein Musterbeispiel an Stil und Proportion, bei dem sich k\u00fcnstlerische Freiheit mit mathematischer Symmetrie verbindet. W\u00e4hrend die beiden M\u00e4nner \u00fcber die Details des zuk\u00fcnftigen B\u00f6rsenhauses sprechen, steht dieses Kunstwerk an der Wand als stummer Zeuge daf\u00fcr, dass Libava l\u00e4ngst im Rhythmus der gro\u00dfen europ\u00e4ischen Kultur atmet.<\/i><\/p>\n \ud83c\uddeb\ud83c\uddf7<\/p>\n Dimensions ext\u00e9rieures : 71 cm x 49 cm<\/p>\n Le prix est indiqu\u00e9 pour 1 pi\u00e8ce, 2 pi\u00e8ces disponibles.<\/b><\/p>\n Le prestige des salons parisiens du XIXe si\u00e8cle s’exprime pleinement dans ce grand cadre ovale en bois dor\u00e9 de style Louis XVI. Il se distingue par sa marie-louise int\u00e9rieure d’un ton vert-de-gris \u00e0 bord d\u00e9coup\u00e9, qui souligne la profondeur de l’\u0153uvre. Le sommet est richement couronn\u00e9 d’un cartouche sculpt\u00e9 de feuilles d’acanthe et d’une coquille rocaille, tandis que le pourtour pr\u00e9sente de fins reliefs floraux. Au dos, l’\u00e9tiquette d’origine de l’atelier parisien “Paul Degrandsart, Paris”<\/i> atteste de son authenticit\u00e9.<\/p>\n Instantan\u00e9 de l’\u00e9poque, L’atelier de Max Paul Bertschy :<\/i><\/b> \u00c0 l’automne 1880, une atmosph\u00e8re d’\u00e9l\u00e9gance cr\u00e9ative et intellectuelle r\u00e8gne dans le bureau de l’architecte de la ville de Libava, Max Paul Bertschy. Une odeur de caf\u00e9 fra\u00eechement moulu et d’encre de Chine plane dans la pi\u00e8ce, tandis qu’au-dessus de la grande table \u00e0 dessin est fi\u00e8rement suspendu ce large cadre ovale dor\u00e9 fran\u00e7ais avec sa marie-louise verte caract\u00e9ristique. Dans son verre d’origine, surmont\u00e9 du magnifique cartouche en coquille rocaille, se refl\u00e8te un instant la silhouette du bourgmestre Carl Gotthard Ulich, venu examiner les plans des grands \u00e9difices de la ville.<\/i><\/p>\n Bertschy, dont le style d\u00e9finira bient\u00f4t l’architecture en briques rouges et n\u00e9o-renaissance de toute la cit\u00e9, appr\u00e9cie cette \u0153uvre du ma\u00eetre parisien Paul Degrandsart avec son regard professionnel d’architecte. Pour lui, cette bordure dor\u00e9e est une le\u00e7on de style et de proportion, o\u00f9 la libert\u00e9 artistique s’unit \u00e0 la sym\u00e9trie math\u00e9matique. Alors que les deux hommes discutent des d\u00e9tails de la future Bourse, ce chef-d’\u0153uvre t\u00e9moigne en silence que Libava partage depuis longtemps le pouls culturel de l’Europe.<\/i><\/p>\n \ud83c\udde9\ud83c\uddf0<\/p>\n Ydre m\u00e5l: 71 cm x 49 cm<\/p>\n Prisen er angivet for 1 stk., 2 stk. tilg\u00e6ngelige.<\/b><\/p>\n Dette par antikke franske ovale tr\u00e6rammer i Louis XVI-stil er et mesterv\u00e6rk i forgyldt tr\u00e6 fra 1800-tallets Paris. Rammen kendetegnes ved sin unikke, gr\u00f8nne indvendige passepartout-kant med b\u00f8lgesk\u00e5ret profil, som giver en flot dybdeeffekt. Toppen prydes av en stor, detaljeret rokoko-kartouche med muslingeskal- og akantusmotiver (rocaille<\/i>). P\u00e5 bagsiden findes den originale papiretiket fra rammev\u00e6rkstedet “Paul Degrandsart, Paris”<\/i>.<\/p>\n Historistisk tidsbillede, Max Paul Bertschys tegnestue:<\/i><\/b> I efter\u00e5ret 1880 hersker der en atmosf\u00e6re af kreativ og elegant intelligens p\u00e5 kontoret hos Libavas byarkitekt, Max Paul Bertschy. Rummet dufter af friskkv\u00e6rnet kaffe og tusch, mens denne brede franske guldramme med sin karakteristiske gr\u00f8nne passepartout h\u00e6nger flot p\u00e5 v\u00e6ggen over det massive tegnebord. I det originale glas, der krones af en smuk parisisk muslingekartouche, spejles for et \u00f8jeblik silhuetten af selve borgmester Carl Gotthard Ulich, som er kommet for at dr\u00f8fte byens store byggeplaner.<\/i><\/p>\n Bertschy, hvis streg snart vil definere hele byens arkitektur i r\u00f8de mursten og ren\u00e6ssancestil, vurderer dette v\u00e6rk af den parisiske mester Paul Degrandsart med en arkitekts professionelle \u00f8je. For ham er denne forgyldte ramme et m\u00f8nsterbillede p\u00e5 stil og proportioner, hvor kunstnerisk frihed m\u00f8des med matematisk symmetri. Mens de to m\u00e6nd taler om detaljerne for den kommende B\u00f8rsbygning, st\u00e5r dette kunstv\u00e6rk p\u00e5 v\u00e6ggen som et tavst vidne om, at Libava for l\u00e6ngst har fulgt den europ\u00e6iske kulturs pulsslag.<\/i><\/p>\n \ud83c\uddf8\ud83c\uddea<\/p>\n Ytterm\u00e5tt: 71 cm x 49 cm<\/p>\n Priset anges f\u00f6r 1 st, 2 st tillg\u00e4ngliga.<\/b><\/p>\n Detta par antik franska ovala tr\u00e4ramar i Louis XVI-stil \u00e4r ett fantastiskt exempel p\u00e5 1800-talets parisiska hantverk. Ramen utm\u00e4rker sig genom sin unika, gr\u00e5gr\u00f6na inre passepartout-kant med konturskuren profil som skapar ett vackert djup. Kr\u00f6net pryds av en magnifik rocaille-kartusch med mussel- och akanthusbladsmotiv. P\u00e5 baksidan finns den autentiska verkstadsetiketten fr\u00e5n “Paul Degrandsart, Paris”<\/i>.<\/p>\n Historisk tidsbild, Max Paul Bertschys atelj\u00e9:<\/i><\/b> H\u00f6sten 1880 r\u00e5der en atmosf\u00e4r av kreativ och elegant intelligens i arbetsrummet hos Libavas stadsarkitekt, Max Paul Bertschy. Rummet doftar av nymalet kaffe och tusch, medan denna breda franska guldram med sin karakteristiska gr\u00f6na passepartout h\u00e4nger stolt p\u00e5 v\u00e4ggen ovanf\u00f6r det massiva ritbordet. I originalglaset, som kr\u00f6ns av en praktfull parisisk rocaille-kartusch, speglas f\u00f6r ett \u00f6gonblick silhuetten av borgm\u00e4stare Carl Gotthard Ulich, som har kommit f\u00f6r att g\u00e5 igenom ritningarna f\u00f6r stadens nya monumentala byggnader.<\/i><\/p>\n Bertschy, vars signaturstil snart ska definiera hela stadens arkitektur i r\u00f6tt tegel, betraktar detta verk av den parisiska m\u00e4staren Paul Degrandsart med en arkitekts professionella \u00f6ga. F\u00f6r honom \u00e4r denna f\u00f6rgyllda ram ett skolexempel p\u00e5 stil och proportion, d\u00e4r konstn\u00e4rlig frihet m\u00f6ter matematisk symmetri. Medan de b\u00e5da m\u00e4nnen diskuterar detaljerna kring det framtida B\u00f6rshuset, st\u00e5r detta m\u00e4sterverk p\u00e5 v\u00e4ggen som ett tyst bevis p\u00e5 att Libava sedan l\u00e4nge delat Europas kulturella puls.<\/i><\/p>\n \ud83c\uddf3\ud83c\uddf4<\/p>\n Ytre m\u00e5l: 71 cm x 49 cm<\/p>\n Prisen er oppgitt for 1 stk., 2 stk. tilgjengelig.<\/b><\/p>\n Dette paret antikke franske ovale trerammer i Louis XVI-stil ie et uts\u00f8kt eksempel p\u00e5 forgyldt treh\u00e5ndverk fra 1800-tallets Paris. Rammen kjennetegnes av den spesielle salviegr\u00f8nne indre passepartout-kanten med en profilert b\u00f8lgekant som gir dybde. Toppen krones av en stor rocaille-kartusj med skjell- og akantusmotiver. P\u00e5 baksiden finnes den originale papiretiketten fra verkstedet til “Paul Degrandsart, Paris”<\/i>.<\/p>\n Historistisk tidsbilde, Max Paul Bertschys atelier:<\/i><\/b> H\u00f8sten 1880 hersker en atmosf\u00e6re av kreativ og elegant intelligens p\u00e5 kontoret til Libavas byarkitekt, Max Paul Bertschy. Rommet dufter av nymalt kaffe og tusj, mens denne brede franske gullrammen med sin karakteristiske gr\u00f8nne passepartout henger stolt p\u00e5 veggen over det massive tegnebordet. I det originale glasset, som krones av en vakker parisisk rocaille-kartusj, speiles for et \u00f8yeblikk silhuetten av selve borgermester Carl Gotthard Ulich, som er kommet for \u00e5 dr\u00f8fte byens store byggeplaner.<\/i><\/p>\n Bertschy, hvis strek snart vil definere hele byens arkitektur i r\u00f8dststein, vurderer dette verket av den parisiske mesteren Paul Degrandsart med en arkitekts profesjonelle \u00f8ye. For ham er denne forgyldte rammen et m\u00f8nsterbilde p\u00e5 stil og proporsjoner, der kunstnerisk frihet m\u00f8tes med matematisk symmetri. Mens de to mennene snakker om detaljene for den kommende B\u00f8rsbygningen, st\u00e5r dette kunstverket p\u00e5 veggen som et taust vitne om at Libava for lengst har fulgt den europeiske kulturens pulsslag.<\/i><\/p>\n \ud83c\uddeb\ud83c\uddee<\/p>\n Ulkomitat: 71 cm x 49 cm<\/p>\n Hinta ilmoitettu 1 kpl:elle, saatavilla 2 kpl.<\/b><\/p>\n T\u00e4m\u00e4 pari antiikkisia ranskalaisia soikeita puukehyksi\u00e4 edustaa 1800-luvun puoliv\u00e4lin tyylik\u00e4st\u00e4 Ludvig XVI -tyyli\u00e4. Kehyksen erikoisuutena on aaltoreunainen, hillityn vihre\u00e4 sis\u00e4paspartuu, joka syvent\u00e4\u00e4 kuva-alaa. Yl\u00e4osaa koristaa n\u00e4ytt\u00e4v\u00e4 rocaille-kartonki simpukka- ja akantuksenlehtiaiheilla. Takapuolella on s\u00e4ilynyt alkuper\u00e4inen pariisilaisen kehysvalmistajan paperietiketti: “Paul Degrandsart, Paris”<\/i>.<\/p>\n Historismin aikakauden tuokiokuva, Max Paul Bertschyn ty\u00f6huone:<\/i><\/b> Libavan kaupunginarkkitehdin Max Paul Bertschyn ty\u00f6huoneessa vallitsee syksyll\u00e4 1880 luova ja hienostunut tunnelma. Huoneessa tuoksuu tuoreeltaan jauhetulta kahvilta ja tussilta, ja sein\u00e4ll\u00e4 massiivisen piirustuspy\u00f6d\u00e4n yl\u00e4puolella riippuu t\u00e4m\u00e4 leve\u00e4 ranskalainen kultakehys vihre\u00e4ll\u00e4 paspartuulla. Sen alkuper\u00e4isess\u00e4 lasissa, jota koristaa upea pariisilainen rocaille-huipennus, heijastuu hetkeksi itse pormestari Carl Gotthard Ulichin hahmo, joka on saapunut keskustelemaan kaupungin uusien monumentaalisten rakennusten piirustuksista.<\/i><\/p>\n Bertschy, jonka k\u00e4siala m\u00e4\u00e4ritt\u00e4\u00e4 pian koko kaupungin punatiilisen arkkitehtuurin, arvostaa t\u00e4t\u00e4 pariisilaisen mestarin Paul Degrandsartin ty\u00f6t\u00e4 arkkitehdin ammattilaisen silmin. H\u00e4nelle t\u00e4m\u00e4 kultainen kehys on tyylin ja mittasuhteiden malliesimerkki, jossa taiteellinen vapaus kohtaa matemaattisen symmetrian. Samalla kun miehet keskustelevat tulevan p\u00f6rssitalon yksityiskohdista, t\u00e4m\u00e4 sein\u00e4ll\u00e4 oleva taideteos toimii hiljaisena todisteena siit\u00e4, ett\u00e4 Libava on jo pitk\u00e4\u00e4n hengitt\u00e4nyt samaan tahtiin eurooppalaisen kulttuurin kanssa.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":" Izsmalcin\u0101ts, liela izm\u0113ra ant\u012bks fran\u010du koka r\u0101mis ar c\u0113lu zelt\u012bjumu un za\u013cu iek\u0161\u0113jo paspart\u016b ietvaru, izgatavots 19. gadsimta otraj\u0101 pus\u0113 Par\u012bz\u0113, elegant\u0101 Luija XVI stila trad\u012bcij\u0101s. R\u0101mja ov\u0101lo siluetu aug\u0161da\u013c\u0101 vainago kr\u0101\u0161\u0146a, simetriska rokoko un klasicisma elementu karte\u013ca dzelte ar integr\u0113tu glieme\u017ev\u0101ka un akanta lapu mot\u012bvu. S\u0101nos un apak\u0161\u0101 iestr\u0101d\u0101ti delik\u0101ti flor\u0101lie rokdarbu ci\u013c\u0146i un rozetes. Aizmugur\u0113 saglab\u0101jusies autentiska Par\u012bzes darbn\u012bcas eti\u0137ete “Paul Degrandsart, Paris”. Cena nor\u0101d\u012bta par vienu vien\u012bbu; pieejami divi identiski r\u0101mji.<\/p>\n","protected":false},"featured_media":20085,"template":"","meta":[],"product_brand":[],"product_cat":[206,222,225,210,204],"product_tag":[1159,1760,1744,1124,1754,428,1053,415,1761,1750,1758,1759,640,641],"class_list":["post-20084","product","type-product","status-publish","has-post-thumbnail","product_cat-gleznas","product_cat-ramji-spoguli","product_cat-ramji-gleznas","product_cat-spoguli","product_cat-visas-lietas","product_tag-19-gadsimts","product_tag-antique-pair-of-french-oval-gilt-wood-frames","product_tag-francu-antikas-mebeles","product_tag-gleznas-ramis","product_tag-karlis-ulihs","product_tag-koka-ramis","product_tag-libava","product_tag-luija-xvi-stils","product_tag-makss-pauls-berci","product_tag-ovals-ramis","product_tag-parize","product_tag-paul-degrandsart","product_tag-spogula-ramis","product_tag-zelta-ramis","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/20084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/20085"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=20084"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=20084"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=20084"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=20084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Grezns ant\u012bks fran\u010du ov\u0101ls koka r\u0101mis zelta kr\u0101s\u0101 ar stiklu (antique pair of French oval gilt wood frames)<\/h3>\n
\n
\u0420\u043e\u0441\u043a\u043e\u0448\u043d\u0430\u044f \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u0430\u044f \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0430\u044f \u043e\u0432\u0430\u043b\u044c\u043d\u0430\u044f \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0430\u044f \u0440\u0430\u043c\u0430 \u0437\u043e\u043b\u043e\u0442\u043e\u0433\u043e \u0446\u0432\u0435\u0442\u0430 \u0441\u043e \u0441\u0442\u0435\u043a\u043b\u043e\u043c (antique pair of French oval gilt wood frames)<\/h3>\n
Antique Pair of French Oval Gilt Wood Frames by Paul Degrandsart Paris (antique pair of French oval gilt wood frames)<\/h2>\n
Antiker franz\u00f6sischer ovaler vergoldeter Holzrahmen mit Glas \u2014 Paul Degrandsart Paris (antique pair of French oval gilt wood frames)<\/h3>\n
Cadre Antique Ovale en Bois Dor\u00e9 avec Marie-Louise Verte \u2014 Paul Degrandsart Paris (antique pair of French oval gilt wood frames)<\/h3>\n
Antik Fransk Oval Forgyldt Tr\u00e6ramme med Glas \u2014 Paul Degrandsart Paris (antique pair of French oval gilt wood frames)<\/h3>\n
Antik Fransk Oval F\u00f6rgylld Tr\u00e4ram med Glas \u2014 Paul Degrandsart Paris (antique pair of French oval gilt wood frames)<\/h3>\n
Antikk Fransk Oval Forgyldt Treramme med Glass \u2014 Paul Degrandsart Paris (antique pair of French oval gilt wood frames)<\/h3>\n
Anttiikkinen Ranskalainen Soikea Kultakehys Vihre\u00e4ll\u00e4 Paspartuulla \u2014 Paul Degrandsart Paris (antique pair of French oval gilt wood frames)<\/h3>\n