{"id":19954,"date":"2023-07-27T18:51:04","date_gmt":"2023-07-27T15:51:04","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=19954"},"modified":"2026-09-07T22:40:20","modified_gmt":"2026-09-07T19:40:20","slug":"4230-2","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/4230-2\/","title":{"rendered":"D\u0101mu Tualetes Galdi\u0146\u0161 ar Ov\u0101lu Spoguli un Ziedu Intarsiju \u2014 Belle \u00c9poque \/ Louis XV, Francija, ap 1880.\u20131900. (4250)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong> Augstums 124,5 cm \u00d7 garums 83 cm \u00d7 dzi\u013cums 40 cm<\/p>\n

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D\u0101mu Tualetes Galdi\u0146\u0161 ar Ov\u0101lu Spoguli un Ziedu Marqueterie<\/em> Intarsiju \u2014 Belle \u00c9poque \/ Louis XV atdzim\u0161ana, Francija, ap 1880.\u20131900.<\/strong><\/h3>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
\u0160is izsmalcin\u0101tais d\u0101mu tualetes galdi\u0146\u0161 \u2014 coiffeuse<\/em> tipa \u2014 pieder Belle \u00c9poque<\/strong> laikmeta elegant\u0101kajam m\u0101kslinieciskajam mantojumam. Rad\u012bts period\u0101, kad Francijas<\/strong> augst\u0101 bur\u017eu\u0101zija atdz\u012bvin\u0101ja Louis XV<\/strong> stila gracioz\u0101s formas, papildinot t\u0101s ar Historicisma<\/strong> un agr\u012bn\u0101 J\u016bgendstila<\/strong> dekorat\u012bvajiem elementiem \u2014 \u0161is galdi\u0146\u0161 st\u0101v tie\u0161i taj\u0101 br\u012bd\u012b, kad rocaille<\/em> izliekums v\u0113l tur\u0113ja savu eleganci, bet jaunie marqueterie<\/em> ziedu mot\u012bvi jau atnesa gais\u012bg\u0101ku, romantisk\u0101ku ornament\u0101lo valodu. Abas est\u0113tikas \u0161eit sadz\u012bvo vien\u0101 objekt\u0101 ar izcilu harmoniju.<\/p>\n
Galdi\u0146a konstrukcija ir tr\u012bsda\u013c\u012bga \u2014 apak\u0161\u0113jais bomb\u00e9<\/em> korpuss ar vienu platu atvilkni un cabriole<\/em> k\u0101j\u0101m ar bronzas sabot<\/em> apaviem, vid\u0113jais plaukta l\u012bmenis ar trim maz\u0101m atvilkn\u0113m un parquetry<\/em> furniera r\u0101mjiem, un aug\u0161st\u0101vs ar grezni profil\u0113tu aug\u0161malu, kur\u0101 centr\u0101li iestr\u0101d\u0101ts groz\u0101ms ov\u0101ls psych\u00e9<\/em> tipa spogulis. R\u0101mja profil\u0113jums \u2014 divkr\u0101sains: gai\u0161ais valrieksts (noyer<\/em>) ar tum\u0161\u0101ku filet<\/em> apmali \u2014 ir klasisks Par\u012bzes<\/strong> \u00e9b\u00e9nisterie<\/em> darba paz\u012bme.<\/p>\n
\u012apa\u0161i izcili ir marqueterie<\/em> ziedu pu\u0161\u0137i \u2014 iesp\u0113jams rozes vai peonijas \u2014 kas rot\u0101 gan aug\u0161st\u0101va s\u0101nu pane\u013cus, gan apak\u0161\u0113j\u0101s atvilknes fronti. \u0160ie mot\u012bvi nav apgleznoti, bet izgriezti un ielikti furniera intarsij\u0101<\/em> \u2014 laikietilp\u012bgs un pras\u012bgs pa\u0146\u0113miens, kas liecina par augstu amatniecisko klasi.<\/p>\n
Tie\u0161i \u0161ajos gados Edgars Deg\u0101 gleznoja savas ballerinas au repos<\/em> \u2014 un tie\u0161i \u0161\u0101dos tualetes galdi\u0146os vi\u0146a varones s\u0113d\u0113ja pirms uzst\u0101\u0161an\u0101s, skatoties ov\u0101l\u0101 spogul\u012b, k\u0101rtojot matus, liekot p\u0113d\u0113jo smar\u017eu pilienu. \u0160is galdi\u0146\u0161 ir tas pats ov\u0101lais spogulis.<\/p>\n
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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n
Lielaj\u0101 atvilkn\u0113 redzama neliela met\u0101la pl\u0101ksn\u012bte \u2014 iesp\u0113jams ra\u017eot\u0101ja z\u012bmogs, teksts nav piln\u012bb\u0101 salas\u0101ms fotogr\u0101fij\u0101s. T\u0101s kl\u0101tb\u016btne liecina par profesion\u0101lu manufakt\u016bru<\/strong>, nevis amatnieku darbu. P\u0113c marqueterie<\/em> intarsijas kvalit\u0101tes, divkr\u0101sain\u0101 filet<\/em> apmales precizit\u0101tes un parquetry<\/em> furniera r\u0101mju izstr\u0101des, \u0161is galdi\u0146\u0161 atbilst augst\u0101k\u0101s klases Par\u012bzes<\/strong> \u00e9b\u00e9nisterie<\/em> trad\u012bcijai \u2014 ra\u017eot\u0101jiem, kas darboj\u0101s Faubourg Saint-Antoine<\/strong> rajon\u0101, kur\u0161 bija Par\u012bzes<\/strong> m\u0113be\u013cu amatniec\u012bbas sirds. Bronzas sabot<\/em> apavi pie k\u0101ju galiem un smalkie atvilk\u0146u rokturi ir rakstur\u012bgi augst\u0101k\u0101s klases produkcijai.<\/p>\n
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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
D\u0101mu tualetes galdi\u0146i ar saglab\u0101tu ori\u0123in\u0101lo ov\u0101lu groz\u0101mu spoguli<\/strong>, marqueterie<\/em> ziedu intarsiju, triju mazo atvilk\u0146u joslu un bomb\u00e9<\/em> apak\u0161korpusu ir iev\u0113rojami reti \u2014 jo \u012bpa\u0161i tad, ja visi elementi saglab\u0101ju\u0161ies kop\u0101 k\u0101 vienots ansamblis. Liel\u0101k\u0101 da\u013ca \u0161\u0101da tipa galdi\u0146u ir zaud\u0113ju\u0161i spoguli vai atvilk\u0146u roktu\u0157us. Starptautiskajos antikvari\u0101tos un izsoles namos \u0161\u0101di Belle \u00c9poque<\/strong> tualetes galdi\u0146i regul\u0101ri atrod pirc\u0113jus Francij\u0101<\/strong>, It\u0101lij\u0101<\/strong>, Skandin\u0101vij\u0101<\/strong> un ASV<\/strong> \u2014 piepras\u012bjums pieaug l\u012bdz ar grandmillennial<\/em> un klasisk\u0101 interjera modes atdzim\u0161anu.<\/p>\n
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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
\u0160is galdi\u0146\u0161 ir rad\u012bts gu\u013camistabai vai boudoir<\/strong> \u2014 k\u0101 tualetes galds ar spoguli, kur s\u0113\u017eot var k\u0101rtot matus un uzkl\u0101t kosm\u0113tiku. M\u016bsdien\u0101s tas tiek izmantots ar\u012b k\u0101 elegants rakst\u0101mgalds<\/strong>, makij\u0101\u017ea st\u016bra galdi\u0146\u0161<\/strong> ar papildu apgaismojumu, vai centr\u0101lais akcentgabals<\/strong> salon\u0101 ar porcel\u0101na ekspoz\u012bciju. Interjera dizaineri to iecien\u012bju\u0161i provansas<\/strong>, romantisk\u0101<\/strong> un eklektisk\u0101 interjer\u0101<\/strong>. Fotogr\u0101fij\u0101s \u2014 marqueterie<\/em> intarsijas ziedu mot\u012bvi un ov\u0101l\u0101 spogu\u013ca atspulgs rada izcilu vizu\u0101lo dzi\u013cumu.<\/p>\n
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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n
\u0160is galdi\u0146\u0161 ir ide\u0101la d\u0101vana sievietei ar izsmalcin\u0101tu gaumi<\/strong> \u2014 jubilej\u0101, k\u0101z\u0101s vai Ziemassv\u0113tkos. T\u0101 romantisk\u0101 forma, ziedu intarsija un ov\u0101lais spogulis padara to par unik\u0101lu personaliz\u0113tu d\u0101vin\u0101jumu<\/strong> \u2014 it \u012bpa\u0161i sievietei, kas m\u012bl Par\u012bzi, klasisko interjeru vai v\u0113stures est\u0113tiku. K\u0101 korporat\u012bva d\u0101vana<\/strong> \u2014 piem\u0113rots luksusa spa, butikviesnicai vai dizaina studijas vad\u012bt\u0101jai.<\/p>\n
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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
Galdi\u0146\u0161 ir lab\u0101 visp\u0101r\u0113j\u0101 st\u0101vokl\u012b. Koka virsmas r\u0101da dabisku laikmeta pat\u012bnu. Marqueterie<\/em> intarsija ir labi saglab\u0101jusies. Ov\u0101lais spogulis ir ori\u0123in\u0101ls ar vecuma atspogu\u013cojumu \u2014 rakstur\u012bgi laikmetam, nav defekts. Atvilknes darbojas. Bronzas rokturi un sabot<\/em> apavi saglab\u0101ju\u0161ies. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n
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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n
\ud83d\udcd0 DIMENSIONS<\/strong> Height 124.5 cm \u00d7 length 83 cm \u00d7 depth 40 cm<\/p>\n
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Lady’s Dressing Table with Oval Swivel Mirror and Floral Marquetry<\/em> Inlay \u2014 Belle \u00c9poque \/ Louis XV Revival, France, circa 1880\u20131900.<\/strong><\/h3>\n
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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n
This refined lady’s dressing table \u2014 of the coiffeuse<\/em> type \u2014 belongs to the most elegant artistic legacy of the Belle \u00c9poque<\/strong>. Created during the period when French<\/strong> haute bourgeoisie revived the graceful forms of Louis XV<\/strong>, enriching them with Historicist<\/strong> and early Art Nouveau<\/strong> decorative elements, this piece stands at precisely that moment when the rocaille<\/em> curve still held its elegance, while the new marqueterie<\/em> floral motifs had already introduced a lighter, more romantic ornamental language. Both aesthetics coexist here in perfect harmony.<\/p>\n
The table’s construction is tripartite \u2014 a lower bomb\u00e9<\/em> body with one wide drawer and cabriole<\/em> legs with bronze sabots<\/em>, a middle shelf tier with three small drawers framed in parquetry<\/em> veneer borders, and an upper gallery with a richly profiled cresting in which a rotating oval psych\u00e9<\/em>-type mirror is centrally set. The frame profiling \u2014 two-toned: pale noyer<\/em> (walnut) with a darker filet<\/em> border \u2014 is a hallmark of Parisian<\/strong> \u00e9b\u00e9nisterie<\/em> of the highest order.<\/p>\n
Particularly outstanding are the marqueterie<\/em> floral bouquets \u2014 likely roses or peonies \u2014 decorating both the side panels of the upper gallery and the front of the lower drawer. These motifs are not painted but cut and inlaid as veneer intarsia<\/em> \u2014 a time-consuming and demanding technique attesting to exceptional artisanal skill.<\/p>\n
It was in precisely these years that Edgar Degas was painting his ballerinas au repos<\/em> \u2014 and it was at dressing tables exactly like this one that his subjects sat before a performance, gazing into an oval mirror, arranging their hair, applying the final drop of perfume. This table is that very mirror.<\/p>\n
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\u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n
A small metal plaque is visible inside the large drawer \u2014 a possible maker’s mark, the text not fully legible in the photographs. Its presence indicates a professional manufacturer<\/strong> rather than a workshop piece. Based on the quality of the marqueterie<\/em> inlay, the precision of the two-toned filet<\/em> border, and the parquetry<\/em> veneer framing of the small drawers, this table corresponds to the highest tradition of Parisian<\/strong> \u00e9b\u00e9nisterie<\/em> \u2014 makers working in the Faubourg Saint-Antoine<\/strong> district, the beating heart of Parisian<\/strong> furniture craft. The bronze sabot<\/em> feet and delicate drawer pulls are characteristic of top-tier production.<\/p>\n
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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
Lady’s dressing tables retaining their original oval swivel mirror<\/strong>, marqueterie<\/em> floral inlay, three-drawer upper tier, and bomb\u00e9<\/em> lower body are notably rare \u2014 particularly when all elements survive together as a unified ensemble. The majority of such pieces have lost their mirror or drawer hardware. In international antique markets and auction houses, Belle \u00c9poque<\/strong> dressing tables of this type regularly find buyers in France<\/strong>, Italy<\/strong>, Scandinavia<\/strong>, and the United States<\/strong> \u2014 demand growing alongside the revival of grandmillennial<\/em> and classical interior aesthetics.<\/p>\n
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\ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n
This table was made for a bedroom or boudoir<\/strong> \u2014 as a dressing table with mirror, where one sits to arrange hair and apply cosmetics. Today it is also used as an elegant writing desk<\/strong>, a vanity corner table<\/strong> with additional lighting, or a central accent piece<\/strong> in a salon displaying porcelain. Interior designers favour it in Proven\u00e7al<\/strong>, romantic<\/strong>, and eclectic interiors<\/strong>. In photography \u2014 the marqueterie<\/em> floral inlay and the oval mirror’s reflection create outstanding visual depth.<\/p>\n
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\ud83c\udf81 AS A GIFT<\/strong><\/p>\n
An ideal gift for a woman of refined taste<\/strong> \u2014 for a birthday, anniversary, or wedding. Its romantic form, floral inlay, and oval mirror make it a uniquely personal gift<\/strong> \u2014 particularly for a woman who loves Paris, classical interiors, or historical aesthetics. As a corporate gift<\/strong> \u2014 suited to a luxury spa, boutique hotel, or design studio director.<\/p>\n
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\ud83d\udd0d CONDITION<\/strong><\/p>\n
The table is in good overall condition. Wood surfaces show natural patina consistent with age. The marqueterie<\/em> inlay is well-preserved. The oval mirror is original with age-appropriate foxing \u2014 characteristic of the period, not a defect. All drawers are functional. Bronze pulls and sabot<\/em> feet are intact. The condition of the piece is fully reflected in the photographs.<\/strong><\/p>\n
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Elegants d\u0101mu tualetes galdi\u0146\u0161 ar groz\u0101mu ov\u0101lu spoguli, marqueterie ziedu intarsiju, trim maz\u0101m aug\u0161st\u0101va atvilkn\u0113m un platu bomb\u00e9 apak\u0161atvilkni. Belle \u00c9poque \/ Louis XV stils, Francija, ap 1880.\u20131900. Augstums 124,5 cm \u00d7 garums 83 cm \u00d7 dzi\u013cums 40 cm. Cabriole k\u0101jas ar bronzas sabot uzlik\u0101m.<\/p>\n","protected":false},"featured_media":19955,"template":"","meta":[],"product_brand":[],"product_cat":[216,221,207,204],"product_tag":[],"class_list":["post-19954","product","type-product","status-publish","has-post-thumbnail","product_cat-konsoles","product_cat-kumodes","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/19954","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/19955"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=19954"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=19954"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=19954"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=19954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}