\ud83d\udcd0 Augstums 24,5 cm \u00d7 platums aug\u0161\u0101 26 cm.<\/p>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n \u0160is ka\u0161po ir izcils Historicisma<\/strong> un Second Empire<\/strong> met\u0101lapstr\u0101des amatniec\u012bbas piem\u0113rs \u2014 laikmeta, kad Eiropas darbn\u012bcas atdz\u012bvin\u0101ja Renesanses un Baroka repouss\u00e9<\/em> (\u00e0 repousser<\/em>) tehniku, radot reprezentat\u012bvus interjeru priek\u0161metus no misi\u0146a, bronzas un vara. Rok\u0101m kalt\u0101 misi\u0146a (laiton repouss\u00e9<\/em>) virsma \u2014 ar katram kausim individu\u0101lu sitienu rakstu \u2014 ir tie\u0161a liec\u012bba par meistara roku un ne ar ko neaizst\u0101jamu artiz\u0101nu trad\u012bciju.<\/p>\n \u0136erme\u0146a forma ir klasiska ka\u0161po silhuete<\/em> \u2014 izplesta aug\u0161mala ar vi\u013c\u0146otu, organisk\u0101 k\u0101rt\u0101 veidotu apmali, centr\u0101l\u0101 da\u013ca \u2014 gludi izliekt\u0101 mucu form\u0101, apak\u0161\u0101 savelkama uz ola<\/em> formas socles<\/em>, no kuras izaug tr\u012bs lauvas \u0137epu k\u0101ji\u0146as<\/em>. Ab\u0101s pus\u0113s \u2014 mas\u012bvi lauvas galvas maskaroni<\/em> ar \u0123\u012bm\u0113t\u0101m kr\u0113p\u0113m un atvertu muti, no kuras kar\u0101jas v\u0113rptas gredzena formas rokturi<\/em> \u2014 klasisk\u0101 Neogrie\u0137u<\/strong> un Second Empire<\/strong> lauvas galvas anneau<\/em> trad\u012bcija, kas rot\u0101ja d\u0101rg\u0101kos Par\u012bzes un Briseles interjeru piederumus.<\/p>\n Repouss\u00e9<\/em> tehnika \u2014 kur misi\u0146a loksne tiek kalta no iek\u0161puses uz \u0101ru \u2014 rada to rakstur\u012bgo, dz\u012bvo, it k\u0101 kv\u0113lojo\u0161o virsmas fakt\u016bru, kas nekad neatk\u0101rtojas divos eksempl\u0101ros un ir augst\u0101k\u0101 m\u0101kslas amatniec\u012bbas z\u012bme.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n Nav saglab\u0101jies ra\u017eot\u0101ja z\u012bmogs. P\u0113c repouss\u00e9<\/em> tehnikas kvalit\u0101tes, lauvas maskaronu<\/em> izstr\u0101des un \u0137epu k\u0101ji\u0146u<\/em> precizit\u0101tes priek\u0161mets atbilst Be\u013c\u0123ijas<\/strong>, Francijas<\/strong> vai V\u0101cijas<\/strong> augst\u0101k\u0101 segmenta met\u0101lapstr\u0101des darbn\u012bcu trad\u012bcijai. Lauvas galvas maskaroni<\/em> ar gredzeniem bija rakstur\u012bgi Par\u012bzes<\/strong> un Briseles<\/strong> bronziers<\/em> un ferroniers<\/em> \u2014 dzelzs un met\u0101la m\u0101kslinieku \u2014 augstajai trad\u012bcijai, kas pieg\u0101d\u0101ja priek\u0161metus aristokr\u0101tiskiem un bur\u017eu\u0101ziskiem interjeriem vis\u0101 Eirop\u0101.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n Rok\u0101m kalt\u0101 repouss\u00e9<\/em> misi\u0146a ka\u0161po ar pilnv\u0113rt\u012bgu lauvas ikonogr\u0101fiju \u2014 maskaroni<\/em>, gredzeni un \u0137epu k\u0101ji\u0146as<\/em> vien\u0101 priek\u0161met\u0101 \u2014 ir ret\u0101ks par l\u0113tiem lietu bronzas vai misi\u0146a analogiem. Katra virsmas plakne ir unik\u0101la sitienu sec\u012bba, nevis r\u016bpnieciska forma. Lauvas simbolika pie\u0161\u0137ir priek\u0161metam papildu noz\u012bmi \u2014 tas ir varas, cie\u0146as un aristokr\u0101tiska statusa simbols, kas nekad nezaud\u0113 aktualit\u0101ti.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n \u0160is ka\u0161po ir izcils klasisk\u0101, industrial-chic, koloni\u0101l\u0101<\/strong> vai eklektisk\u0101<\/strong> interjera akcentgabals \u2014 uz koka galda, gr\u012bdas uz liela form\u0101ta izdevuma vai kam\u012bnmal\u0101. Zeltainais misi\u0146\u0161 ar dabisko patinu<\/em> harmon\u0113 ar tum\u0161a koka, marmora, samta un \u00e2das materi\u0101liem. Fotogr\u0101fiem un stilistiem \u2014 izcils prop<\/em> dramatiskai, maskul\u012bnai vai v\u0113sturiskai tematikas fotosesijai. K\u0101 redzams fotogr\u0101fij\u0101s \u2014 ka\u0161po lieliski izskat\u0101s ar\u012b uz oniksa<\/em> marmora postamenta<\/em>.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n Lauvas galvas mot\u012bvs padara \u0161o ka\u0161po par \u0101rk\u0101rt\u012bgi noz\u012bm\u012bgu un personisku d\u0101vanu Lauvas zodiaka z\u012bmes<\/strong> cilv\u0113kam \u2014 t\u0101 ir reprezentat\u012bva, simboliski bag\u0101ta d\u0101vana dzim\u0161anas dien\u0101 vai jubilej\u0101. Tas ir ar\u012b izcils korporat\u012bv\u0101s vai diplom\u0101tisk\u0101s d\u0101vanas<\/strong> variants \u2014 varas, autorit\u0101tes un labas gaume apvienojums vien\u0101 priek\u0161met\u0101. Piem\u0113rots augst\u0101k\u0101 l\u012bme\u0146a vad\u012bt\u0101jam, juristam, milit\u0101ristam vai politi\u0137im.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n Ka\u0161po ir lab\u0101 antikv\u0101r\u0101 st\u0101vokl\u012b. Repouss\u00e9<\/em> misi\u0146a virsma \u2014 ar dabisko patinu<\/em> un gadsimtu liecinieku dz\u012bvo zeltainumu; viet\u0101m redzamas tum\u0161\u0101kas oksid\u0101cijas<\/em> zonas, kas pie\u0161\u0137ir priek\u0161metam autentiskumu un dzi\u013cumu. Lauvas galvas maskaroni<\/em> un gredzeni \u2014 piln\u012bgi, bez boj\u0101jumiem. \u0136epu k\u0101ji\u0146as<\/em> \u2014 stabilas, neskartas. Aug\u0161mala \u2014 ar rakstur\u012bgu organisko vi\u013c\u0146ojumu, kas ir repouss\u00e9<\/em> tehnikas paz\u012bme. Iek\u0161puse \u2014 redzamas oksid\u0101cijas<\/em> p\u0113das no lieto\u0161anas ar augiem vai \u016bdeni. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n \ud83d\udcd0 Height 24.5 cm \u00d7 Width at top 26 cm.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f PERIOD, ART STYLE, ERA<\/strong><\/p>\n This cachepot is a distinguished example of Historicism<\/strong> and Second Empire<\/strong> metalworking craftsmanship \u2014 the era when European workshops revived the Renaissance and Baroque repouss\u00e9<\/em> (\u00e0 repousser<\/em>) technique, creating representative interior objects from brass, bronze, and copper. The hand-hammered brass (laiton repouss\u00e9<\/em>) surface \u2014 with each panel bearing its own individual strike pattern \u2014 is direct testimony to the master craftsman’s hand and an irreplaceable artisan tradition.<\/p>\n The body form follows the classic cachepot silhouette<\/em> \u2014 a flared upper section with a wavy, organically shaped rim, a central swelling barrel form, narrowing toward a rounded socle<\/em> from which three lion’s paw feet<\/em> emerge. On both sides \u2014 substantial lion’s head mascarons<\/em> with maned faces and open mouths, from which hang twisted ring-form handles<\/em> \u2014 the classic n\u00e9o-grec<\/strong> and Second Empire<\/strong> lion’s head anneau<\/em> tradition that adorned the finest Parisian and Brussels interior furnishings.<\/p>\n The repouss\u00e9<\/em> technique \u2014 in which a brass sheet is hammered from the inside outward \u2014 creates the characteristic, lively, almost glowing surface texture that never repeats itself in two examples and is the highest mark of the metalworking arts.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f MAKER AND MANUFACTURER’S MARK<\/strong><\/p>\n No maker’s mark has survived. Based on the quality of the repouss\u00e9<\/em> technique, the refinement of the lion mascarons<\/em>, and the precision of the paw feet<\/em>, the piece corresponds to the tradition of Belgian<\/strong>, French<\/strong>, or German<\/strong> high-end metalworking workshops. Lion’s head mascarons<\/em> with rings were characteristic of the high tradition of Parisian and Brussels bronziers<\/em> and ferroniers<\/em> \u2014 metal artists who supplied aristocratic and bourgeois interiors across Europe.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n A hand-hammered repouss\u00e9<\/em> brass cachepot with a complete lion iconographic programme \u2014 mascarons<\/em>, rings, and paw feet<\/em> in a single piece \u2014 is rarer than inexpensive cast bronze or brass equivalents. Every surface plane is a unique sequence of hammer strikes, not an industrial form. The lion symbolism lends the piece additional significance \u2014 it is an emblem of power, dignity, and aristocratic status that never loses its relevance.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n This cachepot is an outstanding accent piece for a classical, industrial-chic, colonial<\/strong>, or eclectic<\/strong> interior \u2014 on a wooden table, on the floor on a large-format stand, or on a mantelpiece. The golden brass with natural patina<\/em> harmonises with dark wood, marble, velvet, and leather. For photographers and stylists \u2014 an outstanding prop<\/em> for dramatic, masculine, or historically themed shoots. As seen in the photographs, the cachepot also presents magnificently on an onyx<\/em> marble pedestal<\/em>.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udf81 GIFT AND PERSONALISATION<\/strong><\/p>\n The lion’s head motif makes this cachepot an exceptionally meaningful and personal gift for a person born under the Leo zodiac sign<\/strong> \u2014 a representative, symbolically rich gift for a birthday or anniversary. It is also an outstanding corporate or diplomatic gift<\/strong> option \u2014 combining authority, power, and refined taste in a single object. Appropriate for a senior executive, lawyer, military figure, or statesman.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d CONDITION<\/strong><\/p>\n The cachepot is in good antique condition. The repouss\u00e9<\/em> brass surface bears a natural patina<\/em> and the living golden warmth of centuries; darker oxidation<\/em> zones are visible in places, lending the piece authenticity and depth. The lion’s head mascarons<\/em> and rings are complete and undamaged. The paw feet<\/em> are stable and intact. The upper rim shows the characteristic organic undulation of the repouss\u00e9<\/em> technique. The interior shows oxidation<\/em> marks from use with plants or water. The condition of the item is fully reflected in the photographs.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n","protected":false},"excerpt":{"rendered":" Rok\u0101m kalt\u0101 repouss\u00e9 misi\u0146a ka\u0161po ar lauvas galvas maskaroniem, gredzenu rokturiem un lauvas \u0137epu k\u0101ji\u0146\u0101m. Historicisms \/ Second Empire, Eiropa, ap 1860.\u20131900. Augstums 24,5 cm \u00d7 platums aug\u0161\u0101 26 cm. Lab\u0101 antikv\u0101r\u0101 st\u0101vokl\u012b.<\/p>\n","protected":false},"featured_media":19753,"template":"","meta":[],"product_brand":[],"product_cat":[238,211,204],"product_tag":[],"class_list":["post-19752","product","type-product","status-publish","has-post-thumbnail","product_cat-pukpodi-kaspo","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/19752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/19753"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=19752"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=19752"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=19752"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=19752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Hand-Hammered Brass Cachepot with Lion’s Head Mascarons and Paw Feet \u2014 Historicism \/ Second Empire, Europe, approximately 1860\u20131900.<\/strong><\/h3>\n