Augstums \u2014 103.5 cm<\/p>\n
Platums \u2014 66.5 cm<\/p>\n
Vizu\u0101li satrieco\u0161s, liela m\u0113roga un aristokr\u0101tiski c\u0113ls m\u0101kslas priek\u0161mets (large antique allegorical print<\/i>), kas ienes\u012bs telp\u0101 19. gadsimta nogales V\u012bnes salonu \u0161armu un akad\u0113misk\u0101 simbolisma noska\u0146u. Darb\u0101 att\u0113lota smalka, sap\u0146aina un po\u0113tiska nakts iest\u0101\u0161an\u0101s alegorija: eleganta, pl\u012bvojo\u0161os audumos t\u0113rpta d\u0101ma maiga pusm\u0113ness gaism\u0101, ko ieskauj rota\u013c\u012bgi amori (putti) un naktstauri\u0146i ziedo\u0161u kr\u016bmu ielok\u0101. Att\u0113la tonalit\u0101te ir ietur\u0113ta dzi\u013cos, d\u016bmakaini pel\u0113kos un silti br\u016bnos dagerotipa laikmeta to\u0146os, radot mistisku, dabisku dzi\u013cumu. Bilde ir iestr\u0101d\u0101ta ori\u0123in\u0101laj\u0101, izteikti plat\u0101, biez\u0101 un \u013coti smag\u0101 koka r\u0101m\u012b, ko kl\u0101j kr\u0101\u0161\u0146i \u0123ip\u0161a stuka reljefi ar ziedu mot\u012bviem un grezns antikv\u0101rs zelt\u012bjums. Att\u0113lu no vides ietekmes piln\u012bb\u0101 aizsarg\u0101 caursp\u012bd\u012bgs stikls.<\/p>\n
Izgatavo\u0161anas periods<\/b> 19. gadsimta beigas vai 20. gadsimta s\u0101kums, V\u012bnes Belle \u00c9poque (skaist\u0101 laikmeta) periods, kad Eiropas sabiedr\u012bbas augst\u0101kajos sl\u0101\u0146os vald\u012bja milz\u012bga saj\u016bsma pretrun\u0101 par m\u012btisk\u0101m, romantisk\u0101m un teiksmain\u0101m salona m\u0101kslas t\u0113m\u0101m.<\/p>\n
Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> \u0160is darbs ir izcili dokument\u0113ts un kalpos k\u0101 v\u0113rt\u012bgs ieguvums kolekcion\u0101riem. Att\u0113la apak\u0161\u0113j\u0101 kreisaj\u0101 mal\u0101 ir iestr\u0101d\u0101ts ori\u0123in\u0101lais autora mar\u0137\u0113jums “H. ZATZKA PINX.”, kas apliecina izcil\u0101 austrie\u0161u akad\u0113mi\u0137a Hansa Zackas autor\u012bbu. Apak\u0161\u0113j\u0101 vidusda\u013c\u0101 redzams izdevniec\u012bbas uzraksts “Verlag von V.A. HECK in Wien”, bet labaj\u0101 pus\u0113 \u2014 ofici\u0101lais darba nosaukums v\u0101cu valod\u0101 “Abend” (Vakars<\/i>). Far labaj\u0101 st\u016br\u012b redzams tiesisk\u0101s aizsardz\u012bbas z\u012bmogs “D\u00c9POS\u00c9”.<\/p>\n
Retums un noz\u012bme<\/b> Lielform\u0101ta (virs viena metra augstuma) V\u012bnes izdevniec\u012bbas V.A. Heck<\/i> m\u0101kslas darbi tik izcil\u0101 koka r\u0101mja saglab\u0101t\u012bb\u0101 un ar ori\u0123in\u0101lo stiklu m\u016bsdienu antikv\u0101ra tirg\u016b ir sastopami sal\u012bdzino\u0161i reti. Hansa Zackas darbiem ir stabila v\u0113rt\u012bba, un tie ir pasaul\u0113 pla\u0161i atpaz\u012bstami ar savu sap\u0146aino, teiksmaino vizu\u0101lo est\u0113tiku.<\/p>\n
Pielietojums<\/b> Pateicoties savam monument\u0101lajam izm\u0113ram un lielajam svaram, \u0161is m\u0101kslas darbs kalpos k\u0101 galvenais vizu\u0101lais akcents pla\u0161\u0101 viesistab\u0101, reprezentabl\u0101 \u0113damistab\u0101, budu\u0101ra zon\u0101 vai kungu kabinet\u0101. Tas lieliski izskat\u0101s gan piekarin\u0101ta pie sienas, gan novietota uz liela gr\u012bdas molberta.<\/p>\n
St\u0101voklis<\/b> M\u0101kslas priek\u0161mets ir teicam\u0101 ant\u012bk\u0101 saglab\u0101t\u012bb\u0101. Att\u0113la pap\u012brs ir piln\u012bb\u0101 vesels, ar minim\u0101liem, dabiskiem laika plankumi\u0146iem (patinu) uz gai\u0161aj\u0101m paspart\u016b mal\u0101m, kas tikai pastiprina darba autentiskumu. Mas\u012bvais zelta koka r\u0101mis ir struktur\u0101li stingrs un stabils, visi kr\u0101\u0161\u0146ie flor\u0101lie reljefi gar mal\u0101m ir nevainojami.<\/p>\n
Momentuz\u0146\u0113mums:<\/i><\/b> Stefans Cveigs (Stefan Zweig) r\u0101mi aps\u0113\u017eas pie sava mas\u012bv\u0101 rakst\u0101mgalda V\u012bnes apartamentos k\u0101d\u0101 v\u0113s\u0101 p\u0113cpusdien\u0101, v\u0113rojot, k\u0101 pils\u0113tas d\u016bmaka l\u0113n\u0101m apvij ielas. Uz sienas, tie\u0161i pret\u012b kr\u0113slam, \u0161is monument\u0101lais un smagais zelta r\u0101mis ar Hansa Zackas alegoriju “Abend” ienes telp\u0101 dzi\u013cu, melanholisku mieru. Vi\u0146a acis pakav\u0113jas pie stikla atspulgiem un amoru siluetiem m\u0113nesn\u012bc\u0101, saskatot \u0161aj\u0101 darb\u0101 to pa\u0161u aizejo\u0161\u0101 “vakardienas pasaules” aristokr\u0101tisko eleganci un po\u0113tisko k\u0101rt\u012bbu, ko vi\u0146\u0161 tik smalki apraksta savos memu\u0101ros. Telp\u0101, kur\u0101 dzirdama tikai spalvask\u0101ta skr\u0101p\u0113\u0161an\u0101s un pulkste\u0146a tik\u0161\u0137i, \u0161is m\u0101kslinieciskais d\u0101rgums d\u0101v\u0101 patiesu m\u0101j\u012bgu gandar\u012bjumu un vizu\u0101las skaidr\u012bbas mirkli pirms jauna st\u0101sta rad\u012b\u0161anas.<\/i><\/p>\nRU: \u041c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u0430\u044f \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u0430\u044f \u043a\u0430\u0440\u0442\u0438\u043d\u0430 \u00ab\u0412\u0435\u0447\u0435\u0440\u00bb (Abend) \u0432 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u043e\u0439 \u0437\u043e\u043b\u043e\u0442\u043e\u0439 \u0440\u0430\u043c\u0435<\/h3>\n
\u0412\u044b\u0441\u043e\u0442\u0430 \u2014 103.5 \u0441\u043c<\/p>\n
\u0428\u0438\u0440\u0438\u043d\u0430 \u2014 66.5 \u0441\u043c<\/p>\n
\u0412\u043d\u0443\u0448\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u043f\u043e \u0441\u0432\u043e\u0438\u043c \u0440\u0430\u0437\u043c\u0435\u0440\u0430\u043c, \u0442\u044f\u0436\u0435\u043b\u044b\u0439 \u0438 \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u043e \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u0430\u0440\u0442-\u043e\u0431\u044a\u0435\u043a\u0442 (large antique allegorical print<\/i>), \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u044e\u0449\u0438\u0439 \u0441\u043e\u0431\u043e\u0439 \u0440\u0435\u0434\u043a\u0443\u044e \u043b\u0438\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044e\/\u043f\u0440\u0438\u043d\u0442 \u0432\u0435\u043d\u0441\u043a\u043e\u0433\u043e \u0438\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u0430 \u041f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u043e\u0439 \u044d\u043f\u043e\u0445\u0438 (Belle \u00c9poque<\/i>). \u0412 \u0446\u0435\u043d\u0442\u0440\u0435 \u0441\u044e\u0436\u0435\u0442\u0430 \u2014 \u0437\u043d\u0430\u043c\u0435\u043d\u0438\u0442\u0430\u044f \u0430\u043b\u043b\u0435\u0433\u043e\u0440\u0438\u044f \u00ab\u0412\u0435\u0447\u0435\u0440\u00bb (Abend<\/i>) \u0440\u0430\u0431\u043e\u0442\u044b \u0430\u0432\u0441\u0442\u0440\u0438\u0439\u0441\u043a\u043e\u0433\u043e \u043c\u0430\u0441\u0442\u0435\u0440\u0430 \u0425\u0430\u043d\u0441\u0430 \u0417\u0430\u0446\u043a\u0438 (Hans Zatzka): \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u0430\u044f \u0434\u0435\u0432\u0430 \u0432 \u043e\u043a\u0440\u0443\u0436\u0435\u043d\u0438\u0438 \u0430\u043c\u0443\u0440\u043e\u0432 (\u043f\u0443\u0442\u0442\u0438) \u0438 \u043d\u043e\u0447\u043d\u044b\u0445 \u0431\u0430\u0431\u043e\u0447\u0435\u043a \u043f\u043e\u0434 \u0441\u0438\u044f\u043d\u0438\u0435\u043c \u043f\u043e\u043b\u0443\u043c\u0435\u0441\u044f\u0446\u0430. \u0420\u0430\u0431\u043e\u0442\u0430 \u0437\u0430\u0449\u0438\u0449\u0435\u043d\u0430 \u0441\u0442\u0435\u043a\u043b\u043e\u043c \u0438 \u0437\u0430\u043a\u043b\u044e\u0447\u0435\u043d\u0430 \u0432 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u0443\u044e, \u043e\u0447\u0435\u043d\u044c \u0448\u0438\u0440\u043e\u043a\u0443\u044e \u0438 \u0433\u043b\u0443\u0431\u043e\u043a\u0443\u044e \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0443\u044e \u0440\u0430\u043c\u0443 \u0441 \u0431\u043e\u0433\u0430\u0442\u044b\u043c \u043b\u0435\u043f\u043d\u044b\u043c \u0440\u0430\u0441\u0442\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c \u0434\u0435\u043a\u043e\u0440\u043e\u043c \u0438 \u043f\u043e\u0437\u043e\u043b\u043e\u0442\u043e\u0439.<\/p>\n
\u041f\u0435\u0440\u0438\u043e\u0434, \u043c\u0430\u0440\u043a\u0438\u0440\u043e\u0432\u043a\u0430 \u0438 \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435<\/b> \u041a\u043e\u043d\u0435\u0446 XIX \u2014 \u043d\u0430\u0447\u0430\u043b\u043e XX \u0432\u0435\u043a\u0430, \u0412\u0435\u043d\u0430. \u041d\u0430 \u0430\u0440\u0442-\u043e\u0431\u044a\u0435\u043a\u0442\u0435 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u044b \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043e\u0442\u043c\u0435\u0442\u043a\u0438 \u0430\u0432\u0442\u043e\u0440\u0430 \u0438 \u0438\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u0430: \u0441\u043b\u0435\u0432\u0430 \u0432\u043d\u0438\u0437\u0443 \u2014 “H. ZATZKA PINX.”, \u043f\u043e \u0446\u0435\u043d\u0442\u0440\u0443 \u2014 “Verlag von V.A. HECK in Wien”, \u0441\u043f\u0440\u0430\u0432\u0430 \u2014 \u043d\u0430\u0437\u0432\u0430\u043d\u0438\u0435 “Abend”. \u0418\u0437\u0434\u0435\u043b\u0438\u0435 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u043e\u0442\u043b\u0438\u0447\u043d\u043e\u043c \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438, \u0445\u043e\u043b\u0441\u0442\/\u0431\u0443\u043c\u0430\u0433\u0430 \u0441\u0442\u0430\u0431\u0438\u043b\u044c\u043d\u044b \u0441 \u043b\u0435\u0433\u043a\u043e\u0439 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u043f\u0430\u0442\u0438\u043d\u043e\u0439 \u0432\u0440\u0435\u043c\u0435\u043d\u0438, \u0442\u044f\u0436\u0435\u043b\u0430\u044f \u0440\u0430\u043c\u0430 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0446\u0435\u043b\u0430.<\/p>\n
Momentuz\u0146\u0113mums:<\/i><\/b> \u0421\u0442\u0435\u0444\u0430\u043d \u0426\u0432\u0435\u0439\u0433 (Stefan Zweig) \u043d\u0435\u0442\u043e\u0440\u043e\u043f\u043b\u0438\u0432\u043e \u0443\u0441\u0442\u0440\u0430\u0438\u0432\u0430\u0435\u0442\u0441\u044f \u0432 \u043a\u0440\u0435\u0441\u043b\u0435 \u0441\u0432\u043e\u0435\u0433\u043e \u0432\u0435\u043d\u0441\u043a\u043e\u0433\u043e \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0430 \u043e\u0441\u0435\u043d\u043d\u0438\u043c \u0432\u0435\u0447\u0435\u0440\u043e\u043c, \u043d\u0430\u0431\u043b\u044e\u0434\u0430\u044f \u0437\u0430 \u0443\u0433\u0430\u0441\u0430\u044e\u0449\u0438\u043c \u0434\u043d\u0435\u0432\u043d\u044b\u043c \u0441\u0432\u0435\u0442\u043e\u043c. \u041d\u0430 \u0441\u0442\u0435\u043d\u0435 \u044d\u0442\u0430 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u0430\u044f \u0430\u043b\u043b\u0435\u0433\u043e\u0440\u0438\u044f \u00ab\u0412\u0435\u0447\u0435\u0440\u00bb \u0425\u0430\u043d\u0441\u0430 \u0417\u0430\u0446\u043a\u0438 \u0432 \u0442\u044f\u0436\u0435\u043b\u043e\u0439 \u0437\u043e\u043b\u043e\u0442\u043e\u0439 \u0440\u0430\u043c\u0435 \u0441\u043e\u0437\u0434\u0430\u0435\u0442 \u0432\u0435\u043b\u0438\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0430\u043a\u0446\u0435\u043d\u0442 \u0443\u0445\u043e\u0434\u044f\u0449\u0435\u0433\u043e \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0433\u043e \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u0441\u0442\u0432\u0430 \u0438 \u0433\u0430\u0440\u043c\u043e\u043d\u0438\u0438. \u0412 \u0442\u0438\u0445\u043e\u0439 \u043a\u043e\u043c\u043d\u0430\u0442\u0435, \u043d\u0430\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u043e\u0439 \u043f\u043e\u043a\u043e\u0435\u043c, \u044d\u0442\u0438 \u043d\u0435\u0436\u043d\u044b\u0435 \u0441\u0438\u043b\u0443\u044d\u0442\u044b \u043f\u043e\u0434 \u0441\u0442\u0435\u043a\u043b\u043e\u043c \u043f\u0440\u0438\u043d\u043e\u0441\u044f\u0442 \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u043e\u0435 \u0447\u0443\u0432\u0441\u0442\u0432\u043e \u0434\u043e\u043c\u0430\u0448\u043d\u0435\u0433\u043e \u0442\u0435\u043f\u043b\u0430 \u0438 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u043a\u043e\u0439 \u044f\u0441\u043d\u043e\u0441\u0442\u0438 \u043f\u0435\u0440\u0435\u0434 \u043d\u0430\u0447\u0430\u043b\u043e\u043c \u0440\u0430\u0431\u043e\u0442\u044b.<\/i><\/p>\nEN: Majestic Large Antique Allegorical Print “Abend” by Hans Zatzka<\/h2>\n
Height \u2014 103.5 cm<\/p>\n
Width \u2014 66.5 cm<\/p>\n
An extraordinary, museum-scale, and significantly heavy fine art centerpiece (large antique allegorical print<\/i>), masterfully preserved to bring the poetic luxury of a turn-of-the-century Viennese salon to a classical interior. The grand composition showcases the famous allegory “Evening” (Abend<\/i>) by the renowned Austrian academic painter Hans Zatzka, depicting a beautiful, gracefully draped female figure illuminated by a soft crescent moon, surrounded by playful putti (cherubs) and nocturnal moths amidst blooming briers. Rendered in moody, sepia-toned academic realism, the print is dramatically set behind protective glass within its original, exceptionally thick, and very heavy structural wooden frame adorned with rich, high-relief stucco floral scrolls and finished in a bright antique gold leaf.<\/p>\n
Production Period<\/b> Late 19th or early 20th century, capturing the peak of the Viennese Belle \u00c9poque movement, an era celebrated for its romantic revival of mythological, fairytale, and grand academic salon parlor art.<\/p>\n
Maker \/ Mark \/ Signature<\/b> This particular piece boasts pristine, investment-grade documentation that delights fine art collectors. The bottom-left corner of the print margins bears the printed attribution “H. ZATZKA PINX.” The lower center edge credits the prestigious Austrian publisher: “Verlag von V.A. HECK in Wien”, while the lower-right margin features the elegant script title “Abend”, paired with the copyright mark “D\u00c9POS\u00c9”.<\/p>\n
Application and Condition<\/b> Standing over a meter in height, this monumental framed print serves as a commanding focal point for a stately living room salon or a grand formal dining room. The inner paper print is completely sound, displaying only a minimal, character-enhancing natural light spotting on the outer margins that confirms its authentic centennial age. The massive gilded frame is tight, stable, and rigid.<\/p>\n
Momentuz\u0146\u0113mums:<\/i><\/b> Stefan Zweig (Stefan Zweig) sets down his writing pen for a moment on a brisk autumn afternoon, letting the gentle light illuminate the spacious library room of his Vienna apartment. On the wall, directly across from his chair, this grand, framed allegory “Abend” by Hans Zatzka introduces a deep, melancholic peace to the room. His eyes appreciate the rich geometry of the heavy gold frame with its sculpted borders and its crisp glass surface, finding the exact balance of traditional old-world style and domestic warmth he always cherished in his own life and prose. In the quiet room, this artistic accent brings a sense of absolute peace and stable comfort before his creative work continues.<\/i><\/p>\n
\ud83c\udde9\ud83c\uddea<\/p>\n
H\u00f6he \u2014 103.5 cm<\/p>\n
Breite \u2014 66.5 cm<\/p>\n
Ein herrschaftliches, gro\u00dfformatiges und au\u00dfergew\u00f6hnlich schweres Original-Kunstwerk (large antique allegorical print<\/i>), meisterhaft unter Glas erhalten. Das Motiv zeigt die ber\u00fchmte Allegorie \u201eAbend\u201c des \u00f6sterreichischen Malers Hans Zatzka \u2014 eine anmutige Frauengestalt im fahlen Licht des Monds, umgeben von Putten und Nachtfaltern. Das Gem\u00e4lde wird von seinem originalen, tiefen und massiven Holzrahmen mit opulentem Stuckdekor und antiker Vergoldung umschlossen.<\/p>\n
Epoche, Kennzeichnung und Zustand<\/b> Sp\u00e4tes 19. oder fr\u00fches 20. Jahrhundert, Wiener Belle \u00c9poque. Das Werk verf\u00fcgt \u00fcber eine l\u00fcckenlose Dokumentation am Bildrand: links unten \u201eH. ZATZKA PINX.\u201c, mittig \u201eVerlag von V.A. HECK in Wien\u201c und rechts der Titel \u201eAbend\u201c. Das Kunstwerk befindet sich in einem exzellenten Zustand mit charaktervoller Alterspatina auf dem Passepartout.<\/p>\n
Momentuz\u0146\u0113mums:<\/i><\/b> Stefan Zweig (Stefan Zweig) setzt sich an einem k\u00fchlen Nachmittag an seinen Wiener Schreibtisch und beobachtet, wie das Licht den Raum erhellt. An der Wand setzt diese monumentale Allegorie von Hans Zatzka im Prunkrahmen einen wunderbaren behaglichen Kontrast. Sein Blick erfasst die schlafenden Putten unter dem Glas, in denen er die perfekte Harmonie aus traditioneller Eleganz und der Melancholie einer vergangenen Epoche wiederfindet. In dem stillen Raum bringt dieser k\u00fcnstlerische Akzent eine harmonische Ruhe vor dem Beginn eines neuen Werkes.<\/i><\/p>\n
\ud83c\uddeb\ud83c\uddf7<\/p>\n
Hauteur \u2014 103.5 cm<\/p>\n
Largeur \u2014 66.5 cm<\/p>\n
Une \u0153uvre d’art originale saisissante, de grand format et particuli\u00e8rement lourde (large antique allegorical print<\/i>), prot\u00e9g\u00e9e sous son verre d’origine. La composition d\u00e9voile la c\u00e9l\u00e8bre all\u00e9gorie du \u00ab Soir \u00bb (Abend<\/i>) peinte par le ma\u00eetre autrichien Hans Zatzka : une jeune femme drap\u00e9e de voiles vaporeux sous la lueur d’un croissant de lune, entour\u00e9e de ch\u00e9rubins et de papillons de nuit. L’\u0153uvre est magnifiquement mise en valeur par un cadre en bois massif tr\u00e8s \u00e9pais, sculpt\u00e9 de rinceaux floraux et recouvert d’une dorure ancienne.<\/p>\n
P\u00e9riode, Inscriptions et \u00c9tat<\/b> Fin du XIXe ou d\u00e9but du XXe si\u00e8cle, \u00e9poque de la Belle \u00c9poque viennoise. Les mentions d’\u00e9dition sont parfaitement visibles en marge : \u00ab H. ZATZKA PINX. \u00bb \u00e0 gauche, \u00ab Verlag von V.A. HECK in Wien \u00bb au centre, et le titre \u00ab Abend \u00bb \u00e0 droite. L’ensemble est dans un \u00e9tat de conservation remarquable, le papier pr\u00e9sentant une patine naturelle du temps.<\/p>\n
Momentuz\u0146\u0113mums:<\/i><\/b> Stefan Zweig (Stefan Zweig) s’assied calmement \u00e0 son bureau viennois par une apr\u00e8s-midi d’automne, laissant la lumi\u00e8re du soir \u00e9clairer sa pi\u00e8ce. Au mur, en face de lui, cette grande all\u00e9gorie sous son lourd cadre dor\u00e9 apporte une note de po\u00e9sie et de distinction. En observant la douceur des angelots peints sous le verre, il y retrouve cet esprit d’authenticit\u00e9 et d’\u00e9l\u00e9gance de la Vienne d’autrefois qu’il aime tant, installant un moment de paix et de confort avant d’\u00e9crire.<\/i><\/p>\n
\ud83c\udde9\ud83c\uddf0<\/p>\n
H\u00f8jde \u2014 103.5 cm<\/p>\n
Bredde \u2014 66.5 cm<\/p>\n
Et unikt, visuelt overv\u00e6ldende og meget tungt antikt kunstv\u00e6rk (large antique allegorical print<\/i>), udf\u00f8rt p\u00e5 kraftigt papir bag beskyttende glas. Motivet er den ber\u00f8mte allegoriske fremstilling af \u201eAftenen\u201c (Abend<\/i>) af den \u00f8strigske akademiske maler Hans Zatzka, der viser en smuk draperet kvindeskikkelse i m\u00e5neskin omgivet af putti og natsv\u00e6rmere. Trykket er indrammet i sin originale, us\u00e6dvanlig brede og dybe tr\u00e6ramme med rige stuk-relieffer og antik guldfinish.<\/p>\n
Periode og M\u00e6rkning<\/b> Slutningen af det 19. eller begyndelsen af det 20. \u00e5rhundrede, Wiener Belle \u00c9poque. Trykket b\u00e6rer de originale udgiverm\u00e6rkninger i bunden: \u201eH. ZATZKA PINX.\u201c, \u201eVerlag von V.A. HECK in Wien\u201c samt titlen \u201eAbend\u201c. B\u00e5de billede og den tunge ramme fremst\u00e5r i flot antik stand med en smuk, naturlig patinering p\u00e5 papirets yderkanter.<\/p>\n
\u00d8jebliksbillede:<\/i><\/b> Stefan Zweig (Stefan Zweig) s\u00e6tter sig roligt ved sit skrivebord i sin lejlighed i Wien en eftermiddag og betragter lyset, der str\u00f8mmer ind i stuen. P\u00e5 v\u00e6ggen skaber denne monumentale allegori af Hans Zatzka i den tunge guldramme et levende og luksuri\u00f8st element af klassisk tradition. Hans \u00f8jne hviler p\u00e5 de rene linjer i guldrammen og de sovende engle, og han finder en perfekt balance mellem klassisk arv og hjemlig hygge, hvilket bringer en rolig harmoni til rummet.<\/i><\/p>\n
\ud83c\uddf8\ud83c\uddea<\/p>\n
H\u00f6jd \u2014 103.5 cm<\/p>\n
Bredd \u2014 66.5 cm<\/p>\n
Ett magnifikt, stort och mycket tungt originalkonstverk (large antique allegorical print<\/i>), vackert bevarat under glas. Kompositionen visar den ber\u00f6mda allegorin \u00f6ver kv\u00e4llen, \u201eAbend\u201c, av den \u00f6sterrikiske m\u00e4staren Hans Zatzka: en elegant kvinna i fladdrande sl\u00f6jor under en m\u00e5nsk\u00e4ra, omgiven av keruber och nattfj\u00e4rilar. Trycket \u00e4r infattat i sin mycket breda originaltr\u00e4ram med gl\u00e4nsande antik f\u00f6rgyllning och sirliga reliefer.<\/p>\n
Period, M\u00e4rkning och Skick<\/b> Sent 1800-tal eller tidigt 1900-tal, Wien. Verket har intakta historiska utgivarm\u00e4rkningar i marginalen: till v\u00e4nster \u201eH. ZATZKA PINX.\u201c, i mitten \u201eVerlag von V.A. HECK in Wien\u201c och till h\u00f6ger titeln \u201eAbend\u201c. Tavlan \u00e4r i utm\u00e4rkt skick med en kl\u00e4dsam naturlig \u00e5lderspatina p\u00e5 papperets kanter.<\/p>\n
\u00d6gonblicksbild:<\/i><\/b> Stefan Zweig (Stefan Zweig) s\u00e4tter sig lugnt vid sitt skrivbord i sin wienarv\u00e5ning en solig eftermiddag och betraktar eftermiddagsljuset som str\u00f6mmar in i rummet. P\u00e5 v\u00e4ggen skapar den stora allegoriska tavlan av Hans Zatzka i sin tunga guldram une fantastisk glittrande kontrast under glaset. Han uppskattar balansen mellan ramens skulpterade kanter och de m\u00e5lade kerubernas mjuka melankoli, vilket sk\u00e4nker en k\u00e4nsla av absolut frid och kreativ klarhet \u00e5t rummet innan han b\u00f6rjar skriva.<\/i><\/p>\n
\ud83c\uddf3\ud83c\uddf4<\/p>\n
H\u00f8yde \u2014 103.5 cm<\/p>\n
Bredde \u2014 66.5 cm<\/p>\n
Et usedvanlig vakkert, stort og tungt antikt kunstverk (large antique allegorical print<\/i>) i glass og ramme. Motivet er den kjente allegorien over kvelden, \u201eAbend\u201c, av den \u00f8sterrikske maleren Hans Zatzka, som viser en vakker kvinneskikkelse i m\u00e5neskinn omgitt av sm\u00e5 engler og nattsvermere. Bildet er rammet inn i sin originale, sv\u00e6rt brede treramme prydet med relieffer og antikk forgylling.<\/p>\n
Periode og Tilstand<\/b> Slutten av det 19. eller begynnelsen av det 20. \u00e5rhundre, Wien. Alle historiske m\u00e6rkninger er bevart i bunnen: \u201eH. ZATZKA PINX.\u201c, \u201eVerlag von V.A. HECK in Wien\u201c og tittelen \u201eAbend\u201c. Kunstverket fremst\u00e5r i utmerket stand; papiret har en vakker naturlig aldringspatina p\u00e5 kantene, og den tunge rammen har ingen skader.<\/p>\n
\u00d8jeblikksbilde:<\/i><\/b> Stefan Zweig (Stefan Zweig) setter seg langsomt ved sitt skrivebord i sin leilighet i Wien og betrakter ettermiddagssolen. P\u00e5 veggen skaper denne store allegorien av Hans Zatzka i den dype guldrammen et stramt og glitrende element bak glasset. Han finner en perfekt balanse mellom klassisk eleganse og hjemlig varme, noe som gir en rolig harmoni og klarhet til rommet f\u00f8r arbeidet med teksten starter.<\/i><\/p>\nFI: Suurikokoinen klassinen allegorinen taidevedos \u201dAbend\u201d Hans Zatzkalta<\/h3>\n
Korkeus \u2014 103.5 cm<\/p>\n
Leveys \u2014 66.5 cm<\/p>\n
Hienostunut, suurikokoinen ja eritt\u00e4in painava eurooppalaisen taiteen mestariteos (large antique allegorical print<\/i>), joka on s\u00e4ilynyt kauniisti suojalasin alla. Aiheena on it\u00e4valtalaisen akateemisen mestarin Hans Zatzkan kuuluisa illan allegoria \u201dAbend\u201d: kaunis dymuun verhoiltu naishahmo kuun sirpin loisteessa, pienten putto-enkelten ja y\u00f6perhosten ymp\u00e4r\u00f6im\u00e4n\u00e4. Teos on kehystetty harvinaisen leve\u00e4\u00e4n ja raskaaseen puukehykseen, jossa on runsas kasviaiheinen kipsikoristelu ja hieno lehtikultaviimeistely.<\/p>\n
Aikakausi, Merkinn\u00e4t ja Kunto<\/b> 1800-luvun loppu tai 1900-luvun alku, Wienin Belle \u00c9poque. Vedoksen alareunassa on t\u00e4ydelliset historialliset julkaisumerkinn\u00e4t: vasemmalla \u201dH. ZATZKA PINX.\u201d, keskell\u00e4 wienil\u00e4isen kustantajan leima \u201dVerlag von V.A. HECK in Wien\u201d ja oikealla teoksen nimi \u201dAbend\u201d. Teos on erinomaisessa kunnossa; papurissa on vain v\u00e4h\u00e4ist\u00e4, aitoa ajan tuomaa patinaa reunoilla, ja raskas kehys on t\u00e4ysin ehj\u00e4.<\/p>\n
Tunnelma art deco -ajalta:<\/i><\/b> Stefan Zweig (Stefan Zweig) istahtaa hitaasti p\u00f6yt\u00e4ns\u00e4 \u00e4\u00e4reen iltap\u00e4iv\u00e4ll\u00e4 wienil\u00e4isess\u00e4 asunnossaan seuraten, kuinka valo siivil\u00f6ityy ty\u00f6huoneeseen. Sein\u00e4ll\u00e4 t\u00e4m\u00e4 suuri ja upeasti kehystetty Hans Zatzkan allegoria tuo tilaan aitoa vanhan maailman arvokkuutta ja rauhallisuutta. H\u00e4n arvostaa kehyksen kultauksen loistoa ja lasin alle maalattujen enkelten herkk\u00e4\u00e4 tunnelmaa l\u00f6yt\u00e4en niist\u00e4 saman harmonian ja sivistyneen kodikkuuden tasapainon, jota h\u00e4n aina vaali omassa el\u00e4m\u00e4ss\u00e4\u00e4n. Hiljaisessa tilassa t\u00e4m\u00e4 taiteellinen yksityiskohta tuo mukanaan t\u00e4ydellisen rauhan tunteen.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"
Iespaid\u012bga izm\u0113ra, izsmalcin\u0101ts un \u013coti smags ant\u012bks m\u0101kslas darbs ar aizsargstiklu. Taj\u0101 att\u0113lota slaven\u0101 austrie\u0161u m\u0101kslinieka Hansa Zackas (Hans Zatzka) m\u012btisk\u0101 un romantisk\u0101 alegorija “Vakars” (Abend<\/i>) ar d\u0101mas t\u0113lu, amoriem un naktstauri\u0146iem m\u0113nesn\u012bc\u0101. Gleznojums ietverts izcili biez\u0101, dzi\u013c\u0101 un grezn\u0101 zelta kr\u0101sas koka r\u0101m\u012b ar akanta lapu un ziedu reljefiem.<\/p>\n","protected":false},"featured_media":19043,"template":"","meta":[],"product_brand":[],"product_cat":[206,204],"product_tag":[736,733,734,730,735,731,739,428,738,729,737,732,740,641],"class_list":["post-19042","product","type-product","status-publish","has-post-thumbnail","product_cat-gleznas","product_cat-visas-lietas","product_tag-akademiska-maksla","product_tag-alegorija","product_tag-amori","product_tag-antiks-prints","product_tag-bilde-ar-stiklu","product_tag-hans-zatzka","product_tag-hans-zatzka-abend","product_tag-koka-ramis","product_tag-large-antique-allegorical-print","product_tag-liela-bilde","product_tag-lielformata-dekors","product_tag-v-a-heck-wien","product_tag-viennese-academic-art","product_tag-zelta-ramis","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/19042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/19043"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=19042"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=19042"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=19042"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=19042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}