\ud83d\udcd0 Augstums 191 cm \u00d7 Platums 173 cm \u00d7 Dzi\u013cums 71 cm<\/strong><\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n \u0160is monument\u0101lais ozolkoka skapis rad\u012bts aptuveni 1680.\u20131720. gad\u0101 \u2014 laikmet\u0101, ko Eiropas kult\u016brv\u0113stur\u0113 d\u0113v\u0113 par Luija XIV jeb Liel\u0101 baroka periodu. T\u0101 ir \u0113ra, kur\u0101 Francijas galms Versa\u013c\u0101 dikt\u0113ja est\u0113tiskos likumus visai Eiropai, un amatnieku \u0123ildes provinces pils\u0113t\u0101s \u2014 Strasb\u016br\u0101, D\u012b\u017eon\u0101, Kolm\u0101r\u0101 \u2014 sacens\u0101s sav\u0101 starp\u0101, kur\u0161 sp\u0113s tuv\u0101k atk\u0101rtot galma izsmalcin\u0101t\u012bbu mas\u012bv\u0101 ozol\u0101 un dzelz\u012b.<\/p>\n Baroka stils \u0161eit izpau\u017eas ar visu savu dramatiski dekorat\u012bvo sp\u0113ku: dzi\u013ci griezti putto \u2014 b\u0113rna e\u0146\u0123e\u013cu \u2014 t\u0113li virs ab\u0101m durv\u012bm, bag\u0101t\u012bgas akantus lapu v\u012btnes, ro\u017eu girlandas, kas sasietas ar lent\u0113m un b\u0101rkstain\u0101m sait\u0113m, k\u0101 ar\u012b smalki profil\u0113ti r\u0101mji un lodveida k\u0101jas apak\u0161\u0101. Visas dekorat\u012bv\u0101s programmas centr\u0101 st\u0101v divi putto sejas \u2014 barok\u0101lie simboli Dievi\u0161\u0137\u0101s aizg\u0101d\u012bbas un m\u0101jas sv\u0113t\u012bbas, kas \u0161ajos gadsimtos ievietoti visd\u0101rg\u0101kaj\u0101s m\u0113bel\u0113s.<\/p>\n \u0160is laikmets Francij\u0101 bija ar\u012b laiks, kad v\u0113l svaig\u0101 atmi\u0146\u0101 bija le\u0123end\u0101r\u0101 1661. gada ball\u012bte Vo le Vikont\u0101 \u2014 finan\u0161u ministra Nikola Fukets grandioz\u0101 rezidence, kuras baroka kr\u0101\u0161\u0146ums tik \u013coti ap\u017eilbin\u0101ja un sadusmoja L\u016biju XIV, ka vi\u0146\u0161 pav\u0113l\u0113ja Fuketu arest\u0113t. \u0160o arestu person\u012bgi izpild\u012bja karaliskais mu\u0161ketieris \u0160arls de Bac \u2014 v\u0113stur\u0113 paz\u012bstams k\u0101 d’Artanjana prototips. Skapis, kas rad\u012bts t\u016bl\u012bt p\u0113c \u0161iem notikumiem, nes sev\u012b t\u0101 pa\u0161a laikmeta garu \u2014 to pa\u0161u monument\u0101lo baroka valodu, to pa\u0161u amatnieku \u0123il\u017eu meistar\u012bbu, kas kalpoja Francijas augst\u0101kajai sabiedr\u012bbai.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f RA\u017dOT\u0100JS UN IZGATAVO\u0160ANAS TRAD\u012aCIJA<\/strong><\/p>\n Uz skapja nav redzams individu\u0101ls meistara z\u012bmogs, ta\u010du viss izpild\u012bjums \u2014 gan kokgriezumu dzi\u013cums un plastika, gan met\u0101la furnit\u016bras kvalit\u0101te \u2014 nor\u0101da uz Francijas provinces \u0123ildes meistara<\/strong> darbu augst\u0101kaj\u0101 kvalifik\u0101cijas pak\u0101p\u0113. 17. un 18. gadsimta mij\u0101 Francij\u0101 str\u0101d\u0101ja stingri reglament\u0113tas amatnieku \u0123ildes (corporations des menuisiers-\u00e9b\u00e9nistes<\/em>), kur\u0101s meistara gr\u0101ds tika ieg\u016bts tikai p\u0113c vair\u0101ku gadu m\u0101cekl\u012bbas un p\u0101rbaud\u012bjumu \u2014 tostarp chef-d’\u0153uvre<\/em>, meistarsti\u0137a izgatavo\u0161anas, kas bija j\u0101prezent\u0113 \u0123ildes padomei.<\/p>\n \u012apa\u0161i noz\u012bm\u012bga ir \u0161\u0101 skapja stilistisk\u0101 saikne ar Ch\u00e2teau d’Anet<\/strong> trad\u012bciju \u2014 Di\u0101nas de Puatj\u0113 rezidenci, ko ap 1550. gadu projekt\u0113ja arhitekts Philibert de l’Orme. \u0160\u0101 skapja dv\u012b\u0146ubr\u0101lis \u2014 praktiski identisks p\u0113c konstrukcijas un dekorat\u012bv\u0101s programmas \u2014 \u0161odien atrodas Ch\u00e2teau d’Anet galvenaj\u0101 vestibil\u0101 k\u0101 viens no pils reprezentat\u012bv\u0101kajiem m\u0113be\u013cu ekspon\u0101tiem. Pils saimnieki divdesmit un vair\u0101k gadus mekl\u0113ja tie\u0161i \u0161\u0101du gabalu savam interjeram \u2014 fakts, kas viennoz\u012bm\u012bgi apliecina \u0161\u0101da tipa skapju \u0101rk\u0101rt\u0113jo retumu un kolekcion\u0101ru v\u0113rt\u012bbu.<\/p>\n Met\u0101la furnit\u016bra \u2014 grav\u0113t\u0101s dzelzs e\u0146\u0123es ar caurgrieztu akantusu ornamentu, sl\u0113dze\u0146u pl\u0101ksnes ar bronzas sejas relefu un mas\u012bv\u0101 dzelzs atsl\u0113ga ar simetriski grieztu bitu \u2014 ir fran\u010du kal\u0113ja un sl\u0113dznieka meistara<\/strong> (serrurier<\/em>) augst\u0101k\u0101 klase, k\u0101da \u0161aj\u0101 period\u0101 apkalpoja aristokr\u0101tisk\u0101s un augst\u0101s bur\u017eu\u0101zisk\u0101s \u0123imenes.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n Piln\u012bb\u0101 saglab\u0101ju\u0161ies Luija XIV laikmeta fran\u010du provinces skapji ar ori\u0123in\u0101lu met\u0101la furnit\u016bru, kokgriezumiem un atsl\u0113gu ir \u0101rk\u0101rt\u012bgi reti kolekcion\u0101ru tirg\u016b. Liel\u0101k\u0101 da\u013ca \u0161\u0101 perioda m\u0113be\u013cu ir iziru\u0161as, p\u0101rveidotas vai non\u0101ku\u0161as muzejos. \u0160is gabals ir saglab\u0101jies ar visiem ori\u0123in\u0101lajiem elementiem \u2014 e\u0146\u0123\u0113m, sl\u0113dzen\u0113m, atsl\u0113gu un kokgriezumu piln\u012bbu \u2014 kas to padara par \u012bpa\u0161u iz\u0146\u0113mumu.<\/p>\n Stilistisk\u0101 un konstrukt\u012bv\u0101 paral\u0113le ar Ch\u00e2teau d’Anet eksempl\u0101ru \u2014 vienu no Francijas renesanses un manierisms laikmeta ikonisk\u0101kaj\u0101m priv\u0101trezidenc\u0113m, kas saist\u012bta ar Di\u0101nas de Puatj\u0113, Katr\u012bnas Medi\u010di un Luija XIV laikmeta v\u0113sturi \u2014 pie\u0161\u0137ir \u0161im skapim papildu kult\u016brv\u0113sturisku dimensiju, kas p\u0101rsniedz parasta ant\u012bk\u0101 priek\u0161meta statusu.<\/p>\n Eiropas noz\u012bm\u012bg\u0101kajos ant\u012bko m\u0113be\u013cu izso\u013cu namos \u2014 Christie’s, Sotheby’s, Drouot \u2014 \u0161\u0101da kalibra fran\u010du baroka skapji tiek mekl\u0113ti gan priv\u0101tkolekcion\u0101riem, gan muzejiem, gan v\u0113sturisko interjeru restaur\u0101cijas projektiem.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n \u0160is skapis ir interjera dominante<\/strong> \u2014 gabals, kas nosaka telpas raksturu un laikmetu. Tas organiski iek\u013caujas klasisk\u0101, eklektisk\u0101 vai jaukta stila interjer\u0101: mui\u017eas vai pils\u0113tas villa bibliot\u0113k\u0101, reprezent\u0101cijas z\u0101l\u0113, ieej\u0101 vai gu\u013camistab\u0101 ar augstiem griestiem. T\u0101 monument\u0101lais apjoms un tum\u0161i zeltainais ozola tonis rada siltu, aristokr\u0101tisku atmosf\u0113ru.<\/p>\n Interjera dizaineri to izmanto k\u0101 vizu\u0101lo enkuru<\/strong> telp\u0101 \u2014 ap \u0161\u0101du gabalu tiek veidota visu p\u0101r\u0113jo elementu palete. Fotogr\u0101fi un stilisti iesaista \u0161\u0101dus skapjus luksusa \u017eurn\u0101lu, modes un parfim\u0113rijas kampa\u0146u uz\u0146\u0113mumos, kur nepiecie\u0161ams autentisks Eiropas aristokr\u0101tisk\u0101 mantojuma fons. Ch\u00e2teau d’Anet un Vo le Vikont \u2014 abi \u0161\u012bs skapju trad\u012bcijas liecinieki \u2014 ir kalpoju\u0161i ar\u012b k\u0101 D\u017eeimsa Bonda filmu lok\u0101cijas, kas apliecina \u0161o interjeru m\u016b\u017e\u012bgo vizu\u0101lo sp\u0113ku ar\u012b m\u016bsdienu kult\u016br\u0101.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n Skapis atrodas \u013coti lab\u0101 st\u0101vokl\u012b, \u0146emot v\u0113r\u0101 t\u0101 aptuveno vecumu \u2014 300\u2013340 gadi. Ozolkoks ir ieg\u016bvis bag\u0101tu, dzi\u013ci zeltaini br\u016bnu pat\u012bnu, kas liecina par ilgsto\u0161u, r\u016bp\u012bgu lieto\u0161anu. Kokgriezumi ir skaidri, ar labu plastiku un deta\u013cu saglab\u0101t\u012bbu. Met\u0101la furnit\u016bra \u2014 e\u0146\u0123es, sl\u0113dze\u0146u pl\u0101ksnes un atsl\u0113ga \u2014 ir ori\u0123in\u0101la un funkcion\u0101la. Redzamas nelielas dabiskas koka plaisas, kas ir absol\u016bti norm\u0101la mas\u012bva ozolkoka reakcija uz klimata p\u0101rmai\u0146\u0101m gadsimtu gait\u0101 un nek\u0101d\u0101 veid\u0101 nemazina gabala integrit\u0101ti vai v\u0113rt\u012bbu. Nelielas virsmas nolietojuma p\u0113das atbilst priek\u0161meta god\u012bgajam vecumam. Restaur\u0101cijas paz\u012bmes nav konstat\u0113tas.<\/p>\n Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n \ud83d\udcd0 Height 191 cm \u00d7 Width 173 cm \u00d7 Depth 71 cm<\/strong><\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE AND HISTORICAL CONTEXT<\/strong><\/p>\n This monumental carved oak cabinet was crafted approximately between 1680 and 1720 \u2014 the era known in European cultural history as the Louis XIV or High Baroque period. It was a time when the French court at Versailles dictated aesthetic law across the whole of Europe, and guild craftsmen in provincial cities \u2014 Strasbourg, Dijon, Colmar \u2014 competed to bring the refinement of the royal court into solid oak and iron.<\/p>\n The Baroque style is expressed here with full dramatic force: deeply carved putto \u2014 cherubic angel faces \u2014 above both doors, generous acanthus leaf scrolls, rose garlands tied with ribbons and tasselled cords, and finely profiled mouldings throughout. At the centre of the entire decorative programme stand two putto heads \u2014 Baroque symbols of Divine Providence and domestic blessing, placed in the most precious furnishings of the age.<\/p>\n This era in France was also one in which the legendary f\u00eate of 1661 at Vaux-le-Vicomte \u2014 the grandiose residence of finance minister Nicolas Fouquet \u2014 remained vivid in living memory. The Baroque splendour of that evening so dazzled and enraged Louis XIV that he ordered Fouquet’s arrest, carried out in person by the royal musketeer Charles de Batz \u2014 the historical prototype of d’Artagnan. A cabinet born in the immediate aftermath of these events carries within it the very spirit of that age \u2014 the same monumental Baroque vocabulary, the same guild mastery that served the highest levels of French society.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \u269c\ufe0f MAKER AND CRAFT TRADITION<\/strong><\/p>\n No individual maker’s mark is visible on the cabinet, yet the entire execution \u2014 the depth and plasticity of the carvings, the quality of the metal hardware \u2014 points unmistakably to the work of a French provincial guild master<\/strong> at the highest level of qualification. In the late 17th and early 18th centuries, French cabinetmakers operated within strictly regulated guilds (corporations des menuisiers-\u00e9b\u00e9nistes<\/em>), where the rank of master was achieved only after years of apprenticeship and examination \u2014 including the presentation of a chef-d’\u0153uvre<\/em> before the guild council.<\/p>\n Of particular significance is this cabinet’s stylistic kinship with the Ch\u00e2teau d’Anet<\/strong> tradition \u2014 the residence of Diane de Poitiers, designed circa 1550 by the architect Philibert de l’Orme. The twin brother of this cabinet \u2014 virtually identical in construction and decorative programme \u2014 stands today in the main vestibule of Ch\u00e2teau d’Anet as one of the ch\u00e2teau’s most representative furnishing pieces. The ch\u00e2teau’s custodians searched for more than twenty years for precisely such a piece \u2014 a fact that unambiguously confirms the extreme rarity and collector value of cabinets of this type.<\/p>\n The metal hardware \u2014 engraved iron hinges with pierced acanthus ornament, lock plates with bronze figural relief, and the substantial iron key with its symmetrically cut bit \u2014 represents the highest class of French locksmith work (serrurier<\/em>) of this period, of the kind commissioned for aristocratic and haute-bourgeois households.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n Fully intact Louis XIV-period French provincial cabinets retaining their original metal hardware, carvings and key are exceptionally rare on the collector’s market. The great majority of furniture from this period has been dispersed, altered or absorbed into museum collections. This piece has survived with all its original elements \u2014 hinges, lock plates, key and the full integrity of its carvings \u2014 which makes it a remarkable exception.<\/p>\n The stylistic and structural parallel with the Ch\u00e2teau d’Anet example \u2014 one of the most iconic private residences of the French Renaissance and Mannerist era, associated with Diane de Poitiers, Catherine de’ Medici and the world of the Valois court \u2014 lends this cabinet a cultural and historical dimension that transcends the status of an ordinary antique.<\/p>\n At Europe’s leading auction houses \u2014 Christie’s, Sotheby’s, Drouot \u2014 French Baroque cabinets of this calibre are sought by private collectors, museums and historic interior restoration projects alike.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd6f\ufe0f USE IN INTERIOR DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n This cabinet is an interior centrepiece<\/strong> \u2014 a piece that defines the character and era of a room. It integrates naturally into a classical, eclectic or mixed-style interior: a manor library, a reception hall, an entrance hall or a bedroom with high ceilings. Its monumental volume and deep golden oak tone create a warm, aristocratic atmosphere.<\/p>\n Interior designers use pieces of this kind as the visual anchor<\/strong> of a room, around which all other elements \u2014 palette, textiles, lighting \u2014 are composed. Photographers and stylists engage such cabinets in luxury magazine shoots, fashion and fragrance campaigns wherever an authentic background of European aristocratic heritage is required. Both Ch\u00e2teau d’Anet and Vaux-le-Vicomte \u2014 witnesses to this very cabinet tradition \u2014 have served as locations for James Bond films, testament to the enduring visual power of these interiors in contemporary culture.<\/p>\n \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n \ud83d\udd0d CONDITION<\/strong><\/p>\n The cabinet is in very good condition considering its approximate age of 300 to 340 years. The oak has acquired a rich, deeply golden-brown patina, evidence of long and careful use. The carvings are crisp, with strong relief and good retention of detail. The metal hardware \u2014 hinges, lock plates and key \u2014 is original and functional. Minor natural splits are visible in the wood, which are an entirely normal response of solid oak to centuries of climate variation and in no way diminish the integrity or significance of the piece. Light surface wear is consistent with the cabinet’s honest age. No evidence of restoration has been identified.<\/p>\n The condition of this piece is fully represented in the photographs.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Ozolkoka kokgriezumu skapis ar e\u0146\u0123e\u013ciem \u2014 Baroks \/ Luija XIV stils, Francija (Elzasa vai Burgundija), ap 1680.\u20131720. \ud83d\udcd0 Augstums 191<\/p>\n","protected":false},"featured_media":1805,"template":"","meta":[],"product_brand":[],"product_cat":[207,215,204],"product_tag":[],"class_list":["post-1804","product","type-product","status-publish","has-post-thumbnail","product_cat-mebeles","product_cat-skapji","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/1804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/1805"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=1804"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=1804"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=1804"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=1804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Carved Oak Cabinet with Angels \u2014 Baroque \/ Louis XIV Style, France (Alsace or Burgundy), circa 1680\u20131720<\/h2>\n