\ud83d\udcd0 IZM\u0112RI<\/strong> Augstums: 63 cm. Platums: 18 cm. Materi\u0101ls: smalkgraudains m\u0101kslinieku \u0123ipsis ar glaz\u0113tu virsmas apstr\u0101di.<\/p>\n

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Sievietes fig\u016bra \u2014 “La Baigneuse” (Peld\u0113t\u0101ja) \u2014 Neoklasicisms, Eiropa, ap 1880.\u20131920.<\/h2>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
\u0160\u012b skulpt\u016bra pieder 19. gadsimta beigu \u2014 20. gadsimta s\u0101kuma neoklasicisma trad\u012bcijai, kas Eirop\u0101 piedz\u012bvoja \u012bpa\u0161u uzplaukumu industri\u0101l\u0101 laikmeta gaum\u012bgaj\u0101 pretreakcij\u0101 \u2014 m\u0101ksla atgrie\u017e\u0101s pie ant\u012bk\u0101s skaistuma filozofijas, kad tika slav\u0113ta harmonija, mier\u012bg\u0101 cie\u0146a un cilv\u0113ka \u0137erme\u0146a dievi\u0161\u0137\u0101 proporcionalit\u0101te. Fig\u016bra att\u0113lo jaunu sievieti, kas no peld\u0113\u0161an\u0101s izn\u0101k vai gatavojas iet peld\u0113ties \u2014 t\u0101 saukt\u0101 “baigneuse” t\u0113ma, kas Rietumeiropas plastik\u0101 bija \u0101rk\u0101rt\u012bgi popul\u0101ra kop\u0161 \u00c9tienne-Maurice Falconet 1757. gada ori\u0123in\u0101la “La Baigneuse”, kur\u0161 tika izpild\u012bts S\u00e8vres manufakt\u016br\u0101 un k\u013cuva par vienu no 18. gadsimta ikonisk\u0101kajiem sievietes t\u0113liem. \u0160is eksempl\u0101rs ir 19. gs. beigu vai 20. gs. s\u0101kuma interpret\u0101cija vai reprodukcija p\u0113c \u0161\u012bs iedvesmas \u2014 ar rakstur\u012bgo noliekto galvu, sav\u012bto matu koku, pl\u012bvoja dr\u0101p\u0113jumu ap aug\u0161stilbiem un maigu S-veida \u0137erme\u0146a l\u012bkumu. \u0122ip\u0161a materi\u0101ls un glaz\u0113t\u0101 virsma nor\u0101da uz r\u016bpniecisk\u0101s plastisk\u0101s m\u0101kslas trad\u012bciju, kas pla\u0161i izplat\u012bj\u0101s pa visu Eiropu k\u0101 pieejama alternat\u012bva marmora kopij\u0101m.<\/p>\n
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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n
Pamatnes apak\u0161pus\u0113 nav skaidra manufakt\u016bras z\u012bmoga \u2014 redzama tikai neapstr\u0101d\u0101ta \u0123ip\u0161a virsma ar nelielu iespiedumu, kas var\u0113tu b\u016bt nepabeigta vai nolietojum\u0101 izzudusi ra\u017eot\u0101ja atz\u012bme. Stilistiski un materi\u0101li \u0161\u012b fig\u016bra atbilst t.s. ateljer-type<\/strong> vai acad\u00e9mique<\/strong> reprodukciju trad\u012bcijai, kas 19. gs. otraj\u0101 pus\u0113 un 20. gs. s\u0101kum\u0101 bija pla\u0161i izplat\u012bta Francij\u0101, It\u0101lij\u0101, Be\u013c\u0123ij\u0101 un V\u0101cij\u0101. \u0160\u0101da veida skulpt\u016bras tika ra\u017eotas skulptoru darbn\u012bc\u0101s un m\u0101ksliniecisk\u0101s amatniec\u012bbas uz\u0146\u0113mumos, kas apg\u0101d\u0101ja bur\u017eu\u0101ziskos interjerus, kult\u016bras iest\u0101des un izgl\u012bt\u012bbas telpas ar klasisk\u0101s m\u0101kslas reprodukcij\u0101m \u2014 t\u0101s bija ce\u013c\u0161, caur kuru Eiropas vid\u0113j\u0101 \u0161\u0137ira var\u0113ja pieder\u0113t pie augst\u0101s kult\u016bras est\u0113tikas. Daudzas \u0161\u0101das fig\u016bras tika izgatavotas p\u0113c S\u00e8vres, Louvres un priv\u0101tu akademistu kolekciju kip\u0161iem.<\/p>\n
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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
\u0160\u0101da izm\u0113ra un kvalit\u0101tes \u0123ip\u0161a skulpt\u016bras ar izcilu sejas un matu izstr\u0101di, glaz\u0113tu virsmu un saglab\u0101tu neoklasicisma proporciju t\u012br\u012bbu ir k\u013cuvu\u0161as iev\u0113rojami ret\u0101kas \u2014 liel\u0101k\u0101 da\u013ca gadsimtu laik\u0101 ir boj\u0101ta vai pazaud\u0113ta. \u0160is eksempl\u0101rs ar augstumu 63 cm ir reprezentat\u012bvs apm\u0113rs, kas padara to par interjera dominanti, nevis tikai dekorat\u012bvu nieci\u0146u. Kolekcion\u0101ri un interjera dizaineri mekl\u0113 tie\u0161i \u0161\u0101da veida ori\u0123in\u0101l\u0101s \u0123ip\u0161a formas k\u0101 autentiskus 19. gs. beigu \u2014 20. gs. s\u0101kuma m\u0101ksliniecisk\u0101s kult\u016bras lieciniekus. “Baigneuse” mot\u012bvs ir viens no m\u016b\u017e\u012bgajiem Eiropas plastikas kanoniem \u2014 no Falconet l\u012bdz Rodinam \u2014, un \u0161\u012b fig\u016bra to turpina ar cie\u0146u.<\/p>\n
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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
Fig\u016bra harmoniski iek\u013caujas klasiskos, eklektiskos un pat modernos skandin\u0101vu vai jap\u0101\u0146u minim\u0101lisma interjeross \u2014 balt\u0101 kr\u0101sa un t\u012br\u0101s formas to padara univers\u0101lu. Ide\u0101li novietojama uz marmora, akmens vai koka piedest\u0101la viesistab\u0101, bibliot\u0113k\u0101, gu\u013camistab\u0101 vai uz terases. Fotogr\u0101fi un stilisti to izmanto k\u0101 mugurpl\u0101na elementu modes vai interjera uz\u0146\u0113mumos \u2014 balts \u0123ipsis uz \u0137ie\u0123e\u013cu sienas vai tum\u0161a fona rada izsmalcin\u0101tu kontrastu. Interjera dizaineriem t\u0101 kalpo k\u0101 “enkurs” \u2014 telpu nolas\u0101ms m\u0101ksliniecisk\u0101s atsauces punkts ar kult\u016brv\u0113sturisku dzi\u013cumu.<\/p>\n
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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n
\u0160\u012b fig\u016bra ir izsmalcin\u0101ta un p\u0101rlaic\u012bga d\u0101vana cilv\u0113kiem ar est\u0113tisku pasaules uztveri \u2014 m\u0101ksliniekiem, arhitektiem, interjera dizaineriem, kult\u016bras un m\u0101kslas jomas profesion\u0101\u013ciem. T\u0101 ir ar\u012b reprezentat\u012bva korporat\u012bva d\u0101vana vad\u012bt\u0101jiem un ambasadoru vai augst\u0101k\u0101 l\u012bme\u0146a diplom\u0101tijas kontekst\u0101 \u2014 klasisks skaistums bez laika robe\u017e\u0101m run\u0101 vis\u0101s valod\u0101s. Sievietes fig\u016bra ar peld\u0113\u0161an\u0101s mot\u012bvu simboliski sasaucas ar \u016bdens, atjaunotnes un m\u016b\u017e\u012bg\u0101 skaistuma t\u0113m\u0101m \u2014 piem\u0113rota ar\u012b k\u0101 d\u0101vana k\u0101zu, jubilejas vai citu noz\u012bm\u012bgu dz\u012bves pagriezienpunktu atz\u012bm\u0113\u0161anai.<\/p>\n
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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
Skulpt\u016bra kopum\u0101 lab\u0101 un stabil\u0101 st\u0101vokl\u012b, ar glud\u0101m, nesaboj\u0101t\u0101m form\u0101m. Uz mugurpuses virsmas redzamas vair\u0101kas kr\u0101sas plankumu p\u0113das \u2014 iesp\u0113jams no uzglab\u0101\u0161anas vai iepriek\u0161\u0113jas ekspoz\u012bcijas \u2014 kas ir virspus\u0113jas un neskar skulpt\u016bras struktur\u0101lo integrit\u0101ti. Pamatne neskartu formu. Nav konstat\u0113ti l\u016bzumi vai restaur\u0101cijas paz\u012bmes redzamaj\u0101s virsm\u0101s. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/h3>\n
Female Figure \u2014 “La Baigneuse” (The Bather) \u2014 Neoclassicism, Europe, circa 1880\u20131920<\/h2>\n
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\ud83d\udcd0 DIMENSIONS<\/strong> Height: 63 cm. Width: 18 cm. Material: fine-grain artist’s plaster (pl\u00e2tre d’artiste) with a glazed surface finish.<\/p>\n
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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE AND HISTORICAL CONTEXT<\/strong><\/p>\n
This sculpture belongs to the late 19th to early 20th century neoclassical tradition, which experienced a powerful revival across Europe as an elegant counterreaction to the industrial age \u2014 art returning to the antique philosophy of beauty, celebrating harmony, serene dignity, and the divine proportionality of the human form. The figure depicts a young woman emerging from or preparing to enter the water \u2014 the so-called “baigneuse” theme, which was enormously popular in Western European sculpture following \u00c9tienne-Maurice Falconet’s celebrated 1757 original “La Baigneuse,” first executed at the S\u00e8vres manufactory and considered one of the most iconic female figures of the 18th century. This example is a late 19th or early 20th century interpretation or reproduction in that tradition \u2014 exhibiting the characteristic inclined head, braided upswept coiffure, drapery gathered around the thighs, and the gentle S-curve of the body. The plaster medium and glazed surface treatment are consistent with the industrial sculptural reproduction tradition that spread across Europe as an accessible alternative to marble originals.<\/p>\n
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\u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n
The underside of the base bears no clear manufacturer’s mark \u2014 the surface shows unfinished plaster with a faint impression that may be a worn or incomplete maker’s stamp. Stylistically and materially, this figure corresponds to the so-called atelier-type or acad\u00e9mique reproduction tradition, which was widespread in France, Italy, Belgium and Germany during the second half of the 19th century and into the early 20th. Such sculptures were produced in sculptors’ workshops and artistic craft establishments that supplied bourgeois interiors, cultural institutions, and educational spaces with reproductions of classical works \u2014 they were the means by which the European middle class could participate in the aesthetic world of high culture. Many such figures were cast from plasters taken directly from works in the S\u00e8vres collection, the Louvre, or the studios of leading academic sculptors.<\/p>\n
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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
Plaster sculptures of this size and quality \u2014 with refined facial and hair modelling, a glazed surface, and well-preserved neoclassical proportions \u2014 have become considerably rare. The majority of such pieces have been damaged or lost over the course of a century. At 63 cm in height, this example is a commanding presence \u2014 a true interior focal point rather than a minor decorative object. Collectors and interior designers actively seek precisely these kinds of original plaster forms as authentic witnesses to the artistic culture of the late 19th and early 20th centuries. The “baigneuse” motif is one of the eternal canons of European sculpture \u2014 from Falconet to Rodin \u2014 and this figure carries that tradition with grace and authority.<\/p>\n
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\ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n
The figure integrates harmoniously into classical, eclectic, and even modern Scandinavian or Japanese minimalist interiors \u2014 its white tonality and pure forms make it remarkably versatile. It is ideally placed on a marble, stone or wooden pedestal in a drawing room, library, bedroom, or on a terrace. Photographers and stylists use such pieces as background elements in fashion and interior shoots \u2014 white plaster against a brick wall or dark background creates a refined and sophisticated contrast. For interior designers, it serves as a cultural anchor: a visually readable reference point with genuine historical depth.<\/p>\n
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\ud83c\udf81 GIFT AND PERSONALISATION<\/strong><\/p>\n
This figure is a refined and timeless gift for those with an aesthetic sensibility \u2014 artists, architects, interior designers, and professionals in the cultural and creative fields. It is equally appropriate as a distinguished corporate gift at the level of senior executives, ambassadors, or high-level diplomatic contexts \u2014 classical beauty without temporal boundaries speaks to every culture. The female figure with its bathing motif carries symbolic resonance with themes of water, renewal, and eternal beauty, making it a meaningful gift for weddings, anniversaries, or other significant life milestones.<\/p>\n
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\ud83d\udd0d CONDITION<\/strong><\/p>\n
The sculpture is in generally good and stable condition, with smooth and unbroken forms. Several paint transfer marks are visible on the rear surface \u2014 likely from storage or previous display conditions \u2014 which are entirely superficial and do not affect the sculptural integrity or structural stability of the piece. The base is intact. No fractures or signs of restoration are apparent on the visible surfaces. The condition of the piece is fully reflected in the photographs.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\ud83d\udcd0 IZM\u0112RI Augstums: 63 cm. Platums: 18 cm. Materi\u0101ls: smalkgraudains m\u0101kslinieku \u0123ipsis ar glaz\u0113tu virsmas apstr\u0101di. \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015 Sievietes fig\u016bra \u2014<\/p>\n","protected":false},"featured_media":17848,"template":"","meta":[],"product_brand":[],"product_cat":[232,204],"product_tag":[],"class_list":["post-17847","product","type-product","status-publish","has-post-thumbnail","product_cat-figuras-2","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/17847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/17848"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=17847"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=17847"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=17847"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=17847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}