\ud83d\udcd0 IZM\u0112RI<\/strong> Augstums: 68 cm (kop\u0101 ar melno \u0123ip\u0161a pamatni). Platums: 14 cm. Materi\u0101ls: smalkgraudains m\u0101kslinieku \u0123ipsis ar mat\u0113tu virsmas apstr\u0101di. Pamatne: melns lakots \u0123ipsis ar profil\u0113tu moldingu.<\/p>\n

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Venera ar tualetes galdi\u0146u \u2014 “V\u00e9nus \u00e0 sa toilette” \u2014 Neoklasicisms, Eiropa, ap 1880.\u20131920. Z\u012bmogs: B.S. 59<\/h2>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
\u0160\u012b fig\u016bra att\u0113lo Veneru pie tualetes galdi\u0146a<\/strong> \u2014 vienu no neoklasicisma m\u012b\u013c\u0101kaj\u0101m t\u0113m\u0101m, kur\u0101 m\u012blest\u012bbas un skaistuma dieviete tiek satverta int\u012bm\u0101, cilv\u0113ciski tuvin\u0101t\u0101 br\u012bd\u012b: vi\u0146a sak\u0101rtojasi matus vai t\u0113rpjas, v\u0113l pusapkl\u0101ta ar dr\u0101p\u0113tu ap\u0123\u0113rbu, kas gludi kr\u012bt gar aug\u0161stilbiem. Fig\u016bra st\u0101v pie klasiska tualetes galdi\u0146a ar reljefa rot\u0101jumu \u2014 tie\u0161a atsauce uz ant\u012bk\u0101s pasaules ikdieni\u0161\u0137o ritu\u0101lu, kas neoklasicism\u0101 ieguva dievi\u0161\u0137o cie\u0146u. Greznie sav\u012btie mati, rot\u0101ti ar lent\u012bti un spr\u0101dzi, ir \u0101rk\u0101rt\u012bgi r\u016bp\u012bgi izstr\u0101d\u0101ti \u2014 no aizmugures redzamais matu sak\u0101rtojums ar spir\u0101lveida cirtskul\u0101m ir \u0161\u012bs fig\u016bras vizu\u0101li iespaid\u012bg\u0101kais elements un liecina par augstu skulptora prasmi. \u0136erme\u0146a plastika \u2014 elegantais S-veida l\u012bkums, vieglais so\u013ca pagrieziens \u2014 atsaucas uz Antonio Canova<\/strong> un vi\u0146a sekot\u0101ju est\u0113tiku, kur\u0101 ant\u012bkais ide\u0101ls sapludina dievi\u0161\u0137o un cilv\u0113cisko vien\u0101 harmonisk\u0101 t\u0113l\u0101.<\/p>\n
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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n
Uz \u0123ip\u0161a pamatnes malas skaidri iespiestas inici\u0101\u013ci un numurs: B.S. 59<\/strong>. \u0160is ir t\u0101s pa\u0161as ra\u017eotnes z\u012bmogs, kas fiks\u0113ts ar\u012b citos \u0161\u012bs s\u0113rijas eksempl\u0101ros \u2014 B.S.<\/strong> (iesp\u0113jams, it\u0101\u013cu vai fran\u010du skulpt\u016bru darbn\u012bca) ar katalogu numuriem 56, 59 un citiem, liecinot par organiz\u0113tu, pla\u0161u ra\u017eo\u0161anas programmu ar vair\u0101kiem modelis. Pamatnes aizmugur\u0113 pie k\u0101j\u0101m redzams ar\u012b neliels taisnst\u016bra kartu\u0161s ar ornament\u0101lu reljefa rakstu \u2014 iesp\u0113jams, papildu manufakt\u016bras vai mode\u013ca z\u012bme. \u0160\u0101das apz\u012bm\u0113t\u0101s s\u0113rijas ir kolekcion\u0101riski noz\u012bm\u012bg\u0101kas par anon\u012bmajiem eksempl\u0101riem, jo \u013cauj sal\u012bdzin\u0101t un identific\u0113t izcelsmi. Melno lakoto koka pamatni var uzskat\u012bt par v\u0113l\u0101ku pievienojumu \u2014 rakstur\u012bgu 20. gs. pirmajam ceturksnim, kad klasisk\u0101s fig\u016bras tika prezent\u0113tas uz kontrastain\u0101m pamatn\u0113m, lai uzsv\u0113rtu skulpt\u016bras baltumu.<\/p>\n
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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
“Venera pie tualetes” ir viens no Eiropas skulpt\u016bras kanoniskajiem mot\u012bviem \u2014 no Ticiana glezn\u0101m l\u012bdz Canova marmora t\u0113liem un visu 19. gs. akad\u0113misma trad\u012bcijai. \u0160\u0101da izm\u0113ra \u0123ip\u0161a reprodukcijas ar \u0101rk\u0101rt\u012bgi r\u016bp\u012bgi izstr\u0101d\u0101tu matu skulpt\u016bru aizmugur\u0113, saglab\u0101tu tualetes galdi\u0146a elementu pie k\u0101j\u0101m, skaidru z\u012bmogu un melno koka pamatni komplekt\u0101 ir iev\u0113rojami retas. Augstums 68 cm padara \u0161o fig\u016bru par domin\u0113jo\u0161u interjera akcentu. Matu aizmugur\u0113jais skats ar spir\u0101lveida, v\u0113dek\u013cveida cirtskul\u0101m ir \u0161\u0101 konkr\u0113t\u0101 eksempl\u0101ra \u012bpa\u0161a v\u0113rt\u012bba \u2014 liel\u0101k\u0101 da\u013ca kolekcion\u0101ru un interjera fotogr\u0101fu to atz\u012bst par vienu no fig\u016bras skaist\u0101kajiem skatpunktiem.<\/p>\n
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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
Fig\u016bra harmoniski iek\u013caujas gan klasiski elegant\u0101, gan modern\u0101 interjer\u0101 \u2014 balta skulpt\u016bra uz melnas pamatnes ir pati par sevi piln\u012bga kompoz\u012bcija, kas neprasa papildu dekorat\u012bvus elementus. Ide\u0101la novieto\u0161ana: sievietes gu\u013camistabas tualetes zona vai spogu\u013ca tuvum\u0101, salon\u0101 uz k\u0101jas galda, spa vai skaistumkop\u0161anas kabinetu uzgaid\u0101maj\u0101 telp\u0101, k\u0101 ar\u012b arhitektu un dizaineru biroja uzgaid\u0101maj\u0101s telp\u0101s. Aizmugur\u0113jais skatpunkts ar apbr\u012bnojamo matu skulpt\u016bru ir \u012bpa\u0161i piem\u0113rots fotogr\u0101fijas uz\u0146\u0113mumiem \u2014 smar\u017eu, juvelierizstr\u0101d\u0101jumu un modes brendu rekl\u0101mmater\u0101liem.<\/p>\n
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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n
Venera \u2014 m\u012blest\u012bbas, skaistuma un femin\u012bn\u0101s gr\u0101cijas arhetips \u2014 ir izsmalcin\u0101ta d\u0101vana sieviet\u0113m ar augstu est\u0113tisko kult\u016bru: m\u0101ksliniec\u0113m, modei, interjeram vai skaistumkop\u0161anai velt\u012bt\u0101m profesion\u0101l\u0113m. K\u0101 reprezentat\u012bva korporat\u012bva d\u0101vana t\u0101 der luksusa, smar\u017eu, juvelierizstr\u0101d\u0101jumu un mode industrijas uz\u0146\u0113mumu vad\u012bt\u0101jiem. Augst\u0101k\u0101 sabiedrisk\u0101 vai diplom\u0101tisk\u0101 l\u012bmen\u012b Veneras t\u0113ls ir univers\u0101li paz\u012bstams Eiropas civiliz\u0101cijas simbols \u2014 piem\u0113rots gan k\u0101 person\u012bga, gan reprezentat\u012bva d\u0101vana.<\/p>\n
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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
Skulpt\u016bra lab\u0101 un stabil\u0101 st\u0101vokl\u012b. \u0122ip\u0161a virsma bez l\u016bzumiem redzamaj\u0101s front\u0101laj\u0101s da\u013c\u0101s. Uz mugurpuses aug\u0161stilbu zon\u0101 redzama neliela \u0123ip\u0161a atpl\u0113suma vieta \u2014 virspus\u0113js boj\u0101jums, kas neskar skulpt\u016bras struktur\u0101lo integrit\u0101ti. Meln\u0101 \u0123ip\u0161a pamatne ar nelieliem balt\u0101s kr\u0101sas nopl\u0113sumiem pie apak\u0161\u0113j\u0101s malas \u2014 uzskat\u0101mi redzami fotogr\u0101fij\u0101. Z\u012bmogs B.S. 59<\/strong> skaidri salas\u0101ms. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/h3>\n
Venus at Her Dressing Table \u2014 “V\u00e9nus \u00e0 sa toilette” \u2014 Neoclassicism, Europe, circa 1880\u20131920. Mark: B.S. 59<\/h2>\n
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\ud83d\udcd0 DIMENSIONS<\/strong> Height: 68 cm (including the black wooden base). Width: 14 cm. Material: fine-grain artist’s plaster with a matte surface finish. Base: black lacquered plaster with profiled moulding.<\/p>\n
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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE AND HISTORICAL CONTEXT<\/strong><\/p>\n
This figure depicts Venus at her dressing table<\/strong> \u2014 one of the most beloved subjects in neoclassical sculpture, in which the goddess of love and beauty is captured in an intimate, humanised moment: arranging her hair or dressing, still half-draped in fabric that falls gracefully around her thighs. The figure stands beside a classical dressing table with relief decoration \u2014 a direct reference to the everyday rituals of the ancient world, elevated by neoclassicism to divine dignity. The elaborately arranged hair, decorated with a ribbon and clasp, is executed with exceptional care: the view from the rear, with its spiralling, fan-like curls, is the most visually striking element of this figure and speaks to a high level of sculptural skill. The body’s plasticity \u2014 the elegant S-curve, the slight turn of the step \u2014 echoes the aesthetic of Antonio Canova<\/strong> and his followers, in which the antique ideal fuses the divine and the human into a single harmonious form.<\/p>\n
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\u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n
Clearly impressed on the rim of the plaster base are the initials and number: B.S. 59<\/strong>. This is the same maker’s mark recorded on other examples in this series \u2014 B.S.<\/strong> (likely an Italian or French sculptural workshop) with catalogue numbers 56, 59, and others, indicating an organised and extensive production programme comprising multiple models. On the rear of the base near the feet, a small rectangular cartouche with an ornamental relief design is also visible \u2014 possibly an additional manufactory or model mark. Such numbered series are of greater collector interest than anonymous examples, as they allow for comparative study and origin identification. The black lacquered wooden base is likely a later addition, characteristic of the first quarter of the 20th century, when classical figures were frequently presented on contrasting plinths to emphasise the whiteness of the sculpture above.<\/p>\n
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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
“Venus at her toilet” is one of the canonical motifs of European sculpture \u2014 from the paintings of Titian to the marble works of Canova and the entire academic tradition of the 19th century. Plaster reproductions of this scale, with exceptionally detailed hair sculpture viewed from the rear, the dressing table element preserved at the feet, a clear maker’s stamp, and the black wooden base included as a set, are considerably rare. At 68 cm in height, this figure commands attention as a dominant interior accent. The rear view of the coiffure \u2014 with its spiralling, fan-shaped curls \u2014 is a particular value of this specific example: most collectors and interior photographers identify it as one of the figure’s most beautiful viewpoints.<\/p>\n
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\ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n
The figure integrates harmoniously into both classically elegant and modern interiors \u2014 a white sculpture on a black base is in itself a complete composition, requiring no additional decorative elements. Ideal placement: a feminine bedroom dressing area or near a mirror, in a salon on a side table, in the waiting area of a spa or beauty studio, and in the reception rooms of architects’ and designers’ offices. The rear viewpoint with its extraordinary coiffure sculpture is particularly suited to photography \u2014 for fragrance, jewellery, and fashion brand campaigns.<\/p>\n
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\ud83c\udf81 GIFT AND PERSONALISATION<\/strong><\/p>\n
Venus \u2014 the archetype of love, beauty, and feminine grace \u2014 is a refined gift for women of high aesthetic culture: artists, and professionals dedicated to fashion, interior design, or the beauty industry. As a distinguished corporate gift, she is ideal for leaders in the luxury, fragrance, jewellery, and fashion sectors. At the highest social or diplomatic level, the figure of Venus is a universally recognised symbol of European civilisation \u2014 equally appropriate as a personal or representative gift.<\/p>\n
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\ud83d\udd0d CONDITION<\/strong><\/p>\n
The sculpture is in good and stable condition. The plaster surface shows no fractures on the visible frontal areas. A small surface chip is visible on the rear in the upper thigh area \u2014 a superficial mark that does not affect the structural integrity of the piece. The black plaster base shows minor white paint losses along its lower edge, clearly visible in the photographs. The mark B.S. 59<\/strong> is cleanly legible. The condition of the piece is fully reflected in the photographs.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\ud83d\udcd0 IZM\u0112RI Augstums: 68 cm (kop\u0101 ar melno \u0123ip\u0161a pamatni). Platums: 14 cm. Materi\u0101ls: smalkgraudains m\u0101kslinieku \u0123ipsis ar mat\u0113tu virsmas<\/p>\n","protected":false},"featured_media":17792,"template":"","meta":[],"product_brand":[],"product_cat":[232,204],"product_tag":[],"class_list":["post-17791","product","type-product","status-publish","has-post-thumbnail","product_cat-figuras-2","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/17791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/17792"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=17791"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=17791"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=17791"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=17791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}