\ud83d\udcd0 IZM\u0112RI<\/strong><\/p>\n

Augstums: 60,5 cm. Platums: aptuveni 21 cm. Svars: iev\u0113rojams \u2014 mas\u012bvs m\u0101kslinieciskais \u0123ipsis ar apa\u013cu profiletu pamatni. Fig\u016bra veidota k\u0101 apjom\u012bga skulpt\u016bra ar pilnv\u0113rt\u012bgu apa\u013cu skatu no visiem le\u0146\u0137iem.<\/p>\n

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Jauna Sieviete ar Ziedu Grozu \u2014 Idilliskais \u017danrs, Francija, ap 1870.\u20131900.<\/h2>\n
\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
\u0160\u012b fig\u016bra pieder Fran\u010du Idillisk\u0101 \u017danra<\/strong> (genre sentimental<\/em>) trad\u012bcijai \u2014 vienam no 19. gadsimta otr\u0101s puses popul\u0101r\u0101kajiem un m\u012b\u013c\u0101kajiem m\u0101kslas virzieniem, kas Par\u012bz\u0113 uzplauka Napoleona III Otr\u0101s Imp\u0113rijas laik\u0101 un turpin\u0101j\u0101s Tre\u0161\u0101s Republikas pirmaj\u0101s desmitgad\u0113s. \u0160aj\u0101 period\u0101 Par\u012bzes Salons katru gadu prezent\u0113ja simtiem skulpt\u016bru ar meiten\u0113m, b\u0113rniem, zemnieku sieviet\u0113m un pastor\u0101liem t\u0113liem \u2014 un tie\u0161i \u0161\u0101di darbi guva visliel\u0101ko popularit\u0101ti pla\u0161as augst\u0101k\u0101s bur\u017eu\u0101zijas vid\u016b, kas sav\u0101s m\u0101j\u0101s v\u0113l\u0113j\u0101s ne varon\u012bgas allegorijas, bet dz\u012bves maiguma un ikdienas dzejas iemiesojumu<\/strong>.<\/p>\n
Jaun\u0101 sieviete s\u0113dus poz\u0101 ar ziedu grozu rok\u0101s ir viena no \u0161\u012b \u017eanra kanoniskaj\u0101m ain\u0101m \u2014 t\u0101 apvieno vair\u0101kus iem\u012b\u013cotus elementus: b\u0113rni\u0161\u0137\u012bgo t\u012br\u012bbu<\/strong> (meitenes seja ir gandr\u012bz b\u0113rna seja), dabas kl\u0101tb\u016btni<\/strong> (ziedi, putni pie k\u0101j\u0101m), br\u012bv\u0101 laika pastoralit\u0101ti<\/strong> un pietic\u012bgo, tom\u0113r c\u0113lo sievi\u0161\u0137\u012bbu<\/strong>. Fig\u016bras kompoz\u012bcija ir izsv\u0113rta un harmoniska \u2014 s\u0113dus poza uz akme\u0146ainas virsmas, nedaudz uz priek\u0161u noliecies \u0137ermenis, skatiens v\u0113rsts uz grozu rok\u0101s \u2014 t\u0101 ir laimes un miera ainas skulptur\u0101ls iemiesojums.<\/p>\n
Aizmugur\u0113 uz muguras redzams mazs iespiestas eti\u0137etes vai z\u012bmoga paliekas \u2014 iesp\u0113jams ra\u017eot\u0101ja vai ateliers mar\u0137\u0113jums, kas nav piln\u012bgi nolas\u0101ms, bet apliecina priek\u0161meta profesion\u0101lu izcelsmi.<\/p>\n
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\u269c\ufe0f RA\u017dOT\u0100JS UN STILISTISK\u0100 PIEDER\u012aBA<\/strong><\/p>\n
Fotogr\u0101fij\u0101s piln\u012bb\u0101 nolas\u0101ms ra\u017eot\u0101ja z\u012bmogs nav redzams, ta\u010du fig\u016bras veido\u0161anas tehnolo\u0123ija \u2014 m\u0101kslinieciskais \u0123ipsis ar smalku virsmas apstr\u0101di un profiletu pamatni \u2014 nor\u0101da uz profesion\u0101lu Par\u012bzes vai liel\u0101s Francijas provinces m\u0101kslas darbn\u012bcu. 19. gadsimta otraj\u0101 pus\u0113 Francij\u0101 darboj\u0101s specializ\u0113tas ateliers de sculpture en pl\u00e2tre<\/strong>, kas reproduc\u0113ja popul\u0101ras Salona skulpt\u016bras pla\u0161am bur\u017eu\u0101ziskajam tirgum \u2014 \u0123ip\u0161a reprodukcijas bija pieejam\u0101ks un demokr\u0101tisk\u0101ks m\u0101kslas darbu ieg\u016b\u0161anas veids, kas \u013c\u0101va ar\u012b vidus\u0161\u0137iras namiem rot\u0101ties ar Salona m\u0101kslas t\u0113liem. \u0160\u0101di priek\u0161meti tika p\u0101rdoti caur m\u0101kslas veikaliem, b\u0101z\u0101riem un tie\u0161ajiem ateliers pas\u016bt\u012bjumiem.<\/p>\n
Fig\u016bras t\u0113ma \u2014 jauna sieviete ar ziedu grozu un putniem \u2014 ir sasaucama ar daudziem 19. gadsimta Francijas skulptoriem, kuri str\u0101d\u0101ja idillisk\u0101 \u017eanr\u0101, tostarp Albert-Ernest Carrier-Belleuse<\/strong>, Mathurin Moreau<\/strong> un vi\u0146u laikabiedru trad\u012bcij\u0101.<\/p>\n
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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
Labi saglab\u0101tas Francijas 19. gadsimta idillisk\u0101 \u017eanra \u0123ip\u0161a fig\u016bras \u2014 ar piln\u012bgu sejas plastikas kvalit\u0101ti, detaliz\u0113tu groza, ziedu un putniem tekst\u016bru un neskartu balto virsmu \u2014 antikv\u0101ru tirg\u016b par\u0101d\u0101s arvien ret\u0101k. Liel\u0101k\u0101 da\u013ca \u0161\u0101du priek\u0161metu laika gait\u0101 ir boj\u0101ti vai restaur\u0113ti. \u0160is eksempl\u0101rs saglab\u0101jies iev\u0113rojami ori\u0123in\u0101l\u0101 st\u0101vokl\u012b. Kolekcion\u0101ri, kuri mekl\u0113 Francijas \u017eanra skulpt\u016bru ar romantisk\u0101s ikdienas est\u0113tiku, \u0161\u0101du priek\u0161metu augstu v\u0113rt\u0113.<\/p>\n
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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
\u0160\u012b fig\u016bra ir ide\u0101la interjera elementa izm\u0113rs un raksturs \u2014 t\u0101 ir pietiekami liela, lai k\u013c\u016btu par kam\u012bna plaukta, konsol\u012btes vai bibliot\u0113kas galda kulmin\u0101cijas punktu, bet pietiekami mier\u012bga un maiga, lai nekonkur\u0113tu ar p\u0101r\u0113jo. Klasiskos, romantiskos un Proven\u00e7as stil\u0101 iek\u0101rtotos interejros t\u0101 darbojas k\u0101 harmonisks papildin\u0101jums \u2014 balts \u0123ipsis uz koka, akmens vai tekstila fona rada to fran\u010du maison de campagne skaistumu, ko nav iesp\u0113jams nopirkt par naudu \u2014 tikai atrast. Laikmet\u012bgos minim\u0101listiskos interejros balts, kluss t\u0113ls uz t\u012bras sienas k\u013c\u016bst par sp\u0113c\u012bgu pazi\u0146ojumu. Interjera, modes un portreta fotogr\u0101fij\u0101 \u0161\u0101da fig\u016bra ir nenov\u0113rt\u0113jams props \u2014 t\u0101 kadram pie\u0161\u0137ir fran\u010du romantisma gaisotni.<\/p>\n
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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n
Jauna sieviete ar ziediem \u2014 prieka, jaun\u012bbas, dabas un sievi\u0161\u0137\u012bg\u0101s \u017e\u0113last\u012bbas simbols \u2014 ir izcila d\u0101vana sievietei jebkur\u0101 vecum\u0101. T\u0101 der k\u0101 personaliz\u0113ta un kult\u016brv\u0113sturiski noz\u012bm\u012bga d\u0101vana k\u0101z\u0101m, dzim\u0161anas dienai, m\u0101tes dienai un jebkuram iem\u012b\u013cotam br\u012bdim, kur\u0101 v\u0113laties pateikt \u2014 tu esi skaistums un maigums pasaul\u0113. M\u0101kslas cien\u012bt\u0101jiem un Francijas kult\u016bras entuziastiem t\u0101 ir d\u0101vana, kas run\u0101 par laiku, kad m\u0101ksla un ikdiena bija viens.<\/p>\n
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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
Fig\u016bra saglab\u0101jusies lab\u0101 visp\u0101r\u0113j\u0101 st\u0101vokl\u012b. Balt\u0101 \u0123ip\u0161a virsma ir t\u012bra un bez lieliem boj\u0101jumiem \u2014 viet\u0101m redzamas nelielas skaidas un virsmas nolietojuma p\u0113das, kas atbilst priek\u0161meta vecumam. Aizmugur\u0113 uz muguras zona uzr\u0101da nelielu eti\u0137etes vai z\u012bmoga paliekas \u2014 t\u0101s nav vizu\u0101li trauc\u0113jo\u0161as. Pamatnes apak\u0161da\u013c\u0101 redzama dab\u012bga apkopjamo materi\u0101lu tekst\u016bra ar vair\u0101kiem s\u012bkiem caurumi\u0146iem \u2014 tipiska \u0161\u0101da vecuma \u0123ip\u0161a l\u0113jumiem. Sejas plastika, matu deta\u013cas, groza tekst\u016bra un putni pie k\u0101j\u0101m saglab\u0101ju\u0161ies prec\u012bzi. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n
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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n
Young Woman with Flower Basket \u2014 Idyllic Genre, France, circa 1870\u20131900<\/strong><\/p>\n
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\ud83d\udcd0 DIMENSIONS<\/strong><\/p>\n
Height: 60.5 cm. Width: approximately 21 cm. Weight: substantial \u2014 a solid artistic plaster cast with a round profiled base. The figure is conceived as a fully sculptural work, viewable from all angles.<\/p>\n
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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n
This figure belongs to the French Idyllic Genre<\/strong> (genre sentimental<\/em>) tradition \u2014 one of the most popular and beloved artistic movements of the second half of the 19th century, which flourished in Paris during Napoleon III’s Second Empire and continued through the early decades of the Third Republic. During this period, the Paris Salon annually presented hundreds of sculptures depicting girls, children, peasant women and pastoral subjects \u2014 and it was precisely these works that achieved the greatest popularity among the broad upper bourgeoisie, who sought in their homes not heroic allegories but an embodiment of life’s tenderness and the poetry of everyday existence<\/strong>.<\/p>\n
A young woman in a seated pose with a basket of flowers is one of the canonical scenes of this genre \u2014 combining several beloved elements: childlike purity<\/strong> (the girl’s face is almost a child’s), the presence of nature<\/strong> (flowers, birds at her feet), pastoral leisure<\/strong> and modest yet noble femininity<\/strong>. The figure’s composition is balanced and harmonious \u2014 a seated pose on a rocky surface, the body inclined slightly forward, the gaze directed toward the basket in her hands \u2014 a sculptural embodiment of a scene of happiness and peace.<\/p>\n
On the reverse of the figure, small remnants of a pressed label or stamp are visible \u2014 a probable maker’s or atelier mark that is not fully legible, but confirms a professional provenance.<\/p>\n
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\u269c\ufe0f MAKER AND STYLISTIC ATTRIBUTION<\/strong><\/p>\n
No fully legible maker’s stamp is visible in the photographs; however, the construction of the figure \u2014 artistic plaster with refined surface treatment and a profiled base \u2014 points to a professional Parisian or major French provincial art workshop. In the second half of the 19th century, France was home to specialised ateliers de sculpture en pl\u00e2tre<\/em> that reproduced popular Salon sculptures for the broad bourgeois market \u2014 plaster reproductions were a more accessible and democratic means of acquiring art, allowing middle-class households to decorate their homes with Salon subjects. Such pieces were sold through art shops, bazaars and direct atelier commissions.<\/p>\n
The figure’s subject \u2014 a young woman with a flower basket and birds \u2014 is closely associated with many 19th-century French sculptors working in the idyllic genre, including the tradition of Albert-Ernest Carrier-Belleuse<\/strong>, Mathurin Moreau<\/strong> and their contemporaries.<\/p>\n
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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
Well-preserved French 19th-century idyllic genre plaster figures \u2014 with complete facial sculptural quality, detailed basket, flower and bird textures and an intact white surface \u2014 appear on the antiques market with increasing rarity. The great majority of such pieces have been damaged or restored over time. This example survives in a remarkably original state. Collectors seeking French genre sculpture with a romantic everyday aesthetic hold such pieces in high regard.<\/p>\n
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\ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n
This figure is the ideal scale and character for an interior element \u2014 large enough to become the focal point of a mantelpiece, console or library table, yet sufficiently quiet and gentle not to compete with its surroundings. In classical, romantic and Proven\u00e7al-style interiors it functions as a harmonious complement \u2014 white plaster against a backdrop of wood, stone or textile creates that French maison de campagne<\/em> beauty that cannot be bought for money \u2014 only found. In contemporary minimalist interiors, a white, quiet figure against a clean wall becomes a powerful statement. In interior, fashion and portrait photography, such a figure is an invaluable prop \u2014 it lends a frame the atmosphere of French Romanticism.<\/p>\n
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\ud83c\udf81 AS A GIFT AND PERSONALISATION<\/strong><\/p>\n
A young woman with flowers \u2014 a symbol of joy, youth, nature and feminine grace \u2014 is an outstanding gift for a woman of any age. It is well suited as a personalised and culturally significant gift for weddings, birthdays, Mother’s Day and any cherished occasion where you wish to say: you are beauty and tenderness in the world. For art lovers and enthusiasts of French culture, it is a gift that speaks of a time when art and everyday life were one.<\/p>\n
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\ud83d\udd0d CONDITION<\/strong><\/p>\n
The figure survives in good overall condition. The white plaster surface is clean and free of major damage \u2014 minor chips and surface wear are visible in places, consistent with the piece’s age. On the reverse of the figure, small remnants of a label or stamp are visible on the back \u2014 not visually intrusive. The underside of the base displays the natural texture of the cast material with several small air holes \u2014 typical of plaster casts of this age. The facial sculpture, hair detailing, basket texture and birds at the feet are all preserved precisely. The condition of the piece is fully reflected in the photographs.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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