﻿{"id":17478,"date":"2023-04-20T08:32:35","date_gmt":"2023-04-20T05:32:35","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=17478"},"modified":"2026-09-07T22:14:47","modified_gmt":"2026-09-07T19:14:47","slug":"4006","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/4006\/","title":{"rendered":"Lab\u012bbas v\u0101c\u0113ja jeb &#8220;Vasara&#8221; \u2014 \u010cetru gadalaiku alegorija \u2014 Historicisms \/ Neoklasicisms, Eiropa, ap 1880.\u20131920. Fig\u016bra ar Kolonnu, \u013boti Smaga, Vid\u0113ja Izm\u0113ra (4006)"},"content":{"rendered":"<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83d\udcd0 IZM\u0112RI<\/strong> Kop\u0113jais augstums ar kolonnu: aptuveni 133,5 cm. Fig\u016bra: augstums 76,5 cm, platums ~34 cm. Kolonna: augstums 57 cm, platums 25 cm. Konstrukcija divda\u013c\u012bga \u2014 fig\u016bra un kolonna nodal\u0101mi. Materi\u0101ls: smalkgraudains \u0123ip\u0161betons vai cementbetona mais\u012bjums, speci\u0101li piem\u0113rots \u0101ra apst\u0101k\u013ciem. \u013boti smaga.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<h2 class=\"text-text-100 mt-3 -mb-1 text-[1.375rem] font-bold\">Lab\u012bbas v\u0101c\u0113ja jeb &#8220;Vasara&#8221; \u2014 \u010cetru gadalaiku alegorija \u2014 Historicisms \/ Neoklasicisms, Eiropa, ap 1880.\u20131920. \u0100ra un interjera skulpt\u016bra ar dekorat\u012bvo kolonnu<\/h2>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u0160\u012b skulpt\u016bra pieder Eiropas historicisma un neoklasicisma trad\u012bcijai, kas 19. gs. otraj\u0101 pus\u0113 un 20. gs. s\u0101kum\u0101 rad\u012bja grandiozu dekorat\u012bv\u0101s plastikas produkciju parkos, villu d\u0101rzos, publiskos laukumos un reprezentat\u012bvo m\u0101ju fas\u0101d\u0113s. Fig\u016bra att\u0113lo <strong>jaunu zemnieces tipa sievieti ar lab\u012bbas k\u016bl\u012bti<\/strong> \u2014 klasisko <strong>&#8220;Vasaras&#8221; jeb &#8220;Ceres&#8221;<\/strong> alegorisko t\u0113lu no \u010cetru gadalaiku trad\u012bcijas, kas Eiropas m\u0101ksl\u0101 ir m\u016b\u017e\u012bgs mot\u012bvs kop\u0161 ant\u012bk\u0101s Romas laikiem. Fig\u016bras t\u0113rps \u2014 gar\u0101 kleita, priek\u0161auts, darba cepure un kr\u0101\u0161\u0146i sav\u012bti mati s\u0101nos \u2014 nor\u0101da uz Eiropas zemnieces t\u0113lu 18.\u201319. gs. idilliski romantiskaj\u0101 interpret\u0101cij\u0101, kas bija \u012bpa\u0161i popul\u0101ra Francij\u0101 un Be\u013c\u0123ij\u0101, kur lauku dz\u012bves po\u0113tiz\u0101cija k\u013cuva par m\u0101ksliniecisko modi bur\u017eu\u0101zijas aprind\u0101s. Kolonna ar spir\u0101lveida (tordu) ornamentiku, rombu joslu un ziedu girland\u0113m st\u016bru pane\u013cos ir rakstur\u012bgs eklektisk\u0101 historicisma dekorat\u012bvs elements, kas apvieno Renesanses un Baroka mot\u012bvus vien\u0101 reprezentat\u012bv\u0101 form\u0101.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Uz fig\u016bras pamatnes un kolonnas nav konstat\u0113ts skaidrs ra\u017eot\u0101ja z\u012bmogs. Materi\u0101ls \u2014 \u0123ip\u0161betons vai cementbetona mais\u012bjums \u2014 nor\u0101da uz specializ\u0113tu \u0101ra skulpt\u016bru ra\u017eotni, kas str\u0101d\u0101ja p\u0113c d\u0101rzu un parku apdares pas\u016bt\u012bjumiem. 19. gs. beig\u0101s un 20. gs. s\u0101kum\u0101 \u0161\u0101das produkcijas liel\u0101kie centri atrad\u0101s Francij\u0101 (\u012bpa\u0161i Par\u012bzes apk\u0101rtn\u0113), Be\u013c\u0123ij\u0101, V\u0101cij\u0101 un It\u0101lij\u0101. Kolonn\u0101 redzam\u0101 dekorat\u012bv\u0101 programm\u0101 \u2014 tordu kolonnas, rombu joslas, ziedu girlandas \u2014 atpaz\u012bstama Francijas eklektisko d\u0101rzu ornament\u0101cijas valoda, ko populariz\u0113ja t\u0101di uz\u0146\u0113mumi k\u0101 <strong>Val d&#8217;Osne<\/strong> un <strong>Barbezat &amp; Cie<\/strong> \u010duguna un betona skulpt\u016bru ra\u017eo\u0161an\u0101. \u0160\u0101da veida smagas betona skulpt\u016bras tika ra\u017eotas ar\u012b Be\u013c\u0123ij\u0101 un V\u0101cij\u0101 k\u0101 pieejamas un iztur\u012bgas alternat\u012bvas d\u0101rgajam marmora un bronzas parku dekoram.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Piln\u012bgi saglab\u0101jies komplekts \u2014 fig\u016bra kop\u0101 ar ori\u0123in\u0101lo dekorat\u012bvo kolonnu \u2014 ir iev\u0113rojami ret\u0101ks nek\u0101 tikai fig\u016bra vai tikai kolonna atsevi\u0161\u0137i. \u0160\u0101da izm\u0113ra (kop\u0113jais augstums ~133,5 cm) betona skulpt\u016bras komplekti ar bag\u0101ti ornament\u0113tu kolonnu ir praktiski izzudu\u0161i no priv\u0101tajiem d\u0101rziem un antikv\u0101ru tirgu pied\u0101v\u0101juma \u2014 liel\u0101k\u0101 da\u013ca gadsimtu laik\u0101 ir izn\u012bcin\u0101ta laikapst\u0101k\u013cu vai p\u0101rb\u016bvju d\u0113\u013c. Lab\u012bbas v\u0101c\u0113jas \/ Vasaras t\u0113ls ar piln\u012bgu kolonnu komplekt\u0101 ir nopietns kolekcion\u0101ru un d\u0101rzu v\u0113stures p\u0113tnieku intereses objekts Eiropas antikv\u0101ru tirg\u016b.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Skulpt\u016bra ar kolonnu ir rad\u012bta \u0101ra videi \u2014 d\u0101rzam, terasei, pagalmam, parkam \u2014 un taj\u0101 atkl\u0101j savu pilno varenumu. Iek\u0161telpu form\u0101t\u0101 t\u0101 darbojas lielos reprezentat\u012bvajos interjeross: hall\u0113, liel\u0101 viesistab\u0101, galerij\u0101, viesn\u012bcu lobij\u0101 vai kult\u016bras iest\u0101des foaj\u0113. Balt\u0101 kr\u0101sa un monol\u012bt\u0101 forma \u013cauj to izmantot kontrast\u0101 ar tum\u0161u za\u013cumu d\u0101rz\u0101 vai uz \u0137ie\u0123e\u013cu sienas fona. Fotogr\u0101fiem un scenogr\u0101fiem t\u0101 kalpo k\u0101 pilnv\u0113rt\u012bga \u0101ra studijas kulise \u2014 modes uz\u0146\u0113mumiem, k\u0101zu un svin\u012bbu dekor\u0101cij\u0101m, k\u0101 ar\u012b arhitektu un ainavu dizaineru projektu dokument\u0101cijai.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u0160\u0101da m\u0113roga skulpt\u016bra ir reprezentat\u012bva un monument\u0101la d\u0101vana m\u0101jas vai d\u0101rza \u012bpa\u0161niekam ar augstu est\u0113tisko kult\u016bru \u2014 k\u0101 ekskluz\u012bvs ieguld\u012bjums sava \u012bpa\u0161uma identit\u0101t\u0113. Lab\u012bbas v\u0101c\u0113jas t\u0113ls k\u0101 &#8220;Vasaras&#8221; un augl\u012bbas simbols ir piem\u0113rots ar\u012b lauksaimniec\u012bbas, p\u0101rtikas vai v\u012bna industrijas uz\u0146\u0113mumu vad\u012bt\u0101jiem k\u0101 sevi\u0161\u0137i noz\u012bm\u012bga korporat\u012bva d\u0101vana ar dzi\u013cu kult\u016brv\u0113sturisku simboliku. Kolonn\u0101 dekorat\u012bvie rozet\u012btes un girlan\u017eu mot\u012bvi sasaucas ar m\u016b\u017e\u012bg\u0101 atjaunotnes un dz\u012bvesprieka t\u0113m\u0101m.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">Skulpt\u016bra kopum\u0101 stabil\u0101 st\u0101vokl\u012b, bez struktur\u0101liem l\u016bzumiem. Uz fig\u016bras redzamas virspus\u0113jas net\u012brumu un laika nogulumu p\u0113das \u2014 dabisks \u0101ra glab\u0101\u0161anas rezult\u0101ts. Uz fig\u016bras pamatnes savienojuma zonas ar kolonnu redzami melni nolietojuma plankumi. Kolonn\u0101 pie savienojuma ar fig\u016bras pamatni redzams neliels \u0123ip\u0161betona no\u0161\u0137\u0113lums un kr\u0101sas nolietojums pie pamatnes malas \u2014 uzskat\u0101mi redzams fotogr\u0101fij\u0101s. Fig\u016bras hatveida cepure aug\u0161pus\u0113 saglab\u0101ta, bez l\u016bzumiem. Lab\u012bbas k\u016bl\u012btis front\u0101li skaidri izteikts. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015 \u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<h3 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\">\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/h3>\n<h2 class=\"text-text-100 mt-3 -mb-1 text-[1.375rem] font-bold\">The Harvest Girl or &#8220;Summer&#8221; \u2014 Allegory of the Four Seasons \u2014 Historicism \/ Neoclassicism, Europe, circa 1880\u20131920. Outdoor and Interior Sculpture with Decorative Column<\/h2>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83d\udcd0 DIMENSIONS<\/strong> Total height with column: approximately 133.5 cm. Figure: height 76.5 cm, width approximately 34 cm. Column: height 57 cm, width 25 cm. Two-part construction \u2014 figure and column are separable. Material: fine-grain plaster-concrete or cement composite, specifically suited to outdoor conditions. Very heavy.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE AND HISTORICAL CONTEXT<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">This sculpture belongs to the European Historicist and Neoclassical tradition that, during the second half of the 19th century and into the early 20th, generated an extraordinary output of decorative sculpture for parks, villa gardens, public squares, and the facades of representative buildings. The figure depicts <strong>a young peasant woman with a sheaf of grain<\/strong> \u2014 the classical allegorical image of <strong>&#8220;Summer&#8221; or &#8220;Ceres&#8221;<\/strong> from the Four Seasons tradition, an eternal motif in European art since ancient Rome. The figure&#8217;s dress \u2014 long skirt, apron, working cap, and elaborately braided side coiffure \u2014 points to the European peasant type in its idealistic, romantically poeticised 18th\u201319th century interpretation, particularly popular in France and Belgium, where the celebration of rural life became an artistic fashion among the bourgeoisie. The column, with its spiralling torus moulding, diamond-band frieze, and floral garland panels at the corners, is a characteristic decorative element of eclectic Historicism, combining Renaissance and Baroque motifs into a single representative form.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">No clear maker&#8217;s mark has been identified on the figure&#8217;s base or on the column. The material \u2014 plaster-concrete or cement composite \u2014 indicates a specialised outdoor sculpture manufactory working to commission for garden and park decoration. The leading centres of such production in the late 19th and early 20th centuries were located in France (particularly around Paris), Belgium, Germany, and Italy. The decorative programme of the column \u2014 torus moulding, diamond bands, floral garlands \u2014 is recognisably in the tradition of French eclectic garden ornament, as popularised by firms such as <strong>Val d&#8217;Osne<\/strong> and <strong>Barbezat &amp; Cie<\/strong> in the production of cast iron and concrete sculpture. Similar heavy concrete sculptures were also manufactured in Belgium and Germany as durable and accessible alternatives to expensive marble and bronze park decoration.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">A fully preserved set \u2014 figure together with its original decorative column \u2014 is considerably rarer than either element alone. Complete concrete sculpture ensembles of this scale (total height approximately 133.5 cm) with richly ornamented columns have virtually disappeared from private gardens and from the stock of the antiques market: the majority have been destroyed over the course of a century by weather or demolition. A harvest girl \/ Summer figure with its complete column ensemble is a serious object of interest for collectors and garden history researchers across the European antiques market.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The sculpture with its column was made for the outdoor environment \u2014 a garden, terrace, courtyard, or park \u2014 and reveals its full grandeur in such settings. Indoors, it functions in large representative spaces: an entrance hall, grand drawing room, gallery, hotel lobby, or the foyer of a cultural institution. The white tonality and monolithic form allow it to be used in contrast with dark greenery in a garden or against a brick wall background. For photographers and set designers, it serves as a fully realised outdoor studio backdrop \u2014 for fashion shoots, wedding and event decoration, and for the documentation of architects&#8217; and landscape designers&#8217; projects.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83c\udf81 GIFT AND PERSONALISATION<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">A sculpture of this scale is a representative and monumental gift for a home or garden owner of high aesthetic culture \u2014 an exclusive investment in the identity of their property. The figure of the harvest girl, as a symbol of &#8220;Summer&#8221; and abundance, is also fitting for leaders in the agriculture, food, or wine industries as a particularly significant corporate gift with deep cultural and historical resonance. The rosette and garland motifs on the column echo the eternal themes of renewal and vitality.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"><strong>\ud83d\udd0d CONDITION<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\">The sculpture is overall in stable condition, with no structural fractures. Superficial dirt deposits and weathering marks are visible on the figure \u2014 a natural result of outdoor storage. Black wear marks are visible on the junction zone between the figure base and the column top. A small chip in the plaster-concrete is visible at the junction area, and paint losses are present along the base edge of the column \u2014 clearly visible in the photographs. The figure&#8217;s cap is intact, with no fractures. The grain sheaf is clearly defined on the frontal view. The condition of the piece is fully reflected in the photographs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\ud83d\udcd0 IZM\u0112RI Kop\u0113jais augstums ar kolonnu: aptuveni 133,5 cm. Fig\u016bra: augstums 76,5 cm, platums ~34 cm. 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