{"id":16460,"date":"2023-03-10T17:25:01","date_gmt":"2023-03-10T15:25:01","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=16460"},"modified":"2026-09-07T22:05:03","modified_gmt":"2026-09-07T19:05:03","slug":"liela-izmera-koka-etazeris-ar-spoguliem-3897","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/liela-izmera-koka-etazeris-ar-spoguliem-3897\/","title":{"rendered":"Piecu Plauktu Eta\u017e\u0113rs ar Spogu\u013ciem un Rocaille S\u0101nu Balstiem \u2014 Neorokoko \/ Historicisms, Anglija\/Be\u013c\u0123ija, ap 1850.\u20131880. (3897)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong> Augstums 153,5 cm \u00d7 garums 88 cm \u00d7 dzi\u013cums 40 cm<\/p>\n

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Piecu Plauktu Eta\u017e\u0113rs ar Spogu\u013ciem un Skulptur\u0101liem Rocaille<\/em> S\u0101nu Balstiem \u2014 Neorokoko \/ Historicisms, Anglija \/ Be\u013c\u0123ija, ap 1850.\u20131880.<\/strong><\/h3>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
\u0160is monument\u0101lais piecu plauktu eta\u017e\u0113rs \u2014 \u00e9tag\u00e8re<\/em> vai whatnot<\/em> tipa ekspoz\u012bcijas plaukts \u2014 pieder Viktorijas laikmeta<\/strong> un Belle \u00c9poque<\/strong> priek\u0161v\u0113stne\u0161u m\u0101kslinieciskajam mantojumam. Rad\u012bts Neorokoko<\/strong> uzplaukuma period\u0101, kas Anglij\u0101<\/strong>, Be\u013c\u0123ij\u0101<\/strong> un Francij\u0101<\/strong> sasniedza kulmin\u0101ciju 1850.\u20131880. gados \u2014 laik\u0101, kad aristokr\u0101tija un augst\u0101 bur\u017eu\u0101zija ar entuziasmu atdz\u012bvin\u0101ja 18. gadsimta rocaille<\/em> formu dinamiku, papildinot to ar Historicisma<\/strong> precizit\u0101ti un jaunu skulptur\u0101lo bag\u0101t\u012bbu.<\/p>\n
Katrs s\u0101nu balsts ir piln\u012bgs m\u0101kslas darbs pats par sevi \u2014 monument\u0101ls S-veida acanthus<\/em> un rocaille vol\u016btu<\/em> kompoz\u012bcijas, kas pl\u016bst no plaukta uz plauktu k\u0101 muzik\u0101ls mot\u012bvs, atk\u0101rtojot un vari\u0113jot vienu t\u0113mu cauri visiem pieciem l\u012bme\u0146iem. Aug\u0161st\u0101va coquille<\/em> \u010daulas kron\u0113jums ar simetriskiem acanthus<\/em> v\u0113dek\u013ciem un s\u012bkiem finiera finials<\/em> ir klasisks Viktorijas laikmeta<\/strong> whatnot<\/em> stilistiskais akcents. Plauktu aizmugur\u0113 iemont\u0113ti spogu\u013ci<\/strong> \u2014 katram plauktam savs \u2014 kas divk\u0101r\u0161o ekspoz\u012bcijas vizu\u0101lo dzi\u013cumu un rada te\u0101trisku, bezgal\u012bgu telpu efektu.<\/p>\n
\u0160\u0101di eta\u017e\u0113ri rot\u0101ja lab\u0101ko Londonas<\/strong>, Briseles<\/strong> un Par\u012bzes<\/strong> salonu sienas \u2014 uz tiem tika izvietoti porcel\u0101na kolekcijas, sudraba priek\u0161meti, egzotiski suven\u012bri un gr\u0101matas. Tie bija laikmeta intelektu\u0101l\u0101s un est\u0113tisk\u0101s dz\u012bves redzam\u0101kais simbols.<\/p>\n
Tie\u0161i \u0161ajos gados \u010c\u0101rlzs Dikenss public\u0113ja Lielos cer\u012bbu<\/em> \u2014 un tie\u0161i \u0161\u0101dos salonos, kur eta\u017e\u0113ri<\/strong> ar porcel\u0101nu rot\u0101ja sienas, vi\u0146a varo\u0146i sap\u0146oja par lab\u0101ku dz\u012bvi. \u0160is plaukts ir t\u0101s sap\u0146u da\u013ca.<\/p>\n
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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n
Redzama mar\u0137\u0113juma nav. Aizmugures pane\u013ca vienk\u0101r\u0161\u0101ka apdare un konstrukcijas deta\u013cas liecina par profesion\u0101lu manufakt\u016bru<\/strong> \u2014 visticam\u0101k Anglijas<\/strong> vai Be\u013c\u0123ijas<\/strong> augst\u0101k\u0101s klases galdniec\u012bbu, kas specializ\u0113j\u0101s whatnot<\/em> un \u00e9tag\u00e8re<\/em> tipa ekspoz\u012bcijas m\u0113bel\u0113s. Tum\u0161i sarkanbrunais mahagonijs (acajou<\/em>) ar dzi\u013cu sp\u012bdumu un skulptur\u0101lo vol\u016btu<\/em> s\u0101nu balstu izstr\u0101des kvalit\u0101te atbilst augst\u0101k\u0101s klases Viktorijas laikmeta<\/strong> produkcijai \u2014 manufakt\u016br\u0101m, kas pieg\u0101d\u0101ja savus darbus Londonas<\/strong> lab\u0101kajiem m\u0113be\u013cu tirgot\u0101jiem un aristokr\u0101tisk\u0101m m\u0101jsaimniec\u012bb\u0101m. Spogu\u013cu integr\u0101cija katr\u0101 plaukta l\u012bmen\u012b ir \u012bpa\u0161i izsmalcin\u0101ts un pras\u012bgs konstrukt\u012bvs risin\u0101jums.<\/p>\n
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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
Piecu plauktu whatnot<\/em> eta\u017e\u0113ri ar saglab\u0101tiem ori\u0123in\u0101lajiem spogu\u013ciem<\/strong>, skulptur\u0101liem vol\u016btu<\/em> s\u0101nu balstiem un piln\u012bgu coquille<\/em> kron\u0113jumu ir \u0101rk\u0101rt\u012bgi reti \u2014 jo \u012bpa\u0161i t\u0101di, kuros visi pieci plauktu l\u012bme\u0146i un visi s\u0101nu balstu grebumi saglab\u0101ju\u0161ies neskarti. Liel\u0101k\u0101 da\u013ca \u0161\u0101du gaidu gadsimtu gait\u0101 ir zaud\u0113ju\u0161i spogu\u013cus vai k\u0101du no s\u0101nu balstu elementiem. Starptautiskajos izsoles namos \u2014 Christie’s<\/strong>, Bonhams<\/strong>, Dorotheum<\/strong> \u2014 Viktorijas laikmeta<\/strong> whatnot<\/em> eta\u017e\u0113ri ar spogu\u013ciem regul\u0101ri tiek klasific\u0113ti k\u0101 augst\u0101k\u0101s kategorijas gabali un piesaista kolekcion\u0101rus no Anglijas<\/strong>, ASV<\/strong>, Austr\u0101lijas<\/strong> un Skandin\u0101vijas<\/strong>.<\/p>\n
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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
\u0160is eta\u017e\u0113rs ir daudzpus\u012bg\u0101k\u0101 ant\u012bk\u0101 m\u0113bele<\/strong>, ko var ieg\u0101d\u0101ties \u2014 tas vienlaikus ir gleznotuve, bibliot\u0113ka un ekspoz\u012bcija. Ide\u0101ls k\u0101 porcel\u0101na vai stikla kolekcijas izst\u0101des plaukts<\/strong>, gr\u0101matu un m\u0101kslas objektu ekspoz\u012bcija<\/strong> vai salona dekorat\u012bvais dominants<\/strong>. Spogu\u013cu fons uz katra plaukta rada vizu\u0101lu dzi\u013cumu un dubulto ekspoz\u012bcijas efektu \u2014 jebkur\u0161 priek\u0161mets uz t\u0101 izskat\u0101s v\u0113rt\u012bg\u0101k. Interjera dizaineri to izmanto gan klasisk\u0101 un eklektisk\u0101 interjer\u0101<\/strong>, gan k\u0101 kontrastu minim\u0101listiskam baltam fondam<\/strong>. Fotogr\u0101fij\u0101s \u2014 vol\u016btu<\/em> skulptur\u0101lie s\u0101nu balsti un spogu\u013cu atspulgi rada neatk\u0101rtojamu vizu\u0101lo dzi\u013cumu un dinamiku.<\/p>\n
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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n
\u0160is eta\u017e\u0113rs ir reprezentat\u012bva korporat\u012bva vai diplom\u0101tiska d\u0101vana<\/strong> augst\u0101k\u0101 l\u012bmen\u012b \u2014 priv\u0101tai galerijai, luksusa viesn\u012bcai, advok\u0101tu birojam vai m\u0101kslas kolekcion\u0101ram. K\u0101 priv\u0101ts d\u0101vin\u0101jums \u2014 ide\u0101ls porcel\u0101na vai gr\u0101matu kolekcion\u0101ram<\/strong>, kuram nepiecie\u0161ama cien\u012bga ekspoz\u012bcijas vieta saviem d\u0101rgumiem. \u0160\u0101ds eta\u017e\u0113rs ir ar\u012b mantojuma priek\u0161mets<\/strong> \u2014 gabals, kas kalpo paaudz\u0113m.<\/p>\n
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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
Eta\u017e\u0113rs ir lab\u0101 visp\u0101r\u0113j\u0101 st\u0101vokl\u012b, \u0146emot v\u0113r\u0101 t\u0101 vecumu. Mahagonija virsmas ir ar dabisku laikmeta pat\u012bnu un dzi\u013cu sp\u012bdumu. Skulptur\u0101lie vol\u016btu<\/em> s\u0101nu balsti ir labi saglab\u0101ju\u0161ies \u2014 bez b\u016btiskiem l\u016bzumiem. Spogu\u013ci ir ori\u0123in\u0101li ar vecuma atspogu\u013cojumu un atsevi\u0161\u0137iem foxing<\/em> plankumiem \u2014 rakstur\u012bgi laikmetam. Aizmugures panelis ir vienk\u0101r\u0161\u0101kas apdares \u2014 rakstur\u012bgi laikmetam. Vien\u0101 viet\u0101 aug\u0161st\u0101va kron\u0113jum\u0101 redzamas nelielas atdal\u012b\u0161an\u0101s p\u0113das. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/strong><\/p>\n
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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/strong><\/p>\n
\ud83d\udcd0 DIMENSIONS<\/strong> Height 153.5 cm \u00d7 length 88 cm \u00d7 depth 40 cm<\/p>\n
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Five-Tier Display \u00c9tag\u00e8re with Mirrors and Sculptural Rocaille<\/em> Side Supports \u2014 Neo-Rococo \/ Historicism, England \/ Belgium, circa 1850\u20131880.<\/strong><\/h3>\n
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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE, ERA<\/strong><\/p>\n
This monumental five-tier display \u00e9tag\u00e8re \u2014 of the whatnot<\/em> type \u2014 belongs to the artistic legacy of the Victorian era<\/strong> and the forerunners of the Belle \u00c9poque<\/strong>. Created during the Neo-Rococo<\/strong> revival, which reached its peak in England<\/strong>, Belgium<\/strong>, and France<\/strong> between 1850 and 1880 \u2014 a period when aristocracy and haute bourgeoisie enthusiastically revived the dynamic rocaille<\/em> forms of the 18th century, enriching them with Historicist<\/strong> precision and new sculptural richness.<\/p>\n
Each side support is a complete work of art in itself \u2014 monumental S-curve compositions of acanthus<\/em> and rocaille volutes<\/em> flowing from shelf to shelf like a musical motif, repeating and varying a single theme across all five tiers. The upper coquille<\/em> shell cresting with symmetrical acanthus<\/em> fans and small turned finials<\/em> is a classic Victorian<\/strong> whatnot<\/em> stylistic accent. Mirrors<\/strong> are set into the back of each shelf tier \u2014 multiplying the visual depth of the display and creating a theatrical, seemingly infinite spatial effect.<\/p>\n
Such \u00e9tag\u00e8res graced the walls of the finest London<\/strong>, Brussels<\/strong>, and Parisian<\/strong> salons \u2014 bearing porcelain collections, silver objects, exotic souvenirs, and books. They were the most visible symbol of an era’s intellectual and aesthetic life.<\/p>\n
It was in precisely these years that Charles Dickens published Great Expectations<\/em> \u2014 and it was in salons exactly like this, where \u00e9tag\u00e8res<\/em> bearing porcelain decorated the walls, that his characters dreamed of a better life. This shelf is a fragment of those dreams.<\/p>\n
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\u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n
No visible maker’s mark. The simpler finish of the back panel and construction details indicate a professional manufacturer<\/strong> \u2014 most likely an English<\/strong> or Belgian<\/strong> high-quality cabinetmaker specialising in whatnot<\/em> and \u00e9tag\u00e8re<\/em> display furniture. The deep dark mahogany (acajou<\/em>) with rich polish and the sculptural quality of the volute<\/em> side supports correspond to top-tier Victorian<\/strong> production \u2014 workshops supplying the finest London<\/strong> furniture retailers and aristocratic households. The integration of mirrors into each shelf tier is a particularly refined and demanding constructional solution.<\/p>\n
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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
Five-tier whatnot<\/em> \u00e9tag\u00e8res retaining original mirrors<\/strong>, sculptural volute<\/em> side supports, and a complete coquille<\/em> cresting are exceptionally rare \u2014 particularly those in which all five shelf tiers and all side support carvings survive intact. The majority of such pieces have lost their mirrors or elements of the side supports over the centuries. At international auction houses \u2014 Christie’s<\/strong>, Bonhams<\/strong>, Dorotheum<\/strong> \u2014 Victorian<\/strong> whatnot<\/em> \u00e9tag\u00e8res with mirrors are regularly classified as premium pieces, attracting collectors from England<\/strong>, the United States<\/strong>, Australia<\/strong>, and Scandinavia<\/strong>.<\/p>\n
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\ud83d\udd6f\ufe0f USE IN INTERIORS, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n
This \u00e9tag\u00e8re is the most versatile antique piece<\/strong> one can acquire \u2014 simultaneously a display cabinet, library, and gallery. Ideal as a porcelain or glass collection display shelf<\/strong>, a books and art object exposition<\/strong>, or a dominant decorative accent in a salon<\/strong>. The mirrored back of each shelf creates visual depth and doubles the display effect \u2014 any object placed on it appears more valuable. Interior designers use it both in classical and eclectic interiors<\/strong> and as a contrast against a minimalist white backdrop<\/strong>. In photography \u2014 the sculptural volute<\/em> side supports and mirror reflections create unrepeatable visual depth and dynamism.<\/p>\n
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\ud83c\udf81 AS A GIFT<\/strong><\/p>\n
A representative corporate or diplomatic gift<\/strong> at the highest level \u2014 for a private gallery, luxury hotel, law firm, or art collector. As a private gift \u2014 ideal for a porcelain or book collector<\/strong> in need of a worthy display space for their treasures. Such an \u00e9tag\u00e8re is also a generational heirloom<\/strong> \u2014 a piece that serves for generations.<\/p>\n
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\ud83d\udd0d CONDITION<\/strong><\/p>\n
The \u00e9tag\u00e8re is in good overall condition given its age. The mahogany surfaces show natural patina with deep polish. The sculptural volute<\/em> side supports are well-preserved \u2014 no significant breaks. The mirrors are original with age-appropriate foxing and isolated marks \u2014 characteristic of the period. The back panel has simpler secondary-wood finishing \u2014 typical of the era. Minor separation is visible at one point in the upper cresting. The condition of the piece is fully reflected in the photographs.<\/strong><\/p>\n
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Monument\u0101ls piecu plauktu eta\u017e\u0113rs ar ori\u0123in\u0101liem spogu\u013ciem katr\u0101 plaukt\u0101, skulptur\u0101liem acanthus vol\u016btu s\u0101nu balstiem un coquille kron\u0113jumu. Neorokoko \/ Historicisms, Anglija \/ Be\u013c\u0123ija, ap 1850.\u20131880. Augstums 153,5 cm \u00d7 garums 88 cm \u00d7 dzi\u013cums 40 cm. Tum\u0161i sarkanbrunais mahagonijs ar dzi\u013cu sp\u012bdumu.<\/p>\n","protected":false},"featured_media":16461,"template":"","meta":[],"product_brand":[],"product_cat":[216,207,204],"product_tag":[],"class_list":["post-16460","product","type-product","status-publish","has-post-thumbnail","product_cat-konsoles","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/16460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/16461"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=16460"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=16460"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=16460"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=16460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}