﻿{"id":15796,"date":"2023-02-28T17:28:26","date_gmt":"2023-02-28T15:28:26","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=15796"},"modified":"2026-09-07T21:59:00","modified_gmt":"2026-09-07T18:59:00","slug":"3840","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/3840\/","title":{"rendered":"Grezns zelt\u012bts ant\u012bks att\u0113la r\u0101mis ar stiklu un lentes vijuma kroni \u2014 historisma stil\u0101 (gilt picture frame) (3840)"},"content":{"rendered":"<p data-path-to-node=\"9\">\ud83c\uddf1\ud83c\uddfb<\/p>\n<p data-path-to-node=\"10\">Augstums: 82 cm<\/p>\n<p data-path-to-node=\"11\">Platums: 64,5 cm<\/p>\n<h3 data-path-to-node=\"12\">Grezns zelt\u012bts ant\u012bks att\u0113la r\u0101mis ar stiklu un lentes vijuma kroni \u2014 historisma stil\u0101 (gilt picture frame)<\/h3>\n<p data-path-to-node=\"13\">Akad\u0113misk\u0101 elegance un 19. gadsimta nogales pilsonisko salonu spo\u017eums satiekas \u0161aj\u0101 vid\u0113ji liela izm\u0113ra zelt\u012btaj\u0101 r\u0101m\u012b. Priek\u0161mets ir izcils un reprezentat\u012bvs v\u0113l\u0101 <i data-path-to-node=\"13\" data-index-in-node=\"164\">historisma<\/i> perioda meistardarbs, kas rad\u012bts, iedvesmojoties no klasisk\u0101 fran\u010du Luija XVI stila kanoniem. R\u0101mja vizu\u0101lo un m\u0101ksliniecisko smagumpunktu veido t\u0101 aug\u0161da\u013ca, kur\u0101 iestr\u0101d\u0101ts monument\u0101ls, asimetriski pl\u016bsto\u0161s un apjom\u012bgs saloc\u012btas d\u0101vin\u0101juma lentes jeb bantes kronis (cresting). Pats r\u0101mja profils ir bl\u012bvi dekor\u0113ts ar reljefiem, dabiskiem lauru lapu un ogu vijumiem, ko iek\u0161pus\u0113 nosl\u0113dz klasisk\u0101 p\u0113r\u013cu rinda (<i data-path-to-node=\"13\" data-index-in-node=\"584\">astragal<\/i>). R\u0101mis ir apstr\u0101d\u0101ts augstv\u0113rt\u012bg\u0101 zelt\u012bjuma tehnik\u0101, kur\u0101 spo\u017ei pul\u0113t\u0101s \u0161\u0137autnes mijas ar dzi\u013c\u0101kiem, mat\u0113tiem laukumiem, radot sp\u0113c\u012bgu tr\u012bsdimensiju reljefa un gaism\u0113nu sasp\u0113li. \u012apa\u0161u autentiskuma v\u0113rt\u012bbu priek\u0161metam pie\u0161\u0137ir taj\u0101 saglab\u0101tais ori\u0123in\u0101lais, pl\u0101nais gadsimta mijas stikls.<\/p>\n<p data-path-to-node=\"14\"><b data-path-to-node=\"14\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> 19. gadsimta p\u0113d\u0113j\u0101 ceturksne, aptuveni 1880.\u20131895. gads. \u0160is laiks Baltijas guber\u0146u centros un mui\u017e\u0101s iez\u012bm\u0113ja lielo p\u0101rtic\u012bbu, kad sabiedr\u012bbas kr\u0113jums savu namu salonos un portretu z\u0101l\u0113s labpr\u0101t uzst\u0101d\u012bja tie\u0161i \u0161\u0101dus, fran\u010du kara\u013cnama est\u0113tik\u0101 ietur\u0113tus r\u0101mjus spogu\u013ciem vai izciliem e\u013c\u013cas gleznojumiem.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> Konstrukcijas uzb\u016bve \u2014 \u012bpa\u0161i mas\u012bvais, ar rok\u0101m stiprin\u0101tais aug\u0161\u0113jais kronis un r\u0101mja aizmugur\u0113j\u0101 koka pamatne \u2014 nor\u0101da uz profesion\u0101las un vado\u0161as V\u0101cijas vai viet\u0113j\u0101s R\u012bgas\/Libavas m\u0101ksliniecisko r\u0101mju un zelt\u012b\u0161anas darbn\u012bcas izpild\u012bjumu. \u0160\u0101da l\u012bme\u0146a r\u0101mjus p\u0113c pas\u016bt\u012bjuma iepirka tur\u012bg\u0101kie pilso\u0146i un vado\u0161ie re\u0123iona arhitekti izsmalcin\u0101tu interjeru komplekt\u0113\u0161anai.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">Retums un noz\u012bme<\/b> R\u0101mja liel\u0101k\u0101 v\u0113rt\u012bba sl\u0113pjas t\u0101 aug\u0161\u0113j\u0101 kro\u0146a nevainojam\u0101 saglab\u0101t\u012bb\u0101. T\u0101 k\u0101 lentes vijuma mot\u012bvs ir veidots ar lielu v\u0113rienu un izvirz\u0101s t\u0101lu aiz taisnst\u016bra pamatnes l\u012bnijas, \u0161\u0101di smalki gip\u0161a un koka elementi gadsimtu gait\u0101, transport\u0113jot vai mainoties \u012bpa\u0161niekiem, gandr\u012bz vienm\u0113r tika aplauzti. \u0160is eksempl\u0101rs ir sasniedzis m\u016bsu dienas bez jebk\u0101diem struktur\u0101liem zaud\u0113jumiem, saglab\u0101jot pat ori\u0123in\u0101lo stikla pl\u0101ksni.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">Pielietojums<\/b> \u0160is priek\u0161mets ir gatavs k\u013c\u016bt par jebkura interjera d\u0101rgakmeni. To var izmantot t\u0101 v\u0113sturiskaj\u0101 funkcij\u0101 \u2014 izcila portreta, grafikas vai spogu\u013cstikla ietvaram, k\u0101 ar\u012b ekspon\u0113t k\u0101 patst\u0101v\u012bgu, tuk\u0161u m\u0101kslas objektu uz tum\u0161as sienas virs konsoles, ienesot telp\u0101 c\u0113lu zelta mirdzumu un v\u0113sturisku dzi\u013cumu.<\/p>\n<p data-path-to-node=\"18\"><b data-path-to-node=\"18\" data-index-in-node=\"0\">St\u0101voklis<\/b> R\u0101mis ir teicam\u0101 ant\u012bk\u0101 st\u0101vokl\u012b. Koka pamatne ir piln\u012bgi stabila, konstrukcija stingra un dro\u0161a. Zelt\u012bjums ir saglab\u0101jis savu c\u0113lo, v\u0113sturisko mirdzumu ar minim\u0101lu, dabisku un \u013coti pat\u012bkamu laika patinu, kas tikai pastiprina lietas autentiskumu. Visi smalkie lentes vijumi un lauru lapu reljefi ir piln\u012bb\u0101 neskarti. Ori\u0123in\u0101lais stikls ir t\u012brs. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"19\"><b data-path-to-node=\"19\" data-index-in-node=\"0\"><i data-path-to-node=\"19\" data-index-in-node=\"0\">Laikmeta momentuz\u0146\u0113mums, arhitekts Makss Pauls Ber\u010di (Bertschy):<\/i><\/b> <i data-path-to-node=\"19\" data-index-in-node=\"65\">Pils\u0113tas galven\u0101 arhitekta Ber\u010di pla\u0161aj\u0101 darba kabinet\u0101 valda v\u0113ls p\u0113cpusdienas miers, ko piepilda tikko uzv\u0101r\u012btas kafijas arom\u0101ts un klusa ras\u0113jam\u0101 z\u012bmu\u013ca skr\u0101p\u0113\u0161an\u0101s. Pie sienas, starp jaun\u0101 Libavas k\u016brm\u0101jas projekta skic\u0113m un fas\u0101\u017eu ras\u0113jumiem, uz molberta atstut\u0113ts st\u0101v tikko no R\u012bgas meistariem sa\u0146emtais zelt\u012btais koka r\u0101mis, kura lentes kronis vakara saul\u0113 burtiski laist\u0101s siltos, ruden\u012bgos to\u0146os. Arhitekts piece\u013cas, pieiet tuv\u0101k un ar pirkstu galiem uzman\u012bgi pieskaras v\u0113sajiem, reljefajiem lauru lapu vijumiem un p\u0113r\u013cu rindai \u2014 vi\u0146\u0161 klusi noraug\u0101s uz r\u0101m\u012b ielikto stiklu, kur\u0101 uz mirkli atsp\u012bd vi\u0146a pa\u0161a noguru\u0161ais, bet gandar\u012btais skatiens.<\/i><\/p>\n<p data-path-to-node=\"20\"><i data-path-to-node=\"20\" data-index-in-node=\"0\">S\u0101kotn\u0113ji \u0161is r\u0101mis bija paredz\u0113ts k\u0101da viet\u0113j\u0101 tirgot\u0101ja dz\u012bvojam\u0101s istabas lielajam portretam, ta\u010du tagad, redzot t\u0101 izcilo proporciju un neorokoko c\u0113lumu, Ber\u010di pr\u0101t\u0101 dzimst pavisam cita, daudz glob\u0101l\u0101ka iecere. Vi\u0146\u0161 nolemj \u0161o paraugu par\u0101d\u012bt pils\u0113tas domes s\u0113d\u0113 \u2014 tie\u0161i \u0161\u0101di izsv\u0113rti, akad\u0113miski un taj\u0101 pa\u0161\u0101 laik\u0101 grezni interjera elementi b\u016bs nepiecie\u0161ami jaunb\u016bv\u0113jamo sabiedrisko namu par\u0101des z\u0101l\u0113m, lai ikviens ien\u0101c\u0113js jau no sliek\u0161\u0146a sajustu Kurzemes guber\u0146as plaukumu un eiropeisko v\u0113rienu. \u0100r\u0101 aiz loga, gar\u0101m pils\u0113tas kan\u0101lam, l\u0113ni pabrauc pirmie paj\u016bgi, bet \u0161eit, klusaj\u0101 kabinet\u0101, laiks uz mirkli apst\u0101jas ap vienu zelt\u012btu lentes mezglu.<\/i><\/p>\n<p data-path-to-node=\"22\">\ud83c\uddf7\ud83c\uddfa<\/p>\n<h3 data-path-to-node=\"23\">\u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u0430\u044f \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u0430\u044f \u0440\u0430\u043c\u0430 \u0441\u043e \u0441\u0442\u0435\u043a\u043b\u043e\u043c \u0438 \u0431\u0430\u043d\u0442\u043e\u043c \u2014 \u0441\u0442\u0438\u043b\u044c \u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c (gilt picture frame)<\/h3>\n<p data-path-to-node=\"24\">\u0410\u043a\u0430\u0434\u0435\u043c\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u044d\u043b\u0435\u0433\u0430\u043d\u0442\u043d\u043e\u0441\u0442\u044c \u0438 \u0431\u043b\u0435\u0441\u043a \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u0438\u0445 \u0441\u0430\u043b\u043e\u043d\u043e\u0432 \u043a\u043e\u043d\u0446\u0430 XIX \u0432\u0435\u043a\u0430 \u0441\u043e\u0435\u0434\u0438\u043d\u0438\u043b\u0438\u0441\u044c \u0432 \u044d\u0442\u043e\u0439 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u043e\u0439 \u0440\u0430\u043c\u0435 \u0441\u0440\u0435\u0434\u043d\u0435\u0433\u043e \u0440\u0430\u0437\u043c\u0435\u0440\u0430. \u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u044b\u0439 \u0438 \u0440\u0435\u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0442\u0438\u0432\u043d\u044b\u0439 \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u043f\u043e\u0437\u0434\u043d\u0435\u0433\u043e <i data-path-to-node=\"24\" data-index-in-node=\"199\">\u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430<\/i>, \u0441\u043e\u0437\u0434\u0430\u043d\u043d\u044b\u0439 \u043f\u043e \u043a\u0430\u043d\u043e\u043d\u0430\u043c \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0433\u043e \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0441\u0442\u0438\u043b\u044f \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI. \u0412\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u044b\u043c \u0446\u0435\u043d\u0442\u0440\u043e\u043c \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0438 \u044f\u0432\u043b\u044f\u0435\u0442\u0441\u044f \u0435\u0435 \u0432\u0435\u0440\u0445\u043d\u044f\u044f \u0447\u0430\u0441\u0442\u044c, \u0443\u0432\u0435\u043d\u0447\u0430\u043d\u043d\u0430\u044f \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u043c, \u043f\u043b\u0430\u0441\u0442\u0438\u0447\u043d\u044b\u043c \u0438 \u043e\u0431\u044a\u0435\u043c\u043d\u044b\u043c \u0440\u0435\u0437\u043d\u044b\u043c \u0431\u0430\u043d\u0442\u043e\u043c (lentes kronis). \u0421\u0430\u043c \u043f\u0440\u043e\u0444\u0438\u043b\u044c \u0440\u0430\u043c\u044b \u043f\u043e \u0432\u0441\u0435\u043c\u0443 \u043f\u0435\u0440\u0438\u043c\u0435\u0442\u0440\u0443 \u0433\u0443\u0441\u0442\u043e \u0434\u0435\u043a\u043e\u0440\u0438\u0440\u043e\u0432\u0430\u043d \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u044b\u043c\u0438 \u043b\u0430\u0432\u0440\u043e\u0432\u044b\u043c\u0438 \u0432\u0435\u0442\u0432\u044f\u043c\u0438 \u0441 \u044f\u0433\u043e\u0434\u0430\u043c\u0438 \u0438 \u0438\u0437\u044f\u0449\u043d\u044b\u043c \u0440\u044f\u0434\u043e\u043c \u0431\u0443\u0441 (<i data-path-to-node=\"24\" data-index-in-node=\"529\">astragal<\/i>). \u0420\u0430\u043c\u0430 \u043e\u0431\u0440\u0430\u0431\u043e\u0442\u0430\u043d\u0430 \u0432 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u043e\u0439 \u0442\u0435\u0445\u043d\u0438\u043a\u0435 \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u0438\u044f \u0441 \u0447\u0435\u0440\u0435\u0434\u043e\u0432\u0430\u043d\u0438\u0435\u043c \u0433\u043b\u044f\u043d\u0446\u0435\u0432\u044b\u0445 \u0438 \u043c\u0430\u0442\u043e\u0432\u044b\u0445 \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u0435\u0439. \u041e\u0441\u043e\u0431\u0443\u044e \u0446\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u043e\u0435 \u0442\u043e\u043d\u043a\u043e\u0435 \u0441\u0442\u0435\u043a\u043b\u043e \u044d\u043f\u043e\u0445\u0438 \u0440\u0443\u0431\u0435\u0436\u0430 \u0432\u0435\u043a\u043e\u0432.<\/p>\n<p data-path-to-node=\"25\">\u0420\u0430\u043c\u0430 \u0431\u044b\u043b\u0430 \u0441\u043e\u0437\u0434\u0430\u043d\u0430 \u0432 \u043f\u043e\u0441\u043b\u0435\u0434\u043d\u0435\u0439 \u0447\u0435\u0442\u0432\u0435\u0440\u0442\u0438 XIX \u0432\u0435\u043a\u0430, \u043f\u0440\u0438\u043c\u0435\u0440\u043d\u043e \u0432 1880\u20131890 \u0433\u043e\u0434\u0430\u0445. \u042d\u0442\u043e \u0431\u044b\u043b\u043e \u0432\u0440\u0435\u043c\u044f \u0440\u0430\u0441\u0446\u0432\u0435\u0442\u0430 \u0431\u0430\u043b\u0442\u0438\u0439\u0441\u043a\u0438\u0445 \u0433\u0443\u0431\u0435\u0440\u043d\u0441\u043a\u0438\u0445 \u0446\u0435\u043d\u0442\u0440\u043e\u0432, \u043a\u043e\u0433\u0434\u0430 \u0432\u044b\u0441\u0448\u0435\u0435 \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u043e \u041b\u0438\u0431\u0430\u0432\u044b \u0438 \u0420\u0438\u0433\u0438 \u043e\u0444\u043e\u0440\u043c\u043b\u044f\u043b\u043e \u0441\u0432\u043e\u0438 \u0433\u043e\u0441\u0442\u0438\u043d\u044b\u0435 \u043f\u043e\u0440\u0442\u0440\u0435\u0442\u0430\u043c\u0438 \u0438 \u0437\u0435\u0440\u043a\u0430\u043b\u0430\u043c\u0438 \u0432 \u043f\u044b\u0448\u043d\u044b\u0445 \u0440\u0430\u043c\u0430\u0445, \u043e\u0440\u0438\u0435\u043d\u0442\u0438\u0440\u0443\u044f\u0441\u044c \u043d\u0430 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0443\u044e \u043a\u043e\u0440\u043e\u043b\u0435\u0432\u0441\u043a\u0443\u044e \u044d\u0441\u0442\u0435\u0442\u0438\u043a\u0443. \u0426\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u0434\u0430\u043d\u043d\u043e\u0433\u043e \u044d\u043a\u0437\u0435\u043c\u043f\u043b\u044f\u0440\u0430 \u0437\u0430\u043a\u043b\u044e\u0447\u0430\u0435\u0442\u0441\u044f \u0432 \u0431\u0435\u0437\u0443\u043f\u0440\u0435\u0447\u043d\u043e\u0439 \u0441\u043e\u0445\u0440\u0430\u043d\u043d\u043e\u0441\u0442\u0438 \u0445\u0440\u0443\u043f\u043a\u043e\u0433\u043e \u0432\u0435\u0440\u0445\u043d\u0435\u0433\u043e \u0431\u0430\u043d\u0442\u0430, \u044d\u043b\u0435\u043c\u0435\u043d\u0442\u044b \u043a\u043e\u0442\u043e\u0440\u043e\u0433\u043e \u0447\u0430\u0441\u0442\u043e \u0441\u043a\u0430\u043b\u044b\u0432\u0430\u043b\u0438\u0441\u044c \u043f\u0440\u0438 \u0442\u0440\u0430\u043d\u0441\u043f\u043e\u0440\u0442\u0438\u0440\u043e\u0432\u043a\u0435. \u0420\u0430\u043c\u0430 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u043e\u0442\u043b\u0438\u0447\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438, \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u0430 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u0439 \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u0439 \u0431\u043b\u0435\u0441\u043a \u0437\u043e\u043b\u043e\u0442\u0430 \u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0433\u043e\u0442\u043e\u0432\u0430 \u0434\u043b\u044f \u043e\u0444\u043e\u0440\u043c\u043b\u0435\u043d\u0438\u044f \u0444\u0430\u043c\u0438\u043b\u044c\u043d\u043e\u0433\u043e \u043f\u043e\u0440\u0442\u0440\u0435\u0442\u0430, \u0433\u0440\u0430\u0444\u0438\u043a\u0438 \u0438\u043b\u0438 \u0437\u0435\u0440\u043a\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043f\u043e\u043b\u043e\u0442\u043d\u0430. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"26\"><b data-path-to-node=\"26\" data-index-in-node=\"0\"><i data-path-to-node=\"26\" data-index-in-node=\"0\">\u0417\u0430\u0440\u0438\u0441\u043e\u0432\u043a\u0430 \u044d\u043f\u043e\u0445\u0438, \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u0440 \u041c\u0430\u043a\u0441 \u041f\u0430\u0443\u043b\u044c \u0411\u0435\u0440\u0447\u0438 (Bertschy):<\/i><\/b> <i data-path-to-node=\"26\" data-index-in-node=\"57\">\u0412 \u043f\u0440\u043e\u0441\u0442\u043e\u0440\u043d\u043e\u043c \u0440\u0430\u0431\u043e\u0447\u0435\u043c \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0435 \u0433\u043b\u0430\u0432\u043d\u043e\u0433\u043e \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u043e\u0433\u043e \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u0440\u0430 \u0411\u0435\u0440\u0447\u0438 \u0446\u0430\u0440\u0438\u0442 \u043f\u043e\u0437\u0434\u043d\u0438\u0439 \u043f\u043e\u0441\u043b\u0435\u043f\u043e\u043b\u0443\u0434\u0435\u043d\u043d\u044b\u0439 \u043f\u043e\u043a\u043e\u0439, \u043d\u0430\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u0439 \u0430\u0440\u043e\u043c\u0430\u0442\u043e\u043c \u0441\u0432\u0435\u0436\u0435\u0441\u0432\u0430\u0440\u0435\u043d\u043d\u043e\u0433\u043e \u043a\u043e\u0444\u0435 \u0438 \u0442\u0438\u0445\u0438\u043c \u0448\u0443\u0440\u0448\u0430\u043d\u0438\u0435\u043c \u043a\u0430\u0440\u0430\u043d\u0434\u0430\u0448\u0430 \u043f\u043e \u043f\u043b\u043e\u0442\u043d\u043e\u0439 \u0431\u0443\u043c\u0430\u0433\u0435. \u0423 \u0441\u0442\u0435\u043d\u044b, \u043c\u0435\u0436\u0434\u0443 \u044d\u0441\u043a\u0438\u0437\u0430\u043c\u0438 \u043d\u043e\u0432\u043e\u0439 \u041b\u0438\u0431\u0430\u0432\u0441\u043a\u043e\u0439 \u043a\u0443\u0440\u0433\u0430\u0443\u0437-\u0433\u0430\u043b\u0435\u0440\u0435\u0438 \u0438 \u0447\u0435\u0440\u0442\u0435\u0436\u0430\u043c\u0438 \u0444\u0430\u0441\u0430\u0434\u043e\u0432, \u043d\u0430 \u043c\u043e\u043b\u044c\u0431\u0435\u0440\u0442\u0435 \u043f\u043e\u043a\u043e\u0438\u0442\u0441\u044f \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u0430\u044f \u0440\u0430\u043c\u0430, \u0442\u043e\u043b\u044c\u043a\u043e \u0447\u0442\u043e \u0434\u043e\u0441\u0442\u0430\u0432\u043b\u0435\u043d\u043d\u0430\u044f \u0438\u0437 \u0440\u0438\u0436\u0441\u043a\u043e\u0439 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u043e\u0439. \u0415\u0435 \u043f\u044b\u0448\u043d\u044b\u0439 \u0432\u0435\u043d\u0447\u0430\u044e\u0449\u0438\u0439 \u0431\u0430\u043d\u0442 \u0431\u0443\u043a\u0432\u0430\u043b\u044c\u043d\u043e \u0441\u0432\u0435\u0442\u0438\u0442\u0441\u044f \u0432 \u043b\u0443\u0447\u0430\u0445 \u0437\u0430\u0445\u043e\u0434\u044f\u0449\u0435\u0433\u043e \u0441\u043e\u043b\u043d\u0446\u0430. \u0410\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u0440 \u043f\u043e\u0434\u043d\u0438\u043c\u0430\u0435\u0442\u0441\u044f \u0438\u0437-\u0437\u0430 \u0441\u0442\u043e\u043b\u0430, \u043f\u043e\u0434\u0445\u043e\u0434\u0438\u0442 \u0431\u043b\u0438\u0436\u0435 \u0438 \u043a\u043e\u043d\u0447\u0438\u043a\u0430\u043c\u0438 \u043f\u0430\u043b\u044c\u0446\u0435\u0432 \u043e\u0441\u0442\u043e\u0440\u043e\u0436\u043d\u043e \u043a\u0430\u0441\u0430\u0435\u0442\u0441\u044f \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u044b\u0445 \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u044b\u0445 \u043b\u0430\u0432\u0440\u043e\u0432\u044b\u0445 \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0438 \u043c\u0435\u043b\u043a\u0438\u0445 \u0436\u0435\u043c\u0447\u0443\u0436\u0438\u043d \u043e\u0440\u043d\u0430\u043c\u0435\u043d\u0442\u0430 \u2014 \u043e\u043d \u0432\u0441\u043c\u0430\u0442\u0440\u0438\u0432\u0430\u0435\u0442\u0441\u044f \u0432 \u0442\u043e\u043d\u043a\u043e\u0435 \u0441\u0442\u0435\u043a\u043b\u043e \u0440\u0430\u043c\u044b, \u0433\u0434\u0435 \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u043e\u0442\u0440\u0430\u0436\u0430\u0435\u0442\u0441\u044f \u0435\u0433\u043e \u0441\u043e\u0431\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0439 \u0443\u0441\u0442\u0430\u043b\u044b\u0439, \u043d\u043e \u0443\u0434\u043e\u0432\u043b\u0435\u0442\u0432\u043e\u0440\u0435\u043d\u043d\u044b\u0439 \u0432\u0437\u0433\u043b\u044f\u0434.<\/i><\/p>\n<p data-path-to-node=\"27\"><i data-path-to-node=\"27\" data-index-in-node=\"0\">\u0418\u0437\u043d\u0430\u0447\u0430\u043b\u044c\u043d\u043e \u044d\u0442\u0430 \u0440\u0430\u043c\u0430 \u043f\u0440\u0435\u0434\u043d\u0430\u0437\u043d\u0430\u0447\u0430\u043b\u0430\u0441\u044c \u0434\u043b\u044f \u043f\u0430\u0440\u0430\u0434\u043d\u043e\u0433\u043e \u043f\u043e\u0440\u0442\u0440\u0435\u0442\u0430 \u0432 \u0434\u043e\u043c\u0435 \u043c\u0435\u0441\u0442\u043d\u043e\u0433\u043e \u043a\u0443\u043f\u0446\u0430, \u043d\u043e \u0442\u0435\u043f\u0435\u0440\u044c, \u0432\u0438\u0434\u044f \u0435\u0435 \u0431\u0435\u0437\u0443\u043f\u0440\u0435\u0447\u043d\u044b\u0435 \u043f\u0440\u043e\u043f\u043e\u0440\u0446\u0438\u0438 \u0438 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u0441\u0442\u0432\u043e \u043b\u0438\u043d\u0438\u0439, \u0432 \u0433\u043e\u043b\u043e\u0432\u0435 \u0411\u0435\u0440\u0447\u0438 \u0440\u043e\u0436\u0434\u0430\u0435\u0442\u0441\u044f \u0441\u043e\u0432\u0435\u0440\u0448\u0435\u043d\u043d\u043e \u0438\u043d\u043e\u0439, \u0431\u043e\u043b\u0435\u0435 \u043c\u0430\u0441\u0448\u0442\u0430\u0431\u043d\u044b\u0439 \u0437\u0430\u043c\u044b\u0441\u0435\u043b. \u041e\u043d \u0440\u0435\u0448\u0430\u0435\u0442 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u044c \u044d\u0442\u043e\u0442 \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u043d\u0430 \u0437\u0430\u0441\u0435\u0434\u0430\u043d\u0438\u0438 \u0433\u043e\u0440\u043e\u0434\u0441\u043a\u043e\u0439 \u0434\u0443\u043c\u044b \u2014 \u0438\u043c\u0435\u043d\u043d\u043e \u0442\u0430\u043a\u0438\u0435 \u0441\u0442\u0440\u043e\u0433\u0438\u0435 \u0438 \u043e\u0434\u043d\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u0435 \u044d\u043b\u0435\u043c\u0435\u043d\u0442\u044b \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430 \u043d\u0435\u043e\u0431\u0445\u043e\u0434\u0438\u043c\u044b \u0434\u043b\u044f \u0437\u0430\u043b\u043e\u0432 \u0441\u0442\u0440\u043e\u044f\u0449\u0435\u0433\u043e\u0441\u044f \u043e\u043a\u0440\u0443\u0436\u043d\u043e\u0433\u043e \u0441\u0443\u0434\u0430, \u0447\u0442\u043e\u0431\u044b \u043a\u0430\u0436\u0434\u044b\u0439 \u0432\u0445\u043e\u0434\u044f\u0449\u0438\u0439 \u0447\u0443\u0432\u0441\u0442\u0432\u043e\u0432\u0430\u043b \u043f\u0440\u043e\u0446\u0432\u0435\u0442\u0430\u043d\u0438\u0435 \u041a\u0443\u0440\u043b\u044f\u043d\u0434\u0441\u043a\u043e\u0439 \u0433\u0443\u0431\u0435\u0440\u043d\u0438\u0438 \u0438 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u0438\u0439 \u0440\u0430\u0437\u043c\u0430\u0445 \u041b\u0438\u0431\u0430\u0432\u044b. \u0417\u0430 \u043e\u043a\u043d\u043e\u043c \u0432\u0434\u043e\u043b\u044c \u043a\u0430\u043d\u0430\u043b\u0430 \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u0442\u044f\u043d\u0443\u0442\u0441\u044f \u043f\u043e\u0432\u043e\u0437\u043a\u0438, \u0430 \u0437\u0434\u0435\u0441\u044c, \u0432 \u0442\u0438\u0448\u0438\u043d\u0435 \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0430, \u0432\u0440\u0435\u043c\u044f \u0441\u043b\u043e\u0432\u043d\u043e \u0437\u0430\u043c\u0435\u0440\u043b\u043e \u0432\u043e\u043a\u0440\u0443\u0433 \u043e\u0434\u043d\u043e\u0433\u043e \u0437\u043e\u043b\u043e\u0442\u043e\u0433\u043e \u0443\u0437\u043b\u0430.<\/i><\/p>\n<p data-path-to-node=\"29\">\ud83c\uddec\ud83c\udde7<\/p>\n<h2 data-path-to-node=\"30\">Antique Gilt Picture Frame with Bow Cresting &amp; Historic Glass \u2014 Louis XVI Historicist Style (gilt picture frame)<\/h2>\n<p data-path-to-node=\"31\">Academic elegance and the visual opulence of late 19th-century civic salons converge in this medium-sized antique gilt picture frame. This piece stands as an elite and highly representative masterpiece of the late <i data-path-to-node=\"31\" data-index-in-node=\"214\">Historicist<\/i> era, crafted in strict accordance with the classical principles of the French Louis XVI style. The aesthetic focal point is the monumental, fluidly sculpted bow ribbon cresting that crowns the structure. The main rectangular profile is densely adorned with high-relief laurel leaf and berry garlands, bordered on the interior by a classic bead-and-reel (<i data-path-to-node=\"31\" data-index-in-node=\"580\">astragal<\/i>) moulding. Finished in premium gilding techniques, it alternates between burnished highlights and matte recessed tones to cast dramatic structural shadows. Crucially, the frame retains its original thin, period-correct glass plating.<\/p>\n<p data-path-to-node=\"32\">Crafted during the final quarter of the 19th century, circa 1880\u20131895, this frame mirrors the great economic prosperity of the Baltic governorates. The elite high society of cities like Riga and Libava enthusiastically integrated these royal French revival frames into their private drawing-rooms to encase important oil portraits or mirrors. Because the fragile ribbon bow extends significantly past the main frame line, these fine composition elements were frequently broken over the decades. Finding a specimen with its cresting entirely intact and original glass unbroken is an exceptional rarity. It is fully prepared to serve as an imposing focal point in a contemporary interior, framing art or displayed as a standalone sculpture. The condition of the item is fully reflected in the photos.<\/p>\n<p data-path-to-node=\"33\"><b data-path-to-node=\"33\" data-index-in-node=\"0\"><i data-path-to-node=\"33\" data-index-in-node=\"0\">Art Nouveau era snapshot, Architect Max Paul Bertschy (Bertschy):<\/i><\/b> <i data-path-to-node=\"33\" data-index-in-node=\"66\">Inside the chief city architect Bertschy\u2019s sprawling studio, a late afternoon quiet prevails, punctuated only by the rich aroma of freshly brewed coffee and the soft scratching of his drawing pencil. Resting on an easel near the wall, amidst blueprints for the new Libava Kurhaus and grand facade schematics, stands the newly arrived gilt wooden frame from the Riga gilding masters. Its magnificent ribbon bow cresting shimmers brilliantly in the fading autumn sunset. The architect rises from his desk, approaches the easel, and gently runs his fingertips over the cool, deeply reliefed laurel garlands and delicate pearl beadings\u2014he looks closely into the thin historic glass, catching a brief reflection of his own tired yet deeply satisfied expression.<\/i><\/p>\n<p data-path-to-node=\"34\"><i data-path-to-node=\"34\" data-index-in-node=\"0\">Though originally commissioned to hold a grand portrait for a local merchant&#8217;s drawing-room, seeing the frame\u2019s flawless academic proportions and noble execution inspires a far grander vision in Bertschy&#8217;s mind. He resolves to present this exact specimen at the upcoming city council meeting\u2014believing that such balanced, regal interior details are precisely what the grand halls of the new courthouse require so that every visitor instantly senses the cultural sophistication and European scale of the Courland governorate. Outside the window, along the quiet canal, the first evening carriages roll past, while here in the stillness of the studio, time stands still around a single golden ribbon knot.<\/i><\/p>\n<p data-path-to-node=\"36\">\ud83c\udde9\ud83c\uddea<\/p>\n<h3 data-path-to-node=\"37\">Antiker vergoldeter Bilderrahmen mit Schleifenkrone und Originalglas \u2014 Historismus (gilt picture frame)<\/h3>\n<p data-path-to-node=\"38\">Klassische Eleganz und der Glanz b\u00fcrgerlicher Salons des sp\u00e4ten 19. Jahrhunderts vereinen sich in diesem vergoldeten Rahmen aus der Zeit des <i data-path-to-node=\"38\" data-index-in-node=\"141\">Historismus<\/i>. Das nach den Vorbildern des franz\u00f6sischen Louis-XVI-Stils gefertigte Prunkst\u00fcck wird von einer monumentalen, plastisch geschnitzten Schleifenkrone (Bant) bekr\u00f6nt. Das Profil ist umlaufend mit erhabenen Lorbeerzweigen und einer feinen Perlleiste dekoriert. Das herk\u00f6mmliche Wechselspiel aus Glanz- und Mattgold verleiht dem Relief eine bemerkenswerte Tiefe. Besonders wertvoll ist das erhaltene originale d\u00fcnne Glas.<\/p>\n<p data-path-to-node=\"39\">Hergestellt um 1880\u20131895, stammt der Rahmen aus einer f\u00fchrenden Manufaktur und steht f\u00fcr den Wohlstand der damaligen Elite in Riga und Libava. Die gr\u00f6\u00dfte Seltenheit dieses Exemplars liegt in der makellosen Erhaltung der filigranen Schleife, die im Laufe der Jahrzehnte meist abbrach. Ideal als herrschaftlicher Spiegelrahmen oder f\u00fcr Gem\u00e4lde. Der Zustand des Artikels ist auf den Fotos vollst\u00e4ndig wiedergegeben.<\/p>\n<p data-path-to-node=\"40\"><b data-path-to-node=\"40\" data-index-in-node=\"0\"><i data-path-to-node=\"40\" data-index-in-node=\"0\">Historische Epochenaufnahme, Stadtbaumeister Max Paul Bertschy (Bertschy):<\/i><\/b> <i data-path-to-node=\"40\" data-index-in-node=\"75\">Im weitl\u00e4ufigen Atelier des Stadtbaumeisters Bertschy herrscht sp\u00e4te Nachmittagsstille, erf\u00fcllt vom Duft frischen Kaffees. An der Wand, zwischen den Entw\u00fcrfen f\u00fcr das neue Kurhaus in Libava, steht der vergoldete Rahmen auf einer Staffelei. Seine Schleifenkrone leuchtet warm im Licht der Abendsonne. Der Architekt tritt heran und ber\u00fchrt die k\u00fchlen Lorbeerbl\u00e4tter und feinen Perlleisten \u2014 im d\u00fcnnen Originalglas spiegelt sich f\u00fcr einen Moment sein eigener m\u00fcder, aber zufriedener Blick.<\/i><\/p>\n<p data-path-to-node=\"41\"><i data-path-to-node=\"41\" data-index-in-node=\"0\">Urspr\u00fcnglich f\u00fcr das Portr\u00e4t eines \u00f6rtlichen Kaufmanns gedacht, inspiriert die akademische Symmetrie des Rahmens Bertschy zu einem gr\u00f6\u00dferen Plan. Er beschlie\u00dft, das St\u00fcck im Stadtrat zu pr\u00e4sentieren \u2014 genau solche edlen Details sind f\u00fcr die Prunks\u00e4le des neuen Gerichtsgeb\u00e4udes n\u00f6tig, damit jeder Besucher den Wohlstand und das europ\u00e4ische Format des Gouvernements Kurland sp\u00fcrt. Drau\u00dfen am Kanal ziehen die Kutschen vorbei, w\u00e4hrend im Atelier die Zeit um einen goldenen Knoten stillzustehen scheint.<\/i><\/p>\n<p data-path-to-node=\"43\">\ud83c\uddeb\ud83c\uddf7<\/p>\n<h3 data-path-to-node=\"44\">Cadre Antique en Bois Dor\u00e9 \u00e0 Fronton de Ruban et Glace d&#8217;Origine \u2014 Style Louis XVI (gilt picture frame)<\/h3>\n<p data-path-to-node=\"45\">L&#8217;\u00e9l\u00e9gance acad\u00e9mique et le faste des salons de la fin du XIXe si\u00e8cle se rencontrent dans ce grand cadre dor\u00e9 de l&#8217;\u00e9poque de l&#8217;<i data-path-to-node=\"45\" data-index-in-node=\"127\">Historicisme<\/i>. Con\u00e7u selon les canons du style fran\u00e7ais Louis XVI, l&#8217;int\u00e9r\u00eat artistique de cette pi\u00e8ce r\u00e9side dans son somptueux fronton sculpt\u00e9 en forme de ruban nou\u00e9 (bante). Le profil est richement orn\u00e9 de guirlandes de feuilles de laurier et de baies, soulign\u00e9 sur l&#8217;int\u00e9rieur par un rang de perles. La dorure alterne de magnifiques brunis \u00e0 l&#8217;agate et des fonds mats. Le cadre a conserv\u00e9 son verre fin d&#8217;origine.<\/p>\n<p data-path-to-node=\"46\">Fabriqu\u00e9 vers 1880\u20131895, ce cadre t\u00e9moigne de la prosp\u00e9rit\u00e9 des provinces baltes o\u00f9 la haute soci\u00e9t\u00e9 de Riga et Libava appr\u00e9ciait la finesse des arts d\u00e9coratifs fran\u00e7ais. La parfaite conservation du n\u0153ud sup\u00e9rieur, \u00e9l\u00e9ment saillant et fragile qui s&#8217;est presque toujours bris\u00e9 au fil du temps, en fait une pi\u00e8ce rare pour les collectionneurs. L&#8217;\u00e9tat de l&#8217;article est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"47\"><b data-path-to-node=\"47\" data-index-in-node=\"0\"><i data-path-to-node=\"47\" data-index-in-node=\"0\">Instantan\u00e9 de l&#8217;\u00e9poque, l&#8217;architecte Max Paul Bertschy (Bertschy):<\/i><\/b> <i data-path-to-node=\"47\" data-index-in-node=\"67\">Dans le grand cabinet de travail de l&#8217;architecte en chef Max Paul Bertschy, le calme de la fin de l&#8217;apr\u00e8s-midi s&#8217;installe, m\u00eal\u00e9 \u00e0 l&#8217;ar\u00f4me du caf\u00e9 frais. Contre le mur, au milieu des esquisses du nouveau Kurhaus de Libava, un cadre en bois dor\u00e9 repose sur un chevalet, son fronton de ruban scintillant sous les derniers rayons du soleil. L&#8217;architecte se l\u00e8ve, s&#8217;approche et effleure les perles et les feuilles de laurier sculpt\u00e9es \u2014 son regard croise son propre reflet fatigu\u00e9 mais serein dans le verre ancien.<\/i><\/p>\n<p data-path-to-node=\"48\"><i data-path-to-node=\"48\" data-index-in-node=\"0\">Bien que ce cadre f\u00fbt destin\u00e9 au portrait d&#8217;un n\u00e9gociant local, sa perfection classique inspire \u00e0 Bertschy un tout autre dessein. Il d\u00e9cide de le pr\u00e9senter au conseil municipal : ces d\u00e9tails d&#8217;une grande noblesse sont exactement ce qu&#8217;il faut pour les salons d&#8217;apparat du futur palais de justice, afin que chaque visiteur ressente la prosp\u00e9rit\u00e9 et l&#8217;envergure europ\u00e9enne de la Courlande. Dehors, les voitures longent le canal, tandis que dans l&#8217;atelier, le temps s&#8217;arr\u00eate autour d&#8217;un n\u0153ud de ruban dor\u00e9.<\/i><\/p>\n<p data-path-to-node=\"50\">\ud83c\udde9\ud83c\uddf0<\/p>\n<h3 data-path-to-node=\"51\">Antik Forgyldt Billedramme med Sl\u00f8jfe-Top og Originalt Glas \u2014 Louis XVI \/ Historisme (gilt picture frame)<\/h3>\n<p data-path-to-node=\"52\">Klassisk elegance og det sene 19. \u00e5rhundredes rige salonkultur m\u00f8des i denne forgyldte ramme fra <i data-path-to-node=\"52\" data-index-in-node=\"97\">historismen<\/i>. Rammen er udf\u00f8rt efter franske Louis XVI-forbilleder og krones af en imponerende, tredimensionel og sirligt udsk\u00e5ret sl\u00f8jfe (bante). Selve profilen er rigt dekoreret med relieffer af laurb\u00e6rgrene og en fin perlestaf. Takket v\u00e6re det traditionelle spil mellem blankt og mat guld har rammen en fantastisk dybde. Rammen har bevaret sit originale tynde glas.<\/p>\n<p data-path-to-node=\"53\">Fremstillet omkring 1880\u20131895, repr\u00e6senterer rammen den velstand, som pr\u00e6gede overklassen i Riga og Libava. Det h\u00f8rer til sj\u00e6ldenhederne, at den sarte topsl\u00f8jfe har overlevet tidens tand uden skader. Perfekt til portr\u00e6tter eller som spejlramme. Varens stand er fuldt ud vist p\u00e5 billederne.<\/p>\n<p data-path-to-node=\"54\"><b data-path-to-node=\"54\" data-index-in-node=\"0\"><i data-path-to-node=\"54\" data-index-in-node=\"0\">Historistisk tidsbillede, arkitekt Max Paul Bertschy (Bertschy):<\/i><\/b> <i data-path-to-node=\"54\" data-index-in-node=\"65\">P\u00e5 stadsarkitekt Bertschys kontor hersker en dyb eftermiddagsro, fyldt med duften af kaffe. P\u00e5 staffeliet midt i rummet, mellem tegningerne til det nye Kurhaus i Libava, st\u00e5r den forgyldte ramme, som netop er ankommet. Topsl\u00f8jfen funkler varmt i aftensolen. Arkitekten tr\u00e6der hen og ber\u00f8rer de k\u00f8lige laurb\u00e6rblade og perlekanter \u2014 i det tynde originale glas spejles for et \u00f8jeblik hans eget tr\u00e6tte, men tilfredse blik.<\/i><\/p>\n<p data-path-to-node=\"55\"><i data-path-to-node=\"55\" data-index-in-node=\"0\">Egentlig skulle rammen rumme et portr\u00e6t af en lokal k\u00f8bmand, men rammens klassiske symmetri inspirerer Bertschy til en st\u00f8rre plan. Han beslutter at pr\u00e6sentere den for byr\u00e5det \u2014 netop s\u00e5danne detaljer er n\u00f8dvendige til salene i den nye retsbygning, s\u00e5 enhver bes\u00f8gende m\u00e6rker Kurland-guvernementets velstand og europ\u00e6iske format. Udenfor k\u00f8rer vognene forbi kanalen, mens tiden i atelieret synes at st\u00e5 stille om en gylden sl\u00f8jfe.<\/i><\/p>\n<p data-path-to-node=\"57\">\ud83c\uddf8\ud83c\uddea<\/p>\n<h3 data-path-to-node=\"58\">Antik F\u00f6rgylld Bildram med Rosettkr\u00f6n och Originalglas \u2014 Louis XVI \/ Historism (gilt picture frame)<\/h3>\n<p data-path-to-node=\"59\">Klassisk elegans och det sena 1800-talets salongskultur m\u00f6ts i denna f\u00f6rgyllda ram fr\u00e5n <i data-path-to-node=\"59\" data-index-in-node=\"88\">historismens<\/i> glansdagar. Ramen \u00e4r utf\u00f6rd i fransk Louis XVI-stil och kr\u00f6ns av en magnifik, skulptural rosett (bante) i gipsmastik och tr\u00e4. Profilen pryds av relieffsnidade lagatbland och en fin p\u00e4rlstav. F\u00f6rgyllningen v\u00e4xlar mellan polerat blankguld och matta partier vilket ger ramen en fantastisk djupverkan. Den har kvar sitt tunna originalglas.<\/p>\n<p data-path-to-node=\"60\">Tillverkad omkring 1880\u20131895, speglar ramen den ekonomiska blomstringen bland borgerskapet i Riga och Libava. Att det sk\u00f6ra rosettkr\u00f6net har bevarats helt intakt g\u00f6r ramen till en stor s\u00e4llsynthet f\u00f6r samlare. Utm\u00e4rkt f\u00f6r ett paradsportr\u00e4tt eller som spegelram. Varans skick \u00e4r helt reflekterat i bilderna.<\/p>\n<p data-path-to-node=\"61\"><b data-path-to-node=\"61\" data-index-in-node=\"0\"><i data-path-to-node=\"61\" data-index-in-node=\"0\">Historisk tidsbild, arkitekt Max Paul Bertschy (Bertschy):<\/i><\/b> <i data-path-to-node=\"61\" data-index-in-node=\"59\">I stadsarkitekt Bertschys rymliga kontor r\u00e5der en stilla eftermiddag, fylld av doften fr\u00e5n nybryggt kaffe. P\u00e5 staffliet vid v\u00e4ggen, mitt ibland ritningarna till Libavas nya Kurhus, st\u00e5r den f\u00f6rgyllda ramen som just anl\u00e4nt fr\u00e5n verkstaden. Dess praktfulla rosettkr\u00f6n glimmar varmt i den sjunkande kv\u00e4llssolen. Arkitekten reser sig, g\u00e5r fram och r\u00f6r f\u00f6rsiktigt vid de svala lagatbladen och p\u00e4rlstaven \u2014 i det tunna originalglaset speglas f\u00f6r ett \u00f6gonblick hans eget tr\u00f6tta men n\u00f6jda ansikte.<\/i><\/p>\n<p data-path-to-node=\"62\"><i data-path-to-node=\"62\" data-index-in-node=\"0\">Ramen var ursprungligen best\u00e4lld f\u00f6r en lokal k\u00f6pmans portr\u00e4tt, men dess akademiska symmetri inspirerar Bertschy till en st\u00f6rre plan. Han beslutar att visa upp den vid n\u00e4sta stadsfullm\u00e4ktige \u2014 just s\u00e5dana f\u00f6rn\u00e4ma interi\u00f6rdetaljer kr\u00e4vs f\u00f6r festsalarna i det nya domstolshuset, s\u00e5 att varje bes\u00f6kare f\u00f6rnimmer Kurlands v\u00e4lst\u00e5nd och europeiska format. Utanf\u00f6r rullar vagnarna f\u00f6rbi kanalen, medan tiden i ritkontoret verkar st\u00e5 stilla kring en gyllene rosett.<\/i><\/p>\n<p data-path-to-node=\"64\">\ud83c\uddf3\ud83c\uddf4<\/p>\n<h3 data-path-to-node=\"65\">Antikk Forgylt Bilderamme med Sl\u00f8yfetopp og Originalt Glass \u2014 Louis XVI \/ Historisme (gilt picture frame)<\/h3>\n<p data-path-to-node=\"66\">Klassisk eleganse og det sene 19. \u00e5rhundrets rike salongkultur m\u00f8tes i denne forgylte rammen fra <i data-path-to-node=\"66\" data-index-in-node=\"97\">historismen<\/i>. Rammen er utf\u00f8rt etter franske Louis XVI-forbilder og krones av en imponerende, tredimensjonal og sirlig utsk\u00e5ret sl\u00f8yfe (bante). Selve profilen er rikt dekorert med relieffer av laurb\u00e6rgrener og en fin perlestaf. Takket v\u00e6re det tradisjonelle spillet mellom blankt og matt gull har rammen en fantastisk dybde. Rammen har bevart sitt originale tynne glass.<\/p>\n<p data-path-to-node=\"67\">Fremstilt omkring 1880\u20131895, representerer rammen den velstand som preget overklassen i Riga og Libava. Det h\u00f8rer til sjeldenhetene at den sarte topsl\u00f8jfe har overlevd tidens tann uten skader. Perfekt til portretter eller som speilramme. Varens stand er fuldt ud vist p\u00e5 billederne.<\/p>\n<p data-path-to-node=\"68\"><b data-path-to-node=\"68\" data-index-in-node=\"0\"><i data-path-to-node=\"68\" data-index-in-node=\"0\">Historistisk tidsbilde, arkitekt Max Paul Bertschy (Bertschy):<\/i><\/b> <i data-path-to-node=\"68\" data-index-in-node=\"63\">P\u00e5 stadsarkitekt Bertschys kontor hersker en dyp ettermiddagsro, fylt med duften av kaffe. P\u00e5 staffeliet midt i rommet, mellom tegningene til det nye Kurhaus i Libava, st\u00e5r den forgylte rammen som nettopp har ankommet. Topsl\u00f8jfen funkler varmt i aftensolen. Arkitekten trer hen og ber\u00f8rer de kj\u00f8lige laurb\u00e6rblade og perlekanter \u2014 i det tynne originale glasset speiles for et \u00f8yeblikk hans eget trette, men tilfredse blikk.<\/i><\/p>\n<p data-path-to-node=\"69\"><i data-path-to-node=\"69\" data-index-in-node=\"0\">Egentlig skulle rammen romme et portrett av en lokal kj\u00f8pmann, men rammens klassiske symmetri inspirerer Bertschy til en st\u00f8rre plan. Han beslutter \u00e5 presentere den for byr\u00e5det \u2014 nettopp slike detaljer er n\u00f8dvendige til salene i den nye rettsbygningen, s\u00e5 enhver bes\u00f8kende merker Kurland-guvernementets velstand og europeiske format. Utenfor kj\u00f8rer vognene forbi kanalen, mens tiden i atelieret synes \u00e5 st\u00e5 stille om en gylden sl\u00f8yfe.<\/i><\/p>\n<p data-path-to-node=\"71\">\ud83c\uddeb\ud83c\uddee<\/p>\n<h3 data-path-to-node=\"72\">Anttiikki Kullattu Kuvakehys Rusetti-Kruunulla ja Alkuper\u00e4isell\u00e4 Lasilla \u2014 Historismi (gilt picture frame)<\/h3>\n<p data-path-to-node=\"73\">Klassinen eleganssi ja 1800-luvun lopun salonkikulttuuri kohtaavat t\u00e4ss\u00e4 anitikkisessa kullatussa kehyksess\u00e4. Ranskalaisen <i data-path-to-node=\"73\" data-index-in-node=\"123\">Louis XVI<\/i> -tyylin mukainen historismin mestariteos huipentuu sen yl\u00e4osassa olevaan n\u00e4ytt\u00e4v\u00e4\u00e4n ja runsaaseen rusetti-koristeeseen (bante). Kehyksen profiilia kiert\u00e4\u00e4 syv\u00e4 ja tarkka laakerinlehtik\u00f6ynn\u00f6s sek\u00e4 helminauha-reunus. Kultauksessa vuorottelevat upeasti kiilt\u00e4v\u00e4t ja mattapinnat. Kehyksess\u00e4 on s\u00e4ilynyt sen alkuper\u00e4inen ohut vuosisadanvaihteen lasi.<\/p>\n<p data-path-to-node=\"74\">Valmistettu noin 1880\u20131895, kehys heijastaa Riian ja Libavan porvariston vaurastumisen aikakautta, jolloin salonkeja sisustettiin ranskalaistyylisill\u00e4 arvokehyksill\u00e4. Rusetin t\u00e4ydellinen s\u00e4ilyvyys on poikkeuksellista, sill\u00e4 n\u00e4m\u00e4 ulkonevat osat vaurioituivat helposti vuosikymmenten saatossa. Kehys sopii erinomaisesti arvokkaan muotokuvan tai peilin i\u00e4ksi. Tuotteen kunto n\u00e4kyy t\u00e4ydellisesti valokuvissa.<\/p>\n<p data-path-to-node=\"75\"><b data-path-to-node=\"75\" data-index-in-node=\"0\"><i data-path-to-node=\"75\" data-index-in-node=\"0\">Historismin aikakauden tuokiokuva, arkkitehti Max Paul Ber\u010di (Bertschy):<\/i><\/b> <i data-path-to-node=\"75\" data-index-in-node=\"73\">Kaupunginarkkitehti Ber\u010din laajassa ty\u00f6huoneessa vallitsee iltap\u00e4iv\u00e4n rauha, jota t\u00e4ytt\u00e4\u00e4 vastakeitetyn kahvin tuoksu ja lyijykyn\u00e4n hiljainen kahina papereilla. Seinustalla, Libavan uuden kylpyl\u00e4hotellin piirustusten ja julkisivuluonnosten v\u00e4liss\u00e4, seisoo maalaustelineell\u00e4 Riian kultaajamestareilta saapunut kehys, jonka upea rusetti loistaa ilta-auringossa. Arkkitehti nousee p\u00f6yt\u00e4ns\u00e4 \u00e4\u00e4rest\u00e4, astuu l\u00e4hemm\u00e4s ja koskettaa varovasti laakerinlehtien kohokuvioita ja pienten helmien sarjaa \u2014 h\u00e4n katsoo ohutta historiallista lasia, josta heijastuu hetkeksi h\u00e4nen oma v\u00e4synyt, mutta tyytyv\u00e4inen katseensa.<\/i><\/p>\n<p data-path-to-node=\"76\"><i data-path-to-node=\"76\" data-index-in-node=\"0\">Alun perin kehys tilattiin er\u00e4\u00e4n paikallisen kauppiaan salongin suurta perhepotrettia varten, mutta sen akateeminen symmetria ja ylevyys inspiroivat Ber\u010di\u00e4 laajempaan suunnitelmaan. H\u00e4n p\u00e4\u00e4tt\u00e4\u00e4 esitell\u00e4 t\u00e4m\u00e4n kappaleen kaupunginvaltuuston istunnossa \u2014 juuri t\u00e4llaisia arvokkaita ja eurooppalaisia yksityiskohtia tarvitaan rakenteilla olevan oikeustalon suuriin saleihin, jotta jokainen vierailija tuntisi Kuurinmaan kuvernementin vaurauden ja loiston. Ulkona vaunut kulkevat hitaasti kanavan vartta, mutta t\u00e4\u00e4ll\u00e4 hiljaisessa huoneessa aika pys\u00e4htyy yhden kultaisen rusetin ymp\u00e4rille.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ekskluz\u012bvs un izteiksm\u012bgs vid\u0113ji liela izm\u0113ra ant\u012bks koka un gip\u0161a mastikas r\u0101mis kr\u0101\u0161\u0146\u0101 Luija XVI historisma stil\u0101. R\u0101mja aug\u0161da\u013cu vainago iespaid\u012bgs, plastisks un apjom\u012bgs saloc\u012btas lentes (bantes) vijuma kronis, bet pa\u0161u profilu vis\u0101 perimetr\u0101 rot\u0101 reljefi lauru lapu vijumi un smalkas p\u0113r\u013cu rindas. R\u0101mis saglab\u0101ts kop\u0101 ar ori\u0123in\u0101lo v\u0113sturisko stiklu.<\/p>\n","protected":false},"featured_media":15797,"template":"","meta":[],"product_brand":[],"product_cat":[206,222,225,210,204],"product_tag":[1123,1129,1127,1128,1124,568,1126,1125,1053,415,1130,1054,640,687],"class_list":["post-15796","product","type-product","status-publish","has-post-thumbnail","product_cat-gleznas","product_cat-ramji-spoguli","product_cat-ramji-gleznas","product_cat-spoguli","product_cat-visas-lietas","product_tag-antiks-ramis","product_tag-antique-frame","product_tag-berci-interjers","product_tag-gilt-picture-frame","product_tag-gleznas-ramis","product_tag-historisma-stils","product_tag-lauru-lapas","product_tag-lentes-motivs","product_tag-libava","product_tag-luija-xvi-stils","product_tag-pauls-baks-berci","product_tag-riga","product_tag-spogula-ramis","product_tag-zeltits-ramis","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/15796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/15797"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=15796"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=15796"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=15796"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=15796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}