{"id":14984,"date":"2023-01-26T12:41:15","date_gmt":"2023-01-26T10:41:15","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=14984"},"modified":"2026-09-07T21:51:48","modified_gmt":"2026-09-07T18:51:48","slug":"3763","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/3763\/","title":{"rendered":"Ant\u012bki porcel\u0101na \u0161\u0137\u012bvji ar med\u012bbu ainav\u0101m \u2014 historisma stil\u0101 &#8211; antique french hunting scene plates (3763)"},"content":{"rendered":"<p data-path-to-node=\"9\">\ud83c\uddf1\ud83c\uddfb<\/p>\n<p data-path-to-node=\"10\">Platums \u2014 24 cm (Cena nor\u0101d\u012bta par komplektu \u2014 12 gabali, <i data-path-to-node=\"10\" data-index-in-node=\"58\">ensemble<\/i>)<\/p>\n<p data-path-to-node=\"11\"><b data-path-to-node=\"11\" data-index-in-node=\"0\">Ekskluz\u012bvi ant\u012bki porcel\u0101na \u0161\u0137\u012bvji ar med\u012bbu ainav\u0101m \u2014 historisma stil\u0101 (antique french hunting scene plates) (3763)<\/b><\/p>\n<p data-path-to-node=\"12\">\u0160is iespaid\u012bgais divpadsmit ant\u012bko porcel\u0101na (fajansa) pusdienu vai uzkodu \u0161\u0137\u012bvju komplekts (<i data-path-to-node=\"12\" data-index-in-node=\"93\">antique french hunting scene plates<\/i>) ir izcils un \u0101rk\u0101rt\u012bgi rets 19. gadsimta beigu fran\u010du litogr\u0101fijas un galda kult\u016bras d\u0101rgums. \u0160\u0137\u012bvju centr\u0101los spogu\u013cus rot\u0101 detaliz\u0113ti, melnbalti si\u017eetiskie gleznojumi (dekoli) ar humoristiskiem un dinamiskiem st\u0101stiem no mednieku dz\u012bves un gait\u0101m \u2014 no svin\u012bg\u0101 s\u0101kuma <i data-path-to-node=\"12\" data-index-in-node=\"399\">L&#8217;ouverture de la chasse<\/i> un su\u0146u dzin\u0113ju skatiem l\u012bdz kurioz\u0101m situ\u0101cij\u0101m me\u017e\u0101 un lauku krogos. Katram si\u017eetam apak\u0161\u0101 ir ori\u0123in\u0101ls, numur\u0113ts paraksts fran\u010du valod\u0101, kas p\u0101rv\u0113r\u0161 \u0161o komplektu aizraujo\u0161\u0101 st\u0101stu s\u0113rij\u0101. \u0160\u0137\u012bvju pl\u016bsto\u0161\u0101s, vi\u013c\u0146ot\u0101s apmales ir dekor\u0113tas kr\u0101\u0161\u0146\u0101, sul\u012bgi zil\u0101 ton\u012b, taj\u0101s smalki iep\u012bt me\u017ea ragu, bise, med\u012bjumu un floras neoklasiskos ornamentus.<\/p>\n<p data-path-to-node=\"13\"><b data-path-to-node=\"13\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> Izgatavoti Francij\u0101, laika posm\u0101 no 1884. l\u012bdz 1920. gadam, kad abu slaveno darbn\u012bcu apvienot\u0101 manufakt\u016bra piedz\u012bvoja savu augst\u0101ko uzplaukumu, eksport\u0113jot ekskluz\u012bvas serv\u012bzes Eiropas aristokr\u0101tijai.<\/p>\n<p data-path-to-node=\"14\"><b data-path-to-node=\"14\" data-index-in-node=\"0\">Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> K\u0101 redzams pamatnes tuvpl\u0101nos att\u0113los IMG_9974-600&#215;800.jpg un IMG_9975-600&#215;800.jpg, \u0161\u0137\u012bvji ir mar\u0137\u0113ti ar skaidri saskat\u0101mu, aizsarg\u0101tu v\u0113sturisko z\u012bmogu <i data-path-to-node=\"14\" data-index-in-node=\"182\">D\u00e9pos\u00e9 \/ Creil et Montereau<\/i>, k\u0101 ar\u012b iemestu s\u0113rijas burtu un ciparu mar\u0137\u0113jumu porcel\u0101na mas\u0101. \u0160\u012b manufakt\u016bra ir viena no le\u0123end\u0101r\u0101kaj\u0101m Francijas keramikas v\u0113stur\u0113, kas slaven\u012bbu ieguva tie\u0161i ar savu nevainojamo un dzidro fajansa (<i data-path-to-node=\"14\" data-index-in-node=\"413\">fa\u00efence fine<\/i>) kvalit\u0101ti un izsmalcin\u0101tajiem transferware tehnikas z\u012bm\u0113jumiem.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Retums un noz\u012bme<\/b> Galven\u0101 \u0161\u012b komplekta v\u0113rt\u012bba ir t\u0101 apjoms un izcil\u0101 saglab\u0101\u0161an\u0101s pak\u0101pe. Antikvari\u0101tu tirg\u016b Creil et Montereau si\u017eetiskie \u0161\u0137\u012bvji parasti par\u0101d\u0101s pa vienam vai nepilnos, boj\u0101tos p\u0101ros. Atbilst\u012bba un iesp\u0113ja ieg\u016bt veselu 12 gabalu s\u0113riju, kur katrs priek\u0161mets nes at\u0161\u0137ir\u012bgu un nedubl\u0113jo\u0161os med\u012bbu st\u0101stu ar veseliem numur\u0113tiem si\u017eetiem, ir unik\u0101ls atradums nopietniem kolekcion\u0101riem un v\u0113sturisk\u0101 dz\u012bvesstila baud\u012bt\u0101jiem.<\/p>\n<p data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">Pielietojums<\/b> \u0160is komplekts ir izcils elements reprezentablai un svin\u012bgai galda kl\u0101\u0161anai, \u012bpa\u0161i d\u0101rza sv\u0113tkos, kungu klubos vai med\u012bbu rezidences pusdienu z\u0101l\u0113. T\u0101pat \u0161ie \u0161\u0137\u012bvji kalpo k\u0101 augstv\u0113rt\u012bgi dekorat\u012bv\u0101s m\u0101kslas objekti \u2014 tos var izvietot pie sienas k\u0101 vienotu galeriju vai ekspon\u0113t mas\u012bva neoklasicisma stila bufet\u0113 vai ozolkoka trauku skap\u012b, kur to zil\u0101 un melnbalt\u0101 grafika rad\u012bs t\u016bl\u012bt\u0113ju vizu\u0101lo dzi\u013cumu.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">St\u0101voklis<\/b> \u0160\u0137\u012bvji ir teicam\u0101 v\u0113sturisk\u0101 st\u0101vokl\u012b. Porcel\u0101na masa ir stingra, skan\u012bga un dzidra, bez emaljas plais\u0101m (krakel\u016bras), robiem vai v\u0113sturiskiem l\u016bgumiem. Kr\u0101su pigmenti un melnbalt\u0101s litogr\u0101fijas deta\u013cas ir saglab\u0101ju\u0161as maksim\u0101lu asumu un skaidr\u012bbu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"18\"><em><b data-path-to-node=\"18\" data-index-in-node=\"0\">Belle \u00c9poque momentuz\u0146\u0113mums:<\/b> Gijs de Mopas\u0101ns (Guy de Maupassant) s\u0113d\u0113ja pie bag\u0101t\u012bgi kl\u0101ta galda draugu lok\u0101 sav\u0101 Normandijas mui\u017e\u0101, kur p\u0113c garas rudens med\u012bbu dienas kam\u012bn\u0101 sprak\u0161\u0137\u0113ja malka. Telp\u0101 vald\u012bja jautras sarunas, un mednieki, baudot v\u012bnu, sm\u0113j\u0101s par aizvad\u012bt\u0101s dienas kurioziem un me\u017ea gait\u0101m. Gaisma no sve\u010dturiem l\u016bza p\u0101r divpadsmit porcel\u0101na spogu\u013ciem, kur zil\u0101s apmales iesk\u0101va m\u0113mus, bet tik paz\u012bstamus me\u017ea skatus, bises un dzin\u0113jsu\u0146u siluetus, kas uzburti uz balt\u0101s emaljas virsmas. \u0160is smalkais, d\u016bmakainais z\u012bm\u0113jumu mirdzums un telp\u0101 virmojo\u0161ais med\u012bjuma un vec\u0101 konjaka arom\u0101ts ienesa vakar\u0101 to v\u012bri\u0161\u0137\u012bgo, aristokr\u0101tisko gandar\u012bjumu un mieru, ko nevar\u0113ja izteikt v\u0101rdos.<\/em><\/p>\n<p data-path-to-node=\"20\">\ud83c\uddf7\ud83c\uddfa<\/p>\n<p data-path-to-node=\"21\">(\u0426\u0435\u043d\u0430 \u0443\u043a\u0430\u0437\u0430\u043d\u0430 \u0437\u0430 \u043a\u043e\u043c\u043f\u043b\u0435\u043a\u0442 \u2014 12 \u0448\u0442\u0443\u043a, \u0430\u043d\u0441\u0430\u043c\u0431\u043b\u044c)<\/p>\n<p data-path-to-node=\"22\"><b data-path-to-node=\"22\" data-index-in-node=\"0\">\u0420\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u0435 \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u044b\u0435 \u0444\u0430\u0440\u0444\u043e\u0440\u043e\u0432\u044b\u0435 \u0442\u0430\u0440\u0435\u043b\u043a\u0438 \u0441 \u043e\u0445\u043e\u0442\u043d\u0438\u0447\u044c\u0438\u043c\u0438 \u0441\u044e\u0436\u0435\u0442\u0430\u043c\u0438 \u2014 \u0432 \u0441\u0442\u0438\u043b\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430 (antique french hunting scene plates) (3763)<\/b><\/p>\n<p data-path-to-node=\"23\">\u042d\u0442\u043e\u0442 \u0443\u043d\u0438\u043a\u0430\u043b\u044c\u043d\u044b\u0439 \u0438 \u043d\u0435\u043e\u0431\u044b\u0447\u0430\u0439\u043d\u043e \u0440\u0435\u0434\u043a\u0438\u0439 \u043f\u043e \u0441\u0432\u043e\u0435\u043c\u0443 \u043e\u0431\u044a\u0435\u043c\u0443 \u043a\u043e\u043c\u043f\u043b\u0435\u043a\u0442 \u0438\u0437 \u0434\u0432\u0435\u043d\u0430\u0434\u0446\u0430\u0442\u0438 \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u044b\u0445 \u0444\u0430\u0440\u0444\u043e\u0440\u043e\u0432\u044b\u0445 (\u0444\u0430\u044f\u043d\u0441\u043e\u0432\u044b\u0445) \u0442\u0430\u0440\u0435\u043b\u043e\u043a (<i data-path-to-node=\"23\" data-index-in-node=\"118\">antique french hunting scene plates<\/i>) \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u0432\u044b\u0434\u0430\u044e\u0449\u0438\u0439\u0441\u044f \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0433\u043e \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u043e-\u043f\u0440\u0438\u043a\u043b\u0430\u0434\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u043a\u043e\u043d\u0446\u0430 XIX \u2014 \u043d\u0430\u0447\u0430\u043b\u0430 XX \u0432\u0435\u043a\u0430. \u041d\u0430 \u0437\u0435\u0440\u043a\u0430\u043b\u0435 \u043a\u0430\u0436\u0434\u043e\u0439 \u0442\u0430\u0440\u0435\u043b\u043a\u0438 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u0430 \u0434\u0435\u0442\u0430\u043b\u044c\u043d\u0430\u044f \u0447\u0435\u0440\u043d\u043e-\u0431\u0435\u043b\u0430\u044f \u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0433\u0440\u0430\u0432\u044e\u0440\u0430 (\u0434\u0435\u043a\u043e\u043b\u044c) \u0441 \u0437\u0430\u0431\u0430\u0432\u043d\u044b\u043c\u0438 \u0438 \u0434\u0438\u043d\u0430\u043c\u0438\u0447\u043d\u044b\u043c\u0438 \u0441\u044e\u0436\u0435\u0442\u0430\u043c\u0438 \u0438\u0437 \u0436\u0438\u0437\u043d\u0438 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0445 \u043e\u0445\u043e\u0442\u043d\u0438\u043a\u043e\u0432. \u041a\u0430\u0436\u0434\u0430\u044f \u0441\u0446\u0435\u043d\u0430 \u043f\u0440\u043e\u043d\u0443\u043c\u0435\u0440\u043e\u0432\u0430\u043d\u0430 \u0438 \u0441\u043d\u0430\u0431\u0436\u0435\u043d\u0430 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u043c \u0442\u0435\u043a\u0441\u0442\u043e\u043c \u043d\u0430 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u043c \u044f\u0437\u044b\u043a\u0435. \u0412\u043e\u043b\u043d\u0438\u0441\u0442\u044b\u0435 \u043a\u0440\u0430\u044f \u0442\u0430\u0440\u0435\u043b\u043e\u043a \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u044b \u0441\u043e\u0447\u043d\u044b\u043c \u0441\u0438\u043d\u0435-\u0431\u0435\u043b\u044b\u043c \u043e\u0440\u043d\u0430\u043c\u0435\u043d\u0442\u043e\u043c \u0432 \u0441\u0442\u0438\u043b\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430, \u0432 \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u0432\u043f\u043b\u0435\u0442\u0435\u043d\u044b \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u044f \u043e\u0445\u043e\u0442\u043d\u0438\u0447\u044c\u0438\u0445 \u0440\u043e\u0436\u043a\u043e\u0432, \u0440\u0443\u0436\u0435\u0439 \u0438 \u0434\u0438\u0447\u0438.<\/p>\n<p data-path-to-node=\"24\">\u041f\u0435\u0440\u0438\u043e\u0434 \u0441\u043e\u0437\u0434\u0430\u043d\u0438\u044f \u043e\u0442\u043d\u043e\u0441\u0438\u0442\u0441\u044f \u043a 1884\u20131920-\u043c \u0433\u043e\u0434\u0430\u043c, \u044d\u043f\u043e\u0445\u0435 \u0440\u0430\u0441\u0446\u0432\u0435\u0442\u0430 \u0437\u043d\u0430\u043c\u0435\u043d\u0438\u0442\u043e\u0439 \u043e\u0431\u044a\u0435\u0434\u0438\u043d\u0435\u043d\u043d\u043e\u0439 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0439 \u043c\u0430\u043d\u0443\u0444\u0430\u043a\u0442\u0443\u0440\u044b <i data-path-to-node=\"24\" data-index-in-node=\"110\">Creil et Montereau<\/i>, \u0441\u043b\u0430\u0432\u0438\u0432\u0448\u0435\u0439\u0441\u044f \u0441\u0432\u043e\u0438\u043c \u0442\u043e\u043d\u043a\u0438\u043c \u0444\u0430\u044f\u043d\u0441\u043e\u043c (<i data-path-to-node=\"24\" data-index-in-node=\"164\">fa\u00efence fine<\/i>) \u043a\u043e\u0440\u043e\u043b\u0435\u0432\u0441\u043a\u043e\u0433\u043e \u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0430. \u041d\u0430 \u043e\u0431\u043e\u0440\u043e\u0442\u043d\u043e\u0439 \u0441\u0442\u043e\u0440\u043e\u043d\u0435 \u043f\u0440\u0438\u0441\u0443\u0442\u0441\u0442\u0432\u0443\u0435\u0442 \u0447\u0435\u0442\u043a\u043e\u0435 \u0437\u0430\u0449\u0438\u0449\u0435\u043d\u043d\u043e\u0435 \u0433\u043e\u0441\u0443\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435 \u043a\u043b\u0435\u0439\u043c\u043e \u0444\u0430\u0431\u0440\u0438\u043a\u0438. \u0413\u043b\u0430\u0432\u043d\u0430\u044f \u0446\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u043b\u043e\u0442\u0430 \u2014 \u043f\u043e\u043b\u043d\u0430\u044f \u0441\u043e\u0445\u0440\u0430\u043d\u043d\u043e\u0441\u0442\u044c \u0432\u0441\u0435\u0439 \u0441\u0435\u0440\u0438\u0438 \u0438\u0437 12 \u0442\u0430\u0440\u0435\u043b\u043e\u043a \u0432\u043c\u0435\u0441\u0442\u0435 \u0431\u0435\u0437 \u0441\u043a\u043e\u043b\u043e\u0432, \u0442\u0440\u0435\u0449\u0438\u043d \u0438 \u0440\u0435\u0441\u0442\u0430\u0432\u0440\u0430\u0446\u0438\u0439. \u041d\u0430\u0431\u043e\u0440 \u0441\u0442\u0430\u043d\u0435\u0442 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u044b\u043c \u0434\u043e\u043c\u0438\u043d\u0438\u0440\u0443\u044e\u0449\u0438\u043c \u0430\u043a\u0446\u0435\u043d\u0442\u043e\u043c \u043f\u0440\u0438 \u0441\u0435\u0440\u0432\u0438\u0440\u043e\u0432\u043a\u0435 \u043f\u0440\u0430\u0437\u0434\u043d\u0438\u0447\u043d\u043e\u0433\u043e \u0441\u0442\u043e\u043b\u0430 \u0438\u043b\u0438 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u043c \u044d\u043b\u0435\u043c\u0435\u043d\u0442\u043e\u043c \u0434\u0435\u043a\u043e\u0440\u0430 \u0441\u0442\u0435\u043d \u0432 \u043e\u0445\u043e\u0442\u043d\u0438\u0447\u044c\u0435\u043c \u0434\u043e\u043c\u0438\u043a\u0435 \u0438\u043b\u0438 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0435.<\/p>\n<p data-path-to-node=\"25\"><em><b data-path-to-node=\"25\" data-index-in-node=\"0\">\u0418\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0441\u044e\u0436\u0435\u0442 \u0438\u0437 \u044d\u043f\u043e\u0445\u0438 \u041f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u043e\u0433\u043e \u0432\u0440\u0435\u043c\u0435\u043d\u0438:<\/b> \u0413\u0438 de \u041c\u043e\u043f\u0430\u0441\u0441\u0430\u043d (Guy de Maupassant) \u0441\u0438\u0434\u0435\u043b \u0437\u0430 \u0431\u043e\u0433\u0430\u0442\u043e \u043d\u0430\u043a\u0440\u044b\u0442\u044b\u043c \u0441\u0442\u043e\u043b\u043e\u043c \u0432 \u043a\u0440\u0443\u0433\u0443 \u0434\u0440\u0443\u0437\u0435\u0439 \u0432 \u0441\u0432\u043e\u0435\u043c \u043d\u043e\u0440\u043c\u0430\u043d\u0434\u0441\u043a\u043e\u043c \u043f\u043e\u043c\u0435\u0441\u0442\u044c\u0435, \u0433\u0434\u0435 \u043f\u043e\u0441\u043b\u0435 \u0434\u043e\u043b\u0433\u043e\u0433\u043e \u043e\u0441\u0435\u043d\u043d\u0435\u0433\u043e \u0434\u043d\u044f \u043e\u0445\u043e\u0442\u044b \u0432 \u043a\u0430\u043c\u0438\u043d\u0435 \u043f\u043e\u0442\u0440\u0435\u0441\u043a\u0438\u0432\u0430\u043b\u0438 \u0434\u0440\u043e\u0432\u0430. \u0412 \u043a\u043e\u043c\u043d\u0430\u0442\u0435 \u0446\u0430\u0440\u0438\u043b\u043e \u043e\u0436\u0438\u0432\u043b\u0435\u043d\u0438\u0435, \u0438 \u043e\u0445\u043e\u0442\u043d\u0438\u043a\u0438, \u043f\u0440\u0438\u0433\u0443\u0431\u043b\u044f\u044f \u0432\u0438\u043d\u043e, \u0441\u043e \u0441\u043c\u0435\u0445\u043e\u043c \u043e\u0431\u0441\u0443\u0436\u0434\u0430\u043b\u0438 \u0434\u043d\u0435\u0432\u043d\u044b\u0435 \u043a\u0443\u0440\u044c\u0435\u0437\u044b. \u0421\u0432\u0435\u0442 \u043e\u0442 \u0441\u0432\u0435\u0447\u0435\u0439 \u043f\u0440\u0435\u043b\u043e\u043c\u043b\u044f\u043b\u0441\u044f \u043d\u0430 \u0434\u0432\u0435\u043d\u0430\u0434\u0446\u0430\u0442\u0438 \u0444\u0430\u0440\u0444\u043e\u0440\u043e\u0432\u044b\u0445 \u0437\u0435\u0440\u043a\u0430\u043b\u0430\u0445 \u0442\u0430\u0440\u0435\u043b\u043e\u043a, \u0433\u0434\u0435 \u0441\u043e\u0447\u043d\u044b\u0435 \u0441\u0438\u043d\u0438\u0435 \u0431\u043e\u0440\u0442\u0430 \u043e\u0431\u0440\u0430\u043c\u043b\u044f\u043b\u0438 \u043d\u0435\u043c\u044b\u0435, \u043d\u043e \u0442\u0430\u043a\u0438\u0435 \u0437\u043d\u0430\u043a\u043e\u043c\u044b\u0435 \u043b\u0435\u0441\u043d\u044b\u0435 \u0441\u044e\u0436\u0435\u0442\u044b, \u0441\u0438\u043b\u0443\u044d\u0442\u044b \u0433\u043e\u043d\u0447\u0438\u0445 \u0438 \u0440\u0443\u0436\u0435\u0439, \u0437\u0430\u043f\u0435\u0447\u0430\u0442\u043b\u0435\u043d\u043d\u044b\u0435 \u043d\u0430 \u0431\u0435\u043b\u043e\u0439 \u044d\u043c\u0430\u043b\u0438. \u042d\u0442\u043e \u0442\u043e\u043d\u043a\u043e\u0435 \u043c\u0435\u0440\u0446\u0430\u043d\u0438\u0435 \u0433\u0440\u0430\u0444\u0438\u043a\u0438 \u0438 \u0432\u0438\u0442\u0430\u044e\u0449\u0438\u0439 \u0432 \u0437\u0430\u043b\u0435 \u0430\u0440\u043e\u043c\u0430\u0442 \u0434\u0438\u0447\u0438 \u0438 \u0441\u0442\u0430\u0440\u043e\u0433\u043e \u043a\u043e\u043d\u044c\u044f\u043a\u0430 \u043f\u0440\u0438\u0432\u043d\u043e\u0441\u0438\u043b\u0438 \u0432 \u0432\u0435\u0447\u0435\u0440 \u0442\u043e \u043c\u0443\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435, \u0430\u0440\u0438\u0441\u0442\u043e\u043a\u0440\u0430\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0435 \u0443\u0434\u043e\u0432\u043b\u0435\u0442\u0432\u043e\u0440\u0435\u043d\u0438\u0435 \u0438 \u043f\u043e\u043a\u043e\u0439, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u043d\u0435\u0432\u043e\u0437\u043c\u043e\u0436\u043d\u043e \u0431\u044b\u043b\u043e \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u044c \u0441\u043b\u043e\u0432\u0430\u043c\u0438.<\/em><\/p>\n<p data-path-to-node=\"27\">\ud83c\uddec\ud83c\udde7<\/p>\n<p data-path-to-node=\"28\">(Price indicated for the complete set of 12 plates)<\/p>\n<p data-path-to-node=\"29\"><b data-path-to-node=\"29\" data-index-in-node=\"0\">Magnificent Antique French Hunting Scene Porcelain Plates \u2014 Historism Style (antique french hunting scene plates) (3763)<\/b><\/p>\n<p data-path-to-node=\"30\">This extraordinary suite of twelve <b data-path-to-node=\"30\" data-index-in-node=\"35\">antique french hunting scene plates<\/b> is a premier testament to late 19th-century French transferware mastery and aristocratic table culture. The central mirror of each fine earthenware (<i data-path-to-node=\"30\" data-index-in-node=\"220\">fa\u00efence fine<\/i>) plate features a unique, highly detailed black-and-white narrative lithograph depicting humorous, anecdotal, and dynamic chronicles from French hunting exploits. Every chronicle is individual, sequentially numbered, and captioned with original French text. These theatrical scenes are beautifully framed by a rich, vibrant cobalt blue border executing an elaborate Historism vocabulary with intertwined hunting horns, rifles, and naturalistic game swags.<\/p>\n<p data-path-to-node=\"31\">Dating from the golden era of the merged <i data-path-to-node=\"31\" data-index-in-node=\"41\">Creil et Montereau<\/i> foundries (circa 1884\u20131920), these pieces carry the clear stamped factory backstamp confirming their distinguished heritage. Finding an entirely unbroken, matching series of twelve unseparated plates today\u2014each displaying a completely different narrative vignette with pristine glaze preservation\u2014is an exceptional rarity for discerning pottery connoisseurs. They are perfect for establishing an exquisite formal presentation in a lodge dining room, a traditional study, or displayed collectively as a magnificent wall gallery.<\/p>\n<p data-path-to-node=\"32\"><em><b data-path-to-node=\"32\" data-index-in-node=\"0\">Historical snapshot from the Belle \u00c9poque era:<\/b> Guy de Maupassant (Guy de Maupassant) sat at a richly set table among friends in his Normandy manor, where logs crackled in the fireplace after a long autumn day of hunting. Lively conversation filled the room, and the hunters, sipping wine, laughed over the day&#8217;s amusing mishaps. Light from the candelabras refracted over twelve porcelain mirrors, where the rich blue borders framed silent but deeply familiar woodland scenes, silhouettes of hounds and rifles captured on the white enamel. This fine, smoky glimmer of graphics and the rich scent of game and old cognac in the air brought a masculine, aristocratic satisfaction and stillness into the evening that could only be felt.<\/em><\/p>\n<p data-path-to-node=\"34\">\ud83c\udde9\ud83c\uddea<\/p>\n<p data-path-to-node=\"35\">(Preis gilt f\u00fcr das komplette Set \u2014 12 St\u00fcck)<\/p>\n<p data-path-to-node=\"36\"><b data-path-to-node=\"36\" data-index-in-node=\"0\">Prunkvolle antike franz\u00f6sische Porzellanteller mit Jagdmotiven \u2014 im Historismus-Stil (antique french hunting scene plates) (3763)<\/b><\/p>\n<p data-path-to-node=\"37\">Dieses au\u00dfergew\u00f6hnliche und in seinem Umfang \u00e4u\u00dferst seltene 12er-Set antiker franz\u00f6sischer Porzellanteller (<i data-path-to-node=\"37\" data-index-in-node=\"109\">antique french hunting scene plates<\/i>) ist ein exquisites Beispiel f\u00fcr die feine Fayencekunst des sp\u00e4ten 19. Jahrhunderts. Jeder Teller besticht durch ein detailliertes, schwarz-wei\u00dfes grafisches Motiv (Umdruckdekor) im Spiegel, das humorvolle und dynamische Szenen aus dem Leben franz\u00f6sischer J\u00e4ger darstellt, komplettiert durch historische franz\u00f6sische Bildunterschriften. Der geschwungene Rand ist mit einem saftigen blau-wei\u00dfen Ornament besetzt, in das Jagdh\u00f6rner, Gewehre und Wildmotive eingearbeitet sind.<\/p>\n<p data-path-to-node=\"38\">Hergestellt zwischen 1884 und 1920 in der legend\u00e4ren franz\u00f6sischen Manufaktur <i data-path-to-node=\"38\" data-index-in-node=\"78\">Creil et Montereau<\/i>, zeugt die makellose Qualit\u00e4t der <i data-path-to-node=\"38\" data-index-in-node=\"131\">Fa\u00efence fine<\/i> von h\u00f6chstem Niveau. Auf der Unterseite befindet sich der originale Fabrikstempel. Dass eine geschlossene Serie von 12 Tellern mit komplett unterschiedlichen, nummerierten Motiven ungeteilt und ohne Risse \u00fcberdauert hat, macht sie zu einer Rarit\u00e4t. Perfekt f\u00fcr ein herrschaftliches Jagdzimmer, ein Herrenzimmer oder als Wandsammlung.<\/p>\n<p data-path-to-node=\"39\"><em><b data-path-to-node=\"39\" data-index-in-node=\"0\">Historische Momentaufnahme aus der Zeit des Historismus:<\/b> Guy de Maupassant (Guy de Maupassant) sa\u00df an einer reich gedeckten Tafel im Kreise von Freunden in seinem normannischen Herrenhaus, wo nach einem langen herbstlichen Jagdtag das Holz im Kamin knackte. Im Raum herrschte fr\u00f6hliche Stimmung, und die J\u00e4ger lachten bei Wein \u00fcber die Kuriosit\u00e4ten des Tages. Das Licht der Kerzen brach sich auf den zw\u00f6lf Porzellanspiegeln der Teller, deren saftig blaue R\u00e4nder die stummen, aber so vertrauten Waldszenen, Jagdhunde und Gewehrsilhouetten auf dem wei\u00dfen Email einrahmten. Dieser feine Schimmer der Grafik und der im Saal liegende Duft von Wild und altem Cognac brachten eine m\u00e4nnliche, aristokratische Zufriedenheit und Stille in den Abend, die man nur sp\u00fcren konnte.<\/em><\/p>\n<p data-path-to-node=\"41\">\ud83c\uddeb\ud83c\uddf7<\/p>\n<p data-path-to-node=\"42\">(Le prix est indiqu\u00e9 pour le service complet de 12 pi\u00e8ces)<\/p>\n<p data-path-to-node=\"43\"><b data-path-to-node=\"43\" data-index-in-node=\"0\">Superbe service d&#8217;assiettes anciennes en fa\u00efence \u00e0 sc\u00e8nes de chasse \u2014 de style historicisme (antique french hunting scene plates) (3763)<\/b><\/p>\n<p data-path-to-node=\"44\">Ce somptueux et rarissime ensemble de douze assiettes anciennes en fa\u00efence fine (<i data-path-to-node=\"44\" data-index-in-node=\"81\">antique french hunting scene plates<\/i>) est un t\u00e9moignage d&#8217;exception de l&#8217;art de la lithographie sur c\u00e9ramique de la fin du XIXe si\u00e8cle. Le bassin de chaque assiette est orn\u00e9 d&#8217;une sc\u00e8ne de chasse satirique et vivante en noir et blanc, prolongeant une chronique num\u00e9rot\u00e9e avec des l\u00e9gendes en fran\u00e7ais d&#8217;\u00e9poque. Le marli mouvement\u00e9 \u00e0 bord festonn\u00e9 est soulign\u00e9 d&#8217;un riche d\u00e9cor imprim\u00e9 bleu cobalt de style historicisme, m\u00ealant attributs de chasse, cornes de chasse, fusils et gibiers.<\/p>\n<p data-path-to-node=\"45\">R\u00e9alis\u00e9es entre 1884 et 1920 par la c\u00e9l\u00e8bre et prestigieuse manufacture de <i data-path-to-node=\"45\" data-index-in-node=\"75\">Creil et Montereau<\/i>, ces pi\u00e8ces portent leur estampille d&#8217;origine sous la base. Disposer d&#8217;une suite compl\u00e8te et homog\u00e8ne de 12 assiettes, toutes \u00e0 sujets diff\u00e9rents et en parfait \u00e9tat de conservation sans aucun \u00e9clat, repr\u00e9sente une opportunit\u00e9 majeure pour les collectionneurs. Elles seront du plus bel effet sur une table de propri\u00e9t\u00e9 ou suspendues dans une salle d&#8217;armes ou un cabinet de chasse.<\/p>\n<p data-path-to-node=\"46\"><em><b data-path-to-node=\"46\" data-index-in-node=\"0\">Instant d&#8217;histoire au temps de la Belle \u00c9poque :<\/b> Guy de Maupassant (Guy de Maupassant) se tenait attabl\u00e9 au milieu d&#8217;amis dans son manoir normand, o\u00f9 le bois cr\u00e9pitait dans la chemin\u00e9e apr\u00e8s une longue journ\u00e9e de chasse automnale. Une atmosph\u00e8re joyeuse r\u00e9gnait dans la pi\u00e8ce, et les chasseurs, en d\u00e9gustant le vin, riaient des p\u00e9rip\u00e9ties de la journ\u00e9e. La lumi\u00e8re des bougies se r\u00e9frangissait sur les douze miroirs en fa\u00efence des assiettes, dont les bords bleus profonds encadraient des sc\u00e8nes de sous-bois muettes mais famili\u00e8res, des silhouettes de chiens et de fusils captur\u00e9es sur l&#8217;\u00e9mail blanc. Ce \u00e9clat discret des illustrations, alli\u00e9 \u00e0 l&#8217;odeur riche du gibier et du vieux cognac, apportait \u00e0 la soir\u00e9e une satisfaction masculine et un calme que l&#8217;on pouvait seulement ressentir.<\/em><\/p>\n<p data-path-to-node=\"48\">\ud83c\udde9\ud83c\uddf0<\/p>\n<p data-path-to-node=\"49\">(Prisen er for det komplette s\u00e6t \u2014 12 stk.)<\/p>\n<p data-path-to-node=\"50\"><b data-path-to-node=\"50\" data-index-in-node=\"0\">Pragtfulde antikke franske porcel\u00e6nstallerkener med jagtmotiver \u2014 i historisme-stil (antique french hunting scene plates) (3763)<\/b><\/p>\n<p data-path-to-node=\"51\">Dette enest\u00e5ende og yderst sj\u00e6ldne s\u00e6t med tolv antikke franske fajancetallerkener (<i data-path-to-node=\"51\" data-index-in-node=\"84\">antique french hunting scene plates<\/i>) er et enest\u00e5ende eksempel p\u00e5 europ\u00e6isk transferware-kunst fra slutningen af det 19. \u00e5rhundrede. Hver tallerken er prydet med en detaljeret sort-hvid grafisk litografi i midten, der skildrer humoristiske og dynamiske fort\u00e6llinger fra franske j\u00e6geres liv, komplet med originale franske billedtekster. Tallerkenernes b\u00f8lgeformede kant er dekoreret med et smukt koboltbl\u00e5t ornament, hvori der er flettet jagthorn, gev\u00e6rer og vildtmotiver.<\/p>\n<p data-path-to-node=\"52\">Fremstillet i perioden 1884\u20131920 p\u00e5 den legendariske franske fabrik <i data-path-to-node=\"52\" data-index-in-node=\"68\">Creil et Montereau<\/i>. At finde en komplet, uadskillelig suite p\u00e5 12 tallerkener, der alle b\u00e6rer forskellige, nummererede motiver og st\u00e5r i perfekt stand uden sk\u00e5r, er en sand sj\u00e6ldenhed for samlere. Perfekte til et jagtv\u00e6relse, herrev\u00e6relset eller som en eksklusiv v\u00e6gkollektion.<\/p>\n<p data-path-to-node=\"53\"><em><b data-path-to-node=\"53\" data-index-in-node=\"0\">Historisk snapshot fra historisme-perioden:<\/b> Guy de Maupassant (Guy de Maupassant) sad ved et rigt d\u00e6kket bord blandt venner p\u00e5 sit normanniske gods, hvor ilden knrakpede i pejsen efter en lang efter\u00e5rsjagt. Der herskede en munter stemning i rummet, og j\u00e6gerne drak vin og lo ad dagens mange kuriositeter. Lyset fra lysestagerne br\u00f8d p\u00e5 de tolv porcel\u00e6nsspejle, hvis bl\u00e5 kanter indrammede de stumme, men s\u00e5 velkendte skovscener, jagthunde og gev\u00e6rsilhuetter p\u00e5 den hvide emalje. Dette d\u00e6mpede sk\u00e6r af grafik og luftens rige duft af vildt og gammel cognac bragte en maskulin, aristokratisk tilfredshed og stilhed ind i aftenen, som kun kunne f\u00f8les.<\/em><\/p>\n<p data-path-to-node=\"55\">\ud83c\uddf8\ud83c\uddea<\/p>\n<p data-path-to-node=\"56\">(Priset avser hela setet \u2014 12 stycken)<\/p>\n<p data-path-to-node=\"57\"><b data-path-to-node=\"57\" data-index-in-node=\"0\">Uts\u00f6kta antika franska porslinstallrikar med jagtmotiv \u2014 i historism-stil (antique french hunting scene plates) (3763)<\/b><\/p>\n<p data-path-to-node=\"58\">Detta magnifika och i sitt omf\u00e5ng ytterst s\u00e4llsynta set om tolv antika franska fajanstallrikar (<i data-path-to-node=\"58\" data-index-in-node=\"96\">antique french hunting scene plates<\/i>) \u00e4r ett enast\u00e5ende exempel p\u00e5 h\u00f6gkvalitativt europeiskt tryckdekorarbete fr\u00e5n sekelskiftet. Varje tallrik pryds av en detaljrik, svartvit grafisk litografi i mitten som visar humoristiska och drastiska scener ur franska j\u00e4gares vardag, \u00e5tf\u00f6ljda av franska originaltexter. Tallrikarnas v\u00e5gformade kant \u00e4r dekorerad med ett djupt koboltbl\u00e5tt m\u00f6nster med jaktornament, gev\u00e4r och vilt, vilket vittnar om samma pamat\u012bgums som ett m\u00e4sterligt <i data-path-to-node=\"58\" data-index-in-node=\"568\">bildhuggeri<\/i>.<\/p>\n<p data-path-to-node=\"59\">Tillverkade mellan 1884 och 1920 vid den ber\u00f6mda franska manufakturen <i data-path-to-node=\"59\" data-index-in-node=\"70\">Creil et Montereau<\/i>, b\u00e4r f\u00f6rem\u00e5len fabrikens originalst\u00e4mpel p\u00e5 undersidan. Att en komplett svit om 12 delar med helt unika, sekvensnummererade motiv har bevarats oskiftad och utan nagg \u00e4r en stor s\u00e4llsynthet f\u00f6r porslinssamlare. Perfekt f\u00f6r ett herrschaftligt jaktrum eller som en sammanh\u00e4ngande v\u00e4ggalleri.<\/p>\n<p data-path-to-node=\"60\"><em><b data-path-to-node=\"60\" data-index-in-node=\"5\">Historisk \u00f6gonblicksbild fr\u00e5n historismens tid:<\/b> Guy de Maupassant (Guy de Maupassant) satt vid ett \u00f6verd\u00e5digt dukat bord bland v\u00e4nner p\u00e5 sitt normandiska herres\u00e4te, d\u00e4r veden sprakade i \u00f6ppna spisen efter en l\u00e5ng h\u00f6stjakt. Gl\u00f6dande samtal fyllde rummet, och j\u00e4garna skrattade \u00f6ver vinets glans \u00e5t dagens drastiska miss\u00f6den. Ljuset fr\u00e5n kandelabrarna br\u00f6ts \u00f6ver de tolv porslinsytorna, vars bl\u00e5 r\u00e4nder ramade in stumma men djupt bekanta skogsscener, siluetter av hundar och gev\u00e4r p\u00e5 det vita emaljet. Denna tysta glans av jaktillustrationer och den i salen liggande doften av vilt och gammal cognac gav kv\u00e4llen en maskulin, aristokratisk tyngd som bara kunde f\u00f6rnimmas.<\/em><\/p>\n<p data-path-to-node=\"3\">\ud83c\uddf3\ud83c\uddf4<\/p>\n<p data-path-to-node=\"4\">Dimensjoner: Bredde \u2014 20 cm (Prisen gjelder for hele settet \u2014 12 stykker, <i data-path-to-node=\"4\" data-index-in-node=\"74\">ensemble<\/i>)<\/p>\n<p data-path-to-node=\"5\"><b data-path-to-node=\"5\" data-index-in-node=\"0\">Eksklusive antikke porselenstallerkener med jaktmotiver \u2014 i historisme-stil (antique french hunting scene plates) (3763)<\/b><\/p>\n<p data-path-to-node=\"6\">Dette imponerende og i sitt omf\u00e5ng h\u00f8yst sjelden settet med 12 antikke franske fajansetallerkener (<i data-path-to-node=\"6\" data-index-in-node=\"99\">antique french hunting scene plates<\/i>) er et praktfullt stykke europeisk trykkdekorarbeid fra slutten av 1800-tallet. Hver tallerken har en unik, detaljert svart-hvit litografi i midten som skildrer humoristiske og sjarmerende scener fra franske jegeres liv, komplett med franske originaltekster. Den b\u00f8lgende kanten er dekorert med et dypbl\u00e5tt m\u00f8nster med jaktornamenter, gev\u00e6rer og viltmotiver, utf\u00f8rt med en n\u00f8yaktighet p\u00e5 linje med fineste <i data-path-to-node=\"6\" data-index-in-node=\"541\">treskj\u00e6ring<\/i>.<\/p>\n<p data-path-to-node=\"7\">Produsert mellom 1884 un 1920 ved den legend\u00e6re franske fabrikken <i data-path-to-node=\"7\" data-index-in-node=\"66\">Creil et Montereau<\/i>, og b\u00e6rer deres originale stempel p\u00e5 undersiden. \u00c5 finne en komplett suite p\u00e5 12 intakte tallerkener med helt forskjellige motiver er en stor sjeldenhet p\u00e5 markedet. De er perfekte til herrev\u00e6relset, jakthytta eller som en samlet veggutstilling for historisk atmosf\u00e6re.<\/p>\n<p data-path-to-node=\"8\"><b data-path-to-node=\"8\" data-index-in-node=\"0\">Historisk glimt fra historisme-\u00e6raen:<\/b> <i data-path-to-node=\"8\" data-index-in-node=\"38\">Guy de Maupassant (Guy de Maupassant) satt ved det rikt dekkede bordet sitt blant venner p\u00e5 herregodset sitt i Normandie, hvor veden spraket i peisen etter en lang h\u00f8stjakt. Det hersket en munter stemning i rommet, og jegerne drakk vin og lo av dagens mange kuriositeter. Lyset fra kandelabrene ble brutt over de tolv porselensspeilene, hvis bl\u00e5 kanter innrammet de stumme, men s\u00e5 velkjente skogsscenene, jakthundene og gev\u00e6rsiluettone p\u00e5 den hvide emaljen. Denne lavm\u00e6lte glansen av jaktgrafikk og den rige duften av vilt og gammel cognac bragte et pust av maskulin, aristokratisk tilfredshet inn i kvelden som bare kunne f\u00f8les.<\/i><\/p>\n<p data-path-to-node=\"10\">\ud83c\uddeb\ud83c\uddee<\/p>\n<p data-path-to-node=\"11\">Mitat: Leveys \u2014 20 cm (Hinta ilmoitettu koko sarjalle \u2014 12 kappaletta, <i data-path-to-node=\"11\" data-index-in-node=\"71\">ensemble<\/i>)<\/p>\n<p data-path-to-node=\"12\"><b data-path-to-node=\"12\" data-index-in-node=\"0\">Upeat antiikkiset ranskalaiset posliinilautaset mets\u00e4stysaiheilla \u2014 historismi-tyyli\u00e4 (antique french hunting scene plates) (3763)<\/b><\/p>\n<p data-path-to-node=\"13\">T\u00e4m\u00e4 poikkeuksellisen harvinainen ja n\u00e4ytt\u00e4v\u00e4 12 kappaleen sarja antiikkisia ranskalaisia posliini- (fajanssi) lautasia (<i data-path-to-node=\"13\" data-index-in-node=\"121\">antique french hunting scene plates<\/i>) on upea taidonn\u00e4yte 1800-luvun lopun eurooppalaisesta litografisesta siirtokuvataiteesta. Jokaisen lautasen keskell\u00e4 on uniikki, hienostunut mustavalkoinen grafiikka, joka esitt\u00e4\u00e4 humoristisia ja dynaamisia tarinoita ranskalaisten mets\u00e4st\u00e4jien el\u00e4m\u00e4st\u00e4 ranskankielisine teksteineen. Lautasten aaltoilevaa reunaa kiert\u00e4\u00e4 upea koboltinsininen kuviointi, johon on punottu mets\u00e4stystorvia, kiv\u00e4\u00e4rej\u00e4 ja riista-aiheita, ja yksityiskohtien pamat\u012bgums vet\u00e4\u00e4 vertoja perinteiselle <i data-path-to-node=\"13\" data-index-in-node=\"631\">puuveistos<\/i>-laadulle.<\/p>\n<p data-path-to-node=\"14\">Valmistettu vuosien 1884 ja 1920 v\u00e4lill\u00e4 legendarisessa ranskalaisessa <i data-path-to-node=\"14\" data-index-in-node=\"71\">Creil et Montereau<\/i> -manufaktuurissa. Pohjassa on selke\u00e4 tehtaanleima. Kahdentoista identtisen, ehj\u00e4n ja t\u00e4ysin eri tarinoita kantavan lautasen sarjan s\u00e4ilyminen yhdess\u00e4 on antikviteettimarkkinoilla suuri harvinaisuus. T\u00e4ydellinen elementti tuomaan historiallista arvokkuutta ja eurooppalaista loistoa mets\u00e4styskartanon saliin, herrainhuoneeseen tai n\u00e4ytt\u00e4v\u00e4ksi sein\u00e4gallerioiksi.<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\">Historiallinen tuokiokuva historismin aikakaudelta:<\/b> <i data-path-to-node=\"15\" data-index-in-node=\"52\">Guy de Maupassant (Guy de Maupassant) istui runsaasti katetun p\u00f6yd\u00e4n \u00e4\u00e4ress\u00e4 yst\u00e4viens\u00e4 ymp\u00e4r\u00f6im\u00e4n\u00e4 normandialaisessa kartanossaan, jossa puiden rungot rapsahtelivat takassa pitk\u00e4n syksyisen mets\u00e4stysp\u00e4iv\u00e4n j\u00e4lkeen. Huoneessa vallitsi iloinen tunnelma, ja mets\u00e4st\u00e4j\u00e4t joivat viini\u00e4 ja nauroivat p\u00e4iv\u00e4n kuriositeeteille. Kynttelikk\u00f6jen valo taittui kahdentoista posliinilautasen ylle, joiden siniset reunat ja hienot mets\u00e4kuvat loistivat kilpaa kristallilasien kanssa. T\u00e4m\u00e4 grafiikan hiljainen, usvainen loiste ja salissa virtaava riistan sek\u00e4 vanhan konjakin rikas tuoksu toivat iltaan miehek\u00e4st\u00e4, aristokraattista tyytyv\u00e4isyytt\u00e4, jonka saattoi vain tuntea.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kr\u0101\u0161\u0146s divpadsmit ant\u012bku porcel\u0101na \u0161\u0137\u012bvju komplekts ar med\u012bbu un humoristiskiem mot\u012bviem (<b data-path-to-node=\"3\" data-index-in-node=\"117\">antique french hunting scene plates<\/b>) historisma stil\u0101. Izgatavots slavenaj\u0101 Francijas manufakt\u016br\u0101 <i data-path-to-node=\"3\" data-index-in-node=\"215\">Creil et Montereau<\/i> laika posm\u0101 no 1884. l\u012bdz 1920. gadam. Katru \u0161\u0137\u012bvi rot\u0101 unik\u0101ls, smalks grafisks si\u017eets ar parakstiem fran\u010du valod\u0101 un bag\u0101t\u012bga zili balta apmale ar med\u012bbu atrib\u016btiku.<\/p>\n","protected":false},"featured_media":14985,"template":"","meta":[],"product_brand":[],"product_cat":[231,235,229,211,204],"product_tag":[],"class_list":["post-14984","product","type-product","status-publish","has-post-thumbnail","product_cat-komplekti","product_cat-servizes","product_cat-skivji","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/14984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/14985"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=14984"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=14984"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=14984"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=14984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}