{"id":13961,"date":"2022-11-23T11:20:58","date_gmt":"2022-11-23T09:20:58","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=13961"},"modified":"2026-09-07T21:42:47","modified_gmt":"2026-09-07T18:42:47","slug":"sieviesu-figuras-torsi-3647","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/sieviesu-figuras-torsi-3647\/","title":{"rendered":"Jaunas sievietes bistes \u2014 p\u0101ris \u2014 Historicisms \/ Art Nouveau\/Jugendstils p\u0101reja, Eiropa, ap 1890.\u20131910. Cena nor\u0101d\u012bta par ab\u0101m, Sievie\u0161u Fig\u016bras Torsi (3647)"},"content":{"rendered":"

\ud83d\udcd0 IZM\u0112RI<\/strong> Augstums: 35 cm katra. Platums: 25 cm katra. Materi\u0101ls: smalkgraudains m\u0101kslinieku \u0123ipsis ar glaz\u0113tu kr\u0113mbaltu virsmas apstr\u0101di. Dobas iek\u0161pus\u0113 \u2014 rakstur\u012bgi \u0123ip\u0161a bis\u0161u ra\u017eo\u0161anas tehnolo\u0123ijai. Tiek p\u0101rdotas k\u0101 p\u0101ris \u2014 cena nor\u0101d\u012bta par ab\u0101m kop\u0101.<\/p>\n

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Jaunas sievietes bistes \u2014 p\u0101ris \u2014 Historicisms \/ Art Nouveau\/ Jugendstils p\u0101reja, Eiropa, ap 1890.\u20131910. Cena nor\u0101d\u012bta par ab\u0101m<\/h2>\n
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\ud83c\udfdb\ufe0f IZGATAVO\u0160ANAS PERIODS, M\u0100KSLAS STILS, LAIKMETS<\/strong><\/p>\n
\u0160\u012bs bistes pieder tam augl\u012bgajam p\u0101rejas br\u012bdim, kad historicisms v\u0113l tur\u0113ja savas proporcijas \u2014 idealiz\u0113to seju ar nolaist\u0101m ac\u012bm, klasiski sak\u0101rtoto t\u0113rpu ar apmet\u0146a uzgriezumu \u2014, bet Art Nouveau jau atnesa jaunu ornament\u0101lo valodu: dz\u012bvos, organiski sav\u012btos un ziedos rot\u0101tos matus, kas atg\u0101dina nevis klasisk\u0101 skulptura gludu koku, bet pavasara vainagu vai me\u017ea f\u0113jas galvassegu. Abas est\u0113tikas \u0161eit sadz\u012bvo ar br\u012bni\u0161\u0137\u012bgu l\u012bdzsvaru \u2014 seja un t\u0113rps run\u0101 historicisma valod\u0101, matu skulpt\u016bra jau pieder jaunajai laikmetam. \u0160\u0101ds sapl\u016bdums bija rakstur\u012bgs Eiropas akad\u0113miskajai keramikas un \u0123ip\u0161a produkcijai tie\u0161i starp 1890. un 1910. gadu \u2014 perioda, kad r\u016bpniecisk\u0101s darbn\u012bcas cent\u0101s apmierin\u0101t divu est\u0113tiku vienlaic\u012bg\u0101s pras\u012bbas bur\u017eu\u0101ziskaj\u0101 tirg\u016b. Glaz\u0113t\u0101 kr\u0113mbalt\u0101 virsma ar viegli perl\u0113tu sp\u012bdumu ir rakstur\u012bga Francijas un Be\u013c\u0123ijas keramikas bi\u0161u trad\u012bcijai, kas bija ra\u017eota no glaz\u0113tas fajansa vai \u0123ip\u0161a masas.<\/p>\n
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\u269c\ufe0f RA\u017dOT\u0100JS UN MANUFAKT\u016aRAS Z\u012aMOGS<\/strong><\/p>\n
Pamatnes apak\u0161pus\u0113 redzams dobums ar fotogr\u0101fij\u0101 atpaz\u012bstamiem z\u012bmojumiem \u2014 sarkans kr\u0101sas plankums un melns z\u012bmojums, kas var\u0113tu b\u016bt da\u013c\u0113ji saglab\u0101jies invent\u0101ra vai ra\u017eot\u0101ja mar\u0137\u0113jums. Glaz\u0113t\u0101 virsma un dob\u0101 pamatne ar reljefiem ierobe\u017eojumiem nor\u0101da uz organiz\u0113tu keramikas vai \u0123ip\u0161a manufakt\u016bras produkciju. Stilistiski \u0161\u012bs bistes vistuv\u0101k\u0101 atbilst\u012bba ir fran\u010du vai be\u013c\u0123u laikmet\u012bgajiem keramikas ra\u017eot\u0101jiem<\/strong>, kas ap 1890.\u20131910. gadu apg\u0101d\u0101ja Eiropas bur\u017eu\u0101zisko tirgu ar saloniem piem\u0113rot\u0101m bi\u0161u form\u0101t\u0101 skulpt\u016br\u0101m. Be\u013c\u0123ij\u0101 tolaik darboj\u0101s vair\u0101kas noz\u012bm\u012bgas keramikas un \u0123ip\u0161a r\u016bpn\u012bcas \u2014 to vid\u016b uz\u0146\u0113mumi no Leige un Briseles re\u0123iona, kas eksport\u0113ja \u0161\u0101da tipa produktus uz visu Eiropu, tostarp uz Krievijas imp\u0113riju, Baltijas re\u0123ionu un Skandin\u0101viju.<\/p>\n
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\ud83d\udc8e RETUMS UN NOZ\u012aME<\/strong><\/p>\n
Piln\u012bgi saglab\u0101ts identisku bis\u0161u p\u0101ris<\/strong> ir iev\u0113rojami ret\u0101ks par atsevi\u0161\u0137u eksempl\u0101ru \u2014 liel\u0101k\u0101 da\u013ca \u0161\u0101du p\u0101ru gadsimtu laik\u0101 ir izdal\u012bti, p\u0101rdoti atsevi\u0161\u0137i vai boj\u0101ti. P\u0101ra form\u0101ts pats par sevi ir kolekcion\u0101riska v\u0113rt\u012bba: divas identiski skat\u012btas, vienlaic\u012bgi ra\u017eotas skulpt\u016bras veido kompozicion\u0101lu veselumu, kas interjera kontekst\u0101 darbojas k\u0101 piln\u012bga un nosl\u0113gta m\u0101kslinieciska vien\u012bba. Glaz\u0113t\u0101 kr\u0113mbalt\u0101 virsma ar perl\u0113to sp\u012bdumu pie\u0161\u0137ir \u0161\u012bm bist\u0113m keramikas kvalit\u0101tes vizu\u0101lo efektu, kas at\u0161\u0137ir t\u0101s no parastaj\u0101m mat\u0113t\u0101 \u0123ip\u0161a reprodukcij\u0101m. Historicisma \/ Art Nouveau p\u0101rejas perioda bis\u0161u p\u0101ri ar \u0161\u0101du virsmas apstr\u0101di ir iecien\u012bts objekts gan interjera kolekcion\u0101ru, gan salonveida telpu iek\u0101rtot\u0101ju aprind\u0101s.<\/p>\n
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\ud83d\udd6f\ufe0f PIELIETOJUMS INTERJER\u0100, DIZAIN\u0100 UN FOTOGR\u0100FIJ\u0100<\/strong><\/p>\n
Bis\u0161u p\u0101ris interjera kompoz\u012bcij\u0101 darbojas k\u0101 simetrisks un nosl\u0113gts m\u0101ksliniecisks pazi\u0146ojums \u2014 ide\u0101li novietojami simetriski uz kam\u012bna plaukta, komodas, gr\u0101matletes vai konsoles galda abpus centr\u0101lam dekorat\u012bvam elementam. Bistes vien\u0101d\u0101 izm\u0113r\u0101 un identiski noska\u0146otaj\u0101s sej\u0101s rada mieru un ritmu telp\u0101. Darbojas gan klasisk\u0101 salon\u0101, gan modernu skotu vai skandin\u0101vu interjeru kontekst\u0101 \u2014 kr\u0113mbalt\u0101 glaz\u0113t\u0101 virsma ir univers\u0101ls tonis, kas iet kop\u0101 gan ar tum\u0161u koku, gan balt\u0101m sien\u0101m. Fotogr\u0101fi un scenogr\u0101fi izmanto \u0161\u0101da tipa bis\u0161u p\u0101rus modes, k\u0101zu un slow living stiliz\u0101cij\u0101 \u2014 to nolaist\u0101s acis un medit\u0101cij\u0101 iegremd\u0113t\u0101s sejas rada mistiskas, iek\u0161\u0113jas dz\u012bves kl\u0101tb\u016btni kadros.<\/p>\n
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\ud83c\udf81 D\u0100VANA UN PERSONALIZ\u0100CIJA<\/strong><\/p>\n
Bis\u0161u p\u0101ris ir izcils d\u0101vanas form\u0101ts k\u0101z\u0101m, laul\u012bbas jubilejai vai m\u0101jas iek\u0101rto\u0161anas svin\u012bb\u0101m \u2014 divas identiski harmoniskas sejas simboliski run\u0101 par p\u0101ra vienpr\u0101t\u012bbu un skaistumu. T\u0101s ir ar\u012b piem\u0113rotas korporat\u012bvai d\u0101vanai m\u0101kslas, kult\u016bras vai skaistumkop\u0161anas nozares uz\u0146\u0113mumiem, kas sav\u0101 z\u012bmola identit\u0101t\u0113 izmanto klasisk\u0101s skaistuma est\u0113tikas valodu.<\/p>\n
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\ud83d\udd0d ST\u0100VOKLIS<\/strong><\/p>\n
Abas bistes kopum\u0101 lab\u0101 st\u0101vokl\u012b ar saglab\u0101tu glaz\u0113to virsmu. Uz vienas bistes matu zonas aizmugur\u0113 redzamas nelielas kr\u0101sas nolietojuma vietas un smalks kr\u0101sas zudums, kas atkl\u0101j dab\u012bgo \u0123ip\u0161a toni zem glaz\u016bras \u2014 uzskat\u0101mi redzami fotogr\u0101fij\u0101. Dob\u0101s pamatnes iek\u0161pus\u0113 redzami kr\u0101sas plankumi un mar\u0137\u0113juma p\u0113das \u2014 uzglab\u0101\u0161anas laik\u0101 ieg\u016bti. Abas bistes struktur\u0101li stabilas, bez l\u016bzumiem redzamaj\u0101s virsm\u0101s. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
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\ud83c\uddec\ud83c\udde7 DESCRIPTION IN ENGLISH<\/h3>\n
Pair of Female Busts \u2014 Historicism \/ Art Nouveau Transition, Europe, circa 1890\u20131910. Price listed for both pieces<\/h2>\n
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\ud83d\udcd0 DIMENSIONS<\/strong> Height: 35 cm each. Width: 25 cm each. Material: fine-grain artist’s plaster with a glazed cream-white surface finish. Hollow interior \u2014 characteristic of the plaster and ceramic bust manufacturing tradition. Sold as a pair \u2014 price listed for both together.<\/p>\n
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\ud83c\udfdb\ufe0f PERIOD, ARTISTIC STYLE AND HISTORICAL CONTEXT<\/strong><\/p>\n
These busts belong to that fertile transitional moment when Historicism still held its proportions \u2014 the idealised face with downcast eyes, the classically arranged garment with its mantle fold \u2014 while Art Nouveau already brought a new ornamental language: living, organically intertwined hair decorated with flowers, evoking not the smooth classical coiffure but a spring wreath or the headdress of a woodland spirit. Both aesthetics coexist here in a beautiful balance \u2014 the face and dress speak the language of Historicism, while the hair sculpture already belongs to the new age. Such a fusion was characteristic of European academic ceramic and plaster production precisely between 1890 and 1910, when industrial workshops sought to satisfy the simultaneous demands of two aesthetics in the bourgeois market. The glazed cream-white surface with a slight pearlescent sheen is characteristic of the French and Belgian ceramic bust tradition, produced from glazed faience or plaster composite.<\/p>\n
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\u269c\ufe0f MAKER AND MARKS<\/strong><\/p>\n
The underside of the base shows a hollow opening with markings visible in the photographs \u2014 a red paint trace and a black mark, which may be a partially preserved inventory or maker’s designation. The glazed surface and hollow base with relief boundary rings indicate organised ceramic or plaster manufactory production. Stylistically, these busts correspond most closely to French or Belgian contemporary ceramic producers<\/strong> who, around 1890\u20131910, supplied the European bourgeois market with salon-format bust sculptures. Belgium at the time was home to several significant ceramic and plaster factories \u2014 among them establishments from the Li\u00e8ge and Brussels regions \u2014 which exported this type of product across all of Europe, including to the Russian Empire, the Baltic region, and Scandinavia.<\/p>\n
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\ud83d\udc8e RARITY AND SIGNIFICANCE<\/strong><\/p>\n
A fully preserved matching pair<\/strong> of identical busts is considerably rarer than a single example \u2014 the majority of such pairs have been separated, sold individually, or damaged over the course of a century. The pair format is itself a collectible value: two identically conceived, simultaneously produced sculptures form a compositional whole that, in an interior context, functions as a complete and self-contained artistic unit. The glazed cream-white surface with its pearlescent sheen gives these busts the visual quality of fine ceramics, setting them apart from ordinary matte plaster reproductions. Historicism \/ Art Nouveau transitional period bust pairs with this surface treatment are sought-after objects among interior collectors and salon-style decorators.<\/p>\n
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\ud83d\udd6f\ufe0f USE IN INTERIOR, DESIGN AND PHOTOGRAPHY<\/strong><\/p>\n
A pair of busts in an interior composition functions as a symmetrical and complete artistic statement \u2014 ideally placed symmetrically on a mantelpiece, commode, bookcase, or console table on either side of a central decorative element. The identical size and harmoniously matched expressions create calm and rhythm in a space. They work equally in a classical salon and in the context of modern Scottish or Scandinavian interiors \u2014 the cream-white glazed surface is a universal tone that pairs with both dark wood and white walls. Photographers and set designers use bust pairs of this type in fashion, wedding, and slow living styling \u2014 their downcast eyes and inwardly contemplative expressions create a sense of mystical inner life in photographs.<\/p>\n
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\ud83c\udf81 GIFT AND PERSONALISATION<\/strong><\/p>\n
A pair of busts is an outstanding gift format for weddings, wedding anniversaries, or housewarming celebrations \u2014 two identically harmonious faces speak symbolically of a couple’s unity and beauty. They are also fitting as a corporate gift for businesses in the arts, culture, or beauty industries whose brand identity draws on the language of classical beauty aesthetics.<\/p>\n
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\ud83d\udd0d CONDITION<\/strong><\/p>\n
Both busts are in overall good condition with preserved glazed surfaces. Minor paint loss is visible on the rear of the hair area of one bust, revealing the natural plaster tone beneath the glaze \u2014 clearly visible in the photographs. Paint traces and marking residue are visible inside the hollow base \u2014 acquired during storage. Both busts are structurally stable, with no fractures on the visible surfaces. The condition of the pieces is fully reflected in the photographs.<\/p>\n","protected":false},"excerpt":{"rendered":"
\ud83d\udcd0 IZM\u0112RI Augstums: 35 cm katra. Platums: 25 cm katra. Materi\u0101ls: smalkgraudains m\u0101kslinieku \u0123ipsis ar glaz\u0113tu kr\u0113mbaltu virsmas apstr\u0101di. Dobas<\/p>\n","protected":false},"featured_media":13962,"template":"","meta":[],"product_brand":[],"product_cat":[232,211,204],"product_tag":[],"class_list":["post-13961","product","type-product","status-publish","has-post-thumbnail","product_cat-figuras-2","product_cat-trauki","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/13961","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/13962"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=13961"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=13961"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=13961"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=13961"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}