{"id":13225,"date":"2022-10-07T16:57:51","date_gmt":"2022-10-07T13:57:51","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=13225"},"modified":"2026-09-07T21:36:33","modified_gmt":"2026-09-07T18:36:33","slug":"wooden-vitrine-with-marble-surface-glass-shelves-and-mirror-background-3562","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/wooden-vitrine-with-marble-surface-glass-shelves-and-mirror-background-3562\/","title":{"rendered":"Eleganta koka vitr\u012bna ar spogu\u013ca sienu un marmora virsmu \u2014 Luija XVI stil\u0101, (Elegant Wooden Display Cabinet with Mirror Back and Marble Top) (3562)"},"content":{"rendered":"<p data-path-to-node=\"12\">\ud83c\uddf1\ud83c\uddfb<\/p>\n<p data-path-to-node=\"13\">Izm\u0113ri aptuveni: Augstums \u2014 140,5 cm Platums \u2014 52 cm Dzi\u013cums \u2014 35 cm<\/p>\n<p data-path-to-node=\"14\"><b data-path-to-node=\"14\" data-index-in-node=\"0\">Eleganta koka vitr\u012bna ar spogu\u013ca sienu un marmora virsmu \u2014 Luija XVI stil\u0101<\/b><\/p>\n<p data-path-to-node=\"15\">\u0160\u012b elegant\u0101, kompakt\u0101 un m\u0101kslinieciski augstv\u0113rt\u012bg\u0101 koka vitr\u012bna (<i data-path-to-node=\"15\" data-index-in-node=\"67\">antique wooden display cabinet with marble top<\/i>) ir izcils 19. gadsimta otr\u0101s puses Eiropas m\u0113be\u013cm\u0101kslas paraugs, kas ietur\u0113ts akad\u0113miskaj\u0101 Luija XVI (klasisk\u0101) stila est\u0113tik\u0101. Skapja korpuss izgatavots no smalka c\u0113lkoka, kura s\u0101nus un durvju r\u0101mi rot\u0101 \u0123eometriski prec\u012bza un tehniski nevainojama intarsijas (<i data-path-to-node=\"15\" data-index-in-node=\"375\">marquetry<\/i>) apdare, izce\u013cot koksnes \u0161\u0137iedras dabisko tekst\u016bru un to\u0146u p\u0101rejas. Vitr\u012bnas aug\u0161\u0113jo da\u013cu nosl\u0113dz mas\u012bva, profil\u0113ta un pul\u0113ta gai\u0161a marmora virsma ar dabiski pl\u016bsto\u0161u dz\u012bslu z\u012bm\u0113jumu, kas kalpo k\u0101 reprezentabla pamatne papildu interjera d\u0101rgumiem.<\/p>\n<p data-path-to-node=\"16\">Vitr\u012bnas iek\u0161\u0113j\u0101 telpa ir konstru\u0113ta, lai maksim\u0101li izceltu ekspon\u0113jamos priek\u0161metus \u2014 taj\u0101 uzst\u0101d\u012bti pl\u0101ni, dzidri stikla plaukti, bet aizmugur\u0113jo sienu piln\u012bb\u0101 sedz spogu\u013ca virsma. \u0160\u0101ds risin\u0101jums vizu\u0101li papla\u0161ina telpu un \u013cauj porcel\u0101na, bronzas vai sudraba kolekcijas lietas apl\u016bkot no vis\u0101m pus\u0113m, tverot katru gaismas sp\u0113li. Skapja durvis ir apr\u012bkotas ar ori\u0123in\u0101lo v\u0113sturisko misi\u0146a sl\u0113dzeni un kr\u0101\u0161\u0146u, a\u017e\u016bri lietu atsl\u0113gu, kas piln\u012bb\u0101 saglab\u0101jusi savu funkcionalit\u0101ti. \u0160\u0101da tipa nelielas, elit\u0101ras vitr\u012bnas-skap\u012b\u0161i (<i data-path-to-node=\"16\" data-index-in-node=\"524\">vitrine<\/i>) Eiropas un carisk\u0101s Krievijas imp\u0113rijas augst\u0101kaj\u0101s aprind\u0101s bija neat\u0146emama budu\u0101ru un mazo salonu kult\u016bras sast\u0101vda\u013ca, kalpojot par d\u0101rg\u0101ko \u0123imenes relikviju un m\u0101kslas priek\u0161metu glab\u0101tavu.<\/p>\n<p data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">Izgatavo\u0161anas periods<\/b> Dat\u0113jama ar <b data-path-to-node=\"17\" data-index-in-node=\"34\">19. gadsimta doto otro pusi<\/b>, aptuveni 1870.\u20131890. gadiem, kad Eiropas vado\u0161aj\u0101s galdniec\u012bbas darbn\u012bc\u0101s plauka interese un cie\u0146a pret klasisko l\u012bdzsvaru, t\u012braj\u0101m l\u012bnij\u0101m un reprezentat\u012bvo luksusu.<\/p>\n<p data-path-to-node=\"18\"><b data-path-to-node=\"18\" data-index-in-node=\"0\">Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> Priek\u0161mets ir izcils, augst\u0101k\u0101s klases priv\u0101t\u0101s m\u0113be\u013cu darbn\u012bcas roku darbs. Uz koka karkasa iek\u0161puses nav industri\u0101lu r\u016bpn\u012bcas z\u012bmogu, kas ir piln\u012bgi rakstur\u012bgi t\u0101 laika ekskluz\u012bvaj\u0101m pas\u016bt\u012bjuma m\u0113bel\u0113m, kuras izgatavoja individu\u0101li pils\u0113tu namu un mui\u017eu salonu interjeriem.<\/p>\n<p data-path-to-node=\"19\"><b data-path-to-node=\"19\" data-index-in-node=\"0\">Retums un noz\u012bme<\/b> Vitr\u012bnas galven\u0101 v\u0113rt\u012bba ir t\u0101s piln\u012bg\u0101 un neskart\u0101 autentisk\u0101 komplekt\u0101cija. \u0160\u0101da l\u012bme\u0146a trauslas m\u0113beles laika gait\u0101 bie\u017ei zaud\u0113ju\u0161as stikla plauktus, spogu\u013cus vai ori\u0123in\u0101lo marmora virsmu, t\u0101d\u0113\u013c \u0161\u0101ds piln\u012bb\u0101 neskarts eksempl\u0101rs ar str\u0101d\u0101jo\u0161u atsl\u0113gas meh\u0101nismu ir rets un augsti kolekcion\u0113jams atradums.<\/p>\n<p data-path-to-node=\"20\"><b data-path-to-node=\"20\" data-index-in-node=\"0\">Pielietojums<\/b> Vitr\u012bna ir izcili piem\u0113rots d\u0101rgumu \u2014 ant\u012bka porcel\u0101na, krist\u0101la, sudraba vai miniat\u016bru skulpt\u016bru \u2014 ekspon\u0113\u0161anai. Pateicoties t\u0101s kompaktajiem izm\u0113riem un elegantajam veidolam, t\u0101 lieliski iek\u013caujas gan klasiskos salonos, gan priek\u0161namos vai kabinetos, acumirkl\u012b k\u013c\u016bstot par telpas aristokr\u0101tisko rotu.<\/p>\n<p data-path-to-node=\"21\"><b data-path-to-node=\"21\" data-index-in-node=\"0\">St\u0101voklis<\/b> Lielisks antik\u0101rais st\u0101voklis. Koka konstrukcija un intarsijas kl\u0101jums ir stingrs, bez zudumiem. Spogu\u013ca siena un stikla plaukti ir t\u012bri un veseli. Marmora virsma ir nevainojami saglab\u0101ta, bez plais\u0101m vai lausk\u0101m. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"22\"><i data-path-to-node=\"22\" data-index-in-node=\"0\"><b data-path-to-node=\"22\" data-index-in-node=\"0\">Klasicisma laikmeta momentuz\u0146\u0113mums:<\/b> Slavenais m\u0101kslas kolekcion\u0101rs \u0160arls Efrusi (Charles Ephrussi), kur\u0161 bie\u017ei k\u0101rto lietas un bauda inteli\u0123entas sarunas princeses Matildes Bonapartes salon\u0101, v\u0113l\u0101 p\u0113cpusdienas stund\u0101 s\u0113\u017e sava Sanktp\u0113terburgas nama viesistab\u0101. Istabas st\u016br\u012b blakus zelt\u012btam sve\u010dturim pace\u013cas \u0161\u012b elegant\u0101, tum\u0161\u0101 koka vitr\u012bna, kuras pul\u0113t\u0101 marmora virsma silti atstaro p\u0113d\u0113jos saules starus. Vi\u0146a slaidie pirksti klusi pagrie\u017e misi\u0146a atsl\u0113gu, un, durv\u012bm viegli atveroties, spogu\u013ca sienas dzi\u013cum\u0101 iemirdzas trauslo d\u0101rgumu un porcel\u0101na fig\u016bri\u0146u silueti. \u0160is smalkais Eiropas meistaru darin\u0101jums, kura \u0123eometriski prec\u012bz\u0101s l\u012bnijas iemieso augst\u0101ko akad\u0113misko skolu, rada telp\u0101 negaid\u012btu vizu\u0101lu l\u012bdzsvaru un harmoniju. Klusas melodijas ska\u0146as klusi skan no blakus z\u0101les, kam\u0113r saimnieka skatiens kav\u0113jas pie intarsijas rakstiem, kas sl\u0113pj sev\u012b ugun\u012bgo un izsmalcin\u0101to aizg\u0101ju\u0161o gadsimtu substanci.<\/i><\/p>\n<p data-path-to-node=\"24\">\ud83c\uddf7\ud83c\uddfa<\/p>\n<p data-path-to-node=\"25\">\u0420\u0430\u0437\u043c\u0435\u0440\u044b \u043f\u0440\u0438\u0431\u043b\u0438\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e: \u0412\u044b\u0441\u043e\u0442\u0430 \u2014 140,5 \u0441\u043c \u0428\u0438\u0440\u0438\u043d\u0430 \u2014 52 \u0441\u043c \u0413\u043b\u0443\u0431\u0438\u043d\u0430 \u2014 35 \u0441\u043c<\/p>\n<p data-path-to-node=\"26\"><b data-path-to-node=\"26\" data-index-in-node=\"0\">\u042d\u043b\u0435\u0433\u0430\u043d\u0442\u043d\u0430\u044f \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0430\u044f \u0432\u0438\u0442\u0440\u0438\u043d\u0430 \u0441 \u0437\u0435\u0440\u043a\u0430\u043b\u044c\u043d\u043e\u0439 \u0441\u0442\u0435\u043d\u043a\u043e\u0439 \u0438 \u043c\u0440\u0430\u043c\u043e\u0440\u043d\u044b\u043c \u0442\u043e\u043f\u043e\u043c \u2014 \u0432 \u0441\u0442\u0438\u043b\u0435 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI<\/b><\/p>\n<p data-path-to-node=\"27\">\u042d\u0442\u0430 \u0438\u0437\u044f\u0449\u043d\u0430\u044f, \u043a\u043e\u043c\u043f\u0430\u043a\u0442\u043d\u0430\u044f \u0438 \u0432\u044b\u0441\u043e\u043a\u043e\u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u0430\u044f \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0430\u044f \u0432\u0438\u0442\u0440\u0438\u043d\u0430 (<i data-path-to-node=\"27\" data-index-in-node=\"77\">antique wooden display cabinet with marble top<\/i>) \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u044b\u0439 \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0433\u043e \u043c\u0435\u0431\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u044b XIX \u0432\u0435\u043a\u0430, \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u0439 \u0432 \u0441\u0442\u0440\u043e\u0433\u0438\u0445 \u0438 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u0445 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044f\u0445 \u0441\u0442\u0438\u043b\u044f \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI (\u043a\u043b\u0430\u0441\u0441\u0438\u0446\u0438\u0437\u043c\u0430). \u041a\u043e\u0440\u043f\u0443\u0441 \u0448\u043a\u0430\u0444\u0447\u0438\u043a\u0430 \u0438\u0437\u0433\u043e\u0442\u043e\u0432\u043b\u0435\u043d \u0438\u0437 \u0446\u0435\u043d\u043d\u044b\u0445 \u043f\u043e\u0440\u043e\u0434 \u0434\u0435\u0440\u0435\u0432\u0430, \u0444\u0430\u0441\u0430\u0434 \u0438 \u0431\u043e\u043a\u043e\u0432\u044b\u0435 \u043f\u0430\u043d\u0435\u043b\u0438 \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u044b \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u043e\u0439 \u0433\u0435\u043e\u043c\u0435\u0442\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u0439 \u0438\u043d\u0442\u0430\u0440\u0441\u0438\u0435\u0439, \u043f\u043e\u0434\u0447\u0435\u0440\u043a\u0438\u0432\u0430\u044e\u0449\u0435\u0439 \u043f\u0440\u0438\u0440\u043e\u0434\u043d\u0443\u044e BEAUTY \u0434\u0440\u0435\u0432\u0435\u0441\u043d\u043e\u0439 \u0442\u0435\u043a\u0441\u0442\u0443\u0440\u044b. \u0412\u0435\u0440\u0445\u043d\u044e\u044e \u0447\u0430\u0441\u0442\u044c \u0432\u0435\u043d\u0447\u0430\u0435\u0442 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u0430\u044f \u043f\u0440\u043e\u0444\u0438\u043b\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u0430\u044f \u043f\u043b\u0438\u0442\u0430 \u0441\u0432\u0435\u0442\u043b\u043e\u0433\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u0430 \u0441 \u0438\u0437\u044f\u0449\u043d\u044b\u043c \u0440\u0438\u0441\u0443\u043d\u043a\u043e\u043c \u043f\u0440\u043e\u0436\u0438\u043b\u043e\u043a. \u0412\u043d\u0443\u0442\u0440\u0435\u043d\u043d\u0435\u0435 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u043e \u0432\u0438\u0442\u0440\u0438\u043d\u044b \u0441\u043f\u0440\u043e\u0435\u043a\u0442\u0438\u0440\u043e\u0432\u0430\u043d\u043e \u0442\u0430\u043a, \u0447\u0442\u043e\u0431\u044b \u043c\u0430\u043a\u0441\u0438\u043c\u0430\u043b\u044c\u043d\u043e \u0432\u044b\u0438\u0433\u0440\u044b\u0448\u043d\u043e \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u044c \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u043d\u044b\u0435 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u044b: \u043e\u043d\u0430 \u043e\u0441\u043d\u0430\u0449\u0435\u043d\u0430 \u043f\u0440\u043e\u0437\u0440\u0430\u0447\u043d\u044b\u043c\u0438 \u0441\u0442\u0435\u043a\u043b\u044f\u043d\u043d\u044b\u043c\u0438 \u043f\u043e\u043b\u043a\u0430\u043c\u0438, \u0430 \u0437\u0430\u0434\u043d\u044f\u044f \u0441\u0442\u0435\u043d\u043a\u0430 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0431\u043b\u0438\u0446\u043e\u0432\u0430\u043d\u0430 \u0437\u0435\u0440\u043a\u0430\u043b\u043e\u043c. \u0414\u0432\u0435\u0440\u0446\u0430 \u0441\u043d\u0430\u0431\u0436\u0435\u043d\u0430 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u044b\u043c \u043b\u0430\u0442\u0443\u043d\u043d\u044b\u043c \u0437\u0430\u043c\u043a\u043e\u043c \u0438 \u0438\u0437\u044f\u0449\u043d\u044b\u043c \u043b\u0438\u0442\u044b\u043c \u043a\u043b\u044e\u0447\u043e\u043c. \u0412 \u0438\u043c\u043f\u0435\u0440\u0441\u043a\u0443\u044e \u044d\u043f\u043e\u0445\u0443 \u043f\u043e\u0434\u043e\u0431\u043d\u044b\u0435 \u044d\u043b\u0438\u0442\u043d\u044b\u0435 \u0432\u0438\u0442\u0440\u0438\u043d\u044b \u0431\u044b\u043b\u0438 \u043e\u0431\u044f\u0437\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0447\u0430\u0441\u0442\u044c\u044e \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u043e\u0432 \u0434\u0430\u043c\u0441\u043a\u0438\u0445 \u0431\u0443\u0434\u0443\u0430\u0440\u043e\u0432 \u0438 \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u0438\u0445 \u0441\u0430\u043b\u043e\u043d\u043e\u0432 \u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0430 \u0438 \u0412\u0430\u0440\u0448\u0430\u0432\u044b, \u0441\u043b\u0443\u0436\u0430 \u043c\u0435\u0441\u0442\u043e\u043c \u0445\u0440\u0430\u043d\u0435\u043d\u0438\u044f \u0440\u0435\u0434\u043a\u043e\u0433\u043e \u0444\u0430\u0440\u0444\u043e\u0440\u0430, \u0441\u0435\u0440\u0435\u0431\u0440\u0430 \u0438 \u0441\u0435\u043c\u0435\u0439\u043d\u044b\u0445 \u0440\u0435\u043b\u0438\u043a\u0432\u0438\u0439. \u0418\u0437\u0434\u0435\u043b\u0438\u0435 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u043e\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u0439 \u0441\u043e\u0445\u0440\u0430\u043d\u043d\u043e\u0441\u0442\u0438. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"28\"><i data-path-to-node=\"28\" data-index-in-node=\"0\"><b data-path-to-node=\"28\" data-index-in-node=\"0\">\u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u043a\u043b\u0430\u0441\u0441\u0438\u0446\u0438\u0437\u043c\u0430:<\/b> \u0418\u0437\u0432\u0435\u0441\u0442\u043d\u044b\u0439 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u0435\u0440 \u0428\u0430\u0440\u043b\u044c \u042d\u0444\u0440\u0443\u0441\u0441\u0438 (Charles Ephrussi), \u0447\u0430\u0441\u0442\u044b\u0439 \u0433\u043e\u0441\u0442\u044c \u0437\u043d\u0430\u043c\u0435\u043d\u0438\u0442\u043e\u0433\u043e \u0441\u0430\u043b\u043e\u043d\u0430 \u043f\u0440\u0438\u043d\u0446\u0435\u0441\u0441\u044b \u041c\u0430\u0442\u0438\u043b\u044c\u0434\u044b \u0411\u043e\u043d\u0430\u043f\u0430\u0440\u0442, \u043f\u043e\u0437\u0434\u043d\u0438\u043c \u0432\u0435\u0447\u0435\u0440\u043e\u043c \u0441\u0438\u0434\u0438\u0442 \u0432 \u0443\u044e\u0442\u043d\u043e\u0439 \u0433\u043e\u0441\u0442\u0438\u043d\u043e\u0439 \u0441\u0432\u043e\u0435\u0433\u043e \u0441\u0430\u043d\u043a\u0442-\u043f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0441\u043a\u043e\u0433\u043e \u043e\u0441\u043e\u0431\u043d\u044f\u043a\u0430, \u043f\u043e\u0433\u0440\u0443\u0436\u0435\u043d\u043d\u043e\u0433\u043e \u0432 \u043c\u044f\u0433\u043a\u0438\u0439 \u043f\u043e\u043b\u0443\u043c\u0440\u0430\u043a. \u0412 \u0443\u0433\u043b\u0443 \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0430, \u0440\u044f\u0434\u043e\u043c \u0441 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u044b\u043c \u043a\u0430\u043d\u0434\u0435\u043b\u044f\u0431\u0440\u043e\u043c, \u0432\u043e\u0437\u0432\u044b\u0448\u0430\u0435\u0442\u0441\u044f \u044d\u0442\u0430 \u0438\u0437\u044f\u0449\u043d\u0430\u044f \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0430\u044f \u0432\u0438\u0442\u0440\u0438\u043d\u0430, \u0447\u0435\u0439 \u043c\u0440\u0430\u043c\u043e\u0440\u043d\u044b\u0439 \u0442\u043e\u043f \u0442\u0435\u043f\u043b\u043e \u043e\u0442\u0440\u0430\u0436\u0430\u0435\u0442 \u043f\u043b\u0430\u043c\u044f \u0434\u043e\u0433\u043e\u0440\u0430\u044e\u0449\u0438\u0445 \u0441\u0432\u0435\u0447\u0435\u0439. \u0415\u0433\u043e \u043f\u0430\u043b\u044c\u0446\u044b \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u043a\u0430\u0441\u0430\u044e\u0442\u0441\u044f \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u043b\u0430\u0442\u0443\u043d\u043d\u043e\u0433\u043e \u043a\u043b\u044e\u0447\u0430, \u0438 \u043f\u0440\u0438 \u043f\u043b\u0430\u0432\u043d\u043e\u043c \u043e\u0442\u043a\u0440\u044b\u0442\u0438\u0438 \u0434\u0432\u0435\u0440\u0446\u044b \u0432 \u0433\u043b\u0443\u0431\u0438\u043d\u0435 \u0437\u0435\u0440\u043a\u0430\u043b\u044c\u043d\u043e\u0439 \u0441\u0442\u0435\u043d\u043a\u0438 \u0432\u0441\u043f\u044b\u0445\u0438\u0432\u0430\u044e\u0442 \u043c\u043d\u043e\u0436\u0435\u0441\u0442\u0432\u043e\u043c \u043e\u0442\u0441\u0432\u0435\u0442\u043e\u0432 \u0441\u0438\u043b\u0443\u044d\u0442\u044b \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u044b\u0445 \u0444\u0430\u0440\u0444\u043e\u0440\u043e\u0432\u044b\u0445 \u0447\u0430\u0448\u0435\u043a \u0438 \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u044b\u0445 \u043c\u0438\u043d\u0438\u0430\u0442\u044e\u0440. \u042d\u0442\u043e\u0442 \u043f\u0440\u0438\u0432\u043e\u0437\u043d\u043e\u0439 \u0448\u0435\u0434\u0435\u0432\u0440 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0439 \u0440\u0430\u0431\u043e\u0442\u044b, \u0447\u044c\u0438 \u0441\u0442\u0440\u043e\u0433\u0438\u0435 \u043b\u0438\u043d\u0438\u0438 \u0432\u043e\u043f\u043b\u043e\u0449\u0430\u044e\u0442 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0447\u0435\u0441\u043a\u0443\u044e \u0433\u0430\u0440\u043c\u043e\u043d\u0438\u044e \u043a\u043b\u0430\u0441\u0441\u0438\u0446\u0438\u0437\u043c\u0430, \u043f\u0440\u0438\u0432\u043d\u043e\u0441\u0438\u0442 \u0432 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u043e \u044d\u0441\u0442\u0435\u0442\u0430 \u0430\u0442\u043c\u043e\u0441\u0444\u0435\u0440\u0443 \u0443\u0442\u043e\u043d\u0447\u0435\u043d\u043d\u043e\u0433\u043e \u043f\u043e\u043a\u043e\u044f, \u0437\u0430\u0441\u0442\u0430\u0432\u043b\u044f\u044f \u043d\u0430 \u043c\u0438\u0433 \u0437\u0430\u0431\u044b\u0442\u044c \u043e \u0441\u0443\u0435\u0442\u0435 \u0448\u0443\u043c\u043d\u043e\u0433\u043e \u0441\u0442\u043e\u043b\u0438\u0447\u043d\u043e\u0433\u043e \u0434\u043d\u044f.<\/i><\/p>\n<p data-path-to-node=\"30\">\ud83c\uddec\ud83c\udde7<\/p>\n<p data-path-to-node=\"31\">Approximate dimensions: Height \u2014 140.5 cm Width \u2014 52 cm Depth \u2014 35 cm<\/p>\n<p data-path-to-node=\"32\"><b data-path-to-node=\"32\" data-index-in-node=\"0\">Elegant Wooden Display Cabinet with Mirror Back and Marble Top \u2014 Louis XVI Style<\/b><\/p>\n<p data-path-to-node=\"33\">This highly refined, compact, and artistically accomplished <b data-path-to-node=\"33\" data-index-in-node=\"60\">antique wooden display cabinet with marble top<\/b> stands as a premier testament to late 19th-century European historicist cabinetmaking. Executed in the noble, balanced aesthetic of the Louis XVI style (classicism), the cabinet is meticulously fashioned from fine timbers, with its door frame and side panels showcasing superb geometric marquetry inlay that celebrates the natural variegation of the grain. The crown of the cabinet is a solid, handsomely profiled light marble slab with beautiful, fluid natural veining. The internal display cavity is intentionally structured for prestige presentation, fitted with clear glass shelving and a fully mirrored back panel to amplify the light and allow multi-angled viewership of fine porcelain, bronzes, or silver.<\/p>\n<p data-path-to-node=\"34\">The single glazed door retains its original, operational brass lock and an intricately cast skeleton key. During the late Tsarist era, luxury cabinets of this exceptional caliber and scale were an essential component of high society salon and boudoir culture across major hubs like St. Petersburg or Warsaw. Preserved in excellent antique condition with its original marble and glass components flawlessly intact, this <i data-path-to-node=\"34\" data-index-in-node=\"419\">antique wooden display cabinet with marble top<\/i> remains an outstanding focal point for traditional interiors. The item&#8217;s condition is fully reflected in the photographs.<\/p>\n<p data-path-to-node=\"35\"><i data-path-to-node=\"35\" data-index-in-node=\"0\"><b data-path-to-node=\"35\" data-index-in-node=\"0\">Classicism era snapshot:<\/b> The famous art collector Charles Ephrussi (Charles Ephrussi), a cherished and frequent visitor to the legendary salon of Princess Mathilde Bonaparte, rests late in the afternoon within the drawing room of his elegant St. Petersburg residence. In the corner, standing adjacent to a gilded candelabrum, this magnificent wooden cabinet catches the warm amber glow of the lamps on its polished marble top. His slender fingers gently turn the brass key, and as the glazed door swings open, the mirrored back panel instantly illuminates the shapes of rare porcelain and bronze miniatures within. This Western European creation, its crisp neoclassical marquetry mirroring the grand architectural discipline of the era, brings a serene comfort into the scholar&#8217;s workspace, framing his collection in a warm, timeless light.<\/i><\/p>\n<p data-path-to-node=\"37\">\ud83c\udde9\ud83c\uddea<\/p>\n<p data-path-to-node=\"38\">Ma\u00dfe ca.: H\u00f6he \u2014 140,5 cm Breite \u2014 52 cm Tiefe \u2014 35 cm<\/p>\n<p data-path-to-node=\"39\"><b data-path-to-node=\"39\" data-index-in-node=\"0\">Eleganter Holz-Vitrinenschrank mit Spiegelr\u00fcckwand und Marmorplatte \u2014 im Stil Ludwigs XVI.<\/b><\/p>\n<p data-path-to-node=\"40\">Dieser herrschaftliche, feine kleine Holzvitrine (<i data-path-to-node=\"40\" data-index-in-node=\"50\">antique wooden display cabinet with marble top<\/i>) ist ein exquisites Meisterwerk europ\u00e4ischer Kunsttischlerei aus der zweiten H\u00e4lfte des 19. Jahrhunderts, gestaltet im strengen Stil Ludwigs XVI. (Klassizismus). Das Geh\u00e4use ist aus edlen H\u00f6lzern gefertigt, deren T\u00fcrrahmen und Seitenw\u00e4nde eine meisterhafte geometrische Intarsienarbeit aufweisen, die die nat\u00fcrliche Maserung wundersch\u00f6n betont. Die Bekr\u00f6nung bildet eine massive, profilierte helle Marmorplatte mit elegantem Aderungsverlauf. Das Innere des Schr\u00e4nkchens ist ganz auf Repr\u00e4sentation ausgelegt: Es ist mit Klarglasb\u00f6den ausgestattet, w\u00e4hrend die R\u00fcckwand vollst\u00e4ndig verspiegelt ist. Die Glast\u00fcr verf\u00fcgt \u00fcber das originale, funktionst\u00fcchtige Messingschloss und einen reich verzierten Schl\u00fcssel. Im russischen Kaiserreich galt ein solches Luxusm\u00f6bel in den Salons von St. Petersburg oder Warschau als absolutes Statussymbol des Adels und der Intellektuellen. Die Vitrine befindet sich in einem exzellenten antiken Zustand, der Marmor und das Glas sind makellos erhalten. Der Zustand des Gegenstands ist auf den Fotografien vollst\u00e4ndig wiedergegeben.<\/p>\n<p data-path-to-node=\"41\"><i data-path-to-node=\"41\" data-index-in-node=\"0\"><b data-path-to-node=\"41\" data-index-in-node=\"0\">Momentaufnahme der Klassizismus-Zeit:<\/b> Der ber\u00fchmte Kunstsammler Charles Ephrussi (Charles Ephrussi), ein gesch\u00e4tzter Stammgast des legend\u00e4ren Salons von Prinzessin Mathilde Bonaparte, sitzt zu sp\u00e4ter Nachmittagsstunde im eleganten Arbeitszimmer seines St. Petersburger Hauses. Neben der vergoldeten Kandelaber erhebt sich dieser pr\u00e4chtige Vitrinenschrank, dessen polierte Marmorplatte die Strahlen der tiefstehenden Sonne golden reflektiert. Seine Finger umschlie\u00dfen kurz den originalen Messingschl\u00fcssel, und beim sanften \u00d6ffnen der T\u00fcr erstrahlen in den Tiefen der Spiegelr\u00fcckwand die Silhouetten von feinstem Porzellan und bronzenen Miniaturen. Dieses feine Werk franz\u00f6sischer Meister bringt eine inspirierende, klassische Harmonie in den Raum des Kenners und l\u00e4dt zu einem Moment des Innehaltens ein.<\/i><\/p>\n<p data-path-to-node=\"43\">\ud83c\uddeb\ud83c\uddf7<\/p>\n<p data-path-to-node=\"44\">Dimensions approximatives : Hauteur \u2014 140,5 cm Largeur \u2014 52 cm Profondeur \u2014 35 cm<\/p>\n<p data-path-to-node=\"45\"><b data-path-to-node=\"45\" data-index-in-node=\"0\">\u00c9l\u00e9gante vitrine de salon en marqueterie et fond de miroir \u2014 de style Louis XVI<\/b><\/p>\n<p data-path-to-node=\"46\">Cette spectaculaire et hautement d\u00e9licate petite vitrine de salon (<i data-path-to-node=\"46\" data-index-in-node=\"67\">antique wooden display cabinet with marble top<\/i>) est un t\u00e9moin remarquable de la haute \u00e9b\u00e9nisterie de la fin du XIXe si\u00e8cle en Europe. Son corps architectural est enti\u00e8rement fa\u00e7onn\u00e9 dans des bois pr\u00e9cieux, dont les montants et les contours de porte s&#8217;ornent d&#8217;une savante marqueterie g\u00e9om\u00e9trique mettant en valeur les contrastes du fil du bois. Le sommet du meuble accueille une \u00e9paisse dalle de marbre clair moulur\u00e9e d&#8217;une qualit\u00e9 parfaite. Le c\u0153ur de la composition est enti\u00e8rement con\u00e7u pour l&#8217;apparat, \u00e9quip\u00e9 de tablettes en verre transparent et d&#8217;un fond int\u00e9gralement garni d&#8217;un miroir afin de d\u00e9multiplier les reflets des porcelaines d&#8217;art ou des bronzes. La porte vitr\u00e9e conserve sa serrure d&#8217;origine en laiton et sa cl\u00e9 cisel\u00e9e parfaitement fonctionnelle. Sous la Russie imp\u00e9riale, ce meuble de choix tr\u00f4nait dans les boudoirs de la haute soci\u00e9t\u00e9 ou les salons de r\u00e9ception \u00e0 Saint-P\u00e9tersbourg ou Varsovie. Cet objet de haute curiosit\u00e9 se trouve dans un \u00e9tat de conservation remarquable, les bois et le marbre ayant pr\u00e9serv\u00e9 leur int\u00e9grit\u00e9 d&#8217;origine. L&#8217;\u00e9tat de l&#8217;objet est pleinement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"47\"><i data-path-to-node=\"47\" data-index-in-node=\"0\"><b data-path-to-node=\"47\" data-index-in-node=\"0\">Instantan\u00e9 de l&#8217;\u00e9poque du classicisme :<\/b> L&#8217;illustre collectionneur d&#8217;art Charles Ephrussi (Charles Ephrussi), habitu\u00e9 du grand salon parisien de la princesse Mathilde Bonaparte, se repose dans son cabinet d&#8217;\u00e9tude \u00e0 Saint-P\u00e9tersbourg tard dans l&#8217;apr\u00e8s-midi. Pr\u00e8s du grand cand\u00e9labre, se dresse ce somptueux petit meuble en marqueterie dont le plateau de marbre poli accroche les reflets du jour. Ses doigts effleurent un instant la cl\u00e9 de laiton cisel\u00e9, et \u00e0 l&#8217;ouverture de la porte vitr\u00e9e, le fond de miroir illumine instantan\u00e9ment les profils des pi\u00e8ces de ma\u00eetrise et des biscuits de porcelaine. Cette cr\u00e9ation pr\u00e9cieuse des \u00e9b\u00e9nistes occidentaux, dont la rigueur classique fait \u00e9cho \u00e0 la puret\u00e9 du go\u00fbt de l&#8217;\u00e9poque, apporte une harmonie parfaite dans l&#8217;intimit\u00e9 du connaisseur, offrant un court instant de contemplation.<\/i><\/p>\n<p data-path-to-node=\"49\">\ud83c\udde9\ud83c\uddf0<\/p>\n<p data-path-to-node=\"50\">Dimensioner ca.: H\u00f8jde \u2014 140,5 cm Bredde \u2014 52 cm Dybde \u2014 35 cm<\/p>\n<p data-path-to-node=\"51\"><b data-path-to-node=\"51\" data-index-in-node=\"0\">Elegant vitrineskab i tr\u00e6 med spejlryg og marmorplade \u2014 i Ludvig XVI-stil<\/b><\/p>\n<p data-path-to-node=\"52\">Dette yderst fornemme og kompakte kunstm\u00f8bel (<i data-path-to-node=\"52\" data-index-in-node=\"46\">antique wooden display cabinet with marble top<\/i>) er et uds\u00f8gt mesterv\u00e6rk af mellemeurop\u00e6isk snedkerkunst fra slutningen af det 19. \u00e5rhundrede, udf\u00f8rt i den stringente Ludvig XVI-stil (klassicisme). Kabinettet er fremstillet af \u00e6dle tr\u00e6sorter, hvis d\u00f8rramme og sidepaneler viser en mesterlig geometrisk intarsia, der fremh\u00e6ver tr\u00e6ets naturlige \u00e5rer p\u00e5 smukkeste vis. Toppen prydes af en massiv, profileret lys marmorplade med et elegant m\u00f8nster. Det indvendige udstillingsrum er helt designet til repr\u00e6sentation, udstyret med glashylder og en fuldst\u00e6ndig spejlbelagt bagv\u00e6g. Glast\u00f8ren har den originale, fuldt funktionelle messingl\u00e5s og en rigt dekoreret n\u00f8gle. I tsartiden var et vitrineskab i denne kvalitet et absolut statssymbol for adelen i salonerne i Sankt Petersborg og Warszawa. Kabinettet er i en fremragende stand, og b\u00e5de marmor og glas fremst\u00e5r uden revner eller mangler. Genstandens tilstand er fuldt ud gengivet p\u00e5 fotografierne.<\/p>\n<p data-path-to-node=\"53\"><i data-path-to-node=\"53\" data-index-in-node=\"0\"><b data-path-to-node=\"53\" data-index-in-node=\"0\">Klassicismens \u00f8jebliksbillede:<\/b> Den ber\u00f8mte kunstsamler Charles Ephrussi (Charles Ephrussi), der var en k\u00e6r og hyppig g\u00e6st i prinsesse Mathilde Bonapartes legendariske salon, sidder sent om eftermiddagen i det hyggelige arbejdsv\u00e6relse i sit hjem i Sankt Petersborg. Ved siden af den forgyldte lysestage h\u00e6ver dette elegante vitrineskab sig, hvis polerede marmorplade reflekterer den tidsl\u00f8se sol. Hans fingre r\u00f8rer kort ved den originale messingn\u00f8gle, og ved at \u00e5bne glasd\u00f8ren, str\u00e5ler silhuetterne af det fineste porcel\u00e6n og bronzeminiaturer i spejlryggens dybde. Dette fine v\u00e6rk fra de franske mestre bringer en inspirerende, klassisk harmoni ind i kenderens rum og indbyder til et \u00f8jeblik af dyb kontemplation.<\/i><\/p>\n<p data-path-to-node=\"55\">\ud83c\uddf8\ud83c\uddea<\/p>\n<p data-path-to-node=\"56\">M\u00e5tt ca: H\u00f6jd \u2014 140,5 cm Bredd \u2014 52 cm Djup \u2014 35 cm<\/p>\n<p data-path-to-node=\"57\"><b data-path-to-node=\"57\" data-index-in-node=\"0\">Elegant vitrinsk\u00e5p i tr\u00e4 med spegelrygg och marmorskiva \u2014 i Ludvig XVI-stil<\/b><\/p>\n<p data-path-to-node=\"58\">Detta herrg\u00e5rdslika och synnerligen dekorativa konstm\u00f6bel (<i data-path-to-node=\"58\" data-index-in-node=\"59\">antique wooden display cabinet with marble top<\/i>) \u00e4r ett uts\u00f6kt m\u00e4sterverk av europeiskt finsnickeri fr\u00e5n 1800-talets slut, gestaltat i den strama Ludvig XVI-stilen (klassicism). Fodralet \u00e4r tillverkat av \u00e4dla tr\u00e4sorter, vars d\u00f6rrram och sidopaneler uppvisar en m\u00e4sterlig geometrisk intarsia som p\u00e5 ett perfekt s\u00e4tt framh\u00e4ver tr\u00e4ets naturliga struktur. \u00d6verdelen kr\u00f6ns av en massiv, profilerad ljus marmorskiva med ett elegant m\u00f6nster. Det inv\u00e4ndiga utst\u00e4llningsrummet \u00e4r helt utformat f\u00f6r representation, utrustat med glashyllor och en fullst\u00e4ndigt spegelkl\u00e4dd bakv\u00e4gg. Glastr\u00e4d\u00f6rren har det ursprungliga, fullt funktionella m\u00e4ssingsl\u00e5set och en rikt ornerad nyckel. Under tsartiden ans\u00e5gs ett vitrinsk\u00e5p av denna kvalitet vara en absolut statssymbol bland aristokratin i salongerna i Sankt Petersburg och Warszawa. Tr\u00e4h\u00f6ljet \u00e4r i ett mycket gott antikskick och de fina inlagda detaljerna har bevarats helt utan skador. F\u00f6rem\u00e5lets skick \u00e5terges fullst\u00e4ndigt p\u00e5 fotografierna.<\/p>\n<p data-path-to-node=\"59\"><i data-path-to-node=\"59\" data-index-in-node=\"0\"><b data-path-to-node=\"59\" data-index-in-node=\"0\">Klassicismens \u00f6gonblicksbild:<\/b> Den ber\u00f6mde konstsamlaren Charles Ephrussi (Charles Ephrussi), en uppskattad stamg\u00e4st i prinsessan Mathilde Bonapartes legendariska salong, sitter sent p\u00e5 eftermiddagen i det ombonade arbetsrummet i sitt hem i Sankt Petersburg. Bredvid den f\u00f6rgyllda kandelabern reser sig detta eleganta vitrinsk\u00e5p, vars polerade marmorskiva reflekterar kv\u00e4llssolens str\u00e5lar i varma guldtoner. Hans smala, graci\u00f6sa fingrar vidr\u00f6r helt kort den ursprungliga m\u00e4ssingsnyckeln, och n\u00e4r glasd\u00f6rren sv\u00e4nger upp lyser silhuetterna av det fineste porslinet och bronsminiatyrerna upp i spegelryggens djup. Detta uts\u00f6kta verk av franska m\u00e4stare tillf\u00f6r en inspirerande, klassisk harmoni till k\u00e4nnarens rum och bjuder in till en stund av fridfull kontemplation.<\/i><\/p>\n<p data-path-to-node=\"61\">\ud83c\uddf3\ud83c\uddf4<\/p>\n<p data-path-to-node=\"62\">Dimensjoner ca.: H\u00f8yde \u2014 140,5 cm Bredde \u2014 52 cm Dybde \u2014 35 cm<\/p>\n<p data-path-to-node=\"63\"><b data-path-to-node=\"63\" data-index-in-node=\"0\">Elegant vitrineskap i tre med speilrygg og marmorplate \u2014 i Ludvig XVI-stil<\/b><\/p>\n<p data-path-to-node=\"64\">Dette elegante og kompakte kunstm\u00f8belet (<i data-path-to-node=\"64\" data-index-in-node=\"41\">antique wooden display cabinet with marble top<\/i>) er et uts\u00f8kt mesterverk av mellomeuropeisk finsnekkerkunst fra slutten av 1800-tallet, utf\u00f8rt i den stramme Ludvig XVI-stilen (klassisisme). Kabinettet er fremstilt av edelt treverk, hvor d\u00f8rrammen og sidepanelene viser en mesterlig geometrisk intarsia som fremhever treets naturlige struktur p\u00e5 smukkeste vis. Toppen krones av en massiv, profilert lys marmorplate med et elegant m\u00f8nster. Det innvendige utstillingsrommet er fullstendig designet for representasjon, utstyrt med glasshyller og en helt speilbelagt bakvegg. Glassd\u00f8ren har den originale, funksjonelle messingl\u00e5sen og en rikt dekorert n\u00f8kkel. I tsartiden var et vitrineskap i denne kvalitetsklassen det maksimale statssymbolet for eliten i salongene i Sankt Petersburg og Warszawa. Skapet ie i en utmerket stand, og de fine detaljene er bevart helt uten skader. Gjenstandens tilstand er fullstendig gjengitt p\u00e5 fotografiene.<\/p>\n<p data-path-to-node=\"65\"><i data-path-to-node=\"65\" data-index-in-node=\"0\"><b data-path-to-node=\"65\" data-index-in-node=\"0\">Klassisismens \u00f8yeblikksbilde:<\/b> Den ber\u00f8mte kunstsamleren Charles Ephrussi (Charles Ephrussi), som var en kj\u00e6r og hyppig gjest i prinsesse Mathilde Bonapartes legendariske salong, sitter sent p\u00e5 ettermiddagen i det lune arbeidsrommet i sitt hjem i Sankt Petersburg. Ved siden av den forgylte lysestaken hever dette elegante vitrineskapet seg, hvis polerte marmorplate reflekterer solens str\u00e5ler. Hans fingre ber\u00f8rer kort den originale messingn\u00f8kkelen, og ved \u00e5 \u00e5pne glassd\u00f8ren str\u00e5ler silhuettene av det fineste porselenet og bronsedyrene i speilryggens dybde. Dette fine verket fra de franske mesterne bringer en inspirerende, klassisk harmoni inn i rommet, og inviterer til en stund av dyp konsentrasjon.<\/i><\/p>\n<p data-path-to-node=\"67\">\ud83c\uddeb\ud83c\uddee<\/p>\n<p data-path-to-node=\"68\">Mitat noin: Korkeus \u2014 140,5 cm Leveys \u2014 52 cm Syvyys \u2014 35 cm<\/p>\n<p data-path-to-node=\"69\"><b data-path-to-node=\"69\" data-index-in-node=\"0\">Tyylik\u00e4s puinen vitriinikaappi peilitaustalla ja marmoritasolla \u2014 Ludvig XVI -tyyli\u00e4<\/b><\/p>\n<p data-path-to-node=\"70\">T\u00e4m\u00e4 eritt\u00e4in ylh\u00e4inen ja aristokraattinen vanha puinen taidekaappi (<i data-path-to-node=\"70\" data-index-in-node=\"69\">antique wooden display cabinet with marble top<\/i>) on hieno n\u00e4yte eurooppalaisesta hienopuusep\u00e4nteollisuudesta 1800-luvun lopulta. Esine on muotoiltu Ludvig XVI:n (klassismityylin) tyyliin, jolle ovat ominaisia puhtaat linjat ja tasapainoinen arkkitehtoninen siluetti. Runko on valmistettu jalopuusta, ja sen ovikehyst\u00e4 sek\u00e4 sivupaneeleita koristaa korkeatasoinen geometrinen intarsia, joka tuo esiin puun syiden hienostuneen kuvion. Yl\u00e4osaa koristaa massiivinen, profiloitu vaalea marmorilevy luonnollisilla suonilla. Sis\u00e4osa on suunniteltu arvoesineiden esittelyyn, ja se on varustettu kirkkailla lasihyllyill\u00e4 ja kokonaan peitetyll\u00e4 takapeilill\u00e4. Lasiovea koristaa alkuper\u00e4inen toimiva messinkilukko ja siro avain. Keisariaikana t\u00e4llainen vitriini oli ehdoton ylh\u00e4is\u00f6n statussymboli Pietarin ja Varsovan hienostokodeissa. Kaappi on erinomaisessa antiikkisessa kunnossa, ja sen marmori sek\u00e4 lasit ovat s\u00e4ilyneet virheett\u00f6min\u00e4. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n<p data-path-to-node=\"71\"><i data-path-to-node=\"71\" data-index-in-node=\"0\"><b data-path-to-node=\"71\" data-index-in-node=\"0\">Klassisen aikakauden tunnelma:<\/b> Kuuluisa taiteenker\u00e4ilij\u00e4 Charles Ephrussi (Charles Ephrussi), joka oli prinsessa Mathilde Bonaparten legendaarisen salongin arvostettu kanta-asiakas, istuu my\u00f6h\u00e4\u00e4n iltap\u00e4iv\u00e4ll\u00e4 Pietarissa (St. Petersburg) sijaitsevan kotinsa tyylikk\u00e4\u00e4ss\u00e4 ty\u00f6huoneessa. Kultaisen kynttelik\u00f6n vieress\u00e4 kohoaa t\u00e4m\u00e4 tyylik\u00e4s vitriinikaappi, jonka kiillotettu marmoritaso heijastaa l\u00e4mpim\u00e4sti takkatulen loistetta. H\u00e4nen sormensa k\u00e4\u00e4nt\u00e4v\u00e4t hetkeksi alkuper\u00e4ist\u00e4 messinkiavainta, ja oven avautuessa peilitaustan syvyydest\u00e4 heijastuvat v\u00e4litt\u00f6m\u00e4sti harvinaisten posliiniesineiden ja pronssiminiatyyrien hienot muodot. T\u00e4m\u00e4 eurooppalaisen mestarin luomus tuo ker\u00e4ilij\u00e4n ty\u00f6tilaan levollisen visuaalisen harmonian, joka sopii t\u00e4ydellisesti yhteen sivistyneen el\u00e4m\u00e4ntavan kanssa, luoden huoneeseen upean ja arvokkaan keisariajan tunnelman.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Izsmalcin\u0101ta Luija XVI stila koka vitr\u012bna ar stikla plauktiem, aizmugur\u0113jo spogu\u013ca sienu un nep\u0101rsp\u0113jamu marmora virsmu. Fas\u0101des un s\u0101nu plaknes rot\u0101tas ar augstv\u0113rt\u012bgu intarsijas tehniku, radot akad\u0113misku un salonu luksusa noska\u0146u. (3562)<\/p>\n","protected":false},"featured_media":13226,"template":"","meta":[],"product_brand":[],"product_cat":[207,204,218],"product_tag":[],"class_list":["post-13225","product","type-product","status-publish","has-post-thumbnail","product_cat-mebeles","product_cat-visas-lietas","product_cat-vitrinas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/13225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/13226"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=13225"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=13225"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=13225"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=13225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}