{"id":12567,"date":"2022-09-28T20:04:38","date_gmt":"2022-09-28T17:04:38","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=12567"},"modified":"2026-09-07T21:31:09","modified_gmt":"2026-09-07T18:31:09","slug":"painting-with-flowers-in-gold-color-frame-3469","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/painting-with-flowers-in-gold-color-frame-3469\/","title":{"rendered":"E\u013c\u013cas glezna uz audekla &#8220;Klus\u0101 daba ar ziediem&#8221; zelt\u012bt\u0101 r\u0101m\u012b (Floral Still Life Oil Painting in Gilded Frame) (3469)"},"content":{"rendered":"<p data-path-to-node=\"4\">\ud83c\uddf1\ud83c\uddfb Augstums: 79 cm Platums: 68 cm<\/p>\n<p data-path-to-node=\"5\"><b data-path-to-node=\"5\" data-index-in-node=\"0\"><i data-path-to-node=\"5\" data-index-in-node=\"0\">20. gadsimta Par\u012bzes \u0161ansona momentuz\u0146\u0113mums, \u012avs Mont\u0101ns (Yves Montand):<\/i><\/b> <i data-path-to-node=\"5\" data-index-in-node=\"73\">Bija v\u0113ls un lietains 1940. gadu vakars k\u0101d\u0101 Monmartras mansarda dz\u012bvokl\u012b, kur dega tikai viena bl\u0101va spuldze, un no blakus istabas klusi skan\u0113ja Ed\u012btes Piafas dungot\u0101 melodija. Jaunais dzied\u0101t\u0101js s\u0113d\u0113ja pie loga, v\u0113rodams, k\u0101 lietus l\u0101ses triecas pret stiklu, un vi\u0146a domas joproj\u0101m kav\u0113j\u0101s pie vi\u0146u v\u0113train\u0101s, rado\u0161\u0101s un kaisl\u012bg\u0101s sadarb\u012bbas, kas bija tikpat reibino\u0161a k\u0101 tikko pl\u016bkts ziedu kl\u0113pis. Vi\u0146a skatiens pakav\u0113j\u0101s pie smag\u0101, zelt\u012bt\u0101 baroka r\u0101mja pie sienas \u2014 taj\u0101 mirdz\u0113ja kr\u0101\u0161\u0146a klus\u0101 daba, kas d\u012bvain\u0101 k\u0101rt\u0101 \u0161\u0137ita k\u0101 vi\u0146u abu st\u0101sta vizu\u0101lais spogulis.<\/i><\/p>\n<p data-path-to-node=\"6\"><i data-path-to-node=\"6\" data-index-in-node=\"0\">Uz audekla uzkl\u0101tie, biez\u0101 impasto tehnik\u0101 veidotie triepieni smar\u017eoja p\u0113c line\u013c\u013cas un sena te\u0101tra grima, bet pa\u0161u ziedu vainags m\u0101la v\u0101z\u0113 dega tikpat ekspres\u012bv\u0101s, ugun\u012bg\u0101s un vienlaikus maig\u0101s kr\u0101s\u0101s, k\u0101 t\u0101s dziesmas, ko vi\u0146i kop\u0101 sl\u012bp\u0113ja nakts stund\u0101s. Mas\u012bvais, dzi\u013c\u0101 reljefa ietvars ap gleznu uztv\u0113ra bl\u0101vos gaismas starus, radot c\u0113lu un pamat\u012bgu kontrastu ar taj\u0101 iesl\u0113gto dabas d\u0101snumu. \u0160is drosm\u012bgais kr\u0101su un formu spr\u0101dziens simboliz\u0113ja to nesavald\u0101mo ener\u0123iju, kur\u0101 viena m\u0101kslinieka balss satiekas ar otru, radot kaut ko liel\u0101ku par vi\u0146iem pa\u0161iem.<\/i><\/p>\n<p data-path-to-node=\"7\"><i data-path-to-node=\"7\" data-index-in-node=\"0\">Vi\u0146\u0161 piec\u0113l\u0101s, pieg\u0101ja tuv\u0101k un ar plaukstu viegli piesk\u0101r\u0101s r\u0101mja biezajai, ornament\u0101lajai malai tie\u0161i blakus Collinsa uzrakst\u012btajam parakstam, saj\u016btot t\u0101 pamat\u012bgumu un v\u0113sturisko elpu. \u0160is m\u0101kslas darbs nebija tikai elegants Par\u012bzes salona dekorat\u012bvs elements; tas bija k\u0101 kluss monuments tam trauslajam un skaistajam laikam, kad Monmartras gais\u0101 vij\u0101s m\u012blest\u012bba un \u0161ansons. Vi\u0146\u0161 klusi pasmaid\u012bja, aizv\u0113rta acis un s\u0101ka pusbals\u012b dzied\u0101t l\u012bdz Piafas balsij, zinot, ka \u0161is kr\u0101\u0161\u0146ais audekls vienm\u0113r glab\u0101s sev\u012b to neatk\u0101rtojamo Par\u012bzes zelta mirkli.<\/i><\/p>\n<p data-path-to-node=\"8\"><b data-path-to-node=\"8\" data-index-in-node=\"0\">E\u013c\u013cas glezna uz audekla &#8220;Klus\u0101 daba ar ziediem&#8221;<\/b> \u0160is izteiksm\u012bgais un vizu\u0101li kr\u0101\u0161\u0146ais lielform\u0101ta m\u0101kslas darbs ir izcils 19. gadsimta beigu vai 20. gadsimta s\u0101kuma Rietumeiropas skolas klus\u0101s dabas \u017eanra paraugs. Glezna meistar\u012bgi ataino bag\u0101t\u012bgu un dabiski d\u0101snu vasaras ziedu (krizant\u0113mu, anemonu un lauku ziedu) bu\u0137eti, kas izvietota vienk\u0101r\u0161\u0101, tum\u0161a m\u0101la kr\u016bk\u0101. Darbs izce\u013cas ar izteiktu <i data-path-to-node=\"8\" data-index-in-node=\"393\">impasto<\/i> tehniku \u2013 kr\u0101sas uzkl\u0101tas biezos, reljefos triepienos, pie\u0161\u0137irot ziedlapi\u0146\u0101m un lapu tekst\u016brai gandr\u012bz taust\u0101mu apjomu un dz\u012bv\u012bgumu.<\/p>\n<p data-path-to-node=\"9\"><b data-path-to-node=\"9\" data-index-in-node=\"0\">M\u0101kslinieks un paraksts<\/b> Gleznas labaj\u0101 apak\u0161\u0113j\u0101 st\u016br\u012b ir skaidri un labi nolas\u0101ms autora paraksts <b data-path-to-node=\"9\" data-index-in-node=\"98\">&#8220;W. Collins&#8221;<\/b>. Autors demonstr\u0113 izcilu v\u0113l\u012bn\u0101 akad\u0113misk\u0101 re\u0101lisma un agr\u012bn\u0101 postimpresionisma izpratni, prasm\u012bgi kontrast\u0113jot vienk\u0101r\u0161o, piezem\u0113to m\u0101la v\u0101zes formu ar ko\u0161o, gaismas piepild\u012bto ziedu vainagu un ar dabisku nev\u0113r\u012bbu uz galda nobireju\u0161aj\u0101m ziedlapi\u0146\u0101m.<\/p>\n<p data-path-to-node=\"10\"><b data-path-to-node=\"10\" data-index-in-node=\"0\">Mas\u012bvais baroka r\u0101mis<\/b> \u0160\u012b ekspon\u0101ta galven\u0101 dominance un neapstr\u012bdam\u0101 materi\u0101l\u0101 v\u0113rt\u012bba ir t\u0101 <b data-path-to-node=\"10\" data-index-in-node=\"93\">ori\u0123in\u0101lais, \u0101rk\u0101rt\u012bgi mas\u012bvais un dzi\u013c\u0101 reljefa zelta kr\u0101sas r\u0101mis<\/b>. Ietvars ir bag\u0101t\u012bgi dekor\u0113ts ar barok\u0101liem akanta lapu, lielo st\u016bru kartu\u0161u un profil\u0113tu l\u012bst\u012b\u0161u mot\u012bviem, kas p\u0101rkl\u0101ti ar c\u0113lu zelta kr\u0101sas apdari. \u0160\u0101ds mas\u012bvs un apjom\u012bgs r\u0101mis pie\u0161\u0137ir vid\u0113ji lielajam m\u0101kslas darbam (79 x 68 cm kop\u0101 ar ietvaru) muzeja cien\u012bgu statusu, pamat\u012bgumu un izteiktu aristokr\u0101tisku grezn\u012bbu.<\/p>\n<p data-path-to-node=\"11\"><b data-path-to-node=\"11\" data-index-in-node=\"0\">Pielietojums<\/b> Pateicoties saviem reprezentablajiem izm\u0113riem un kr\u0101\u0161\u0146ajam vizu\u0101lajam t\u0113lam, \u0161\u012b glezna ir rad\u012bta, lai k\u013c\u016btu par galveno vizu\u0101lo akcentu klasisk\u0101 interjer\u0101. T\u0101 lieliski ieder\u0113sies virs konsoles vai d\u012bv\u0101na grezn\u0101 viesistab\u0101, priv\u0101t\u0101 bibliot\u0113k\u0101, pla\u0161\u0101 \u0113damz\u0101l\u0113 vai darba kabinet\u0101, nevainojami rezon\u0113jot ar ant\u012bk\u0101m koka m\u0113bel\u0113m un c\u0113liem tekstila elementiem.<\/p>\n<p data-path-to-node=\"12\"><b data-path-to-node=\"12\" data-index-in-node=\"0\">St\u0101voklis<\/b> M\u0101kslas darbs ir lab\u0101 v\u0113sturiskaj\u0101 st\u0101vokl\u012b. Audekls ir stingrs, e\u013c\u013cas kr\u0101sas sl\u0101nis ir stabils, ar laika gait\u0101 izveidoju\u0161os dabisku pat\u012bnu, kas tikai apliecina darba senatn\u012bgumu un v\u0113sturisko autentiskumu. Mas\u012bvais zelt\u012btais r\u0101mis ir stingrs un struktur\u0101li piln\u012bgi dro\u0161s, ar neliel\u0101m, dabisk\u0101m laikmeta p\u0113d\u0101m reljef\u0101. Darbs ir piln\u012bb\u0101 gatavs ekspon\u0113\u0161anai. Viss st\u0101voklis prec\u012bzi redzams fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"14\">\ud83c\uddf7\ud83c\uddfa \u0412\u044b\u0441\u043e\u0442\u0430: 79 \u0441\u043c \u0428\u0438\u0440\u0438\u043d\u0430: 68 \u0441\u043c<\/p>\n<p data-path-to-node=\"15\"><b data-path-to-node=\"15\" data-index-in-node=\"0\"><i data-path-to-node=\"15\" data-index-in-node=\"0\">\u0421\u043d\u0438\u043c\u043e\u043a \u043f\u0430\u0440\u0438\u0436\u0441\u043a\u043e\u0433\u043e \u0448\u0430\u043d\u0441\u043e\u043d\u0430 20-\u0433\u043e \u0432\u0435\u043a\u0430, \u0418\u0432 \u041c\u043e\u043d\u0442\u0430\u043d (Yves Montand):<\/i><\/b> <i data-path-to-node=\"15\" data-index-in-node=\"64\">\u0411\u044b\u043b \u043f\u043e\u0437\u0434\u043d\u0438\u0439 \u0438 \u0434\u043e\u0436\u0434\u043b\u0438\u0432\u044b\u0439 \u0432\u0435\u0447\u0435\u0440 1940-\u0445 \u0433\u043e\u0434\u043e\u0432 \u0432 \u043e\u0434\u043d\u043e\u0439 \u0438\u0437 \u043c\u0430\u043d\u0441\u0430\u0440\u0434 \u041c\u043e\u043d\u043c\u0430\u0440\u0442\u0440\u0430, \u0433\u0434\u0435 \u0433\u043e\u0440\u0435\u043b\u0430 \u043b\u0438\u0448\u044c \u043e\u0434\u043d\u0430 \u0442\u0443\u0441\u043a\u043b\u0430\u044f \u043b\u0430\u043c\u043f\u0430, \u0430 \u0438\u0437 \u0441\u043e\u0441\u0435\u0434\u043d\u0435\u0439 \u043a\u043e\u043c\u043d\u0430\u0442\u044b \u0442\u0438\u0445\u043e \u0434\u043e\u043d\u043e\u0441\u0438\u043b\u0430\u0441\u044c \u043c\u0435\u043b\u043e\u0434\u0438\u044f, \u043d\u0430\u043f\u0435\u0432\u0430\u0435\u043c\u0430\u044f \u042d\u0434\u0438\u0442 \u041f\u0438\u0430\u0444. \u041c\u043e\u043b\u043e\u0434\u043e\u0439 \u043f\u0435\u0432\u0435\u0446 \u0441\u0438\u0434\u0435\u043b \u0443 \u043e\u043a\u043d\u0430, \u043d\u0430\u0431\u043b\u044e\u0434\u0430\u044f \u0437\u0430 \u043a\u0430\u043f\u043b\u044f\u043c\u0438 \u0434\u043e\u0436\u0434\u044f, \u0438 \u0435\u0433\u043e \u043c\u044b\u0441\u043b\u0438 \u0432\u0441\u0435 \u0435\u0449\u0435 \u043a\u0440\u0443\u0436\u0438\u043b\u0438\u0441\u044c \u0432\u043e\u043a\u0440\u0443\u0433 \u0438\u0445 \u0431\u0443\u0440\u043d\u043e\u0433\u043e, \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0438 \u0441\u0442\u0440\u0430\u0441\u0442\u043d\u043e\u0433\u043e \u0441\u043e\u044e\u0437\u0430, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u0431\u044b\u043b \u0441\u0442\u043e\u043b\u044c \u0436\u0435 \u0443\u043f\u043e\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c, \u043a\u0430\u043a \u043e\u0445\u0430\u043f\u043a\u0430 \u0441\u0432\u0435\u0436\u0435\u0441\u0440\u0435\u0437\u0430\u043d\u043d\u044b\u0445 \u0446\u0432\u0435\u0442\u043e\u0432. \u0415\u0433\u043e \u0432\u0437\u0433\u043b\u044f\u0434 \u043e\u0441\u0442\u0430\u043d\u043e\u0432\u0438\u043b\u0441\u044f \u043d\u0430 \u0442\u044f\u0436\u0435\u043b\u043e\u0439 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u043e\u0439 \u0431\u0430\u0440\u043e\u0447\u043d\u043e\u0439 \u0440\u0430\u043c\u0435 \u043d\u0430 \u0441\u0442\u0435\u043d\u0435 \u2014 \u0432 \u043d\u0435\u0439 \u0441\u0438\u044f\u043b \u043f\u044b\u0448\u043d\u044b\u0439 \u043d\u0430\u0442\u044e\u0440\u043c\u043e\u0440\u0442, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u0441\u0442\u0440\u0430\u043d\u043d\u044b\u043c \u043e\u0431\u0440\u0430\u0437\u043e\u043c \u043a\u0430\u0437\u0430\u043b\u0441\u044f \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u044b\u043c \u0437\u0435\u0440\u043a\u0430\u043b\u043e\u043c \u0438\u0445 \u043e\u0431\u0449\u0435\u0439 \u0438\u0441\u0442\u043e\u0440\u0438\u0438.<\/i><\/p>\n<p data-path-to-node=\"16\"><i data-path-to-node=\"16\" data-index-in-node=\"0\">\u041c\u0430\u0437\u043a\u0438, \u043d\u0430\u043d\u0435\u0441\u0435\u043d\u043d\u044b\u0435 \u0432 \u0433\u0443\u0441\u0442\u043e\u0439 \u0442\u0435\u0445\u043d\u0438\u043a\u0435 \u0438\u043c\u043f\u0430\u0441\u0442\u043e, \u043f\u0430\u0445\u043b\u0438 \u043e\u043b\u0438\u0444\u043e\u0439 \u0438 \u0441\u0442\u0430\u0440\u044b\u043c \u0442\u0435\u0430\u0442\u0440\u0430\u043b\u044c\u043d\u044b\u043c \u0433\u0440\u0438\u043c\u043e\u043c, \u0430 \u0441\u0430\u043c \u0432\u0435\u043d\u0435\u0446 \u0446\u0432\u0435\u0442\u043e\u0432 \u0432 \u0433\u043b\u0438\u043d\u044f\u043d\u043e\u043c \u043a\u0443\u0432\u0448\u0438\u043d\u0435 \u0433\u043e\u0440\u0435\u043b \u0442\u0430\u043a\u0438\u043c\u0438 \u0436\u0435 \u044d\u043a\u0441\u043f\u0440\u0435\u0441\u0441\u0438\u0432\u043d\u044b\u043c\u0438, \u043e\u0433\u043d\u0435\u043d\u043d\u044b\u043c\u0438 \u0438 \u0432 \u0442\u043e \u0436\u0435 \u0432\u0440\u0435\u043c\u044f \u043d\u0435\u0436\u043d\u044b\u043c\u0438 \u043a\u0440\u0430\u0441\u043a\u0430\u043c\u0438, \u043a\u0430\u043a \u0442\u0435 \u043f\u0435\u0441\u043d\u0438, \u0447\u0442\u043e \u043e\u043d\u0438 \u043e\u0442\u0442\u0430\u0447\u0438\u0432\u0430\u043b\u0438 \u0432\u043c\u0435\u0441\u0442\u0435 \u0432 \u043d\u043e\u0447\u043d\u044b\u0435 \u0447\u0430\u0441\u044b. \u041c\u0430\u0441\u0441\u0438\u0432\u043d\u0430\u044f, \u0433\u043b\u0443\u0431\u043e\u043a\u043e \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u0430\u044f \u0440\u0430\u043c\u0430 \u0443\u043b\u0430\u0432\u043b\u0438\u0432\u0430\u043b\u0430 \u0442\u0443\u0441\u043a\u043b\u044b\u0435 \u043b\u0443\u0447\u0438 \u0441\u0432\u0435\u0442\u0430, \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u044f \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u0439 \u043a\u043e\u043d\u0442\u0440\u0430\u0441\u0442 \u0441 \u0437\u0430\u043a\u043b\u044e\u0447\u0435\u043d\u043d\u043e\u0439 \u0432 \u043d\u0435\u0439 \u0449\u0435\u0434\u0440\u043e\u0441\u0442\u044c\u044e \u043f\u0440\u0438\u0440\u043e\u0434\u044b. \u042d\u0442\u043e\u0442 \u0441\u043c\u0435\u043b\u044b\u0439 \u0432\u0437\u0440\u044b\u0432 \u0446\u0432\u0435\u0442\u0430 \u0438 \u0444\u043e\u0440\u043c \u0441\u0438\u043c\u0432\u043e\u043b\u0438\u0437\u0438\u0440\u043e\u0432\u0430\u043b \u0442\u0443 \u0431\u0435\u0437\u0443\u0434\u0435\u0440\u0436\u043d\u0443\u044e \u044d\u043d\u0435\u0440\u0433\u0438\u044e, \u0432 \u043a\u043e\u0442\u043e\u0440\u043e\u0439 \u0433\u043e\u043b\u043e\u0441 \u043e\u0434\u043d\u043e\u0433\u043e \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a\u0430 \u0432\u0441\u0442\u0440\u0435\u0447\u0430\u0435\u0442\u0441\u044f \u0441 \u0434\u0440\u0443\u0433\u0438\u043c, \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u044f \u043d\u0435\u0447\u0442\u043e \u0431\u043e\u043b\u044c\u0448\u0435\u0435, \u0447\u0435\u043c \u043e\u043d\u0438 \u0441\u0430\u043c\u0438.<\/i><\/p>\n<h3 data-path-to-node=\"17\"><b data-path-to-node=\"17\" data-index-in-node=\"0\">\u041a\u0430\u0440\u0442\u0438\u043d\u0430 \u043c\u0430\u0441\u043b\u043e\u043c \u043d\u0430 \u0445\u043e\u043b\u0441\u0442\u0435 \u00ab\u041d\u0430\u0442\u044e\u0440\u043c\u043e\u0440\u0442 \u0441 \u0446\u0432\u0435\u0442\u0430\u043c\u0438\u00bb<\/b><\/h3>\n<p data-path-to-node=\"18\">\u042d\u0442\u043e \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0435 \u0438 \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u043e \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u043e\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u0432\u044b\u0434\u0430\u044e\u0449\u0438\u0439\u0441\u044f \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u0437\u0430\u043f\u0430\u0434\u043d\u043e\u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0439 \u043d\u0430\u0442\u044e\u0440\u043c\u043e\u0440\u0442\u043d\u043e\u0439 \u0436\u0438\u0432\u043e\u043f\u0438\u0441\u0438 \u043a\u043e\u043d\u0446\u0430 19-\u0433\u043e \u0438\u043b\u0438 \u043d\u0430\u0447\u0430\u043b\u0430 20-\u0433\u043e \u0432\u0435\u043a\u0430. \u041a\u0430\u0440\u0442\u0438\u043d\u0430 \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u043a\u0438 \u043f\u0435\u0440\u0435\u0434\u0430\u0435\u0442 \u0431\u043e\u0433\u0430\u0442\u0441\u0442\u0432\u043e \u0438 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0443\u044e \u0449\u0435\u0434\u0440\u043e\u0441\u0442\u044c \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u0438 \u0438\u0437 \u043b\u0435\u0442\u043d\u0438\u0445 \u0446\u0432\u0435\u0442\u043e\u0432 (\u0445\u0440\u0438\u0437\u0430\u043d\u0442\u0435\u043c, \u0430\u043d\u0435\u043c\u043e\u043d\u043e\u0432 \u0438 \u043f\u043e\u043b\u0435\u0432\u044b\u0445 \u0446\u0432\u0435\u0442\u043e\u0432), \u0440\u0430\u0441\u043f\u043e\u043b\u043e\u0436\u0435\u043d\u043d\u044b\u0445 \u0432 \u043f\u0440\u043e\u0441\u0442\u043e\u043c \u0433\u043b\u0438\u043d\u044f\u043d\u043e\u043c \u043a\u0443\u0432\u0448\u0438\u043d\u0435. \u0420\u0430\u0431\u043e\u0442\u0430 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u0430 \u0432 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0442\u0435\u0445\u043d\u0438\u043a\u0435 <i data-path-to-node=\"18\" data-index-in-node=\"389\">impasto<\/i> \u2013 \u043a\u0440\u0430\u0441\u043a\u0438 \u043d\u0430\u043d\u0435\u0441\u0435\u043d\u044b \u0433\u0443\u0441\u0442\u044b\u043c\u0438, \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u044b\u043c\u0438 \u043c\u0430\u0437\u043a\u0430\u043c\u0438, \u0447\u0442\u043e \u043f\u0440\u0438\u0434\u0430\u0435\u0442 \u043b\u0435\u043f\u0435\u0441\u0442\u043a\u0430\u043c \u0438 \u0442\u0435\u043a\u0441\u0442\u0443\u0440\u0435 \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u043f\u043e\u0447\u0442\u0438 \u043e\u0441\u044f\u0437\u0430\u0435\u043c\u044b\u0439 \u043e\u0431\u044a\u0435\u043c \u0438 \u0436\u0438\u0432\u043e\u0441\u0442\u044c.<\/p>\n<p data-path-to-node=\"19\">\u0412 \u043f\u0440\u0430\u0432\u043e\u043c \u043d\u0438\u0436\u043d\u0435\u043c \u0443\u0433\u043b\u0443 \u0445\u043e\u043b\u0441\u0442\u0430 \u0447\u0435\u0442\u043a\u043e \u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044f \u043f\u043e\u0434\u043f\u0438\u0441\u044c \u0430\u0432\u0442\u043e\u0440\u0430 <b data-path-to-node=\"19\" data-index-in-node=\"58\">\u00abW. Collins\u00bb<\/b>. \u0410\u0432\u0442\u043e\u0440 \u0434\u0435\u043c\u043e\u043d\u0441\u0442\u0440\u0438\u0440\u0443\u0435\u0442 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u043e\u0435 \u043f\u043e\u043d\u0438\u043c\u0430\u043d\u0438\u0435 \u043f\u043e\u0437\u0434\u043d\u0435\u0433\u043e \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0440\u0435\u0430\u043b\u0438\u0437\u043c\u0430 \u0438 \u0440\u0430\u043d\u043d\u0435\u0433\u043e \u043f\u043e\u0441\u0442\u0438\u043c\u043f\u0440\u0435\u0441\u0441\u0438\u043e\u043d\u0438\u0437\u043c\u0430, \u0438\u0441\u043a\u0443\u0441\u043d\u043e \u043a\u043e\u043d\u0442\u0440\u0430\u0441\u0442\u0438\u0440\u0443\u044f \u043f\u0440\u043e\u0441\u0442\u0443\u044e \u0444\u043e\u0440\u043c\u0443 \u0433\u043b\u0438\u043d\u044f\u043d\u043e\u0433\u043e \u043a\u0443\u0432\u0448\u0438\u043d\u0430 \u0441 \u044f\u0440\u043a\u0438\u043c, \u043d\u0430\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u044b\u043c \u0441\u0432\u0435\u0442\u043e\u043c \u0432\u0435\u043d\u043a\u043e\u043c \u0446\u0432\u0435\u0442\u043e\u0432 \u0438 \u043e\u043f\u0430\u0432\u0448\u0438\u043c\u0438 \u0441 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u043d\u0435\u0431\u0440\u0435\u0436\u043d\u043e\u0441\u0442\u044c\u044e \u043b\u0435\u043f\u0435\u0441\u0442\u043a\u0430\u043c\u0438. \u0412\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u0443\u044e \u0438 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u044c\u043d\u0443\u044e \u0446\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u044d\u0442\u043e\u0433\u043e \u044d\u043a\u0441\u043f\u043e\u043d\u0430\u0442\u0430 \u0441\u043e\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0435\u0433\u043e <b data-path-to-node=\"19\" data-index-in-node=\"390\">\u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u0430\u044f, \u0447\u0440\u0435\u0437\u0432\u044b\u0447\u0430\u0439\u043d\u043e \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u0430\u044f \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0430\u044f \u0440\u0430\u043c\u0430 \u0437\u043e\u043b\u043e\u0442\u043e\u0433\u043e \u0446\u0432\u0435\u0442\u0430 \u0441 \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u043c \u0440\u0435\u043b\u044c\u0435\u0444\u043e\u043c<\/b>.<\/p>\n<p data-path-to-node=\"20\">\u041e\u0431\u0440\u0430\u043c\u043b\u0435\u043d\u0438\u0435 \u0431\u043e\u0433\u0430\u0442\u043e \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u043e \u0431\u0430\u0440\u043e\u0447\u043d\u044b\u043c\u0438 \u043e\u0442\u043b\u0438\u0432\u043a\u0430\u043c\u0438 \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0430\u043a\u0430\u043d\u0442\u0430 \u0438 \u043a\u0440\u0443\u043f\u043d\u044b\u0445 \u0443\u0433\u043b\u043e\u0432\u044b\u0445 \u043a\u0430\u0440\u0442\u0443\u0448\u0435\u0439, \u043f\u043e\u043a\u0440\u044b\u0442\u044b\u0445 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u043c \u0437\u043e\u043b\u043e\u0442\u044b\u043c \u0444\u0438\u043d\u0438\u0448\u0435\u043c. \u0422\u0430\u043a\u0430\u044f \u0440\u0430\u043c\u0430 \u043f\u0440\u0435\u0432\u0440\u0430\u0449\u0430\u0435\u0442 \u0440\u0430\u0431\u043e\u0442\u0443 \u0432 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u043d\u044b\u0439 \u043e\u0431\u044a\u0435\u043a\u0442 \u043c\u0443\u0437\u0435\u0439\u043d\u043e\u0433\u043e \u0443\u0440\u043e\u0432\u043d\u044f, \u043f\u0440\u0438\u0434\u0430\u0432\u0430\u044f \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0439 \u0432\u0435\u0441 \u0438 \u0430\u0440\u0438\u0441\u0442\u043e\u043a\u0440\u0430\u0442\u0438\u0447\u0435\u0441\u043a\u0443\u044e \u0440\u043e\u0441\u043a\u043e\u0448\u044c. \u0411\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u044f \u0432\u043d\u0443\u0448\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c \u0440\u0430\u0437\u043c\u0435\u0440\u0430\u043c (79 \u0445 68 \u0441\u043c \u0432\u043c\u0435\u0441\u0442\u0435 \u0441 \u0440\u0430\u043c\u043e\u0439) \u044d\u0442\u0430 <b data-path-to-node=\"20\" data-index-in-node=\"317\">antique floral still life<\/b> \u0441\u0442\u0430\u043d\u0435\u0442 \u0433\u043b\u0430\u0432\u043d\u044b\u043c \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u044b\u043c \u0430\u043a\u0446\u0435\u043d\u0442\u043e\u043c \u0432 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0435. \u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u0445\u043e\u0440\u043e\u0448\u0435\u043c \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438. \u0425\u043e\u043b\u0441\u0442 \u043d\u0430\u0442\u044f\u043d\u0443\u0442 \u043f\u0440\u043e\u0447\u043d\u043e, \u043a\u0440\u0430\u0441\u043e\u0447\u043d\u044b\u0439 \u0441\u043b\u043e\u0439 \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b \u0441\u0432\u043e\u0439 \u043f\u0435\u0440\u0432\u043e\u043d\u0430\u0447\u0430\u043b\u044c\u043d\u044b\u0439 \u043a\u043e\u043b\u043e\u0440\u0438\u0442. \u041d\u0430 \u0440\u0430\u043c\u0435 \u0435\u0441\u0442\u044c \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u0438\u0435 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0435 \u0441\u043b\u0435\u0434\u044b \u0432\u0440\u0435\u043c\u0435\u043d\u0438, \u0447\u0442\u043e \u043f\u0440\u0438\u0434\u0430\u0435\u0442 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0443 \u0434\u043e\u043f\u043e\u043b\u043d\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u0448\u0430\u0440\u043c. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"22\">\ud83c\uddec\ud83c\udde7 Height: 79 cm Width: 68 cm<\/p>\n<p data-path-to-node=\"23\"><b data-path-to-node=\"23\" data-index-in-node=\"0\"><i data-path-to-node=\"23\" data-index-in-node=\"0\">Snapshot of 20th-Century Parisian Chanson, Yves Montand (Yves Montand):<\/i><\/b> <i data-path-to-node=\"23\" data-index-in-node=\"72\">It was a late and rainy evening in the 1940s in a Montmartre mansard apartment, lit only by a single dim bulb, while Edith Piaf\u2019s hummed melody drifted softly from the next room. The young singer sat by the window, watching the raindrops strike the glass, his thoughts still lingering on their stormy, creative, and passionate collaboration\u2014a union as intoxicating as a freshly gathered armful of flowers. His gaze paused on the heavy, gilded baroque frame on the wall, enclosing a rich still life that, in a strange way, felt like a visual mirror of their shared story.<\/i><\/p>\n<p data-path-to-node=\"24\"><i data-path-to-node=\"24\" data-index-in-node=\"0\">The thick impasto oil strokes on the canvas carried the scent of linseed oil and old theater makeup, while the crown of flowers in the clay jug burned with the same expressive, fiery, yet tender colors as the songs they refined together during the night hours. The massive, deep-relief setting around the painting caught the dim light, creating a noble contrast with the natural bounty encased within. This bold explosion of color and form symbolized that untamable energy where one artist&#8217;s voice meets another, creating something greater than themselves.<\/i><\/p>\n<h2 data-path-to-node=\"25\"><b data-path-to-node=\"25\" data-index-in-node=\"0\">Antique Floral Still Life Oil Painting \u2014 Signed W. Collins<\/b><\/h2>\n<p data-path-to-node=\"26\">This highly expressive and visually magnificent work of art is a prime example of late 19th or early 20th-century Western European still life painting. The scene masterfully captures the richness and natural bounty of a summer flower bouquet (chrysanthemums, anemones, and wildflowers) arranged in a simple clay jug. The artwork is executed in a pronounced impasto technique\u2014the paints are applied in thick, raised strokes, giving the petals and foliage texture an almost tangible volume and liveliness.<\/p>\n<p data-path-to-node=\"27\">In the lower right corner of the canvas, the artist&#8217;s signature <b data-path-to-node=\"27\" data-index-in-node=\"64\">&#8220;W. Collins&#8221;<\/b> is clearly and legibly written. The artist demonstrates an excellent understanding of late academic realism and early post-impressionism, skillfully contrasting the simple, earthy form of the clay jug with the bright, light-filled crown of flowers and the petals that have fallen onto the table with natural elegance.<\/p>\n<p data-path-to-node=\"28\">The primary feature and undeniable material value of this exhibit is its <b data-path-to-node=\"28\" data-index-in-node=\"73\">original, exceptionally massive, deep-relief gold-toned frame<\/b>. The frame is richly adorned with baroque acanthus leaves, large corner cartouches, and profiled moldings finished in a noble gold finish. Such an imposing frame gives the medium-large artwork (79 x 68 cm including the frame) a museum-worthy status, structural permanence, and distinct aristocratic luxury. Due to its prestigious dimensions, this <b data-path-to-node=\"28\" data-index-in-node=\"482\">antique floral still life<\/b> will serve as the primary visual focus in a classic interior. It will fit perfectly above a sofa or a console in a luxurious living room, a private library, or a study. The artwork is in good historical condition with natural wood patina. The condition of the item is fully reflected in the photographs.<\/p>\n<p data-path-to-node=\"30\">\ud83c\udde9\ud83c\uddea H\u00f6he: 79 cm Breite: 68 cm<\/p>\n<p data-path-to-node=\"31\"><b data-path-to-node=\"31\" data-index-in-node=\"0\"><i data-path-to-node=\"31\" data-index-in-node=\"0\">Schnappschuss des Pariser Chansons des 20. Jahrhunderts, Yves Montand (Yves Montand):<\/i><\/b> <i data-path-to-node=\"31\" data-index-in-node=\"86\">Es war ein sp\u00e4ter und verregneter Abend in den 1940er Jahren in einer Dachwohnung auf dem Montmartre. Nur eine einzige tr\u00fcbe Lampe brannte, w\u00e4hrend aus dem Nebenzimmer leise eine von Edith Piaf gesummte Melodie erklang. Der junge S\u00e4nger sa\u00df am Fenster und seine Gedanken kreisten um ihre st\u00fcrmische, kreative und leidenschaftliche Verbindung, die so berauschend war wie ein frisch gepfl\u00fcckter Blumenstrau\u00df. Sein Blick blieb an dem schweren, vergoldeten Barockrahmen an der Wand h\u00e4ngen \u2013 darin leuchtete ein \u00fcppiges Stillleben, das wie ein Spiegel ihrer gemeinsamen Geschichte wirkte.<\/i><\/p>\n<p data-path-to-node=\"32\"><i data-path-to-node=\"32\" data-index-in-node=\"0\">Die in dicker Impasto-Technik aufgetragenen Pinselstriche rochen nach Lein\u00f6l und altem Theater-Make-up, w\u00e4hrend die Bl\u00fctenpracht im Tonkrug in denselben feurigen und zarten Farben brannte wie die Lieder, die sie in den Nachtstunden gemeinsam schliffen. Der massive, tief reliefierte Rahmen fing das d\u00e4mmrige Licht ein und bildete einen edlen Kontrast zu der darin eingeschlossenen F\u00fclle der Natur. Diese Explosion von Farben symbolisierte die unb\u00e4ndige Energie, wenn die Stimme eines K\u00fcnstlers auf die eines anderen trifft.<\/i><\/p>\n<h3 data-path-to-node=\"33\"><b data-path-to-node=\"33\" data-index-in-node=\"0\">\u00d6lgem\u00e4lde auf Leinwand \u201eStillleben mit Blumen\u201c \u2014 signiert W. Collins<\/b><\/h3>\n<p data-path-to-node=\"34\">Dieses ausdrucksstarke Kunstwerk ist ein hervorragendes Beispiel der westeurop\u00e4ischen Stilllebenmalerei des sp\u00e4ten 19. oder fr\u00fchen 20. Jahrhunderts. Das Gem\u00e4lde f\u00e4ngt die \u00dcppigkeit eines Sommerblumenstrau\u00dfes in einem einfachen Tonkrug meisterhaft ein. Das Werk ist in ausdrucksstarker Impasto-Technik ausgef\u00fchrt, was den Bl\u00fctenbl\u00e4ttern ein fast greifbares&#8230;<\/p>\n<p data-path-to-node=\"35\">In der rechten unteren Ecke ist die Signatur des K\u00fcnstlers <b data-path-to-node=\"35\" data-index-in-node=\"59\">\u201eW. Collins\u201c<\/b> deutlich lesbar. Der Hauptwert dieses Exponats liegt in seinem <b data-path-to-node=\"35\" data-index-in-node=\"135\">originalen, \u00e4u\u00dferst massiven Goldrahmen mit tiefem Relief<\/b>. Der Rahmen ist reich verziert mit Barock-Formen aus Akanthusbl\u00e4ttern und gro\u00dfen Eckkartuschen. Mit seinen Ma\u00dfen von 79 x 68 cm eignet sich dieses Bild perfekt \u00fcber einem Sofa oder einer Konsole im klassischen Wohnzimmer oder Arbeitszimmer. Das Gem\u00e4lde befindet sich in gutem historischen Zustand mit charmanter Alterspatina auf dem Rahmen. Der Zustand des Artikels ist vollst\u00e4ndig auf den Fotos abgebildet.<\/p>\n<p data-path-to-node=\"37\">\ud83c\uddeb\ud83c\uddf7 Hauteur : 79 cm Largeur : 68 cm<\/p>\n<p data-path-to-node=\"38\"><b data-path-to-node=\"38\" data-index-in-node=\"0\"><i data-path-to-node=\"38\" data-index-in-node=\"0\">Instantan\u00e9 du chanson parisien du 20e si\u00e8cle, Yves Montand (Yves Montand):<\/i><\/b> <i data-path-to-node=\"38\" data-index-in-node=\"75\">C&#8217;\u00e9tait une fin de soir\u00e9e pluvieuse des ann\u00e9es 1940 dans un appartement mansard\u00e9 de Montmartre, \u00e9clair\u00e9 par une seule ampoule tamis\u00e9e, tandis que la voix d&#8217;\u00c9dith Piaf fredonnait doucement depuis la pi\u00e8ce voisine. Le jeune chanteur \u00e9tait assis pr\u00e8s de la fen\u00eatre, ses pens\u00e9es tournant autour de leur union tumultueuse, cr\u00e9ative et passionn\u00e9e \u2014 une relation aussi enivrante qu&#8217;une brass\u00e9e de fleurs fra\u00eeches. Son regard s&#8217;arr\u00eata sur le lourd cadre baroque dor\u00e9 au mur, qui abritait une nature morte luxuriante semblant \u00eatre le miroir visuel de leur histoire commune.<\/i><\/p>\n<p data-path-to-node=\"39\"><i data-path-to-node=\"39\" data-index-in-node=\"0\">Les touches de peinture appliqu\u00e9es en relief exhalaient une odeur d&#8217;huile de lin et de vieux fard de th\u00e9\u00e2tre, tandis que la couronne de fleurs dans le broc en terre cuite br\u00fblait de couleurs aussi expressives, ardentes et tendres que les chansons qu&#8217;ils peaufinaient ensemble pendant la nuit. Le cadre massif \u00e0 haut-relief captait la faible lumi\u00e8re, offrant un contraste noble avec la g\u00e9n\u00e9rosit\u00e9 de la nature qu&#8217;il renfermait. Cette explosion de couleurs symbolisait l&#8217;\u00e9nergie indomptable de la rencontre de deux grands artistes.<\/i><\/p>\n<h3 data-path-to-node=\"40\"><b data-path-to-node=\"40\" data-index-in-node=\"0\">Peinture \u00e0 l&#8217;Huile sur Toile \u00ab Nature Morte aux Fleurs \u00bb \u2014 Sign\u00e9e W. Collins<\/b><\/h3>\n<p data-path-to-node=\"41\">Cette \u0153uvre d&#8217;art expressive et visuellement somptueuse est un exemple parfait de la peinture de nature morte d&#8217;Europe occidentale de la fin du XIXe ou du d\u00e9but du XXe si\u00e8cle. Le tableau capture magistralement la richesse d&#8217;un bouquet de fleurs d&#8217;\u00e9t\u00e9 dispos\u00e9 dans un broc en terre cuite simple. L&#8217;\u0153uvre est ex\u00e9cut\u00e9e dans une technique d&#8217;impasto prononc\u00e9e, donnant aux p\u00e9tales un volume presque tangible.<\/p>\n<p data-path-to-node=\"42\">Dans le coin inf\u00e9rieur droit de la toile, la signature de l&#8217;auteur <b data-path-to-node=\"42\" data-index-in-node=\"67\">\u00ab W. Collins \u00bb<\/b> est clairement livable. L&#8217;artiste d\u00e9montre une excellente compr\u00e9hension du r\u00e9alisme acad\u00e9mique et du postimpressionnisme pr\u00e9coce. La valeur ind\u00e9niable de cette pi\u00e8ce r\u00e9side dans son <b data-path-to-node=\"42\" data-index-in-node=\"264\">cadre en bois dor\u00e9 d&#8217;origine extr\u00eamement massif et en haut-relief<\/b>. Le cadre est richement orn\u00e9 de moulures baroques repr\u00e9sentant des feuilles d&#8217;acanthe et de grands cartouches d&#8217;angle. Avec ses dimensions de 79 x 68 cm, cette nature morte sera une pi\u00e8ce ma\u00eetresse id\u00e9ale au-dessus d&#8217;un grand canap\u00e9 ou d&#8217;une console dans un salon luxueux. L&#8217;\u0153uvre est en bon \u00e9tat historique avec une belle patine. L&#8217;\u00e9tat de l&#8217;objet est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"44\">\ud83c\udde9\ud83c\uddf0 H\u00f8jde: 79 cm Bredde: 68 cm<\/p>\n<p data-path-to-node=\"45\"><b data-path-to-node=\"45\" data-index-in-node=\"0\"><i data-path-to-node=\"45\" data-index-in-node=\"0\">\u00d8jebliksbillede af det 20. \u00e5rhundredes parisiske chanson, Yves Montand (Yves Montand):<\/i><\/b> <i data-path-to-node=\"45\" data-index-in-node=\"87\">Det var en sen og regnfuld aften i 1940&#8217;erne i en kvistlejlighed p\u00e5 Montmartre. Kun en enkelt svag p\u00e6re lyste op, mens en melodi nynnet af Edith Piaf str\u00f8mmede blidt fra nabov\u00e6relset. Den unge sanger sad ved vinduet, og hans tanker kredsede om deres stormfulde, kreative og lidenskabelige partnerskab, der var liges\u00e5 berusende som en buket friske blomster. Hans blik dv\u00e6lede ved den tunge, forgyldte barokramme p\u00e5 v\u00e6ggen \u2013 i den str\u00e5lede et overd\u00e5digt stilleben, der virkede som et visuelt spejl p\u00e5 deres f\u00e6lles historie.<\/i><\/p>\n<p data-path-to-node=\"46\"><i data-path-to-node=\"46\" data-index-in-node=\"0\">De tykke impasto-penselstr\u00f8g duftede af linolie og gammel teatersminke, mens blomsterpagten i lerkanden br\u00e6ndte i de samme intense, ildfulde og dog sarte farver som de sange, de finpudsede sammen i nattetimerne. Den massive ramme med dybt relief fangede det d\u00e6mpede lys og dannede en \u00e6del kontrast til den naturrigdom, den omsluttede. Denne eksplosion af farver symboliserede den ut\u00e6mmelige energi, n\u00e5r to store kunstnere m\u00f8des.<\/i><\/p>\n<h3 data-path-to-node=\"47\"><b data-path-to-node=\"47\" data-index-in-node=\"0\">Oliemaleri p\u00e5 l\u00e6rred \u201eStilleben med blomster\u201c \u2014 signeret W. Collins<\/b><\/h3>\n<p data-path-to-node=\"48\">Dette udtryksfulde kunstv\u00e6rk er et fremragende esimerkler p\u00e5 vesteurop\u00e6isk stillebenmaleri fra slutningen av det 19. eller begyndelsen af det 20. \u00e5rhundrede. Maleriet fanger med stor elegance overd\u00e5digheden af en sommerblomsterbuket i en simpel lerkande. V\u00e6rket er udf\u00f8rt i udtryksfuld impasto-teknik, hvilket giver kronbladene et n\u00e6sten grebbar volumen.<\/p>\n<p data-path-to-node=\"49\">I nederste h\u00f8jre hj\u00f8rne ses kunstnerens signatur <b data-path-to-node=\"49\" data-index-in-node=\"49\">\u201eW. Collins\u201c<\/b> tydeligt. Rammen er rigt dekoreret med barokformer af akantusblade og store hj\u00f8rnekartoucher. Med sine m\u00e5l p\u00e5 79 x 68 cm passer dette billede perfekt over en sofa eller konsol i en klassisk stue eller arbejdsv\u00e6relse. Kunstv\u00e6rket er i en velbevaret historisk stand med charmerende patinering p\u00e5 rammen. Genstandens tilstand er fuldt ud afspejlet p\u00e5 fotografierne.<\/p>\n<p data-path-to-node=\"51\">\ud83c\uddf8\ud83c\uddea H\u00f6jd: 79 cm Bredd: 68 cm<\/p>\n<p data-path-to-node=\"52\"><b data-path-to-node=\"52\" data-index-in-node=\"0\"><i data-path-to-node=\"52\" data-index-in-node=\"0\">\u00d6gonblicksbild fr\u00e5n 1900-talets parisiska chanson, Yves Montand (Yves Montand):<\/i><\/b> <i data-path-to-node=\"52\" data-index-in-node=\"80\">Det var en sen och regnig kv\u00e4ll p\u00e5 1940-talet i en vindsl\u00e4genhet p\u00e5 Montmartre. Endast en gl\u00f6dlampa lyste svagt, medan en melodi nynnande av Edith Piaf str\u00f6mmade mjukt fr\u00e5n rummet bredvid. Den unge s\u00e5ngaren satt vid f\u00f6nstret och hans tankar kretsade kring deras stormiga, kreativa och passionerade f\u00f6rh\u00e5llande, som var lika berusande som ett f\u00e5ng f\u00e4rska blommor. Hans blick stannade vid den tunga, f\u00f6rgyllda barockramen p\u00e5 v\u00e4ggen \u2013 i den str\u00e5lade ett \u00f6verd\u00e5digt stilleben som verkade som en visuell spegel av deras gemensamma historia.<\/i><\/p>\n<p data-path-to-node=\"53\"><i data-path-to-node=\"53\" data-index-in-node=\"0\">De tjocka impasto-penseldragen doftade av linolja och gammalt teatersmink, medan blomprakten i lerkannan brann i samma eldiga och mjuka f\u00e4rger som de s\u00e5nger de slipade tillsammans under nattens timmar. Den massiva ramen med djup relief f\u00e5ngade det d\u00e4mpade ljuset och bildade en \u00e4del kontrast till den naturrikedom den omsl\u00f6t. Denna explosion av f\u00e4rger symboliserade den outsl\u00e4ckliga energin n\u00e4r tv\u00e5 stora artister m\u00f6ts.<\/i><\/p>\n<h3 data-path-to-node=\"54\"><b data-path-to-node=\"54\" data-index-in-node=\"0\">Oljem\u00e5lning p\u00e5 duk \u201dStilleben med blommor\u201d \u2014 signerad W. Collins<\/b><\/h3>\n<p data-path-to-node=\"55\">Detta uttrycksfulla konstverk \u00e4r ett sl\u00e5ende exempel p\u00e5 v\u00e4steuropeiskt stillebenm\u00e5leri fr\u00e5n slutet av 1800-talet oder b\u00f6rjan av 1900-talet. M\u00e5lningen f\u00e5ngar med stor elegans \u00f6verd\u00f6det av en sommarblombukett i en simpel lerkanna. Verket \u00e4r utf\u00f6rt i uttrycksfull impasto-teknik, vilket ger kronbladen en n\u00e4stan greppbar volym.<\/p>\n<p data-path-to-node=\"56\">I det nedre h\u00f6gra h\u00f6rnet syns konstn\u00e4rens signatur <b data-path-to-node=\"56\" data-index-in-node=\"51\">\u201dW. Collins\u201d<\/b> tydligt. Ramen \u00e4r rikt dekorerad med barockformer av akantusblad och stora h\u00f6rnkartuscher. Med sina m\u00e5tt p\u00e5 79 x 68 cm passar denna m\u00e5lning perfekt in i ett vardagsrum eller arbetsrum, ovanf\u00f6r en soffa eller konsol. Oljem\u00e5lningen \u00e4r i ett v\u00e4lbevarat historiskt skick med charmig patinering p\u00e5 ramen. F\u00f6rem\u00e5lets skick \u00e5terspeglas helt p\u00e5 fotografierna.<\/p>\n<p data-path-to-node=\"58\">\ud83c\uddf3\ud83c\uddf4 H\u00f8yde: 79 cm Bredde: 68 cm<\/p>\n<p data-path-to-node=\"59\"><b data-path-to-node=\"59\" data-index-in-node=\"0\"><i data-path-to-node=\"59\" data-index-in-node=\"0\">\u00d8yeblikksbilde av det 20. \u00e5rhundrets parisiske chanson, Yves Montand (Yves Montand):<\/i><\/b> <i data-path-to-node=\"59\" data-index-in-node=\"85\">Det var en sen og regnfull kveld p\u00e5 1940-tallet i en kvistleilighet p\u00e5 Montmartre. Kun en enkelt svak p\u00e6re lyste opp, mens en melodi nynnet av Edith Piaf str\u00f8mmet blidt fra naborommet. Den unge sangeren satt ved vinduet, og tankene hans kretset rundt deres stormfulle, kreative og lidenskapelige partnerskap, som var like berusende som en bukett friske blomster. Blikket hans dvelte ved den tunge, forgylte barokkrammen p\u00e5 veggen \u2013 i den str\u00e5lte et overd\u00e5dig stilleben som virket som et visuelt speil p\u00e5 deres felles historie.<\/i><\/p>\n<p data-path-to-node=\"60\"><i data-path-to-node=\"60\" data-index-in-node=\"0\">De tykke impasto-penselstr\u00f8kene duftet av linolje og gammel teatersminke, mens blomsterpraktet i lerkrukken brant i de samme intense, ildfulle og dog sarte fargene som de sangene de finpussede sammen i nattetimene. Den massive rammen med dyp relieff fanget det dempede lyset og dannet en \u00e6del kontrast til den naturrikdommen den omsluttet. Denne eksplosjonen av farger symboliserte den utemmelige energien n\u00e5r to store kunstnere m\u00f8tes.<\/i><\/p>\n<h3 data-path-to-node=\"61\"><b data-path-to-node=\"61\" data-index-in-node=\"0\">Oljamaleri p\u00e5 lerret \u201eStilleben med blomster\u201c \u2014 signert W. Collins<\/b><\/h3>\n<p data-path-to-node=\"62\">Dette uttrykksfulle kunstverket er et fremragende eksempel p\u00e5 vesteuropeisk stillebenmaling fra slutten av 1800-tallet eller begynnelsen av 1900-tallet. Maleriet fanger med stor eleganse overfloden av en sommerblomsterbukett i en simpel lerkrukke. Verket er utf\u00f8rt i uttrykksfull impasto-teknik, noe som gj\u00f8r kronbladene et nesten gripbar volum.<\/p>\n<p data-path-to-node=\"63\">I nederste h\u00f8yre hj\u00f8rne ses kunstnerens signatur <b data-path-to-node=\"63\" data-index-in-node=\"49\">\u201eW. Collins\u201c<\/b> tydelig. Rammen er rikt dekorert med barokkformer av akantusblader og store hj\u00f8rnekartusjer. Med sine m\u00e5l p\u00e5 79 x 68 cm passer dette bildet perfekt over en sofa eller konsoll i en klassisk stue eller arbeidsrom. Oljemaleriet er i en velbevart historisk stand med svarmerende patinering p\u00e5 rammen. Gjenstandens tilstand er fullt ut gjenspeilet p\u00e5 fotografierne.<\/p>\n<p data-path-to-node=\"65\">\ud83c\uddeb\ud83c\uddee Korkeus: 79 cm Leveys: 68 cm<\/p>\n<p data-path-to-node=\"66\"><b data-path-to-node=\"66\" data-index-in-node=\"0\"><i data-path-to-node=\"66\" data-index-in-node=\"0\">Katsaus 1900-luvun ranskalaiseen chansoniin, Yves Montand (Yves Montand):<\/i><\/b> <i data-path-to-node=\"66\" data-index-in-node=\"74\">Oli my\u00f6h\u00e4inen ja sateinen 1940-luvun ilta er\u00e4\u00e4ss\u00e4 Montmartren ullakkohuoneistossa, jossa paloi vain yksi himme\u00e4 lamppu ja viereisest\u00e4 huoneesta kuului hiljaa Edith Piafin hyr\u00e4ilem\u00e4\u00e4 melodiaa. Nuori laulaja istui ikkunan \u00e4\u00e4ress\u00e4, ja h\u00e4nen ajatuksensa py\u00f6riv\u00e4t heid\u00e4n myrskyis\u00e4n, luovan ja intohimoisen suhteensa ymp\u00e4rill\u00e4 \u2013 suhde oli yht\u00e4 huumaava kuin juuri poimittu kukkakimppu. H\u00e4nen katseensa pys\u00e4htyi sein\u00e4ll\u00e4 olevaan raskaaseen, kullattuun barokkikehykseen \u2013 siin\u00e4 loisti runsas asetelma, joka oudolla tavalla tuntui heid\u00e4n yhteisen tarinansa visuaaliselta peililt\u00e4.<\/i><\/p>\n<p data-path-to-node=\"67\"><i data-path-to-node=\"67\" data-index-in-node=\"0\">Paksuilla impasto-siveltimenvedoilla tehdyt j\u00e4ljet tuoksuivat pellava\u00f6ljylt\u00e4 ja vanhalta teatterimeikilt\u00e4, kun taas saviruukussa oleva kukkakruunu paloi yht\u00e4 ilmeikk\u00e4iss\u00e4, tulisissa ja samalla pehmeiss\u00e4 v\u00e4reiss\u00e4 kuin ne laulut, joita he hioivat yhdess\u00e4 y\u00f6tunteina. Massiivinen kehys vangitsi h\u00e4m\u00e4r\u00e4n valon, luoden jalon kontrastin sen sis\u00e4\u00e4ns\u00e4 sulkemaan luonnon runsauteen. T\u00e4m\u00e4 v\u00e4rien r\u00e4j\u00e4hdys symboloi sit\u00e4 kesytt\u00e4m\u00e4t\u00f6nt\u00e4 energiaa, kun kahden suuren taiteilijan \u00e4\u00e4net kohtaavat.<\/i><\/p>\n<h3 data-path-to-node=\"68\"><b data-path-to-node=\"68\" data-index-in-node=\"0\">\u00d6ljyv\u00e4rimaalaus kankaalle \u201dAsetelma kukkien kanssa\u201d \u2014 allekirjoittanut W. Collins<\/b><\/h3>\n<p data-path-to-node=\"69\">T\u00e4m\u00e4 ilmeik\u00e4s taideteos on loistava esimerkki 1800-luvun lopun tai 1900-luvun alun l\u00e4nsieurooppalaisesta asetelmamaalauksesta. Maalaus vangitsee upeasti kes\u00e4isen kukkakimpun runsauden yksinkertaisessa saviruukussa. Teos on toteutettu ilmeikk\u00e4\u00e4ll\u00e4 impasto-tekniikalla, mik\u00e4 antaa ter\u00e4lehdille l\u00e4hes k\u00e4sin kosketeltavan volyymin.<\/p>\n<p data-path-to-node=\"70\">Oikeassa alakulmassa on selv\u00e4sti luettavissa taiteilijan allekirjoitus <b data-path-to-node=\"70\" data-index-in-node=\"71\">\u201dW. Collins\u201d<\/b>. Kehys on runsaasti koristeltu barokkityylisill\u00e4 akantuksenlehdill\u00e4 ja suurilla kulmakartusseilla. Kooltaan 79 x 68 cm t\u00e4m\u00e4 maalaus sopii t\u00e4ydellisesti olohuoneeseen tai ty\u00f6huoneeseen, sohvan tai konsolin yl\u00e4puolelle. \u00d6ljyv\u00e4rimaalaus on hyv\u00e4ss\u00e4 historiallisessa kunnossa, ja kehyksess\u00e4 on luonnollista patinaa. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kr\u0101\u0161\u0146a un neparasti izteiksm\u012bga 19. gadsimta beigu \/ 20. gadsimta s\u0101kuma e\u013c\u013cas glezna uz audekla, kas ataino bag\u0101t\u012bgu un dabiski d\u0101snu vasaras ziedu kompoz\u012bciju m\u0101la v\u0101z\u0113. Darbs nes autora parakstu W. Collins un izce\u013cas ar reljefu triepienu tehniku. Glezna ietverta \u0101rk\u0101rt\u012bgi mas\u012bv\u0101, dzi\u013ca reljefa zelt\u012bt\u0101 baroka stila r\u0101m\u012b.<\/p>\n","protected":false},"featured_media":12568,"template":"","meta":[],"product_brand":[],"product_cat":[206,204],"product_tag":[1780,1775,1729,1692,1777,1781,1741,1778,1782,1779,1776,1783,1784],"class_list":["post-12567","product","type-product","status-publish","has-post-thumbnail","product_cat-gleznas","product_cat-visas-lietas","product_tag-antika-klusa-daba","product_tag-antique-floral-still-life","product_tag-burzuaziskais-interjers","product_tag-ellas-glezna-zeltita-rami","product_tag-flower-oil-painting","product_tag-heavy-baroque-frame","product_tag-orginaldarbs","product_tag-post-impressionist-art","product_tag-rich-impasto-art","product_tag-vintage-floral-painting","product_tag-w-collins-painter","product_tag-yves-montand-edith-piaf-era","product_tag---yves-montand---","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/12567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/12568"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=12567"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=12567"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=12567"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=12567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}