{"id":11603,"date":"2022-07-26T11:18:10","date_gmt":"2022-07-26T08:18:10","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=11603"},"modified":"2026-09-07T21:23:46","modified_gmt":"2026-09-07T18:23:46","slug":"pair-of-chairs-with-armrests-3347","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/pair-of-chairs-with-armrests-3347\/","title":{"rendered":"Luija XVI kr\u0113sli ar roku balstiem, riekstkoks, zils zelta samts, p\u0101ris (3346)"},"content":{"rendered":"<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddf1\ud83c\uddfb <strong>Luija XVI kr\u0113sli ar roku balstiem \u2014 Luija XVI stils, Francija, 19. gs. otr\u0101 puse<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u0160is elegantais p\u0101ris fote\u013cu (<em>louis xvi armchairs<\/em>) ir <strong>Luija XVI stila<\/strong> darbs <strong>riekstkok\u0101<\/strong>, kur\u0101 valda klasicisma m\u0113ren\u012bba, simetrija un vertik\u0101ls vieglums. Taisnst\u016bra atzveltni ietver kanel\u0113ti stabi\u0146i ar <strong>\u010diekura formas vainagojumiem<\/strong> un kvadr\u0101tiskos st\u016bros \u2014 smalkas <strong>kokgriezuma rozetes<\/strong>, ko rad\u012bjis prasm\u012bgs kokt\u0113lnieks; atzveltnes aug\u0161malu nosl\u0113dz gofr\u0113ta lentes apmale. Polster\u0113jums ir grezns <strong>zils ar zeltu griezts samts<\/strong> (<em>velours cisel\u00e9<\/em>) ar damaska un lambrekena rakstu, iez\u012bm\u0113ts ar dekorat\u012bvu bronz\u0113tu naglu rindu; <strong>kanel\u0113t\u0101s, virpot\u0101s konusveida k\u0101jas<\/strong> un polster\u0113tie man\u0161etes roku balsti nosl\u0113dz reprezentablo siluetu.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Izm\u0113ri (katram kr\u0113slam): augstums 97,5 cm, platums 62,5 cm, s\u0113dvietas augstums 39 cm, s\u0113dvietas dzi\u013cums 48 cm.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Izgatavo\u0161anas periods, m\u0101kslas stils, laikmets<\/strong> Kr\u0113sli darin\u0101ti <strong>19. gadsimta otraj\u0101 pus\u0113<\/strong>, kad Francij\u0101 plauka <strong>Luija XVI stila<\/strong> atdzim\u0161ana \u2014 atgrie\u0161an\u0101s pie 18. gadsimta klasicisma p\u0113c rokoko l\u012bk\u0146u p\u0101rpiln\u012bbas. \u0160im stilam rakstur\u012bga taisna, arhitektoniska uzb\u016bve: kanel\u0113tas k\u0101jas k\u0101 ant\u012bkas kolonnas, simetrija, rozetes, \u010diekuri un lentes mot\u012bvi. T\u0101 bija <em>haute bourgeoisie<\/em> un aristokr\u0101tijas salonu valoda \u2014 attur\u012bga, bet izsmalcin\u0101ta.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>Luija XVI laikmeta momentuz\u0146\u0113mums:<\/em> arhitekts \u017daks An\u017es Gabriels (<em>Ange-Jacques Gabriel<\/em>) ieg\u0101ja salon\u0101 Versa\u013cas tuvum\u0101 un, pirms aps\u0113sties, ar ac\u012bm p\u0101rlaida atzveltnes kanel\u016bru vertik\u0101l\u0113m \u2014 t\u0101s atbalsoja vi\u0146a pa\u0161a kolonnu rindas. Pievakares zelts gul\u0113ja uz parketa, no d\u0101rza n\u0101ca p\u013cauta z\u0101les smar\u017ea. Forma, uz kuras vi\u0146\u0161 atlaid\u0101s, bija taisna un m\u0113rena k\u0101 labs proporciju apr\u0113\u0137ins, un vi\u0146\u0161 pasmaid\u012bja, jo te amatnieks bija sapratis to pa\u0161u, ko vi\u0146\u0161 pats mekl\u0113ja akmen\u012b: ka skaistums s\u0101kas ar m\u0113ru.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Materi\u0101ls un kokgriezums<\/strong> Karkass darin\u0101ts riekstkok\u0101 ar siltu, dab\u012bgu patinu. \u010ciekura vainagojumi, st\u016bru rozetes, gofr\u0113t\u0101 lentes apmale un kanel\u0113t\u0101s k\u0101jas ir \u012bsts figur\u0101ls un ornament\u0101ls kokgriezums, izpild\u012bts ar klasicismam rakstur\u012bgo precizit\u0101ti. Zilais un zeltainais griezta samta audums ar damaska rakstu pievieno greznu, gandr\u012bz teatr\u0101lu kontrastu siltajam kokam.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Retums un noz\u012bme<\/strong> Saska\u0146ots fote\u013cu p\u0101ris vien\u0101 stil\u0101 ir v\u0113rt\u012bgs \u2014 divi kr\u0113sli kop\u0101 veido simetrisku salona kompoz\u012bciju, kas vienm\u0113r bijusi klasiska interjera sirds.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>St\u0101voklis<\/strong> Kr\u0113sli ir lab\u0101, stabil\u0101 antikv\u0101r\u0101 st\u0101vokl\u012b ar dab\u012bgu vecuma patinu kok\u0101. Griezta samta polster\u0113jums saglab\u0101jies ar laikmetam atbilsto\u0161u valk\u0101jumu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><strong>Pielietojums interjer\u0101<\/strong> P\u0101ris lieliski noder\u0113s viesistab\u0101, budu\u0101r\u0101 vai pie kam\u012bna, klasisk\u0101, Luija XVI vai eklektisk\u0101 interjer\u0101. Divi simetriski novietoti fote\u013ci rada elegantu, salonisku akcentu. Cena nor\u0101d\u012bta par 2 gabaliem (komplekts \u2014 <em>paire<\/em>).<\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddf7\ud83c\uddfa <strong>\u041a\u0440\u0435\u0441\u043b\u0430 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI \u0441 \u043f\u043e\u0434\u043b\u043e\u043a\u043e\u0442\u043d\u0438\u043a\u0430\u043c\u0438 \u2014 \u0441\u0442\u0438\u043b\u044c \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI, \u0424\u0440\u0430\u043d\u0446\u0438\u044f, \u0432\u0442\u043e\u0440\u0430\u044f \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0430 XIX \u0432\u0435\u043a\u0430<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u042d\u0442\u0430 \u044d\u043b\u0435\u0433\u0430\u043d\u0442\u043d\u0430\u044f \u043f\u0430\u0440\u0430 <strong>\u043a\u0440\u0435\u0441\u0435\u043b<\/strong> \u2014 \u0440\u0430\u0431\u043e\u0442\u0430 <strong>\u0441\u0442\u0438\u043b\u044f \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI<\/strong> \u0432 <strong>\u043e\u0440\u0435\u0445\u0435<\/strong>, \u0433\u0434\u0435 \u0446\u0430\u0440\u044f\u0442 \u0441\u0434\u0435\u0440\u0436\u0430\u043d\u043d\u043e\u0441\u0442\u044c, \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u044f \u0438 \u0432\u0435\u0440\u0442\u0438\u043a\u0430\u043b\u044c\u043d\u0430\u044f \u043b\u0451\u0433\u043a\u043e\u0441\u0442\u044c \u043a\u043b\u0430\u0441\u0441\u0438\u0446\u0438\u0437\u043c\u0430. \u041f\u0440\u044f\u043c\u043e\u0443\u0433\u043e\u043b\u044c\u043d\u0443\u044e \u0441\u043f\u0438\u043d\u043a\u0443 \u043e\u0431\u0440\u0430\u043c\u043b\u044f\u044e\u0442 \u043a\u0430\u043d\u043d\u0435\u043b\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0435 \u0441\u0442\u043e\u0439\u043a\u0438 \u0441 <strong>\u043d\u0430\u0432\u0435\u0440\u0448\u0438\u044f\u043c\u0438 \u0432 \u0444\u043e\u0440\u043c\u0435 \u0448\u0438\u0448\u043a\u0438<\/strong>, \u0430 \u0432 \u043a\u0432\u0430\u0434\u0440\u0430\u0442\u043d\u044b\u0445 \u0443\u0433\u043b\u0430\u0445 \u2014 \u0442\u043e\u043d\u043a\u0438\u0435 <strong>\u0440\u0435\u0437\u043d\u044b\u0435 \u0440\u043e\u0437\u0435\u0442\u043a\u0438<\/strong> \u0440\u0430\u0431\u043e\u0442\u044b \u0443\u043c\u0435\u043b\u043e\u0433\u043e \u0440\u0435\u0437\u0447\u0438\u043a\u0430 \u043f\u043e \u0434\u0435\u0440\u0435\u0432\u0443; \u0432\u0435\u0440\u0445 \u0441\u043f\u0438\u043d\u043a\u0438 \u0437\u0430\u0432\u0435\u0440\u0448\u0430\u0435\u0442 \u0433\u043e\u0444\u0440\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u0430\u044f \u043b\u0435\u043d\u0442\u0430. \u041e\u0431\u0438\u0432\u043a\u0430 \u2014 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u0439 <strong>\u0441\u0438\u043d\u0438\u0439 \u0441 \u0437\u043e\u043b\u043e\u0442\u043e\u043c \u0440\u0435\u0437\u043d\u043e\u0439 \u0431\u0430\u0440\u0445\u0430\u0442<\/strong> (<em>velours cisel\u00e9<\/em>) \u0441 \u0434\u0430\u043c\u0430\u0441\u043a\u043e\u0432\u044b\u043c \u0443\u0437\u043e\u0440\u043e\u043c, \u043e\u0447\u0435\u0440\u0447\u0435\u043d\u043d\u044b\u0439 \u0440\u044f\u0434\u043e\u043c \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u044b\u0445 \u0431\u0440\u043e\u043d\u0437\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0445 \u0433\u0432\u043e\u0437\u0434\u0435\u0439; <strong>\u043a\u0430\u043d\u043d\u0435\u043b\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0435 \u0442\u043e\u0447\u0451\u043d\u044b\u0435 \u043a\u043e\u043d\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u043d\u043e\u0436\u043a\u0438<\/strong> \u0438 \u043c\u044f\u0433\u043a\u0438\u0435 \u043c\u0430\u043d\u0436\u0435\u0442\u044b \u043f\u043e\u0434\u043b\u043e\u043a\u043e\u0442\u043d\u0438\u043a\u043e\u0432 \u0437\u0430\u0432\u0435\u0440\u0448\u0430\u044e\u0442 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u0441\u0438\u043b\u0443\u044d\u0442.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u0420\u0430\u0437\u043c\u0435\u0440\u044b (\u043a\u0430\u0436\u0434\u043e\u0435 \u043a\u0440\u0435\u0441\u043b\u043e): \u0432\u044b\u0441\u043e\u0442\u0430 97,5 \u0441\u043c, \u0448\u0438\u0440\u0438\u043d\u0430 62,5 \u0441\u043c, \u0432\u044b\u0441\u043e\u0442\u0430 \u0441\u0438\u0434\u0435\u043d\u044c\u044f 39 \u0441\u043c, \u0433\u043b\u0443\u0431\u0438\u043d\u0430 \u0441\u0438\u0434\u0435\u043d\u044c\u044f 48 \u0441\u043c.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u041a\u0440\u0435\u0441\u043b\u0430 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u044b \u0432\u043e <strong>\u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0435 XIX \u0432\u0435\u043a\u0430<\/strong>, \u043a\u043e\u0433\u0434\u0430 \u0432\u043e \u0424\u0440\u0430\u043d\u0446\u0438\u0438 \u0440\u0430\u0441\u0446\u0432\u0435\u043b\u043e \u0432\u043e\u0437\u0440\u043e\u0436\u0434\u0435\u043d\u0438\u0435 <strong>\u0441\u0442\u0438\u043b\u044f \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI<\/strong> \u2014 \u0432\u043e\u0437\u0432\u0440\u0430\u0449\u0435\u043d\u0438\u0435 \u043a \u043a\u043b\u0430\u0441\u0441\u0438\u0446\u0438\u0437\u043c\u0443 XVIII \u0432\u0435\u043a\u0430 \u043f\u043e\u0441\u043b\u0435 \u0438\u0437\u043e\u0431\u0438\u043b\u0438\u044f \u0440\u043e\u043a\u0430\u0439\u043b\u044c\u043d\u044b\u0445 \u043b\u0438\u043d\u0438\u0439. \u0414\u043b\u044f \u044d\u0442\u043e\u0433\u043e \u0441\u0442\u0438\u043b\u044f \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u043d\u0430 \u043f\u0440\u044f\u043c\u0430\u044f, \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u043d\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0446\u0438\u044f: \u043a\u0430\u043d\u043d\u0435\u043b\u0438\u0440\u043e\u0432\u0430\u043d\u043d\u044b\u0435 \u043d\u043e\u0436\u043a\u0438 \u043a\u0430\u043a \u0430\u043d\u0442\u0438\u0447\u043d\u044b\u0435 \u043a\u043e\u043b\u043e\u043d\u043d\u044b, \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u044f, \u0440\u043e\u0437\u0435\u0442\u043a\u0438, \u0448\u0438\u0448\u043a\u0438 \u0438 \u043b\u0435\u043d\u0442\u044b. \u042d\u0442\u043e \u0431\u044b\u043b \u044f\u0437\u044b\u043a \u0441\u0430\u043b\u043e\u043d\u043e\u0432 <em>haute bourgeoisie<\/em> \u0438 \u0430\u0440\u0438\u0441\u0442\u043e\u043a\u0440\u0430\u0442\u0438\u0438 \u2014 \u0441\u0434\u0435\u0440\u0436\u0430\u043d\u043d\u044b\u0439, \u043d\u043e \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u044b\u0439.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>\u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u041b\u044e\u0434\u043e\u0432\u0438\u043a\u0430 XVI:<\/em> \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u043e\u0440 \u0416\u0430\u043a-\u0410\u043d\u0436 \u0413\u0430\u0431\u0440\u0438\u044d\u043b\u044c (<em>Ange-Jacques Gabriel<\/em>) \u0432\u043e\u0448\u0451\u043b \u0432 \u0441\u0430\u043b\u043e\u043d \u0431\u043b\u0438\u0437 \u0412\u0435\u0440\u0441\u0430\u043b\u044f \u0438, \u043f\u0440\u0435\u0436\u0434\u0435 \u0447\u0435\u043c \u0441\u0435\u0441\u0442\u044c, \u043e\u043a\u0438\u043d\u0443\u043b \u0432\u0437\u0433\u043b\u044f\u0434\u043e\u043c \u0432\u0435\u0440\u0442\u0438\u043a\u0430\u043b\u0438 \u043a\u0430\u043d\u043d\u0435\u043b\u044e\u0440 \u0441\u043f\u0438\u043d\u043a\u0438 \u2014 \u043e\u043d\u0438 \u0432\u0442\u043e\u0440\u0438\u043b\u0438 \u0440\u044f\u0434\u0430\u043c \u0435\u0433\u043e \u0441\u043e\u0431\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0445 \u043a\u043e\u043b\u043e\u043d\u043d. \u0417\u043e\u043b\u043e\u0442\u043e \u043f\u0440\u0435\u0434\u0432\u0435\u0447\u0435\u0440\u044c\u044f \u043b\u0435\u0436\u0430\u043b\u043e \u043d\u0430 \u043f\u0430\u0440\u043a\u0435\u0442\u0435, \u0438\u0437 \u0441\u0430\u0434\u0430 \u0442\u044f\u043d\u0443\u043b\u043e \u0437\u0430\u043f\u0430\u0445\u043e\u043c \u0441\u043a\u043e\u0448\u0435\u043d\u043d\u043e\u0439 \u0442\u0440\u0430\u0432\u044b. \u0424\u043e\u0440\u043c\u0430, \u043d\u0430 \u043a\u043e\u0442\u043e\u0440\u0443\u044e \u043e\u043d \u043e\u043f\u0443\u0441\u0442\u0438\u043b\u0441\u044f, \u0431\u044b\u043b\u0430 \u043f\u0440\u044f\u043c\u043e\u0439 \u0438 \u0441\u043e\u0440\u0430\u0437\u043c\u0435\u0440\u043d\u043e\u0439, \u043a\u0430\u043a \u0432\u0435\u0440\u043d\u044b\u0439 \u0440\u0430\u0441\u0447\u0451\u0442 \u043f\u0440\u043e\u043f\u043e\u0440\u0446\u0438\u0439, \u0438 \u043e\u043d \u0443\u043b\u044b\u0431\u043d\u0443\u043b\u0441\u044f, \u0432\u0435\u0434\u044c \u0437\u0434\u0435\u0441\u044c \u0440\u0435\u043c\u0435\u0441\u043b\u0435\u043d\u043d\u0438\u043a \u043f\u043e\u043d\u044f\u043b \u0442\u043e \u0436\u0435, \u0447\u0442\u043e \u0438\u0441\u043a\u0430\u043b \u043e\u043d \u0441\u0430\u043c \u0432 \u043a\u0430\u043c\u043d\u0435: \u0447\u0442\u043e \u043a\u0440\u0430\u0441\u043e\u0442\u0430 \u043d\u0430\u0447\u0438\u043d\u0430\u0435\u0442\u0441\u044f \u0441 \u043c\u0435\u0440\u044b.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\u041a\u0440\u0435\u0441\u043b\u0430 \u0432 \u0445\u043e\u0440\u043e\u0448\u0435\u043c, \u0443\u0441\u0442\u043e\u0439\u0447\u0438\u0432\u043e\u043c \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438 \u0441 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u043f\u0430\u0442\u0438\u043d\u043e\u0439; \u043e\u0431\u0438\u0432\u043a\u0430 \u0438\u0437 \u0440\u0435\u0437\u043d\u043e\u0433\u043e \u0431\u0430\u0440\u0445\u0430\u0442\u0430 \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u0430\u0441\u044c \u0441 \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u043d\u044b\u043c \u0438\u0437\u043d\u043e\u0441\u043e\u043c. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445. \u0421\u043e\u0433\u043b\u0430\u0441\u043e\u0432\u0430\u043d\u043d\u0430\u044f \u043f\u0430\u0440\u0430 \u043e\u0431\u0440\u0430\u0437\u0443\u0435\u0442 \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u0443\u044e \u0441\u0430\u043b\u043e\u043d\u043d\u0443\u044e \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044e. \u0426\u0435\u043d\u0430 \u0443\u043a\u0430\u0437\u0430\u043d\u0430 \u0437\u0430 2 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430 (\u043a\u043e\u043c\u043f\u043b\u0435\u043a\u0442 \u2014 <em>paire<\/em>).<\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddec\ud83c\udde7 <strong>Louis XVI Armchairs in Walnut with Blue and Gold Velvet \u2013 Louis XVI Style, France, Late 19th Century<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">This elegant pair of <strong>louis xvi armchairs<\/strong> is a work of the <strong>Louis XVI style<\/strong> in <strong>walnut<\/strong>, ruled by the restraint, symmetry, and vertical lightness of classicism. The rectangular back is framed by fluted uprights with <strong>pinecone finials<\/strong>, and at the square corners by finely <strong>carved rosettes<\/strong> by a skilled woodcarver; the top of the back is finished with a gadrooned ribbon band. The upholstery is a sumptuous <strong>blue and gold cut velvet<\/strong> (<em>velours cisel\u00e9<\/em>) with a damask pattern, outlined by a row of decorative bronzed nails; the <strong>fluted, turned tapering legs<\/strong> and padded cuff armrests complete the representative silhouette. As a pair, these <strong>louis xvi armchairs<\/strong> form a symmetrical salon composition.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Dimensions (each chair): height 97.5 cm, width 62.5 cm, seat height 39 cm, seat depth 48 cm.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">The chairs were made in the <strong>second half of the 19th century<\/strong>, when France saw a revival of the <strong>Louis XVI style<\/strong> \u2014 a return to 18th-century classicism after the abundance of rococo curves. The style is marked by a straight, architectural structure: fluted legs like antique columns, symmetry, rosettes, pinecones, and ribbon motifs. It was the language of <em>haute bourgeoisie<\/em> and aristocratic salons \u2014 reserved yet exquisite.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>Louis XVI snapshot:<\/em> the architect Ange-Jacques Gabriel (<em>Ange-Jacques Gabriel<\/em>) entered a salon near Versailles and, before sitting, let his eye run over the vertical flutes of the back \u2014 they echoed the rows of his own columns. The gold of late afternoon lay on the parquet, and from the garden came the scent of mown grass. The form he settled into was straight and measured, like a sound calculation of proportions, and he smiled, for here the craftsman had understood the same thing he sought in stone: that beauty begins with measure.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">The chairs are in good, stable antique condition with a natural patina to the wood; the cut-velvet upholstery survives with age-appropriate wear. The condition is fully reflected in the photographs. The pair suits a sitting room, boudoir, or fireside in a classical, Louis XVI, or eclectic interior.<\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\udde9\ud83c\uddea <strong>Louis-XVI-Armlehnst\u00fchle aus Nussbaum mit blauem und goldenem Samt \u2013 Louis-XVI-Stil, Frankreich, zweite H\u00e4lfte des 19. Jahrhunderts<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Dieses elegante Paar <strong>Armlehnst\u00fchle<\/strong> ist eine Arbeit des <strong>Louis-XVI-Stils<\/strong> in <strong>Nussbaum<\/strong>, beherrscht von der Zur\u00fcckhaltung, Symmetrie und vertikalen Leichtigkeit des Klassizismus. Die rechteckige Lehne wird von kannelierten Pfosten mit <strong>Pinienzapfen-Bekr\u00f6nungen<\/strong> gerahmt, an den quadratischen Ecken von fein <strong>geschnitzten Rosetten<\/strong> eines geschickten Holzbildhauers; den oberen Rand der Lehne schlie\u00dft ein godroniertes Band ab. Der Bezug ist ein pr\u00e4chtiger <strong>blauer und goldener Schnittsamt<\/strong> (<em>velours cisel\u00e9<\/em>) mit Damastmuster, ges\u00e4umt von einer Reihe dekorativer bronzierter N\u00e4gel; die <strong>kannelierten, gedrechselten konischen Beine<\/strong> und die gepolsterten Manschetten-Armlehnen vollenden die repr\u00e4sentative Silhouette.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Ma\u00dfe (je Stuhl): H\u00f6he 97,5 cm, Breite 62,5 cm, Sitzh\u00f6he 39 cm, Sitztiefe 48 cm.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Die St\u00fchle entstanden in der <strong>zweiten H\u00e4lfte des 19. Jahrhunderts<\/strong>, als in Frankreich eine Wiederbelebung des <strong>Louis-XVI-Stils<\/strong> aufkam \u2014 eine R\u00fcckkehr zum Klassizismus des 18. Jahrhunderts nach der F\u00fclle der Rokokokurven. Der Stil ist von einer geraden, architektonischen Struktur gepr\u00e4gt: kannelierte Beine wie antike S\u00e4ulen, Symmetrie, Rosetten, Pinienzapfen und Bandmotive. Es war die Sprache der Salons der <em>haute bourgeoisie<\/em> und des Adels \u2014 zur\u00fcckhaltend, doch erlesen.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>Momentaufnahme der Louis-XVI-Zeit:<\/em> der Architekt Ange-Jacques Gabriel (<em>Ange-Jacques Gabriel<\/em>) betrat einen Salon bei Versailles und lie\u00df, bevor er sich setzte, den Blick \u00fcber die senkrechten Kanneluren der Lehne gleiten \u2014 sie spiegelten die Reihen seiner eigenen S\u00e4ulen. Das Gold des sp\u00e4ten Nachmittags lag auf dem Parkett, und aus dem Garten zog der Duft gem\u00e4hten Grases herein. Die Form, in die er sich niederlie\u00df, war gerade und ma\u00dfvoll wie eine richtige Berechnung der Proportionen, und er l\u00e4chelte, denn hier hatte der Handwerker dasselbe verstanden, was er selbst im Stein suchte: dass Sch\u00f6nheit mit dem Ma\u00df beginnt.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Die St\u00fchle sind in gutem, stabilem antikem Zustand mit nat\u00fcrlicher Patina; der Schnittsamtbezug ist mit altersgem\u00e4\u00dfer Abnutzung erhalten. Der Zustand ist auf den Fotografien vollst\u00e4ndig wiedergegeben. Das Paar eignet sich f\u00fcr Wohnzimmer, Boudoir oder Kaminbereich im klassischen, Louis-XVI- oder eklektischen Interieur.<\/p>\n<hr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\" \/>\n<p class=\"font-claude-response-body break-words whitespace-normal\">\ud83c\uddeb\ud83c\uddf7 <strong>Fauteuils Louis XVI en noyer au velours bleu et or \u2013 style Louis XVI, France, seconde moiti\u00e9 du XIXe si\u00e8cle<\/strong><\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Cette \u00e9l\u00e9gante paire de <strong>fauteuils<\/strong> est une \u0153uvre du <strong>style Louis XVI<\/strong> en <strong>noyer<\/strong>, r\u00e9gie par la retenue, la sym\u00e9trie et la l\u00e9g\u00e8ret\u00e9 verticale du classicisme. Le dossier rectangulaire est encadr\u00e9 de montants cannel\u00e9s \u00e0 <strong>fleurons en pomme de pin<\/strong>, et aux angles carr\u00e9s de fines <strong>rosaces sculpt\u00e9es<\/strong> par un habile sculpteur sur bois ; le haut du dossier s&#8217;ach\u00e8ve par un bandeau godronn\u00e9. La garniture est un somptueux <strong>velours coup\u00e9 bleu et or<\/strong> (<em>velours cisel\u00e9<\/em>) \u00e0 motif de damas, soulign\u00e9e d&#8217;une rang\u00e9e de clous bronz\u00e9s d\u00e9coratifs ; les <strong>pieds fusel\u00e9s cannel\u00e9s et tourn\u00e9s<\/strong> et les accotoirs \u00e0 manchette rembourr\u00e9e ach\u00e8vent la silhouette repr\u00e9sentative. En paire, ces <strong>fauteuils<\/strong> forment une composition de salon sym\u00e9trique.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Dimensions (par chaise) : hauteur 97,5 cm, largeur 62,5 cm, hauteur d&#8217;assise 39 cm, profondeur d&#8217;assise 48 cm.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Les chaises furent r\u00e9alis\u00e9es dans la <strong>seconde moiti\u00e9 du XIXe si\u00e8cle<\/strong>, lorsque la France connut un renouveau du <strong>style Louis XVI<\/strong> \u2014 un retour au classicisme du XVIIIe si\u00e8cle apr\u00e8s l&#8217;abondance des courbes rocaille. Le style se caract\u00e9rise par une structure droite et architecturale : pieds cannel\u00e9s comme des colonnes antiques, sym\u00e9trie, rosaces, pommes de pin et motifs de ruban. C&#8217;\u00e9tait le langage des salons de la <em>haute bourgeoisie<\/em> et de l&#8217;aristocratie \u2014 sobre mais exquis.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\"><em>Instantan\u00e9 de l&#8217;\u00e9poque Louis XVI :<\/em> l&#8217;architecte Ange-Jacques Gabriel (<em>Ange-Jacques Gabriel<\/em>) entra dans un salon pr\u00e8s de Versailles et, avant de s&#8217;asseoir, laissa son regard parcourir les cannelures verticales du dossier \u2014 elles faisaient \u00e9cho aux rang\u00e9es de ses propres colonnes. L&#8217;or de la fin d&#8217;apr\u00e8s-midi reposait sur le parquet, et du jardin montait l&#8217;odeur de l&#8217;herbe coup\u00e9e. La forme dans laquelle il se laissa aller \u00e9tait droite et mesur\u00e9e comme un juste calcul de proportions, et il sourit, car ici l&#8217;artisan avait compris la m\u00eame chose que ce qu&#8217;il cherchait dans la pierre : que la beaut\u00e9 commence par la mesure.<\/p>\n<p class=\"font-claude-response-body break-words whitespace-normal\">Les chaises sont en bon \u00e9tat ancien, stable, avec une patine naturelle ; la garniture en velours coup\u00e9 est conserv\u00e9e avec une usure due \u00e0 l&#8217;\u00e2ge. L&#8217;\u00e9tat est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies. La paire convient \u00e0 un salon, un boudoir ou un coin chemin\u00e9e, dans un int\u00e9rieur classique, Louis XVI ou \u00e9clectique.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>P\u0101ris Luija XVI stila atzveltnes kr\u0113slu riekstkok\u0101 ar zilu un zeltainu griezta samta audumu, kanel\u0113t\u0101m k\u0101j\u0101m un kokgriezuma rozet\u0113m. Francija, 19. gs. otr\u0101 puse. Eleganti salona fote\u013ci.<\/p>\n","protected":false},"featured_media":11604,"template":"","meta":[],"product_brand":[],"product_cat":[214,207,204],"product_tag":[],"class_list":["post-11603","product","type-product","status-publish","has-post-thumbnail","product_cat-kresli","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/11603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/11604"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=11603"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=11603"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=11603"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=11603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}