{"id":11540,"date":"2022-07-25T08:42:02","date_gmt":"2022-07-25T05:42:02","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&#038;p=11540"},"modified":"2026-09-07T21:23:08","modified_gmt":"2026-09-07T18:23:08","slug":"picture-in-gold-color-frame-3338","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/picture-in-gold-color-frame-3338\/","title":{"rendered":"Ant\u012bka fran\u010du grav\u012bra\/prints ov\u0101l\u0101 zelt\u012bt\u0101 r\u0101m\u012b \u2014 Rokoko stils, R\u0101mis ar Stiklu, Vid\u0113ja Izm\u0113ra, Smaga (Antique French Rococo Print in Oval Gilded Frame) (3338)"},"content":{"rendered":"<p data-path-to-node=\"2\">\ud83c\uddf1\ud83c\uddfb Augstums: 72,5 cm Platums: 63,5 cm<\/p>\n<p data-path-to-node=\"3\"><b data-path-to-node=\"3\" data-index-in-node=\"0\"><i data-path-to-node=\"3\" data-index-in-node=\"0\">Fran\u010du rokoko laikmeta momentuz\u0146\u0113mums, Mar\u0137\u012bze de Pompad\u016bra (Madame de Pompadour):<\/i><\/b> <i data-path-to-node=\"3\" data-index-in-node=\"83\">Saules stari pils budu\u0101r\u0101 bija nedaudz pak\u0101pu\u0161ies augst\u0101k, un mar\u0137\u012bze, ar vieglu smaidu l\u016bkodamies sav\u0101 p\u016bderp\u016b\u0161amaj\u0101 spogul\u012b, pam\u0101ja kalpon\u0113m, ka ir gatava n\u0101kamajam r\u012bta ritu\u0101lam. Vi\u0146as skatiens tagad piev\u0113rs\u0101s tie\u0161i otram ov\u0101lajam m\u0101kslas darbam, kas, prec\u012bzi nosl\u0113dzot simetrisko p\u0101ra s\u0113riju, kar\u0101j\u0101s tie\u0161i blakus pirmajam si\u017eetam. \u0160is r\u0101mis bija v\u0113l nedaudz mas\u012bv\u0101ks, t\u0101 dzi\u013cais reljefs un akanta lapu ornaments veidoja ide\u0101lu arhitektonisku atbilst\u012bbu un pabeigt\u012bbas saj\u016btu telpas d\u0101rgaj\u0101 interjer\u0101.<\/i><\/p>\n<p data-path-to-node=\"4\"><i data-path-to-node=\"4\" data-index-in-node=\"0\">Zem aizsargstikla atkl\u0101j\u0101s pavisam cita mizansc\u0113na \u2013 dieviete Venera vairs netika nesta p\u0101r j\u016bras vi\u013c\u0146iem, bet gan r\u0101mi atp\u016bt\u0101s savu nimfu lok\u0101, kam\u0113r mazie, rota\u013c\u012bgie amori\u0146i pin\u0101s ap vi\u0146as d\u0101rgliet\u0101m un friz\u016bru. Teatr\u0101lais un reibino\u0161ais Fransu\u0101 Bu\u0161\u0113 mot\u012bvs &#8220;Veneras tualete&#8221; (V\u00e9nus \u00e0 sa toilette) dvesa p\u0113c z\u012bda, p\u016bdera un Versa\u013cas galma nosl\u0113pumiem, kur katrs \u017eests bija diplom\u0101tiski apr\u0113\u0137in\u0101ts. Gais\u0101 joproj\u0101m j\u016btami virmoja sena koka un d\u0101rgu smar\u017eu arom\u0101ts, kas telp\u0101 rad\u012bja nesatricin\u0101mu aristokr\u0101tijas auru.<\/i><\/p>\n<p data-path-to-node=\"5\"><i data-path-to-node=\"5\" data-index-in-node=\"0\">Mar\u0137\u012bze pieg\u0101ja tuv\u0101k, nedaudz piek\u0101rtoja gleznas smago koka pamatni un ar pirkstu galiem izbaud\u012bja r\u0101mja cizel\u0113t\u0101 zelt\u012bjuma un ornamenta stingr\u012bbu. \u0160is ietvars, kas nedaudz at\u0161\u0137\u012br\u0101s ar savu flor\u0101lo kr\u0101\u0161\u0146umu, ta\u010du saglab\u0101ja to pa\u0161u c\u0113lo ov\u0101la formu un m\u0113rogu, bija neapstr\u012bdams apliecin\u0101jums augst\u0101k\u0101s sabiedr\u012bbas varen\u012bbai. Vi\u0146a noskat\u012bj\u0101s abu darbu nevainojamaj\u0101 sasp\u0113l\u0113, piln\u012bb\u0101 p\u0101rliecin\u0101ta, ka \u0161is p\u0101ris uz visiem laikiem paliks k\u0101 nep\u0101rsp\u0113jams luksusa, simetrijas un fran\u010du kult\u016bras mantojuma monuments.<\/i><\/p>\n<p data-path-to-node=\"6\"><b data-path-to-node=\"6\" data-index-in-node=\"0\">Ant\u012bka fran\u010du grav\u012bra\/prints ov\u0101l\u0101 zelt\u012bt\u0101 r\u0101m\u012b<\/b> \u0160is izsmalcin\u0101tais, ov\u0101l\u0101s formas m\u0101kslas darbs ir augstv\u0113rt\u012bgs un apbr\u012bnojami prec\u012bzs 19. gadsimta fran\u010du rokoko vado\u0161\u0101 meistara Fransu\u0101 Bu\u0161\u0113 (Fran\u00e7ois Boucher) 1751. gada \u0161edevra <i data-path-to-node=\"6\" data-index-in-node=\"229\">&#8220;Veneras tualete&#8221;<\/i> (<i data-path-to-node=\"6\" data-index-in-node=\"248\">V\u00e9nus \u00e0 sa toilette<\/i>) att\u0113lojums. Glezna ataino mitolo\u0123isko ainu, kur\u0101 m\u012blas dieviete Venera, savu nimfu un amori\u0146u (<i data-path-to-node=\"6\" data-index-in-node=\"364\">putti<\/i>) ieskauta, po\u0161as un tiek rot\u0101ta ar p\u0113rl\u0113m un z\u012bda audumiem. \u0160is darbs ir tie\u0161s p\u0101ris un neat\u0146emams turpin\u0101jums pirmajai s\u0113rijas gleznai <i data-path-to-node=\"6\" data-index-in-node=\"506\">&#8220;Veneras triumfs&#8221;<\/i>, kas kop\u0101 veido perfektu un simetrisku kolekcijas ansambli.<\/p>\n<p data-path-to-node=\"7\"><b data-path-to-node=\"7\" data-index-in-node=\"0\">Tehnika un izpild\u012bjums<\/b> Darbs ir izpild\u012bts profesion\u0101l\u0101 un smalk\u0101 v\u0113sturisk\u0101 iespiedtehnik\u0101 uz pap\u012bra pamatnes, izcili nododot rokoko periodam rakstur\u012bgo maigo, p\u016bderaino un paste\u013cto\u0146u kr\u0101su paleti \u2013 maigi roz\u0101, gai\u0161i zilos, zelt\u012btos un siltos miesas to\u0146us. Att\u0113ls ir piln\u012bb\u0101 pasarg\u0101ts aiz aizsargstikla, kas nodro\u0161ina darba ilgm\u016b\u017e\u012bbu un pigmentu aizsardz\u012bbu.<\/p>\n<p data-path-to-node=\"8\"><b data-path-to-node=\"8\" data-index-in-node=\"0\">Greznais ov\u0101lais r\u0101mis<\/b> Gleznas vizu\u0101lo un materi\u0101lo v\u0113rt\u012bbu b\u016btiski pastiprina t\u0101s <b data-path-to-node=\"8\" data-index-in-node=\"83\">ori\u0123in\u0101lais, \u0101rk\u0101rt\u012bgi mas\u012bvais un dzi\u013c\u0101 reljefa ov\u0101las formas r\u0101mis<\/b>. At\u0161\u0137ir\u012bb\u0101 no pirm\u0101 darba laconisk\u0101 p\u0113rl\u012b\u0161u raksta, \u0161is ietvars ir bag\u0101t\u012bgi dekor\u0113ts ar izteiksm\u012bgiem, augsta dzi\u013cuma barok\u0101liem akanta lapu, ziedu un lauru vainagu mot\u012bviem vis\u0101 r\u0101mja perimetr\u0101, kas kl\u0101ti ar c\u0113lu zelta kr\u0101sas apdari. Ov\u0101lais form\u0101ts m\u0101ksl\u0101 v\u0113sturiski tiek uzskat\u012bts par visgr\u016bt\u0101k izgatavojamo un d\u0101rg\u0101ko r\u0101m\u0113\u0161anas veidu, kas kop\u0101 ar biezo aizsargstiklu pie\u0161\u0137ir \u0161im priek\u0161metam iev\u0113rojamu fizisko svaru un v\u0113rt\u012bbu.<\/p>\n<p data-path-to-node=\"9\"><b data-path-to-node=\"9\" data-index-in-node=\"0\">Pielietojums<\/b> Ar saviem reprezentablajiem izm\u0113riem (72,5 x 63,5 cm), \u0161\u012b glezna (\u012bpa\u0161i kombin\u0101cij\u0101 ar pirmo s\u0113rijas darbu, veidojot p\u0101ri) b\u016bs izcila un paman\u0101ma vizu\u0101l\u0101 dominance klasisk\u0101 interjer\u0101. T\u0101 ir ide\u0101li piem\u0113rota izvieto\u0161anai gu\u013camistab\u0101 virs kumodes, grezn\u0101 d\u0101mu budu\u0101r\u0101, viesistab\u0101 vai darba kabinet\u0101 starp ant\u012bk\u0101m m\u0113bel\u0113m, radot nevainojamu Versa\u013cas salona atmosf\u0113ru.<\/p>\n<p data-path-to-node=\"10\"><b data-path-to-node=\"10\" data-index-in-node=\"0\">St\u0101voklis<\/b> Labi saglab\u0101jies autentisks v\u0113sturiskais st\u0101voklis. Att\u0113la pigmenti aiz stikla ir maigi un t\u012bri. Mas\u012bvais koka r\u0101mis ir struktur\u0101li piln\u012bgi stabils un dro\u0161s, ar laika gait\u0101 izveidoju\u0161os maigu pat\u012bnu un neliel\u0101m, vizu\u0101li neuzkr\u012bto\u0161\u0101m vecuma p\u0113d\u0101m reljefa mal\u0101s, kas tikai apstiprina darba senatn\u012bgumu. Aizmugur\u0113 saglab\u0101ts ori\u0123in\u0101lais koka pamatnes stiprin\u0101jums un stieple pakarin\u0101\u0161anai. Viss st\u0101voklis piln\u012bb\u0101 redzams fotogr\u0101fij\u0101s.<\/p>\n<p data-path-to-node=\"12\">\ud83c\uddf7\ud83c\uddfa \u0412\u044b\u0441\u043e\u0442\u0430: 72,5 \u0441\u043c \u0428\u0438\u0440\u0438\u043d\u0430: 63,5 \u0441\u043c<\/p>\n<p data-path-to-node=\"13\"><b data-path-to-node=\"13\" data-index-in-node=\"0\"><i data-path-to-node=\"13\" data-index-in-node=\"0\">\u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0433\u043e \u0440\u043e\u043a\u043e\u043a\u043e, \u041c\u0430\u0440\u043a\u0438\u0437\u0430 \u0434\u0435 \u041f\u043e\u043c\u043f\u0430\u0434\u0443\u0440 (Madame de Pompadour):<\/i><\/b> <i data-path-to-node=\"13\" data-index-in-node=\"77\">\u0421\u043e\u043b\u043d\u0435\u0447\u043d\u044b\u0435 \u043b\u0443\u0447\u0438 \u0432 \u0431\u0443\u0434\u0443\u0430\u0440\u0435 \u043f\u043e\u0434\u043d\u044f\u043b\u0438\u0441\u044c \u0447\u0443\u0442\u044c \u0432\u044b\u0448\u0435, \u0438 \u043c\u0430\u0440\u043a\u0438\u0437\u0430 \u0441 \u043b\u0435\u0433\u043a\u043e\u0439 \u0443\u043b\u044b\u0431\u043a\u043e\u0439, \u0433\u043b\u044f\u0434\u044f \u0432 \u0441\u0432\u043e\u0435 \u0442\u0443\u0430\u043b\u0435\u0442\u043d\u043e\u0435 \u0437\u0435\u0440\u043a\u0430\u043b\u043e, \u043f\u043e\u0434\u0430\u043b\u0430 \u0437\u043d\u0430\u043a \u0433\u043e\u0440\u043d\u0438\u0447\u043d\u044b\u043c, \u0447\u0442\u043e \u0433\u043e\u0442\u043e\u0432\u0430 \u043a \u0441\u043b\u0435\u0434\u0443\u044e\u0449\u0435\u043c\u0443 \u0443\u0442\u0440\u0435\u043d\u043d\u0435\u043c\u0443 \u0440\u0438\u0442\u0443\u0430\u043b\u0443. \u0415\u0435 \u0432\u0437\u0433\u043b\u044f\u0434 \u0442\u0435\u043f\u0435\u0440\u044c \u043e\u0431\u0440\u0430\u0442\u0438\u043b\u0441\u044f \u043f\u0440\u044f\u043c\u043e \u043d\u0430 \u0432\u0442\u043e\u0440\u043e\u0435 \u043e\u0432\u0430\u043b\u044c\u043d\u043e\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430, \u043a\u043e\u0442\u043e\u0440\u043e\u0435 \u0432 \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u043e\u0439 \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0438 \u0432\u0438\u0441\u0435\u043b\u043e \u043f\u0440\u044f\u043c\u043e \u0440\u044f\u0434\u043e\u043c \u0441 \u043f\u0435\u0440\u0432\u044b\u043c \u0441\u044e\u0436\u0435\u0442\u043e\u043c, \u0437\u0430\u0432\u0435\u0440\u0448\u0430\u044f \u043f\u0430\u0440\u043d\u0443\u044e \u0441\u0435\u0440\u0438\u044e. \u042d\u0442\u0430 \u0440\u0430\u043c\u0430 \u0431\u044b\u043b\u0430 \u0435\u0449\u0435 \u0431\u043e\u043b\u0435\u0435 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u043e\u0439, \u0435\u0435 \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u0439 \u0440\u0435\u043b\u044c\u0435\u0444 \u0438 \u043e\u0440\u043d\u0430\u043c\u0435\u043d\u0442 \u0438\u0437 \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0430\u043a\u0430\u043d\u0442\u0430 \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u043b\u0438 \u0431\u0435\u0437\u0443\u043f\u0440\u0435\u0447\u043d\u043e\u0435 \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u043d\u043e\u0435 \u0441\u043e\u043e\u0442\u0432\u0435\u0442\u0441\u0442\u0432\u0438\u0435 \u0438 \u043e\u0449\u0443\u0449\u0435\u043d\u0438\u0435 \u0437\u0430\u0432\u0435\u0440\u0448\u0435\u043d\u043d\u043e\u0441\u0442\u0438 \u0432 \u0434\u043e\u0440\u043e\u0433\u043e\u043c \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0435.<\/i><\/p>\n<p data-path-to-node=\"14\"><i data-path-to-node=\"14\" data-index-in-node=\"0\">\u041f\u043e\u0434 \u043f\u0440\u043e\u0437\u0440\u0430\u0447\u043d\u044b\u043c \u0437\u0430\u0449\u0438\u0442\u043d\u044b\u043c \u0441\u0442\u0435\u043a\u043b\u043e\u043c \u043e\u0442\u043a\u0440\u044b\u0432\u0430\u043b\u0430\u0441\u044c \u0441\u043e\u0432\u0441\u0435\u043c \u0434\u0440\u0443\u0433\u0430\u044f \u043c\u0438\u0437\u0430\u043d\u0441\u0446\u0435\u043d\u0430 \u2013 \u0431\u043e\u0433\u0438\u043d\u044f \u0412\u0435\u043d\u0435\u0440\u0430 \u0431\u043e\u043b\u044c\u0448\u0435 \u043d\u0435 \u043d\u0435\u0441\u043b\u0430\u0441\u044c \u043f\u043e \u043c\u043e\u0440\u0441\u043a\u0438\u043c \u0432\u043e\u043b\u043d\u0430\u043c, \u0430 \u043c\u0438\u0440\u043d\u043e \u043e\u0442\u0434\u044b\u0445\u0430\u043b\u0430 \u0432 \u043e\u043a\u0440\u0443\u0436\u0435\u043d\u0438\u0438 \u0441\u0432\u043e\u0438\u0445 \u043d\u0438\u043c\u0444, \u043f\u043e\u043a\u0430 \u043c\u0430\u043b\u0435\u043d\u044c\u043a\u0438\u0435 \u0438\u0433\u0440\u0438\u0432\u044b\u0435 \u0430\u043c\u0443\u0440\u044b \u0432\u043f\u043b\u0435\u0442\u0430\u043b\u0438 \u0436\u0435\u043c\u0447\u0443\u0433 \u0432 \u0435\u0435 \u043f\u0440\u0438\u0447\u0435\u0441\u043a\u0443. \u0422\u0435\u0430\u0442\u0440\u0430\u043b\u044c\u043d\u044b\u0439 \u043c\u043e\u0442\u0438\u0432 \u0424\u0440\u0430\u043d\u0441\u0443\u0430 \u0411\u0443\u0448\u0435 \u00ab\u0422\u0443\u0430\u043b\u0435\u0442 \u0412\u0435\u043d\u0435\u0440\u044b\u00bb (V\u00e9nus \u00e0 sa toilette) \u0434\u044b\u0448\u0430\u043b \u0448\u0435\u043b\u043a\u043e\u043c, \u043f\u0443\u0434\u0440\u043e\u0439 \u0438 \u0441\u0435\u043a\u0440\u0435\u0442\u0430\u043c\u0438 \u0412\u0435\u0440\u0441\u0430\u043b\u044c\u0441\u043a\u043e\u0433\u043e \u0434\u0432\u043e\u0440\u0430. \u041c\u0430\u0441\u0441\u0438\u0432\u043d\u044b\u0435 \u043e\u0432\u0430\u043b\u044c\u043d\u044b\u0435 \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u044b\u0435 \u0440\u0430\u043c\u044b \u0441 \u0431\u043e\u0433\u0430\u0442\u044b\u043c \u0431\u0430\u0440\u043e\u0447\u043d\u044b\u043c \u0440\u0435\u043b\u044c\u0435\u0444\u043e\u043c \u0443\u043b\u0430\u0432\u043b\u0438\u0432\u0430\u043b\u0438 \u043a\u0430\u0436\u0434\u044b\u0439 \u043b\u0443\u0447 \u0441\u0432\u0435\u0442\u0430, \u043f\u0440\u0435\u0432\u0440\u0430\u0449\u0430\u044f \u0441\u0442\u0435\u043d\u0443 \u0432 \u043d\u0430\u0441\u0442\u043e\u044f\u0449\u0443\u044e \u0441\u0430\u043b\u043e\u043d\u043d\u0443\u044e \u0433\u0430\u043b\u0435\u0440\u0435\u044e, \u0433\u0434\u0435 \u043a\u0430\u0436\u0434\u044b\u0439 \u0441\u044e\u0436\u0435\u0442 \u0434\u043e\u043f\u043e\u043b\u043d\u044f\u043b \u0441\u043b\u0435\u0434\u0443\u044e\u0449\u0438\u0439.<\/i><\/p>\n<p data-path-to-node=\"15\"><i data-path-to-node=\"15\" data-index-in-node=\"0\">\u041e\u043d\u0430 \u043c\u044f\u0433\u043a\u043e \u043f\u0440\u043e\u0432\u0435\u043b\u0430 \u043a\u043e\u043d\u0447\u0438\u043a\u0430\u043c\u0438 \u043f\u0430\u043b\u044c\u0446\u0435\u0432 \u043f\u043e \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u043e\u0439 \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u0438 \u0440\u0430\u043c\u044b, \u043d\u0430\u0441\u043b\u0430\u0436\u0434\u0430\u044f\u0441\u044c \u0435\u0435 \u0432\u043d\u0443\u0448\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u043c \u0432\u0435\u0441\u043e\u043c, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u0442\u0430\u043a \u044f\u0440\u043a\u043e \u043a\u043e\u043d\u0442\u0440\u0430\u0441\u0442\u0438\u0440\u043e\u0432\u0430\u043b \u0441 \u0432\u043e\u0437\u0434\u0443\u0448\u043d\u043e\u0441\u0442\u044c\u044e \u0441\u044e\u0436\u0435\u0442\u0430. \u042d\u0442\u0438 \u0440\u0430\u0431\u043e\u0442\u044b \u043d\u0435 \u0431\u044b\u043b\u0438 \u043f\u0440\u043e\u0441\u0442\u043e \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u0438\u0435\u043c; \u043e\u043d\u0438 \u0431\u044b\u043b\u0438 \u044d\u0441\u0441\u0435\u043d\u0446\u0438\u0435\u0439 \u043a\u043e\u0440\u043e\u043b\u0435\u0432\u0441\u043a\u043e\u0433\u043e \u0441\u0442\u0438\u043b\u044f \u0436\u0438\u0437\u043d\u0438 \u0438 \u0443\u0442\u043e\u043d\u0447\u0435\u043d\u043d\u043e\u0433\u043e \u0432\u043a\u0443\u0441\u0430, \u0441\u043e\u0445\u0440\u0430\u043d\u0435\u043d\u043d\u043e\u0439 \u0432 \u0442\u0435\u0445\u043d\u0438\u043a\u0435 \u043f\u0435\u0447\u0430\u0442\u0438. \u041e\u043d\u0430 \u043e\u0442\u0432\u0435\u0440\u043d\u0443\u043b\u0430\u0441\u044c \u0441 \u0442\u0438\u0445\u043e\u0439 \u0437\u0430\u0433\u0430\u0434\u043e\u0447\u043d\u043e\u0439 \u0443\u043b\u044b\u0431\u043a\u043e\u0439, \u0437\u043d\u0430\u044f, \u0447\u0442\u043e \u044d\u0442\u0430 \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u0430\u044f \u043f\u0430\u0440\u0430 \u0432\u0441\u0435\u0433\u0434\u0430 \u0431\u0443\u0434\u0435\u0442 \u0441\u043b\u0443\u0436\u0438\u0442\u044c \u0441\u0438\u043c\u0432\u043e\u043b\u043e\u043c \u044d\u043b\u0435\u0433\u0430\u043d\u0442\u043d\u043e\u0441\u0442\u0438 \u0438 \u0432\u0435\u043b\u0438\u0447\u0438\u044f.<\/i><\/p>\n<h3 data-path-to-node=\"16\"><b data-path-to-node=\"16\" data-index-in-node=\"0\">\u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u0430\u044f \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0430\u044f \u0433\u0440\u0430\u0432\u044e\u0440\u0430\/\u043f\u0440\u0438\u043d\u0442 \u0432 \u043e\u0432\u0430\u043b\u044c\u043d\u043e\u0439 \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043e\u0439 \u0440\u0430\u043c\u0435<\/b><\/h3>\n<p data-path-to-node=\"17\">\u042d\u0442\u043e \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u043e\u0435 \u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u043e\u0432\u0430\u043b\u044c\u043d\u043e\u0439 \u0444\u043e\u0440\u043c\u044b \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u0435\u0442 \u0441\u043e\u0431\u043e\u0439 \u0432\u044b\u0441\u043e\u043a\u043e\u043a\u0430\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435 \u0432\u043e\u0441\u043f\u0440\u043e\u0438\u0437\u0432\u0435\u0434\u0435\u043d\u0438\u0435 \u0448\u0435\u0434\u0435\u0432\u0440\u0430 1751 \u0433\u043e\u0434\u0430 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0433\u043e \u043c\u0430\u0441\u0442\u0435\u0440\u0430 \u0440\u043e\u043a\u043e\u043a\u043e \u0424\u0440\u0430\u043d\u0441\u0443\u0430 \u0411\u0443\u0448\u0435 (Fran\u00e7ois Boucher) <i data-path-to-node=\"17\" data-index-in-node=\"185\">\u00ab\u0422\u0443\u0430\u043b\u0435\u0442 \u0412\u0435\u043d\u0435\u0440\u044b\u00bb<\/i> (<i data-path-to-node=\"17\" data-index-in-node=\"202\">V\u00e9nus \u00e0 sa toilette<\/i>). \u041a\u0430\u0440\u0442\u0438\u043d\u0430 \u0444\u0438\u043a\u0441\u0438\u0440\u0443\u0435\u0442 \u043c\u0438\u0444\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0443\u044e \u0441\u0446\u0435\u043d\u0443, \u0432 \u043a\u043e\u0442\u043e\u0440\u043e\u0439 \u0431\u043e\u0433\u0438\u043d\u044f \u043b\u044e\u0431\u0432\u0438 \u0412\u0435\u043d\u0435\u0440\u0430 \u0432 \u043e\u043a\u0440\u0443\u0436\u0435\u043d\u0438\u0438 \u043d\u0438\u043c\u0444 \u0438 \u0430\u043c\u0443\u0440\u043e\u0432 (<i data-path-to-node=\"17\" data-index-in-node=\"321\">putti<\/i>) \u0443\u043a\u0440\u0430\u0448\u0430\u0435\u0442\u0441\u044f \u0436\u0435\u043c\u0447\u0443\u0433\u043e\u043c \u0438 \u0448\u0435\u043b\u043a\u043e\u0432\u044b\u043c\u0438 \u0442\u043a\u0430\u043d\u044f\u043c\u0438. \u0414\u0430\u043d\u043d\u0430\u044f \u0440\u0430\u0431\u043e\u0442\u0430 \u044f\u0432\u043b\u044f\u0435\u0442\u0441\u044f \u043f\u0440\u044f\u043c\u044b\u043c \u043f\u0440\u043e\u0434\u043e\u043b\u0436\u0435\u043d\u0438\u0435\u043c \u0438 \u043f\u0430\u0440\u043e\u0439 \u043a \u043f\u0435\u0440\u0432\u043e\u0439 \u043a\u0430\u0440\u0442\u0438\u043d\u0435 \u0441\u0435\u0440\u0438\u0438 <i data-path-to-node=\"17\" data-index-in-node=\"443\">\u00ab\u0422\u0440\u0438\u0443\u043c\u0444 \u0412\u0435\u043d\u0435\u0440\u044b\u00bb<\/i>, \u0432\u043c\u0435\u0441\u0442\u0435 \u043e\u043d\u0438 \u0441\u043e\u0441\u0442\u0430\u0432\u043b\u044f\u044e\u0442 \u043d\u0435\u0434\u0435\u043b\u0438\u043c\u044b\u0439 \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u043d\u044b\u0439 \u0430\u043d\u0441\u0430\u043c\u0431\u043b\u044c \u0434\u043b\u044f \u043e\u0431\u0435\u0441\u043f\u0435\u0447\u0435\u043d\u0438\u044f \u0441\u0442\u0440\u043e\u0433\u043e\u0439 \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0438 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430.<\/p>\n<p data-path-to-node=\"18\">\u0420\u0430\u0431\u043e\u0442\u0430 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u0430 \u0432 \u043f\u0440\u043e\u0444\u0435\u0441\u0441\u0438\u043e\u043d\u0430\u043b\u044c\u043d\u043e\u0439 \u0442\u0435\u0445\u043d\u0438\u043a\u0435 \u043f\u0435\u0447\u0430\u0442\u0438 \u043d\u0430 \u0431\u0443\u043c\u0430\u0436\u043d\u043e\u0439 \u043e\u0441\u043d\u043e\u0432\u0435, \u0431\u0435\u0437\u0443\u043f\u0440\u0435\u0447\u043d\u043e \u0441\u043e\u0445\u0440\u0430\u043d\u044f\u044e\u0449\u0435\u0439 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u043d\u0443\u044e \u0434\u043b\u044f \u043f\u0435\u0440\u0438\u043e\u0434\u0430 \u0440\u043e\u043a\u043e\u043a\u043e \u043d\u0435\u0436\u043d\u0443\u044e \u043f\u0430\u043b\u0438\u0442\u0440\u0443 \u043f\u0430\u0441\u0442\u0435\u043b\u044c\u043d\u044b\u0445 \u0442\u043e\u043d\u043e\u0432 \u2013 \u043d\u0435\u0436\u043d\u043e-\u0440\u043e\u0437\u043e\u0432\u044b\u0435, \u0441\u0432\u0435\u0442\u043b\u043e-\u0433\u043e\u043b\u0443\u0431\u044b\u0435 \u0438 \u0442\u0435\u043f\u043b\u044b\u0435 \u0442\u0435\u043b\u0435\u0441\u043d\u044b\u0435 \u043e\u0442\u0442\u0435\u043d\u043a\u0438. \u0418\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u0435 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0437\u0430\u0449\u0438\u0449\u0435\u043d\u043e \u0441\u0442\u0435\u043a\u043b\u043e\u043c, \u0447\u0442\u043e \u043e\u0431\u0435\u0441\u043f\u0435\u0447\u0438\u0432\u0430\u0435\u0442 \u0434\u043e\u043b\u0433\u043e\u0432\u0435\u0447\u043d\u043e\u0441\u0442\u044c \u0440\u0430\u0431\u043e\u0442\u044b. \u0412\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u0443\u044e \u0438 \u043c\u0430\u0442\u0435\u0440\u0438\u0430\u043b\u044c\u043d\u0443\u044e \u0446\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u043a\u0430\u0440\u0442\u0438\u043d\u044b \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e \u043f\u043e\u0434\u0447\u0435\u0440\u043a\u0438\u0432\u0430\u0435\u0442 \u0435\u0435 <b data-path-to-node=\"18\" data-index-in-node=\"366\">\u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u0430\u044f, \u0447\u0440\u0435\u0437\u0432\u044b\u0447\u0430\u0439\u043d\u043e \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u0430\u044f \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0430\u044f \u0440\u0430\u043c\u0430 \u043e\u0432\u0430\u043b\u044c\u043d\u043e\u0439 \u0444\u043e\u0440\u043c\u044b \u0441 \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u043c \u0440\u0435\u043b\u044c\u0435\u0444\u043e\u043c<\/b>. \u0412 \u043e\u0442\u043b\u0438\u0447\u0438\u0435 \u043e\u0442 \u043f\u0435\u0440\u0432\u043e\u0439 \u0440\u0430\u0431\u043e\u0442\u044b, \u044d\u0442\u043e \u043e\u0431\u0440\u0430\u043c\u043b\u0435\u043d\u0438\u0435 \u0431\u043e\u0433\u0430\u0442\u043e \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u043e \u0431\u0430\u0440\u043e\u0447\u043d\u044b\u043c\u0438 \u043e\u0442\u043b\u0438\u0432\u043a\u0430\u043c\u0438 \u043b\u0438\u0441\u0442\u044c\u0435\u0432 \u0430\u043a\u0430\u043d\u0442\u0430, \u0446\u0432\u0435\u0442\u043e\u0432 \u0438 \u043b\u0430\u0432\u0440\u043e\u0432\u044b\u0445 \u0432\u0435\u043d\u043a\u043e\u0432, \u043f\u043e\u043a\u0440\u044b\u0442\u044b\u0445 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u043c \u0437\u043e\u043b\u043e\u0442\u044b\u043c \u0444\u0438\u043d\u0438\u0448\u0435\u043c. \u041e\u0432\u0430\u043b\u044c\u043d\u044b\u0439 \u0444\u043e\u0440\u043c\u0430\u0442 \u0432 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0435 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438 \u0441\u0447\u0438\u0442\u0430\u0435\u0442\u0441\u044f \u0441\u0430\u043c\u044b\u043c \u0441\u043b\u043e\u0436\u043d\u044b\u043c \u0438 \u0434\u043e\u0440\u043e\u0433\u0438\u043c \u0432 \u0438\u0437\u0433\u043e\u0442\u043e\u0432\u043b\u0435\u043d\u0438\u0438, \u0447\u0442\u043e \u0432\u043c\u0435\u0441\u0442\u0435 \u0441 \u0442\u043e\u043b\u0441\u0442\u044b\u043c \u0441\u0442\u0435\u043a\u043b\u043e\u043c \u043f\u0440\u0438\u0434\u0430\u0435\u0442 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0443 \u0432\u043d\u0443\u0448\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u0444\u0438\u0437\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0432\u0435\u0441.<\/p>\n<p data-path-to-node=\"19\">\u0411\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u044f \u0441\u0432\u043e\u0438\u043c \u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0431\u0435\u043b\u044c\u043d\u044b\u043c \u0440\u0430\u0437\u043c\u0435\u0440\u0430\u043c (72,5 \u0445 63,5 \u0441\u043c) \u044d\u0442\u0430 \u043a\u0430\u0440\u0442\u0438\u043d\u0430 (\u043e\u0441\u043e\u0431\u0435\u043d\u043d\u043e \u0432 \u043a\u043e\u043c\u0431\u0438\u043d\u0430\u0446\u0438\u0438 \u0441\u043e \u043f\u0435\u0440\u0432\u043e\u0439 \u0440\u0430\u0431\u043e\u0442\u043e\u0439 \u0441\u0435\u0440\u0438\u0438) \u043f\u043e\u0441\u043b\u0443\u0436\u0438\u0442 \u0433\u043b\u0430\u0432\u043d\u043e\u0439 \u0432\u0438\u0437\u0443\u0430\u043b\u044c\u043d\u043e\u0439 \u0434\u043e\u043c\u0438\u043d\u0430\u043d\u0442\u043e\u0439 \u0432 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0435. \u041e\u043d\u0430 \u0438\u0434\u0435\u0430\u043b\u044c\u043d\u043e \u043f\u043e\u0434\u043e\u0439\u0434\u0435\u0442 \u0434\u043b\u044f \u0441\u043f\u0430\u043b\u044c\u043d\u0438, \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u043e\u0433\u043e \u0431\u0443\u0434\u0443\u0430\u0440\u0430 \u0438\u043b\u0438 \u0433\u043e\u0441\u0442\u0438\u043d\u043e\u0439 \u0441\u0440\u0435\u0434\u0438 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u0439 \u043c\u0435\u0431\u0435\u043b\u0438, \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u044f \u0430\u0442\u043c\u043e\u0441\u0444\u0435\u0440\u0443 \u0412\u0435\u0440\u0441\u0430\u043b\u044c\u0441\u043a\u043e\u0433\u043e \u0441\u0430\u043b\u043e\u043d\u0430. \u041f\u0440\u0435\u0434\u043c\u0435\u0442 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u0445\u043e\u0440\u043e\u0448\u0435\u043c \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438. \u0426\u0432\u0435\u0442\u0430 \u0447\u0438\u0441\u0442\u044b\u0435. \u041c\u0430\u0441\u0441\u0438\u0432\u043d\u0430\u044f \u0440\u0430\u043c\u0430 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0441\u0442\u0430\u0431\u0438\u043b\u044c\u043d\u0430, \u0437\u043e\u043b\u043e\u0442\u043e\u0435 \u043f\u043e\u043a\u0440\u044b\u0442\u0438\u0435 \u043d\u0435\u0441\u0435\u0442 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u0443\u044e \u043f\u0430\u0442\u0438\u043d\u0443 \u0432\u0440\u0435\u043c\u0435\u043d\u0438 \u0441 \u043b\u0435\u0433\u043a\u0438\u043c\u0438 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u043c\u0438 \u0441\u043b\u0435\u0434\u0430\u043c\u0438 \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0430. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n<p data-path-to-node=\"21\">\ud83c\uddec\ud83c\udde7 Height: 72.5 cm Width: 63.5 cm<\/p>\n<p data-path-to-node=\"22\"><b data-path-to-node=\"22\" data-index-in-node=\"0\"><i data-path-to-node=\"22\" data-index-in-node=\"0\">Snapshot of the French Rococo Era, Madame de Pompadour (Madame de Pompadour):<\/i><\/b> <i data-path-to-node=\"22\" data-index-in-node=\"78\">The morning sun had climbed a little higher in the palace boudoir, and the marquise, with a subtle smile in her dressing mirror, signaled to her maids that she was ready for the next part of her morning ritual. Her gaze now turned toward the second oval artwork hanging in perfect symmetry directly beside the first scene, completing the paired series. This frame was even more substantial, its deep relief and acanthus leaf ornamentation providing a flawless architectural response and a profound sense of completion within the opulent interior.<\/i><\/p>\n<p data-path-to-node=\"23\"><i data-path-to-node=\"23\" data-index-in-node=\"0\">Beneath the clear protective glass, a completely different mise-en-sc\u00e8ne unfolded\u2014the goddess Venus no longer rode the ocean waves but rested serenely among her nymphs while playful cupids wove pearls into her hair. Fran\u00e7ois Boucher&#8217;s theatrical motif &#8220;Venus at Her Toilet&#8221; (V\u00e9nus \u00e0 sa toilette) breathed the air of fine silk, loose powder, and Versailles secrets. The massive oval wooden frame with its rich baroque scrolls caught every fragment of light, turning the wall into a formal salon gallery where each scene seamlessly expanded upon the last.<\/i><\/p>\n<p data-path-to-node=\"24\"><i data-path-to-node=\"24\" data-index-in-node=\"0\">She gently ran her fingertips over the gilded surface of the frame, appreciating its significant physical weight, which contrasted so beautifully with the airy lightness of the subject. These works were not merely decorative elements; they were the very essence of a royal lifestyle and refined taste preserved in print. She turned away with a quiet, enigmatic smile, knowing that this sophisticated pair would always stand as an unshakeable symbol of elegance and majesty.<\/i><\/p>\n<h2 data-path-to-node=\"25\"><b data-path-to-node=\"25\" data-index-in-node=\"0\">Antique French Rococo Print in Oval Gilded Frame<\/b><\/h2>\n<p data-path-to-node=\"26\">This sophisticated, oval-shaped artwork is a high-quality 19th-century reproduction of the 1740 masterpiece <i data-path-to-node=\"26\" data-index-in-node=\"108\">&#8220;Venus at Her Toilet&#8221;<\/i> (<i data-path-to-node=\"26\" data-index-in-node=\"131\">V\u00e9nus \u00e0 sa toilette<\/i>) by the leading French Rococo painter, Fran\u00e7ois Boucher. The scene captures the mythological moment where Venus, the goddess of love, is adorned with pearls and silk fabrics, surrounded by her nymphs and airborne cupids (<i data-path-to-node=\"26\" data-index-in-node=\"372\">putti<\/i>). This piece stands as a direct pendant and inseparable completion to the first artwork of the series, <i data-path-to-node=\"26\" data-index-in-node=\"481\">&#8220;The Triumph of Venus&#8221;<\/i>, together forming an indivisible collection ensemble designed for strict symmetry within a classical interior.<\/p>\n<p data-path-to-node=\"27\">The artwork is executed in a professional, master-level print technique on a paper base, flawlessly preserving the soft, powdery pastel palette characteristic of the Rococo period\u2014soft pinks, light blues, and warm flesh tones. The image is fully protected under glass, ensuring its longevity and preservation. The visual and material value of the print is significantly heightened by its <b data-path-to-node=\"27\" data-index-in-node=\"388\">original, exceptionally heavy, deep-relief oval wooden frame<\/b>. In contrast to the first piece&#8217;s understated beaded pattern, this frame is richly adorned with prominent baroque acanthus leaves, floral scrolls, and laurel wreath motifs along its entire perimeter, finished in a noble gold. The oval format is historically recognized as the most difficult and expensive type of framing to manufacture, which, combined with the thick protective glass, gives this object a substantial physical weight and presence.<\/p>\n<p data-path-to-node=\"28\">With its grand dimensions (72.5 x 63.5 cm), this painting (especially when displayed alongside the first piece of the series) will serve as an exceptional visual centerpiece in a classic interior. It is ideally suited for a bedroom above a commode, a luxurious lady&#8217;s boudoir, a formal living room, or a study among antique furniture, effortlessly establishing a Versailles salon atmosphere. The piece is in good historical condition with a natural wood patina and structurally stable backing. The condition of the item is fully reflected in the photographs.<\/p>\n<p data-path-to-node=\"30\">\ud83c\udde9\ud83c\uddea H\u00f6he: 72,5 cm Breite: 63,5 cm<\/p>\n<p data-path-to-node=\"31\"><b data-path-to-node=\"31\" data-index-in-node=\"0\"><i data-path-to-node=\"31\" data-index-in-node=\"0\">Schnappschuss der franz\u00f6sischen Rokoko-\u00c4ra, Madame de Pompadour (Madame de Pompadour):<\/i><\/b> <i data-path-to-node=\"31\" data-index-in-node=\"87\">Die Morgensonne stieg etwas h\u00f6her im Schloss-Boudoir, und die Marquise blickte mit einem feinen L\u00e4cheln in ihren Frisierspiegel. Ihr Blick wandte sich nun dem zweiten ovalen Kunstwerk zu, das in perfekter Symmetrie direkt neben dem ersten Motiv hing und die Paar-Serie vervollst\u00e4ndigte. Dieser Rahmen war noch massiver, sein tiefes Relief und die Akanthusbl\u00e4tter boten eine vollkommene architektonische Antwort und ein tiefes Gef\u00fchl der Vollendung im opulenten Interieur.<\/i><\/p>\n<p data-path-to-node=\"32\"><i data-path-to-node=\"32\" data-index-in-node=\"0\">Unter dem klaren Schutzglas entfaltete sich eine ganz andere Inszenierung \u2013 die G\u00f6ttin Venus ruhte gelassen inmitten ihrer Nymphen, w\u00e4hrend verspielte Amoretten Perlen in ihr Haar woben. Fran\u00e7ois Bouchers theatralisches Motiv \u201eDie Toilette der Venus\u201c (V\u00e9nus \u00e0 sa toilette) atmete den Geist von Seide, Puder und den Geheimnissen von Versailles. Der massive ovale Holzrahmen fing das ged\u00e4mpfte Licht ein. Sie ber\u00fchrte die goldene Oberfl\u00e4che des Rahmens und sp\u00fcrte das erhebliche Gewicht, das so wunderbar mit der Leichtigkeit des Motivs kontrastierte. Sie wandte sich mit einem respektvollen L\u00e4cheln ab, wohlwissend, dass dieses edle Paar immer als Symbol der Erhabenheit dienen w\u00fcrde.<\/i><\/p>\n<h3 data-path-to-node=\"33\"><b data-path-to-node=\"33\" data-index-in-node=\"0\">Antiker franz\u00f6sischer Stich\/Print im ovalen Goldrahmen \u2014 im Rokoko-Stil<\/b><\/h3>\n<p data-path-to-node=\"34\">Dieses erlesene Kunstwerk in ovaler Form ist eine hochwertige Reproduktion des Meisterwerks <i data-path-to-node=\"34\" data-index-in-node=\"92\">\u201eDie Toilette der Venus\u201c<\/i> (<i data-path-to-node=\"34\" data-index-in-node=\"118\">V\u00e9nus \u00e0 sa toilette<\/i>, 1751) des franz\u00f6sischen Rokoko-Meisters Fran\u00e7ois Boucher. Das Bild zeigt die mythologische Szene, in der die G\u00f6ttin Venus mit Perlen und Seidenstoffen geschm\u00fcckt wird. Dieses Werk ist die direkte Fortsetzung und das Gegenst\u00fcck zum ersten Bild der Serie <i data-path-to-node=\"34\" data-index-in-node=\"392\">\u201eDer Triumph der Venus\u201c<\/i> \u2013 zusammen bilden sie ein unzertrennliches Ensemble f\u00fcr die Symmetrie des Raumes.<\/p>\n<p data-path-to-node=\"35\">Das Werk ist in professioneller Drucktechnik auf Papier ausgef\u00fchrt, die die f\u00fcr das Rokoko typische Pastellpalette perfekt wiedergibt. Das Bild ist durch das Originalglas gesch\u00fctzt. Der Hauptwert dieses Exponats liegt in seinem <b data-path-to-node=\"35\" data-index-in-node=\"228\">originalen, \u00e4u\u00dferst massiven Goldrahmen mit tiefem Relief<\/b>. Im Gegensatz zum ersten Bild ist dieser Rahmen reich verziert mit Barock-Formen aus Akanthusbl\u00e4ttern, Bl\u00fcten und Lorbeerkr\u00e4nzen, veredelt mit einem edlen Goldfinish. Das ovale Format gilt historisch als die schwierigste und teuerste Art der Einrahmung, was dem Objekt ein erhebliches Gewicht verleiht. Mit seinen Ma\u00dfen von 72,5 x 63,5 cm eignet sich dieses Bild perfekt \u00fcber einer Kommode im klassischen Schlafzimmer, Boudoir oder Wohnzimmer. Das Kunstwerk befindet sich in einem guten historischen Zustand mit edler Alterspatina auf dem Rahmen. Der Zustand des Artikels ist vollst\u00e4ndig auf den Fotos abgebildet.<\/p>\n<p data-path-to-node=\"37\">\ud83c\uddeb\ud83c\uddf7 Hauteur : 72,5 cm Largeur : 63,5 cm<\/p>\n<p data-path-to-node=\"38\"><b data-path-to-node=\"38\" data-index-in-node=\"0\"><i data-path-to-node=\"38\" data-index-in-node=\"0\">Instantan\u00e9 de l&#8217;\u00e9poque rococo fran\u00e7aise, Madame de Pompadour (Madame de Pompadour):<\/i><\/b> <i data-path-to-node=\"38\" data-index-in-node=\"84\">Le soleil du matin \u00e9tait mont\u00e9 un peu plus haut dans le boudoir du palais, et la marquise, avec un sourire subtil dans son miroir, fit signe \u00e0 ses servantes qu&#8217;elle \u00e9tait pr\u00eate pour la suite de son rituel. Son regard se tourna alors vers la seconde \u0153uvre d&#8217;art ovale suspendue en parfaite sym\u00e9trie directement \u00e0 c\u00f4t\u00e9 de la premi\u00e8re sc\u00e8ne, compl\u00e9tant la s\u00e9rie en paire. Ce cadre \u00e9tait encore plus substantiel, son haut-relief et ses ornements de feuilles d&#8217;acanthe offrant une r\u00e9ponse architecturale parfaite et un profond sentiment de pl\u00e9nitude au sein de l&#8217;int\u00e9rieur opulent.<\/i><\/p>\n<p data-path-to-node=\"39\"><i data-path-to-node=\"39\" data-index-in-node=\"0\">Sous le verre protecteur clair, une mise en sc\u00e8ne compl\u00e8tement diff\u00e9rente se d\u00e9voilait \u2014 la d\u00e9esse V\u00e9nus ne chevauchait plus les vagues de l&#8217;oc\u00e9an mais reposait sereinement parmi ses nymphes tandis que des amours enjou\u00e9s tressaient des perles dans ses cheveux. Le motif th\u00e9\u00e2tral de Fran\u00e7ois Boucher \u00ab La Toilette de V\u00e9nus \u00bb (V\u00e9nus \u00e0 sa toilette) exhalait un air de soie fine, de poudre et de secrets de Versailles. Le cadre massif en bois ovale captait chaque fragment de lumi\u00e8re. Elle effleura du bout des doigts la surface dor\u00e9e du cadre, appr\u00e9ciant son poids physique important qui contrastait si joliment avec la l\u00e9g\u00e8ret\u00e9 du sujet. Elle se d\u00e9tourna avec un sourire \u00e9nigmatique, sachant que cette paire sophistiqu\u00e9e resterait \u00e0 jamais un symbole de majest\u00e9.<\/i><\/p>\n<h3 data-path-to-node=\"40\"><b data-path-to-node=\"40\" data-index-in-node=\"0\">Peinture Fran\u00e7aise Ancienne sous Verre \u2014 de Style Rococo<\/b><\/h3>\n<p data-path-to-node=\"41\">Cette \u0153uvre d&#8217;art exquise de forme ovale est une reproduction de haute qualit\u00e9 du chef-d&#8217;\u0153uvre de 1751 <i data-path-to-node=\"41\" data-index-in-node=\"103\">\u00ab La Toilette de V\u00e9nus \u00bb<\/i> (<i data-path-to-node=\"41\" data-index-in-node=\"129\">V\u00e9nus \u00e0 sa toilette<\/i>) par le ma\u00eetre du rococo fran\u00e7ais, Fran\u00e7ois Boucher. Le tableau capture la sc\u00e8ne mythologique o\u00f9 V\u00e9nus, d\u00e9esse de l&#8217;amour, est par\u00e9e de perles et de tissus de soie, entour\u00e9e de ses nymphes et d&#8217;amours volants (<i data-path-to-node=\"41\" data-index-in-node=\"359\">putti<\/i>). Cette pi\u00e8ce constitue le pendant direct et le compl\u00e9ment ins\u00e9parable de la premi\u00e8re \u0153uvre de la s\u00e9rie, <i data-path-to-node=\"41\" data-index-in-node=\"470\">\u00ab Le Triomphe de V\u00e9nus \u00bb<\/i>, formant ensemble un ensemble de collection indivisible con\u00e7u pour une sym\u00e9trie stricte au sein d&#8217;un int\u00e9rieur classique.<\/p>\n<p data-path-to-node=\"42\">L&#8217;\u0153uvre est ex\u00e9cut\u00e9e dans une technique d&#8217;impression historique professionnelle sur papier, restituant parfaitement la palette de tons pastels poudr\u00e9s caract\u00e9ristique de la p\u00e9riode rococo. L&#8217;image est enti\u00e8rement prot\u00e9g\u00e9e sous son verre d&#8217;origine. La valeur visuelle et mat\u00e9rielle de la pi\u00e8ce r\u00e9side dans son <b data-path-to-node=\"42\" data-index-in-node=\"309\">cadre en bois ovale d&#8217;origine exceptionnellement massif et en haut-relief<\/b>. Contrairement au motif perl\u00e9 plus discret de la premi\u00e8re pi\u00e8ce, ce cadre est richement orn\u00e9 de feuilles d&#8217;acanthe baroques pro\u00e9minentes, de volutes florales et de motifs de couronnes de laurier sur tout son p\u00e9rim\u00e8tre, avec une finition dor\u00e9e noble. Le format ovale est historiquement reconnu comme le type d&#8217;encadrement le plus difficile et le plus co\u00fbteux \u00e0 fabriquer, ce qui donne \u00e0 l&#8217;objet un poids physique important. Avec ses dimensions imposantes (72,5 x 63,5 cm), cette \u0153uvre sera la pi\u00e8ce ma\u00eetresse id\u00e9ale au-dessus d&#8217;une commode dans une chambre, un boudoir ou un salon classique. L&#8217;\u0153uvre est en bon \u00e9tat historique. L&#8217;\u00e9tat de l&#8217;objet est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/p>\n<p data-path-to-node=\"44\">\ud83c\udde9\ud83c\uddf0 H\u00f8jde: 72,5 cm Bredde: 63,5 cm<\/p>\n<p data-path-to-node=\"45\"><b data-path-to-node=\"45\" data-index-in-node=\"0\"><i data-path-to-node=\"45\" data-index-in-node=\"0\">\u00d8jebliksbillede af den franske rokoko, Madame de Pompadour (Madame de Pompadour):<\/i><\/b> <i data-path-to-node=\"45\" data-index-in-node=\"82\">Morgensolen var steget lidt h\u00f8jere i paladsboudoiret, og markisen s\u00e5 med et fint smil i sit spejl. Hendes blik vendte sig nu mod det andet ovale kunstv\u00e6rk, der hang i perfekt symmetri direkte ved siden af det f\u00f8rste motiv og fuldendte par-serien. Denne ramme var endnu mere massiv, dens dybe relief og akantusblade tilb\u00f8d et fuldkomment arkitektonisk svar og en dyb f\u00f8lelse af fuldendelse i det overd\u00e5dige interi\u00f8r.<\/i><\/p>\n<p data-path-to-node=\"46\"><i data-path-to-node=\"46\" data-index-in-node=\"0\">Under det klare beskyttelsesglas udfoldede der sig en helt anden iscenes\u00e6ttelse \u2013 gudinden Venus hvilede roligt midt iblandt sine nymfer, mens legesyge amoretter flettede perler i hendes h\u00e5r. Fran\u00e7ois Bouchers teatralske motiv \u201eVenus&#8217; toilet\u201c (V\u00e9nus \u00e0 sa toilette) \u00e5ndede af silke, pudder og Versailles&#8217; hemmeligheder. Den massive ovale tr\u00e6ramme fangede det d\u00e6mpede lys. Hun lod fingerspidserne glide over rammens gyldne overflade og m\u00e6rkede dens betydelige v\u00e6gt, der kontrasterede s\u00e5 smukt med motivets lethed. Hun vendte sig v\u00e6k med et respektfuldt smil, velvidende at dette \u00e6dle par altid ville fungere som et symbol p\u00e5 oph\u00f8jethed.<\/i><\/p>\n<h3 data-path-to-node=\"47\"><b data-path-to-node=\"47\" data-index-in-node=\"0\">Antikt fransk stik\/print i oval guldramme \u2014 i rokoko-stil<\/b><\/h3>\n<p data-path-to-node=\"48\">Dette uds\u00f8gte kunstv\u00e6rk i oval form ie en h\u00f8jkvalitets reproduktion af mesterv\u00e6rket <i data-path-to-node=\"48\" data-index-in-node=\"84\">\u201eVenus&#8217; toilet\u201c<\/i> (<i data-path-to-node=\"48\" data-index-in-node=\"101\">V\u00e9nus \u00e0 sa toilette<\/i>, 1751) af den franske rokokomester Fran\u00e7ois Boucher. Billedet skildrer den mytologiske scene, hvor gudinden Venus smykkes med perler og silkestoffer. Dette v\u00e6rk er den direkte forts\u00e6ttelse og modstykket til det f\u00f8rste billede i serien <i data-path-to-node=\"48\" data-index-in-node=\"356\">\u201eVenus&#8217; triumf\u201c<\/i> \u2013 tilsammen danner de et uadskilleligt ensemble for rummets symmetri.<\/p>\n<p data-path-to-node=\"49\">V\u00e6rket er udf\u00f8rt i professionel trykteknik p\u00e5 papir, som gengiver rokokoens typiske pastelpalette perfekt. Billedet er beskyttet af det originale glas. Hovedv\u00e6rdien ved dette eksponat ligger i dets <b data-path-to-node=\"49\" data-index-in-node=\"198\">originale, yderst massive guldramme med dybt relief<\/b>. I mods\u00e6tning til det f\u00f8rste billede er denne ramme rigt dekoreret med barokformer af akantusblade, blomster og laurb\u00e6rkranse, for\u00e6dlet med en \u00e6del guldfinish. Det ovale format anses historisk for at v\u00e6re den sv\u00e6reste og dyreste form for indramning, hvilket giver objektet en betydelig v\u00e6gt. Med sine m\u00e5l p\u00e5 72,5 x 63,5 cm passer dette billede perfekt over en kommode i et klassisk sovev\u00e6relse, boudoir eller stue. Kunstv\u00e6rket er i en velbevaret historisk stand med charmerende patinering p\u00e5 rammen. Genstandens tilstand er fuldt ud afspejlet p\u00e5 fotografierne.<\/p>\n<p data-path-to-node=\"51\">\ud83c\uddf8\ud83c\uddea H\u00f6jd: 72,5 cm Bredd: 63,5 cm<\/p>\n<p data-path-to-node=\"52\"><b data-path-to-node=\"52\" data-index-in-node=\"0\"><i data-path-to-node=\"52\" data-index-in-node=\"0\">\u00d6gonblicksbild fr\u00e5n den franska rokokon, Madame de Pompadour (Madame de Pompadour):<\/i><\/b> <i data-path-to-node=\"52\" data-index-in-node=\"84\">Morgonsolen hade stigit lite h\u00f6gre i palatsboudoiren, och markisen blickade med ett fint leende i sin friserspegel. Hennes blick v\u00e4nde sig nu mot det andra ovala konstverket, som h\u00e4ngde i perfekt symmetri direkt bredvid det f\u00f6rsta motivet och fullbordade par-serien. Denna ram var \u00e4nnu mer massiv, dess djupa relief och akantusblad erbj\u00f6d ett fullkomligt arkitektoniskt svar och en djup k\u00e4nsla av fullbordan i den opulenta interi\u00f6ren.<\/i><\/p>\n<p data-path-to-node=\"53\"><i data-path-to-node=\"53\" data-index-in-node=\"0\">Under det klara skyddsglaset utspelade sig en helt annan iscens\u00e4ttning \u2013 gudinnan Venus vilade stillasittande mitt ibland sina nymfer, medan lekfulla amoretter fl\u00e4tade p\u00e4rlor i hennes h\u00e5r. Fran\u00e7ois Bouchers teatermotiv \u201dVenus toalett\u201d (V\u00e9nus \u00e0 sa toilette) andades silke, pudder och Versailles hemligheter. Den massiva ovala tr\u00e4ramen f\u00e5ngade det d\u00e4mpade ljuset. Hon l\u00f6t fingertopparna glida \u00f6ver rammens gyllene yta och k\u00e4nde dess betydande vikt, som kontrasterade s\u00e5 vackert med motivets l\u00e4tthet. Hon v\u00e4nde sig bort med ett respektfullt leende, v\u00e4l medveten om att detta \u00e4dla par alltid skulle fungera som en symbol f\u00f6r upph\u00f6jdhet.<\/i><\/p>\n<h3 data-path-to-node=\"54\"><b data-path-to-node=\"54\" data-index-in-node=\"0\">Oljem\u00e5lning i oval guldram \u2014 i rokokostil<\/b><\/h3>\n<p data-path-to-node=\"55\">Detta uts\u00f6kta konstverk i oval form \u00e4r en h\u00f6gkvalitativ reproduktion av m\u00e4sterverket <i data-path-to-node=\"55\" data-index-in-node=\"85\">\u201dVenus toalett\u201d<\/i> (<i data-path-to-node=\"55\" data-index-in-node=\"102\">V\u00e9nus \u00e0 sa toilette<\/i>, 1751) av den franske rokokom\u00e4staren Fran\u00e7ois Boucher. Bilden skildrar den mytologiska scenen d\u00e4r gudinna Venus smyckas med p\u00e4rlor och sidentyger. Detta verk \u00e4r den direkta forts\u00e4ttningen och motstycket till den f\u00f6rsta bilden i serien <i data-path-to-node=\"55\" data-index-in-node=\"357\">\u201dVenus triumf\u201d<\/i> \u2013 tillsammans bildar de ett oskiljaktigt ensemble f\u00f6r rummets symmetri.<\/p>\n<p data-path-to-node=\"56\">Verket \u00e4r utf\u00f6rt i professionell tryckteknik p\u00e5 papper, som \u00e5terger rokokons typiska pastellpalett perfekt. Bilden \u00e4r skyddad av originalglaset. Huvudv\u00e4rdet hos detta exponent ligger i dess <b data-path-to-node=\"56\" data-index-in-node=\"190\">originala, ytterst massiva guldram med djupt relief<\/b>. I motsats till den f\u00f6rsta bilden \u00e4r denna ram rikt dekorerad med barockformer av akantusblad, blommor och lagerkransar, f\u00f6r\u00e4dlats med en \u00e4del guld-finish. Det ovala formatet anses historisk vara den sv\u00e5raste och dyraste formen av inramning, vilket ger objektet en betydande vikt. Med sina m\u00e5tt p\u00e5 72,5 x 63,5 cm passar denna m\u00e5lning perfekt in i ett sovrum, boudoir eller vardagsrum, ovanf\u00f6r en kommod. Oljem\u00e5lningen \u00e4r i ett v\u00e4lbevarat historiskt skick med charmig patinering p\u00e5 ramen. F\u00f6rem\u00e5lets skick \u00e5terspeglas helt p\u00e5 fotografierna.<\/p>\n<p data-path-to-node=\"58\">\ud83c\uddf3\ud83c\uddf4 H\u00f8yde: 72,5 cm Bredde: 63,5 cm<\/p>\n<p data-path-to-node=\"59\"><b data-path-to-node=\"59\" data-index-in-node=\"0\"><i data-path-to-node=\"59\" data-index-in-node=\"0\">\u00d8yeblikksbilde fra den franske rokokkoen, Madame de Pompadour (Madame de Pompadour):<\/i><\/b> <i data-path-to-node=\"59\" data-index-in-node=\"85\">Morgensolen hadde steget litt h\u00f8yere i palassboudoiret, og markisen bikket med et fint smil i sitt friserspeil. Blikket hennes vendte seg n\u00e5 mot det andre ovale kunstverket, som hang i perfekt symmetri direkte ved siden av det f\u00f8rste motivet og fullf\u00f8rte par-serien. Denne rammen var enda mer massiv, dens dype relieff og akantusblader tilb\u00f8d et fullkomment arkitektonisk svar og en dyp f\u00f8lelse av fullbyrdelse i det opulente interi\u00f8ret.<\/i><\/p>\n<p data-path-to-node=\"60\"><i data-path-to-node=\"60\" data-index-in-node=\"0\">Under det klare beskyttelsesglasset utspilte det seg en helt annen iscenesettelse \u2013 gudinnen Venus hvilte rolig midt iblant sine nymfer, mens lekne amoretter flettet perler i h\u00e5ret hennes. Fran\u00e7ois Bouchers teatermotiv \u201eVenus&#8217; toalett\u201c (V\u00e9nus \u00e0 sa toilette) \u00e5ndet av silke, pudder og Versailles&#8217; hemmeligheter. Den massive ovale trerammen fanget det dempede lyset. Hun lot fingertuppene gli over rammens gyldne overflate og kjente dens betydelige vekt, som kontrasterte s\u00e5 vakkert med motivets letthet. Hun snudde seg bort med et respektfullt smil, vel vitende om at dette edle paret alltid ville fungere som et symbol p\u00e5 opph\u00f8ydhet.<\/i><\/p>\n<h3 data-path-to-node=\"61\"><b data-path-to-node=\"61\" data-index-in-node=\"0\">Antikk fransk stikk\/print i oval gullramme \u2014 i rokokko-stil<\/b><\/h3>\n<p data-path-to-node=\"62\">Dette uts\u00f8kte kunstverket i oval form er en h\u00f8ykvalitets reproduksjon av mesterverket <i data-path-to-node=\"62\" data-index-in-node=\"86\">\u201eVenus&#8217; toalett\u201c<\/i> (<i data-path-to-node=\"62\" data-index-in-node=\"104\">V\u00e9nus \u00e0 sa toilette<\/i>, 1751) av den franske rokokko-mesteren Fran\u00e7ois Boucher. Bildet skildrer den mytologiske scenen der gudinnen Venus smykkes med perler og silkestoffer. Dette verket er den direkte fortsettelsen og motstykket til det f\u00f8rste bildet i serien <i data-path-to-node=\"62\" data-index-in-node=\"362\">\u201eVenus&#8217; triumf\u201c<\/i> \u2013 tilsammen danner de et uadskillelig ensemble for rommets symmetri.<\/p>\n<p data-path-to-node=\"63\">Verket er utf\u00f8rt i profesjonell trykkteknikk p\u00e5 papir, som gjengir rokokkoens typiske pastellpalett perfekt. Bildet er beskyttet av det originale glasset. Hovedverdien ved dette eksponatet ligger i dets <b data-path-to-node=\"63\" data-index-in-node=\"203\">originale, usedvanlig massive gullramme med dyp relieff<\/b>. I motsetning til det f\u00f8rste bildet, er denne rammen rikt dekorert med barokkformer av akantusblader, blomster og laurb\u00e6rkranser, foredlet med en edel gullfinish. Det ovale formatet anses historisk for \u00e5 v\u00e6re den vanskeligste og dyreste formen for innramming, noe som gir objektet en betydelig vekt. Med sine m\u00e5l p\u00e5 72,5 x 63,5 cm passer dette bildet perfekt over en kommode i et klassisk soverom, boudoir oder stue. Kunstverket er i en velbevaret historisk stand med sjarmerende patinering p\u00e5 rammen. Gjenstandens tilstand er fullt ut gjenspeilet p\u00e5 fotografiene.<\/p>\n<p data-path-to-node=\"65\">\ud83c\uddeb\ud83c\uddee Korkeus: 72,5 cm Leveys: 63,5 cm<\/p>\n<p data-path-to-node=\"66\"><b data-path-to-node=\"66\" data-index-in-node=\"0\"><i data-path-to-node=\"66\" data-index-in-node=\"0\">Katsaus ranskalaisen rokokoon aikakauteen, Markiisitar de Pompadour (Madame de Pompadour):<\/i><\/b> <i data-path-to-node=\"66\" data-index-in-node=\"91\">Aamuaurinko oli nousut hieman korkeammalle palatsin buduaarissa, ja markiisitar katsoi hienolla hymyll\u00e4 kampaamopeiliins\u00e4. H\u00e4nen katseensa k\u00e4\u00e4ntyi nyt toiseen soikeaan taideteokseen, joka riippui t\u00e4ydellisess\u00e4 symmetriassa suoraan ensimm\u00e4isen aiheen vieress\u00e4 t\u00e4ydent\u00e4en parisarjan. T\u00e4m\u00e4 kehys oli viel\u00e4 massiivisempi, sen syv\u00e4 kohokuvio ja akantuksenlehdet tarjosivat t\u00e4ydellisen arkkitehtonisen vastauksen ja syv\u00e4n t\u00e4ydellisyyden tunteen ylellisess\u00e4 sisustuksessa.<\/i><\/p>\n<p data-path-to-node=\"67\"><i data-path-to-node=\"67\" data-index-in-node=\"0\">Kirkkaan suojalasin alla avautui aivan toisenlainen lavastus \u2013 rakkauden jumalatar Venus lep\u00e4si levollisesti nymfiens\u00e4 keskell\u00e4, kun taas leikkis\u00e4t amurit punoivat helmi\u00e4 h\u00e4nen hiuksiinsa. Fran\u00e7ois Boucherin teatraalinen aihe \u201dVenuksen wc\u201d (V\u00e9nus \u00e0 sa toilette) hengitti silkki\u00e4, puuteria ja Versailles&#8217;n salaisuuksia. Massiivinen soikea puukehys vangitsi h\u00e4m\u00e4r\u00e4n valon. H\u00e4n antoi sormenp\u00e4idens\u00e4 liukua kehyksen kultaisella pinnalla, tuntien sen huomattavan painon, joka kontrastoi niin kauniisti aiheen keveyden kanssa. H\u00e4n k\u00e4\u00e4ntyi pois kunnioittava hymy huulillaan tiet\u00e4en, ett\u00e4 t\u00e4m\u00e4 jalo pari toimisi aina ylh\u00e4isyyden symbolina.<\/i><\/p>\n<h3 data-path-to-node=\"68\"><b data-path-to-node=\"68\" data-index-in-node=\"0\">Antiikkinen \u00f6ljyv\u00e4rimaalaus soikeassa kultakehyksess\u00e4 \u2014 rokokootyyliin<\/b><\/h3>\n<p data-path-to-node=\"69\">T\u00e4m\u00e4 hieno soikeanmuotoinen taideteos on korkealaatuinen j\u00e4ljenn\u00f6s mestariteoksesta <i data-path-to-node=\"69\" data-index-in-node=\"84\">\u201dVenuksen wc\u201d<\/i> (<i data-path-to-node=\"69\" data-index-in-node=\"99\">V\u00e9nus \u00e0 sa toilette<\/i>, 1751), jonka on tehnyt ranskalainen rokokoomestari Fran\u00e7ois Boucher. Kuva esitt\u00e4\u00e4 mytologista kohtausta, jossa Venus-jumalatar koristellaan helmill\u00e4 ja silkkikankailla. T\u00e4m\u00e4 teos on suora jatko ja vastine sarjan ensimm\u00e4iselle kuvalle <i data-path-to-node=\"69\" data-index-in-node=\"354\">\u201dVenuksen riemuvoitto\u201d<\/i> \u2013 yhdess\u00e4 ne muodostavat erottamattoman kokonaisuuden tilan symmetrian varmistamiseksi.<\/p>\n<p data-path-to-node=\"70\">Teos on toteutettu ammattimaisella painotekniikalla paperille, joka toistaa rokokoolle tyypillisen pastellipaletin t\u00e4ydellisesti. Kuva on suojattu alkuper\u00e4isell\u00e4 lasilla. T\u00e4m\u00e4n esineen p\u00e4\u00e4arvo piilee sen <b data-path-to-node=\"70\" data-index-in-node=\"204\">alkuper\u00e4isess\u00e4, eritt\u00e4in massiivisessa kultakehyksess\u00e4, jossa on syv\u00e4 kohokuvio<\/b>. Toisin kuin ensimm\u00e4isess\u00e4 kuvassa, t\u00e4m\u00e4 kehys on runsaasti koristeltu barokkityylisill\u00e4 akantuksenlehdill\u00e4, kukilla ja laakeriseppeleill\u00e4, jotka on viimeistelty jalolla kultauksella. Soikeaa muotoa pidet\u00e4\u00e4n historiallisesti vaikeimpana ja kalleimpana kehystysmuotona, mik\u00e4 antaa esineelle huomattavan painon. Kooltaan 72,5 x 63,5 cm t\u00e4m\u00e4 maalaus sopii t\u00e4ydellisesti lipaston yl\u00e4puolelle klassiseen makuuhuoneeseen, buduaariin tai olohuoneeseen. Taideteos on hyv\u00e4ss\u00e4 historiallisessa kunnossa, ja kehyksess\u00e4 on luonnollista patinaa. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0100rk\u0101rt\u012bgi elegants un kr\u0101\u0161\u0146s 19. gadsimta fran\u010du rokoko meistara Fransu\u0101 Bu\u0161\u0113 slaven\u0101 darba &#8220;Veneras tualete&#8221; (<i data-path-to-node=\"0\" data-index-in-node=\"658\">V\u00e9nus \u00e0 sa toilette<\/i>) lielform\u0101ta att\u0113lojums augstv\u0113rt\u012bg\u0101 iespiedtehnik\u0101 aiz aizsargstikla. Glezna ietverta mas\u012bv\u0101, izsmalcin\u0101t\u0101 ov\u0101las formas zelt\u012bt\u0101 koka r\u0101m\u012b ar bag\u0101t\u012bgu barok\u0101lu akanta lapu un ziedu ornamentu reljefu. Izcils salona interjera ekspon\u0101ts, kas kalpo k\u0101 p\u0101ris un tie\u0161s turpin\u0101jums otrajai gleznai.<\/p>\n","protected":false},"featured_media":11541,"template":"","meta":[],"product_brand":[],"product_cat":[206,204],"product_tag":[1724,1785,1786,1789,1797,1788,1796,1792,456,1795,1791,1790,1772,1798],"class_list":["post-11540","product","type-product","status-publish","has-post-thumbnail","product_cat-gleznas","product_cat-visas-lietas","product_tag-antika-gravira","product_tag-antique-rococo-print","product_tag-francois-boucher","product_tag-french-mythological-art","product_tag-markize-de-pompadura-madame-de-pompadour","product_tag-oval-gilded-frame","product_tag-pair-collection-print","product_tag-parizes-salons","product_tag-rokoko-stils","product_tag-venus-a-sa-toilette","product_tag-versailas-sarms","product_tag-vintage-art-print","product_tag-wall-decor-under-glass","product_tag-1798","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/11540","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/11541"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=11540"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=11540"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=11540"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=11540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}