{"id":11154,"date":"2022-05-31T14:56:21","date_gmt":"2022-05-31T11:56:21","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=11154"},"modified":"2026-09-07T21:20:15","modified_gmt":"2026-09-07T18:20:15","slug":"carved-armchair-neo-renaissance-walnut-3288","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/carved-armchair-neo-renaissance-walnut-3288\/","title":{"rendered":"Neorenesanses kurula kr\u0113sls ar kokgriezumu, riekstkoks. Kr\u0113sls Rakst\u0101mgaldam (3288)"},"content":{"rendered":"

Neorenesanses kurula kr\u0113sls ar kokgriezumu \u2014 riekstkoks, Eiropa, 19. gadsimta beigas<\/h3>\n

\u0160is iespaid\u012bgais X-formas atzveltnes kr\u0113sls ar roku balstiem (carved armchair<\/em>) ir izcils historisma<\/strong> laikmeta paraugs, kur neorenesanses<\/strong> gars atdzimst kupl\u0101, gandr\u012bz skulptur\u0101l\u0101 riekstkoka<\/strong> kokgriezum\u0101<\/strong>. Krustojo\u0161\u0101s r\u0101mja l\u012bnijas atg\u0101dina seno sella curulis<\/em> \u2014 varas un goda s\u0113dekli \u2014, bet to satik\u0161an\u0101s viet\u0101s kokt\u0113lnieks iekalis sp\u0101rnotas groteskas maskas ar dz\u012bvu, gandr\u012bz dusm\u012bgu skatienu, kam\u0113r roku balstu gali nosl\u0113dzas ar izteiksm\u012bg\u0101m lauvas galv\u0101m.<\/p>\n

Augstums 80 cm \u00b7 platums 58 cm \u00b7 s\u0113dvietas augstums 33 cm \u00b7 s\u0113dvietas dzi\u013cums 39 cm.<\/p>\n

Izgatavo\u0161anas periods un m\u0101kslas stils<\/strong><\/p>\n

Historisms (neorenesanse)<\/strong>, aptuveni 1880.\u20131900. gads<\/strong>, Eiropa. 19. gadsimta beig\u0101s glezniecisk\u0101 v\u0113sturisk\u0101 gaume atkal piev\u0113rs\u0101s Renesanses form\u0101m, un meistari ar lepnumu demonstr\u0113ja savu prasmi t\u0101dos priek\u0161metos k\u0101 \u0161is \u2014 kur katra collas tiesa virsmas p\u0101rv\u0113r\u0161as kust\u012bb\u0101, sej\u0101 vai lapojum\u0101.<\/p>\n

Neorenesanses (historisma) momentuz\u0146\u0113mums:<\/em> Gabriels D’Annuncio (Gabriele D’Annunzio) apst\u0101j\u0101s pusce\u013c\u0101 pa sava Florences palaco marmora k\u0101pn\u0113m un pac\u0113la acis uz pustum\u0161o bibliot\u0113kas z\u0101li. Pa augstajiem logiem iepl\u016bda zeltaina vakara gaisma, sl\u012bdot p\u0101r samtainajiem sienu aizkariem un seno gr\u0101matu mugur\u0101m. Telpas dzi\u013cum\u0101, \u0113n\u0101, v\u012bnsarkan\u0101 koka mirdzum\u0101 neman\u0101mi iez\u012bm\u0113j\u0101s lielas, simetriski izliektas l\u012bnijas, kas krustoj\u0101s k\u0101 divi loki, un to satik\u0161an\u0101s viet\u0101 no tumsas raudz\u012bj\u0101s sp\u0101rnota seja ar dz\u012bvu, gandr\u012bz dusm\u012bgu skatienu. Vi\u0146a pirksti sl\u012bd\u0113ja p\u0101r v\u0113so, gludo virsmu, l\u012bdz sastapa lauvas purnu, izgrieztu ar t\u0101du drosmi, ka \u0161\u0137ita \u2014 tas t\u016bda\u013c ievaid\u0113sies. \u0160aj\u0101 greznaj\u0101, gandr\u012bz teatr\u0101laj\u0101 form\u0101 dz\u012bvoja kaut kas no senas varas un pa\u0161cie\u0146as, ko dzejnieks tik kaisl\u012bgi alka iet\u0113rpt savos v\u0101rdos.<\/p>\n

Materi\u0101ls un kokgriezums<\/strong><\/p>\n

Kr\u0113sls darin\u0101ts no mas\u012bva riekstkoka<\/strong> ar silti s\u0101rtu toni. Galven\u0101 v\u0113rt\u012bba ir kokgriezums<\/strong>: sp\u0101rnotie maskaroni X-r\u0101mja krustojumos, lauvu galvas roku balstos, akanta vol\u016btas un \u0137epveida k\u0101jas ir \u012bsts kokt\u0113lnieka darbs, ne s\u0113rijveida apdare. Aug\u0161\u0113jais \u0161\u0137\u0113rskoks rot\u0101ts ar simetrisk\u0101m vol\u016bt\u0101m un centr\u0101lo kartu\u0161u.<\/p>\n

Pielietojums interjer\u0101, dizain\u0101 un fotogr\u0101fij\u0101<\/strong><\/p>\n

Zem\u0101 s\u0113dvieta un teatr\u0101l\u0101 silueta d\u0113\u013c \u0161is ir akcenta kr\u0113sls \u2014 efekt\u012bgs hall\u0113, bibliot\u0113k\u0101, pie kam\u012bna vai k\u0101 rakstur\u012bga “tro\u0146a” tipa s\u0113dvieta reprezentat\u012bv\u0101 st\u016br\u012b. Tas ir ar\u012b pateic\u012bgs objekts fotosesij\u0101m un v\u0113sturiska interjera kompoz\u012bcij\u0101m.<\/p>\n

St\u0101voklis<\/strong><\/p>\n

Kr\u0113sls ir lab\u0101, stabil\u0101 st\u0101vokl\u012b ar svaigu, sv\u012btrotu zeltaini dzeltenu samta polster\u0113jumu, kas izce\u013c riekstkoka silto toni. Koka virsmas saglab\u0101 c\u0113lu patinu ar atsevi\u0161\u0137\u0101m vecuma un lieto\u0161anas p\u0113d\u0101m. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n

\n

\ud83c\uddf7\ud83c\uddfa<\/p>\n

\u041d\u0435\u043e\u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441\u043d\u043e\u0435 \u043a\u0443\u0440\u0443\u043b\u044c\u043d\u043e\u0435 \u043a\u0440\u0435\u0441\u043b\u043e \u0441 \u0440\u0435\u0437\u044c\u0431\u043e\u0439 \u2014 \u043e\u0440\u0435\u0445, \u0415\u0432\u0440\u043e\u043f\u0430, \u043a\u043e\u043d\u0435\u0446 XIX \u0432\u0435\u043a\u0430<\/h3>\n

\u042d\u0442\u043e \u0432\u043d\u0443\u0448\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0435 X-\u043e\u0431\u0440\u0430\u0437\u043d\u043e\u0435 \u043a\u0440\u0435\u0441\u043b\u043e<\/strong> \u0441 \u043f\u043e\u0434\u043b\u043e\u043a\u043e\u0442\u043d\u0438\u043a\u0430\u043c\u0438 (carved armchair<\/em>) \u2014 \u0432\u044b\u0434\u0430\u044e\u0449\u0438\u0439\u0441\u044f \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u044d\u043f\u043e\u0445\u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430<\/strong>, \u0433\u0434\u0435 \u0434\u0443\u0445 \u043d\u0435\u043e\u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441\u0430<\/strong> \u043e\u0436\u0438\u0432\u0430\u0435\u0442 \u0432 \u043f\u044b\u0448\u043d\u043e\u0439, \u043f\u043e\u0447\u0442\u0438 \u0441\u043a\u0443\u043b\u044c\u043f\u0442\u0443\u0440\u043d\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u0435<\/strong> \u043f\u043e \u043e\u0440\u0435\u0445\u0443<\/strong>. \u041f\u0435\u0440\u0435\u043a\u0440\u0435\u0449\u0438\u0432\u0430\u044e\u0449\u0438\u0435\u0441\u044f \u043b\u0438\u043d\u0438\u0438 \u0440\u0430\u043c\u044b \u043d\u0430\u043f\u043e\u043c\u0438\u043d\u0430\u044e\u0442 \u0434\u0440\u0435\u0432\u043d\u0435\u0435 sella curulis<\/em> \u2014 \u0441\u0435\u0434\u0430\u043b\u0438\u0449\u0435 \u0432\u043b\u0430\u0441\u0442\u0438 \u0438 \u0447\u0435\u0441\u0442\u0438, \u2014 \u0430 \u0432 \u043c\u0435\u0441\u0442\u0430\u0445 \u0438\u0445 \u043f\u0435\u0440\u0435\u0441\u0435\u0447\u0435\u043d\u0438\u044f \u0440\u0435\u0437\u0447\u0438\u043a \u043f\u043e \u0434\u0435\u0440\u0435\u0432\u0443<\/strong> \u0432\u044b\u0440\u0435\u0437\u0430\u043b \u043a\u0440\u044b\u043b\u0430\u0442\u044b\u0435 \u043c\u0430\u0441\u043a\u0438 \u0433\u0440\u043e\u0442\u0435\u0441\u043a\u043e\u0432 \u0441 \u0436\u0438\u0432\u044b\u043c, \u043f\u043e\u0447\u0442\u0438 \u0433\u043d\u0435\u0432\u043d\u044b\u043c \u0432\u0437\u0433\u043b\u044f\u0434\u043e\u043c, \u0442\u043e\u0433\u0434\u0430 \u043a\u0430\u043a \u043e\u043a\u043e\u043d\u0447\u0430\u043d\u0438\u044f \u043f\u043e\u0434\u043b\u043e\u043a\u043e\u0442\u043d\u0438\u043a\u043e\u0432 \u0432\u0435\u043d\u0447\u0430\u044e\u0442 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0435 \u043b\u044c\u0432\u0438\u043d\u044b\u0435 \u0433\u043e\u043b\u043e\u0432\u044b.<\/p>\n

\u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u043d\u0435\u043e\u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441\u0430:<\/em> \u0413\u0430\u0431\u0440\u0438\u044d\u043b\u0435 \u0414’\u0410\u043d\u043d\u0443\u043d\u0446\u0438\u043e (Gabriele D’Annunzio) \u043e\u0441\u0442\u0430\u043d\u043e\u0432\u0438\u043b\u0441\u044f \u043d\u0430 \u043f\u043e\u043b\u043f\u0443\u0442\u0438 \u043f\u043e \u043c\u0440\u0430\u043c\u043e\u0440\u043d\u043e\u0439 \u043b\u0435\u0441\u0442\u043d\u0438\u0446\u0435 \u0441\u0432\u043e\u0435\u0433\u043e \u0444\u043b\u043e\u0440\u0435\u043d\u0442\u0438\u0439\u0441\u043a\u043e\u0433\u043e \u043f\u0430\u043b\u0430\u0446\u0446\u043e \u0438 \u043f\u043e\u0434\u043d\u044f\u043b \u0433\u043b\u0430\u0437\u0430 \u043a \u043f\u043e\u043b\u0443\u0442\u0451\u043c\u043d\u043e\u043c\u0443 \u0437\u0430\u043b\u0443 \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0438. \u0412 \u0432\u044b\u0441\u043e\u043a\u0438\u0435 \u043e\u043a\u043d\u0430 \u0432\u043b\u0438\u0432\u0430\u043b\u0441\u044f \u0437\u043e\u043b\u043e\u0442\u0438\u0441\u0442\u044b\u0439 \u0432\u0435\u0447\u0435\u0440\u043d\u0438\u0439 \u0441\u0432\u0435\u0442, \u0441\u043a\u043e\u043b\u044c\u0437\u044f \u043f\u043e \u0431\u0430\u0440\u0445\u0430\u0442\u043d\u044b\u043c \u0434\u0440\u0430\u043f\u0438\u0440\u043e\u0432\u043a\u0430\u043c \u0441\u0442\u0435\u043d \u0438 \u043a\u043e\u0440\u0435\u0448\u043a\u0430\u043c \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u044b\u0445 \u043a\u043d\u0438\u0433. \u0412 \u0433\u043b\u0443\u0431\u0438\u043d\u0435 \u043a\u043e\u043c\u043d\u0430\u0442\u044b, \u0432 \u0442\u0435\u043d\u0438, \u0432 \u043c\u0435\u0440\u0446\u0430\u043d\u0438\u0438 \u0432\u0438\u043d\u043d\u043e-\u043a\u0440\u0430\u0441\u043d\u043e\u0433\u043e \u0434\u0435\u0440\u0435\u0432\u0430 \u0435\u0434\u0432\u0430 \u043d\u0430\u043c\u0435\u0447\u0430\u043b\u0438\u0441\u044c \u043a\u0440\u0443\u043f\u043d\u044b\u0435, \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u043e \u0438\u0437\u043e\u0433\u043d\u0443\u0442\u044b\u0435 \u043b\u0438\u043d\u0438\u0438, \u0447\u0442\u043e \u0441\u043a\u0440\u0435\u0449\u0438\u0432\u0430\u043b\u0438\u0441\u044c, \u043a\u0430\u043a \u0434\u0432\u0435 \u0434\u0443\u0433\u0438, \u0438 \u0432 \u043c\u0435\u0441\u0442\u0435 \u0438\u0445 \u0432\u0441\u0442\u0440\u0435\u0447\u0438 \u0438\u0437 \u0442\u0435\u043c\u043d\u043e\u0442\u044b \u0441\u043c\u043e\u0442\u0440\u0435\u043b\u043e \u043a\u0440\u044b\u043b\u0430\u0442\u043e\u0435 \u043b\u0438\u0446\u043e \u0441 \u0436\u0438\u0432\u044b\u043c, \u043f\u043e\u0447\u0442\u0438 \u0433\u043d\u0435\u0432\u043d\u044b\u043c \u0432\u0437\u043e\u0440\u043e\u043c. \u0415\u0433\u043e \u043f\u0430\u043b\u044c\u0446\u044b \u0441\u043a\u043e\u043b\u044c\u0437\u0438\u043b\u0438 \u043f\u043e \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u043e\u0439 \u0433\u043b\u0430\u0434\u043a\u043e\u0439 \u043f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u0438, \u043f\u043e\u043a\u0430 \u043d\u0435 \u0432\u0441\u0442\u0440\u0435\u0442\u0438\u043b\u0438 \u043b\u044c\u0432\u0438\u043d\u0443\u044e \u043c\u043e\u0440\u0434\u0443, \u0432\u044b\u0440\u0435\u0437\u0430\u043d\u043d\u0443\u044e \u0441 \u0442\u0430\u043a\u043e\u0439 \u0441\u043c\u0435\u043b\u043e\u0441\u0442\u044c\u044e, \u0447\u0442\u043e \u043a\u0430\u0437\u0430\u043b\u043e\u0441\u044c \u2014 \u043e\u043d\u0430 \u0432\u043e\u0442-\u0432\u043e\u0442 \u0437\u0430\u0440\u044b\u0447\u0438\u0442. \u0412 \u044d\u0442\u043e\u0439 \u043f\u044b\u0448\u043d\u043e\u0439, \u043f\u043e\u0447\u0442\u0438 \u0442\u0435\u0430\u0442\u0440\u0430\u043b\u044c\u043d\u043e\u0439 \u0444\u043e\u0440\u043c\u0435 \u0436\u0438\u043b\u043e \u043d\u0435\u0447\u0442\u043e \u043e\u0442 \u0434\u0440\u0435\u0432\u043d\u0435\u0439 \u0432\u043b\u0430\u0441\u0442\u0438 \u0438 \u0434\u043e\u0441\u0442\u043e\u0438\u043d\u0441\u0442\u0432\u0430, \u043a\u043e\u0442\u043e\u0440\u043e\u0435 \u043f\u043e\u044d\u0442 \u0442\u0430\u043a \u0441\u0442\u0440\u0430\u0441\u0442\u043d\u043e \u0436\u0435\u043b\u0430\u043b \u043e\u0431\u043b\u0435\u0447\u044c \u0432 \u0441\u0432\u043e\u0438 \u0441\u043b\u043e\u0432\u0430.<\/p>\n

\u041a\u0440\u0435\u0441\u043b\u043e \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043e \u0438\u0437 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u043e\u0433\u043e \u043e\u0440\u0435\u0445\u0430<\/strong> \u0442\u0451\u043f\u043b\u043e\u0433\u043e \u0440\u043e\u0437\u043e\u0432\u0430\u0442\u043e\u0433\u043e \u0442\u043e\u043d\u0430 \u0438 \u0434\u0430\u0442\u0438\u0440\u0443\u0435\u0442\u0441\u044f \u043f\u0435\u0440\u0438\u043e\u0434\u043e\u043c \u043e\u043a\u043e\u043b\u043e 1880\u20131900 \u0433\u043e\u0434\u043e\u0432<\/strong>. \u0413\u043b\u0430\u0432\u043d\u0430\u044f \u0446\u0435\u043d\u043d\u043e\u0441\u0442\u044c \u2014 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u0430\u044f \u0440\u0435\u0437\u044c\u0431\u0430<\/strong>: \u043a\u0440\u044b\u043b\u0430\u0442\u044b\u0435 \u043c\u0430\u0441\u043a\u0430\u0440\u043e\u043d\u044b \u043d\u0430 \u043f\u0435\u0440\u0435\u0441\u0435\u0447\u0435\u043d\u0438\u044f\u0445 X-\u0440\u0430\u043c\u044b, \u043b\u044c\u0432\u0438\u043d\u044b\u0435 \u0433\u043e\u043b\u043e\u0432\u044b \u043d\u0430 \u043f\u043e\u0434\u043b\u043e\u043a\u043e\u0442\u043d\u0438\u043a\u0430\u0445, \u0432\u043e\u043b\u044e\u0442\u044b \u0430\u043a\u0430\u043d\u0442\u0430 \u0438 \u043b\u0430\u043f\u043e\u043e\u0431\u0440\u0430\u0437\u043d\u044b\u0435 \u043d\u043e\u0436\u043a\u0438 \u2014 \u043f\u043e\u0434\u043b\u0438\u043d\u043d\u0430\u044f \u0440\u0430\u0431\u043e\u0442\u0430 \u0440\u0435\u0437\u0447\u0438\u043a\u0430, \u0430 \u043d\u0435 \u0441\u0435\u0440\u0438\u0439\u043d\u0430\u044f \u043e\u0442\u0434\u0435\u043b\u043a\u0430. \u041d\u0438\u0437\u043a\u043e\u0435 \u0441\u0438\u0434\u0435\u043d\u044c\u0435 \u0438 \u0442\u0435\u0430\u0442\u0440\u0430\u043b\u044c\u043d\u044b\u0439 \u0441\u0438\u043b\u0443\u044d\u0442 \u0434\u0435\u043b\u0430\u044e\u0442 \u044d\u0442\u043e \u0430\u043a\u0446\u0435\u043d\u0442\u043d\u044b\u043c \u00ab\u0442\u0440\u043e\u043d\u043d\u044b\u043c\u00bb \u043a\u0440\u0435\u0441\u043b\u043e\u043c \u0434\u043b\u044f \u0445\u043e\u043b\u043b\u0430, \u0431\u0438\u0431\u043b\u0438\u043e\u0442\u0435\u043a\u0438 \u0438\u043b\u0438 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0433\u043e \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430.<\/p>\n

\u041a\u0440\u0435\u0441\u043b\u043e \u0432 \u0445\u043e\u0440\u043e\u0448\u0435\u043c, \u043f\u0440\u043e\u0447\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438 \u0441\u043e \u0441\u0432\u0435\u0436\u0435\u0439 \u043f\u043e\u043b\u043e\u0441\u0430\u0442\u043e\u0439 \u0437\u043e\u043b\u043e\u0442\u0438\u0441\u0442\u043e-\u0436\u0451\u043b\u0442\u043e\u0439 \u0431\u0430\u0440\u0445\u0430\u0442\u043d\u043e\u0439 \u043e\u0431\u0438\u0432\u043a\u043e\u0439, \u043f\u043e\u0434\u0447\u0451\u0440\u043a\u0438\u0432\u0430\u044e\u0449\u0435\u0439 \u0442\u0451\u043f\u043b\u044b\u0439 \u0442\u043e\u043d \u0434\u0435\u0440\u0435\u0432\u0430. \u041f\u043e\u0432\u0435\u0440\u0445\u043d\u043e\u0441\u0442\u0438 \u0441\u043e\u0445\u0440\u0430\u043d\u044f\u044e\u0442 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u0443\u044e \u043f\u0430\u0442\u0438\u043d\u0443 \u0441 \u043e\u0442\u0434\u0435\u043b\u044c\u043d\u044b\u043c\u0438 \u0441\u043b\u0435\u0434\u0430\u043c\u0438 \u0432\u043e\u0437\u0440\u0430\u0441\u0442\u0430. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n

\n

\ud83c\uddec\ud83c\udde7<\/p>\n

Neo-Renaissance Curule Carved Armchair in Walnut<\/h3>\n

This imposing X-frame carved armchair<\/strong> is an outstanding example of the Historicism<\/strong> era, in which the spirit of the Neo-Renaissance<\/strong> comes alive through lavish, almost sculptural walnut<\/strong> carving. The crossing lines of the frame recall the ancient sella curulis<\/em> \u2014 the seat of power and honour \u2014 while at their intersections a woodcarver<\/strong> cut winged grotesque masks with a vivid, almost angry gaze, and the arm terminals close in expressive lion heads.<\/p>\n

The Sculptural Detail of This Carved Armchair<\/h4>\n

Neo-Renaissance snapshot:<\/em> Gabriele D’Annunzio (Gabriele D’Annunzio) paused halfway up the marble staircase of his Florentine palazzo and lifted his eyes towards the dim library hall. Through the tall windows poured a golden evening light, gliding over the velvet wall hangings and the spines of old books. In the depths of the room, in shadow, within the glow of wine-red wood, large symmetrically curved lines faintly emerged, crossing like two arcs, and at their meeting point a winged face stared out of the darkness with a living, almost wrathful look. His fingers slid over the cool, smooth surface until they met a lion’s muzzle, carved with such boldness that it seemed about to roar. In this opulent, almost theatrical form lived something of an ancient power and dignity that the poet so passionately longed to clothe in his words.<\/p>\n

The chair is made of solid walnut<\/strong> in a warm reddish tone and dates to around 1880\u20131900<\/strong>. Its chief value lies in the sculptural carving<\/strong>: the winged mascarons at the X-frame crossings, the lion heads on the arms, the acanthus scrolls and paw feet are the genuine work of a woodcarver, not factory ornament. With its low seat and theatrical silhouette, this carved armchair<\/strong> makes a striking accent \u2014 a throne-like seat for a hall, library or stately interior.<\/p>\n

The chair remains in good, sturdy condition, with fresh striped golden-yellow velvet upholstery that lifts the warm tone of the wood. The surfaces keep a noble patina with some signs of age and use. The condition is fully reflected in the photographs.<\/p>\n

\n

\ud83c\udde9\ud83c\uddea<\/p>\n

Neorenaissance-Kurulstuhl mit Schnitzerei \u2014 Nussbaum, Europa, Ende des 19. Jahrhunderts<\/h3>\n

Dieser imposante X-f\u00f6rmige Armlehnstuhl<\/strong> (carved armchair<\/em>) ist ein herausragendes Beispiel der Historismus<\/strong>-Epoche, in der der Geist der Neorenaissance<\/strong> durch \u00fcppige, fast bildhauerische Schnitzerei<\/strong> in Nussbaum<\/strong> lebendig wird. Die sich kreuzenden Linien des Gestells erinnern an die antike sella curulis<\/em> \u2014 den Sitz von Macht und Ehre \u2014, w\u00e4hrend ein Holzbildhauer<\/strong> an ihren Schnittpunkten gefl\u00fcgelte Groteskmasken mit lebendigem, fast zornigem Blick schnitzte; die Armenden schlie\u00dfen mit ausdrucksstarken L\u00f6wenk\u00f6pfen.<\/p>\n

Momentaufnahme der Neorenaissance:<\/em> Gabriele D’Annunzio (Gabriele D’Annunzio) hielt auf halber H\u00f6he der Marmortreppe seines Florentiner Palazzo inne und hob die Augen zum d\u00e4mmrigen Bibliothekssaal. Durch die hohen Fenster str\u00f6mte ein goldenes Abendlicht, das \u00fcber die samtenen Wandbeh\u00e4nge und die Buchr\u00fccken alter B\u00e4nde glitt. In der Tiefe des Raumes, im Schatten, zeichneten sich im Schimmer weinroten Holzes gro\u00dfe, symmetrisch geschwungene Linien ab, die sich wie zwei B\u00f6gen kreuzten, und an ihrem Treffpunkt blickte ein gefl\u00fcgeltes Gesicht mit lebendigem, fast zornigem Ausdruck aus dem Dunkel. Seine Finger glitten \u00fcber die k\u00fchle, glatte Oberfl\u00e4che, bis sie auf eine L\u00f6wenschnauze trafen, mit solcher K\u00fchnheit geschnitzt, dass sie gleich zu br\u00fcllen schien. In dieser prunkvollen, fast theatralischen Form wohnte etwas von einer alten Macht und W\u00fcrde, die der Dichter so leidenschaftlich in seine Worte zu kleiden ersehnte.<\/p>\n

Der Stuhl ist aus massivem Nussbaum<\/strong> in warmem r\u00f6tlichem Ton gefertigt und datiert um 1880\u20131900<\/strong>. Sein Hauptwert liegt in der bildhauerischen Schnitzarbeit<\/strong>: die gefl\u00fcgelten Maskarons an den X-Kreuzungen, die L\u00f6wenk\u00f6pfe an den Armlehnen, die Akanthusvoluten und Prankenf\u00fc\u00dfe sind echte Bildhauerarbeit, kein Fabrikornament. Mit seinem niedrigen Sitz und der theatralischen Silhouette ist er ein eindrucksvoller Akzent \u2014 ein thronartiger Sitz f\u00fcr Halle, Bibliothek oder repr\u00e4sentatives Interieur.<\/p>\n

Der Stuhl befindet sich in gutem, stabilem Zustand mit frischem, gestreiftem goldgelbem Samtbezug, der den warmen Ton des Holzes hervorhebt. Die Oberfl\u00e4chen bewahren eine edle Patina mit einzelnen Alters- und Gebrauchsspuren. Der Zustand ist auf den Fotografien vollst\u00e4ndig wiedergegeben.<\/p>\n

\n

\ud83c\uddeb\ud83c\uddf7<\/p>\n

Fauteuil curule n\u00e9o-Renaissance sculpt\u00e9 \u2014 noyer, Europe, fin du XIXe si\u00e8cle<\/h3>\n

Cet imposant fauteuil<\/em> en X (carved armchair<\/em>) est un exemple remarquable de l’\u00e9poque de l’historicisme<\/strong>, o\u00f9 l’esprit de la n\u00e9o-Renaissance<\/strong> s’anime \u00e0 travers une sculpture<\/strong> opulente, presque statuaire, en noyer<\/strong>. Les lignes crois\u00e9es du b\u00e2ti rappellent l’antique sella curulis<\/em> \u2014 le si\u00e8ge du pouvoir et de l’honneur \u2014, tandis qu’\u00e0 leurs intersections un sculpteur sur bois<\/strong> a taill\u00e9 des masques de grotesques ail\u00e9s au regard vif, presque courrouc\u00e9, et que les extr\u00e9mit\u00e9s des accoudoirs s’ach\u00e8vent en expressives t\u00eates de lion.<\/p>\n

Instantan\u00e9 de la n\u00e9o-Renaissance :<\/em> Gabriele D’Annunzio (Gabriele D’Annunzio) s’arr\u00eata \u00e0 mi-hauteur de l’escalier de marbre de son palazzo florentin et leva les yeux vers la salle obscure de la biblioth\u00e8que. Par les hautes fen\u00eatres se d\u00e9versait une lumi\u00e8re dor\u00e9e du soir, glissant sur les tentures de velours et le dos des livres anciens. Dans la profondeur de la pi\u00e8ce, dans l’ombre, parmi la lueur du bois rouge sombre, se dessinaient faiblement de grandes lignes sym\u00e9triquement galb\u00e9es qui se croisaient comme deux arcs, et \u00e0 leur point de rencontre un visage ail\u00e9 fixait l’obscurit\u00e9 d’un regard vivant, presque furieux. Ses doigts gliss\u00e8rent sur la surface fra\u00eeche et lisse jusqu’\u00e0 rencontrer un mufle de lion, sculpt\u00e9 avec une telle audace qu’il semblait sur le point de rugir. Dans cette forme fastueuse, presque th\u00e9\u00e2trale, vivait quelque chose d’un pouvoir et d’une dignit\u00e9 anciens que le po\u00e8te aspirait si ardemment \u00e0 rev\u00eatir de ses mots.<\/p>\n

Le fauteuil est r\u00e9alis\u00e9 en noyer<\/strong> massif d’un ton chaud et rouge\u00e2tre et date d’environ 1880\u20131900<\/strong>. Sa principale valeur r\u00e9side dans la sculpture sur bois<\/strong> : les mascarons ail\u00e9s aux croisements du X, les t\u00eates de lion sur les accoudoirs, les volutes d’acanthe et les pieds en patte sont un v\u00e9ritable travail de sculpteur, non un ornement de s\u00e9rie. Avec son assise basse et sa silhouette th\u00e9\u00e2trale, ce fauteuil<\/em> constitue un accent saisissant \u2014 un si\u00e8ge en forme de tr\u00f4ne pour un hall, une biblioth\u00e8que ou un int\u00e9rieur d’apparat.<\/p>\n

Le fauteuil est en bon \u00e9tat, solide, avec une garniture de velours jaune dor\u00e9 ray\u00e9e et fra\u00eeche qui rehausse le ton chaud du bois. Les surfaces conservent une noble patine avec quelques traces d’\u00e2ge et d’usage. L’\u00e9tat est enti\u00e8rement refl\u00e9t\u00e9 par les photographies.<\/p>\n","protected":false},"excerpt":{"rendered":"

Iespaid\u012bgs X-formas neorenesanses kr\u0113sls ar roku balstiem no mas\u012bva riekstkoka. Bag\u0101t\u012bgs kokgriezums \u2014 sp\u0101rnotie maskaroni un lauvu galvas \u2014 un svaigs zeltaini dzeltens samta polster\u0113jums. Akcenta tro\u0146a tipa s\u0113dvieta hallei vai bibliot\u0113kai.<\/p>\n","protected":false},"featured_media":11155,"template":"","meta":[],"product_brand":[],"product_cat":[214,207,204],"product_tag":[],"class_list":["post-11154","product","type-product","status-publish","has-post-thumbnail","product_cat-kresli","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/11154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/11155"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=11154"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=11154"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=11154"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=11154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}