\ud83c\uddf1\ud83c\uddfb Izm\u0113ri: Augstums 257 cm \u00d7 platums 144 cm \u00d7 dzi\u013cums 58 cm. Svars: \u013boti liels, mas\u012bvs.<\/p>\n
Monument\u0101la ozolkoka bufete-vitr\u012bna ar bru\u0146inieku fig\u016br\u0101m<\/b><\/p>\n
P\u0101rlaic\u012bg\u0101s varen\u012bbas momentuz\u0146\u0113mums, Aleksandrs Dim\u0101 (Alexandre Dumas):<\/i><\/b> Savas majest\u0101tisk\u0101s Monte-Kristo pils (Ch\u00e2teau de Monte-Cristo) greznaj\u0101 \u0113damz\u0101l\u0113, kuru piepild\u012bja gotikas un renesanses iedvesmoti m\u0101kslas priek\u0161meti, slavenais fran\u010du rakstnieks Aleksandrs Dim\u0101 apbr\u012bn\u0101 st\u0101v\u0113ja pie \u0161\u012bs monument\u0101l\u0101s ozolkoka bufetes. Vi\u0146\u0161, kur\u0161 savos rom\u0101nos cildin\u0101ja bru\u0146niec\u012bbu, godu un v\u0113sturisku dr\u0101mu, \u0161aj\u0101 m\u0113bel\u0113 saskat\u012bja tie\u0161i to pa\u0161u varon\u012bgo garu. Smagn\u0113j\u0101s, prasm\u012bgi izgrebt\u0101s bru\u0146inieku fig\u016bras, kas lepni st\u0101v\u0113ja vitr\u012bnas s\u0101nos, \u0161\u0137ita k\u0101 klusi sargi, kas sarg\u0101 ne tikai aiz stikla pasl\u0113ptos d\u0101rgumus, bet pa\u0161u Francijas zelta laikmetu.<\/i><\/p>\n
M\u0113beles dzi\u013cais, tum\u0161ais ozolkoks, kas izgrebts ar dabas un lauku dz\u012bves mot\u012bviem, p\u016b\u0137iem un groteskiem elementiem, nevainojami sasauc\u0101s ar Dim\u0101 m\u012blest\u012bbu pret teatr\u0101lu izteiksm\u012bbu un v\u0113rienu. Kam\u012bna uguns atspulgi dejoja vitr\u012bnas stiklos, kam\u0113r apak\u0161\u0113j\u0101, mas\u012bvaj\u0101 bufetes da\u013c\u0101 tika glab\u0101ti smagi sudraba kausi un izsmalcin\u0101ti v\u012bni. \u0160\u012b bufete nebija vienk\u0101r\u0161i vieta lietu uzglab\u0101\u0161anai; t\u0101 bija k\u0101 arhitekt\u016bras elements, vesela skatuve, kas papildin\u0101ja rakstnieka v\u0113traino un kr\u0101\u0161\u0146o dz\u012bvesveidu.<\/i><\/p>\n
Pieskaroties v\u0113sajam koka reljefam un l\u0113n\u0101m atverot mas\u012bv\u0101s durvis, telp\u0101 izplat\u012bj\u0101s sena ozola un bi\u0161u vaska smar\u017ea. \u0160aj\u0101 mirkl\u012b k\u013cuva skaidrs, ka 19. gadsimta meistari, radot \u0161o neorenesanses br\u012bnumu, bija sp\u0113ju\u0161i kok\u0101 iem\u016b\u017ein\u0101t pa\u0161u laiku. \u0160\u012b m\u0113bele domin\u0113ja telp\u0101, radot neaizmirstamu, p\u0101rlaic\u012bgu bru\u0146niec\u012bbas un romantikas auru, kas turpin\u0101tu iedvesmot v\u0113l neskait\u0101mas paaudzes.<\/i><\/p>\n
Ievads un izcelsme<\/b> \u0160\u012b ir \u0101rk\u0101rt\u012bgi mas\u012bva un iespaid\u012bga ant\u012bk\u0101 bufete-vitr\u012bna, kas rad\u012bta Francij\u0101 19. gadsimta otraj\u0101 pus\u0113. T\u0101 iemieso Neo-Renaissance<\/i> (neorenesanses) un “Henri II” stila grezn\u012bbu un monumentalit\u0101ti, kur\u0101 senatn\u012bga pils (ch\u00e2teau) atmosf\u0113ra tiek apvienota ar nep\u0101rsp\u0113jamu 19. gadsimta kokgriez\u0113ju meistar\u012bbu.<\/p>\n
Dizains un materi\u0101li<\/b> Izgatavota no mas\u012bva, smaga ozolkoka. M\u0113bele sast\u0101v no div\u0101m da\u013c\u0101m. Apak\u0161\u0113jo da\u013cu (bufeti) veido sl\u0113gtas durvis, kuras rot\u0101 dzi\u013ci reljefa kokgriezumi ar lauku dz\u012bves un ra\u017eas mot\u012bviem (mucas, lab\u012bbas k\u016bl\u012b\u0161i, darbar\u012bki). Vidusda\u013cu, kas kalpo k\u0101 atv\u0113rts plaukts, balsta fantastiski izgrebti m\u012btiski p\u016b\u0137i\/him\u0113ras. Aug\u0161\u0113jo da\u013cu (vitr\u012bnu) ar stiklot\u0101m durv\u012bm un stikla plauktiem flang\u0113 divas majest\u0101tiskas, piln\u0101 augum\u0101 izgrebtas bru\u0146inieku\/sargu fig\u016bras. Visu kompoz\u012bciju vainago mas\u012bva karn\u012bze ar akanta lapu un ziedu mot\u012bviem.<\/p>\n
Pielietojums<\/b> Pateicoties saviem grandiozajiem izm\u0113riem (257 cm augstums) un \u0101rk\u0101rt\u012bgi lielajam svaram, \u0161\u012b m\u0113bele pieprasa telpu. T\u0101 k\u013c\u016bs par absol\u016btu interjera dominanti pla\u0161\u0101 \u0113damz\u0101l\u0113, med\u012bbu pil\u012b, mui\u017e\u0101 vai grezn\u0101 lauku m\u0101j\u0101. Ide\u0101la vieta mas\u012bvu gr\u0101matu s\u0113jumu, sudrablietu vai \u0123imenes relikviju uzglab\u0101\u0161anai un ekspon\u0113\u0161anai.<\/p>\n
St\u0101voklis<\/b> Loti labs ant\u012bks st\u0101voklis ar br\u012bni\u0161\u0137\u012bgu, dabisku ozolkoka patinu. M\u0113bele ir struktur\u0101li \u013coti stabila un \u0101rk\u0101rt\u012bgi smaga. Kokgriezumi ir labi saglab\u0101ju\u0161ies un detaliz\u0113ti. Ir redzamas tikai dabiskas laika un lieto\u0161anas p\u0113das, kas \u0161\u0101dai monument\u0101lai m\u0113belei pie\u0161\u0137ir papildu v\u0113sturisko raksturu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
\ud83c\uddf7\ud83c\uddfa \u0420\u0430\u0437\u043c\u0435\u0440\u044b: \u0412\u044b\u0441\u043e\u0442\u0430 257 \u0441\u043c \u00d7 \u0448\u0438\u0440\u0438\u043d\u0430 144 \u0441\u043c \u00d7 \u0433\u043b\u0443\u0431\u0438\u043d\u0430 58 \u0441\u043c. \u0412\u0435\u0441: \u041e\u0447\u0435\u043d\u044c \u0431\u043e\u043b\u044c\u0448\u043e\u0439, \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u0430\u044f.<\/p>\n
\u0421\u043d\u0438\u043c\u043e\u043a \u0432\u043d\u0435\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0433\u043e \u0432\u0435\u043b\u0438\u0447\u0438\u044f, \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440 \u0414\u044e\u043c\u0430 (Alexandre Dumas):<\/i><\/b> \u0412 \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u043e\u0439 \u0441\u0442\u043e\u043b\u043e\u0432\u043e\u0439 \u0441\u0432\u043e\u0435\u0433\u043e \u0432\u0435\u043b\u0438\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0437\u0430\u043c\u043a\u0430 \u041c\u043e\u043d\u0442\u0435-\u041a\u0440\u0438\u0441\u0442\u043e, \u043d\u0430\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u043e\u0439 \u043f\u0440\u0435\u0434\u043c\u0435\u0442\u0430\u043c\u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0432 \u0434\u0443\u0445\u0435 \u0433\u043e\u0442\u0438\u043a\u0438 \u0438 \u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441\u0430, \u0437\u043d\u0430\u043c\u0435\u043d\u0438\u0442\u044b\u0439 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0439 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044c \u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440 \u0414\u044e\u043c\u0430 \u0432 \u0432\u043e\u0441\u0445\u0438\u0449\u0435\u043d\u0438\u0438 \u0441\u0442\u043e\u044f\u043b \u043f\u0435\u0440\u0435\u0434 \u044d\u0442\u0438\u043c \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u043c \u0434\u0443\u0431\u043e\u0432\u044b\u043c \u0431\u0443\u0444\u0435\u0442\u043e\u043c. \u041e\u043d, \u0432\u043e\u0441\u043f\u0435\u0432\u0430\u0432\u0448\u0438\u0439 \u0432 \u0441\u0432\u043e\u0438\u0445 \u0440\u043e\u043c\u0430\u043d\u0430\u0445 \u0440\u044b\u0446\u0430\u0440\u0441\u0442\u0432\u043e, \u0447\u0435\u0441\u0442\u044c \u0438 \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0443\u044e \u0434\u0440\u0430\u043c\u0443, \u0432\u0438\u0434\u0435\u043b \u0432 \u044d\u0442\u043e\u0439 \u043c\u0435\u0431\u0435\u043b\u0438 \u0442\u043e\u0442 \u0436\u0435 \u0433\u0435\u0440\u043e\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0434\u0443\u0445. \u0422\u044f\u0436\u0435\u043b\u044b\u0435, \u0438\u0441\u043a\u0443\u0441\u043d\u043e \u0432\u044b\u0440\u0435\u0437\u0430\u043d\u043d\u044b\u0435 \u0444\u0438\u0433\u0443\u0440\u044b \u0440\u044b\u0446\u0430\u0440\u0435\u0439, \u0433\u043e\u0440\u0434\u043e \u0441\u0442\u043e\u044f\u0449\u0438\u0435 \u043f\u043e \u0431\u043e\u043a\u0430\u043c \u0432\u0438\u0442\u0440\u0438\u043d\u044b, \u043a\u0430\u0437\u0430\u043b\u0438\u0441\u044c \u0431\u0435\u0437\u043c\u043e\u043b\u0432\u043d\u044b\u043c\u0438 \u0441\u0442\u0440\u0430\u0436\u0430\u043c\u0438, \u043e\u0445\u0440\u0430\u043d\u044f\u044e\u0449\u0438\u043c\u0438 \u043d\u0435 \u0442\u043e\u043b\u044c\u043a\u043e \u0441\u043a\u0440\u044b\u0442\u044b\u0435 \u0437\u0430 \u0441\u0442\u0435\u043a\u043b\u043e\u043c \u0441\u043e\u043a\u0440\u043e\u0432\u0438\u0449\u0430, \u043d\u043e \u0438 \u0441\u0430\u043c \u0437\u043e\u043b\u043e\u0442\u043e\u0439 \u0432\u0435\u043a \u0424\u0440\u0430\u043d\u0446\u0438\u0438.<\/i><\/p>\n
\u0413\u043b\u0443\u0431\u043e\u043a\u0438\u0439, \u0442\u0435\u043c\u043d\u044b\u0439 \u0434\u0443\u0431 \u043c\u0435\u0431\u0435\u043b\u0438, \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u043d\u044b\u0439 \u043c\u043e\u0442\u0438\u0432\u0430\u043c\u0438 \u0441\u0435\u043b\u044c\u0441\u043a\u043e\u0439 \u0436\u0438\u0437\u043d\u0438, \u0434\u0440\u0430\u043a\u043e\u043d\u0430\u043c\u0438 \u0438 \u0433\u0440\u043e\u0442\u0435\u0441\u043a\u043d\u044b\u043c\u0438 \u044d\u043b\u0435\u043c\u0435\u043d\u0442\u0430\u043c\u0438, \u0431\u0435\u0437\u0443\u043f\u0440\u0435\u0447\u043d\u043e \u043f\u0435\u0440\u0435\u043a\u043b\u0438\u043a\u0430\u043b\u0441\u044f \u0441 \u043b\u044e\u0431\u043e\u0432\u044c\u044e \u0414\u044e\u043c\u0430 \u043a \u0442\u0435\u0430\u0442\u0440\u0430\u043b\u044c\u043d\u043e\u0439 \u0432\u044b\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u044c\u043d\u043e\u0441\u0442\u0438 \u0438 \u0440\u0430\u0437\u043c\u0430\u0445\u0443. \u041e\u0442\u0431\u043b\u0435\u0441\u043a\u0438 \u043a\u0430\u043c\u0438\u043d\u043d\u043e\u0433\u043e \u043e\u0433\u043d\u044f \u0442\u0430\u043d\u0446\u0435\u0432\u0430\u043b\u0438 \u0432 \u0441\u0442\u0435\u043a\u043b\u0430\u0445 \u0432\u0438\u0442\u0440\u0438\u043d\u044b, \u0432 \u0442\u043e \u0432\u0440\u0435\u043c\u044f \u043a\u0430\u043a \u0432 \u043d\u0438\u0436\u043d\u0435\u0439, \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u043e\u0439 \u0447\u0430\u0441\u0442\u0438 \u0431\u0443\u0444\u0435\u0442\u0430 \u0445\u0440\u0430\u043d\u0438\u043b\u0438\u0441\u044c \u0442\u044f\u0436\u0435\u043b\u044b\u0435 \u0441\u0435\u0440\u0435\u0431\u0440\u044f\u043d\u044b\u0435 \u043a\u0443\u0431\u043a\u0438 \u0438 \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u044b\u0435 \u0432\u0438\u043d\u0430. \u042d\u0442\u043e\u0442 \u0431\u0443\u0444\u0435\u0442 \u043d\u0435 \u0431\u044b\u043b \u043f\u0440\u043e\u0441\u0442\u043e \u043c\u0435\u0441\u0442\u043e\u043c \u0434\u043b\u044f \u0445\u0440\u0430\u043d\u0435\u043d\u0438\u044f \u0432\u0435\u0449\u0435\u0439; \u043e\u043d \u0431\u044b\u043b \u043f\u043e\u0434\u043e\u0431\u0435\u043d \u0430\u0440\u0445\u0438\u0442\u0435\u043a\u0442\u0443\u0440\u043d\u043e\u043c\u0443 \u044d\u043b\u0435\u043c\u0435\u043d\u0442\u0443, \u0446\u0435\u043b\u043e\u0439 \u0441\u0446\u0435\u043d\u0435, \u0434\u043e\u043f\u043e\u043b\u043d\u044f\u0432\u0448\u0435\u0439 \u0431\u0443\u0440\u043d\u0443\u044e \u0438 \u044f\u0440\u043a\u0443\u044e \u0436\u0438\u0437\u043d\u044c \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u044f.<\/i><\/p>\n
\u041f\u0440\u0438\u043a\u043e\u0441\u043d\u0443\u0432\u0448\u0438\u0441\u044c \u043a \u043f\u0440\u043e\u0445\u043b\u0430\u0434\u043d\u043e\u043c\u0443 \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u043e\u043c\u0443 \u0440\u0435\u043b\u044c\u0435\u0444\u0443 \u0438 \u043c\u0435\u0434\u043b\u0435\u043d\u043d\u043e \u043e\u0442\u043a\u0440\u044b\u0432 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u044b\u0435 \u0434\u0432\u0435\u0440\u0446\u044b, \u043e\u043d \u043f\u043e\u0447\u0443\u0432\u0441\u0442\u0432\u043e\u0432\u0430\u043b, \u043a\u0430\u043a \u043f\u043e \u043a\u043e\u043c\u043d\u0430\u0442\u0435 \u0440\u0430\u0437\u043d\u043e\u0441\u0438\u0442\u0441\u044f \u0430\u0440\u043e\u043c\u0430\u0442 \u0441\u0442\u0430\u0440\u043e\u0433\u043e \u0434\u0443\u0431\u0430 \u0438 \u043f\u0447\u0435\u043b\u0438\u043d\u043e\u0433\u043e \u0432\u043e\u0441\u043a\u0430. \u0412 \u044d\u0442\u043e\u0442 \u043c\u043e\u043c\u0435\u043d\u0442 \u0441\u0442\u0430\u043d\u043e\u0432\u0438\u043b\u043e\u0441\u044c \u044f\u0441\u043d\u043e, \u0447\u0442\u043e \u043c\u0430\u0441\u0442\u0435\u0440\u0430 19-\u0433\u043e \u0432\u0435\u043a\u0430, \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u044f \u044d\u0442\u043e \u0447\u0443\u0434\u043e \u043d\u0435\u043e\u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441\u0430, \u0441\u043c\u043e\u0433\u043b\u0438 \u0437\u0430\u043f\u0435\u0447\u0430\u0442\u043b\u0435\u0442\u044c \u0432 \u0434\u0435\u0440\u0435\u0432\u0435 \u0441\u0430\u043c\u043e \u0432\u0440\u0435\u043c\u044f. \u042d\u0442\u0430 \u043c\u0435\u0431\u0435\u043b\u044c \u0434\u043e\u043c\u0438\u043d\u0438\u0440\u043e\u0432\u0430\u043b\u0430 \u0432 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0435, \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u044f \u043d\u0435\u0437\u0430\u0431\u044b\u0432\u0430\u0435\u043c\u0443\u044e, \u0432\u043d\u0435\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0443\u044e \u0430\u0443\u0440\u0443 \u0440\u044b\u0446\u0430\u0440\u0441\u0442\u0432\u0430 \u0438 \u0440\u043e\u043c\u0430\u043d\u0442\u0438\u043a\u0438, \u043a\u043e\u0442\u043e\u0440\u0430\u044f \u043f\u0440\u043e\u0434\u043e\u043b\u0436\u0430\u043b\u0430 \u0431\u044b \u0432\u0434\u043e\u0445\u043d\u043e\u0432\u043b\u044f\u0442\u044c \u0435\u0449\u0435 \u0431\u0435\u0441\u0447\u0438\u0441\u043b\u0435\u043d\u043d\u044b\u0435 \u043f\u043e\u043a\u043e\u043b\u0435\u043d\u0438\u044f.<\/i><\/p>\n
\u042d\u0442\u043e \u0447\u0440\u0435\u0437\u0432\u044b\u0447\u0430\u0439\u043d\u043e \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u044b\u0439 \u0438 \u0432\u043f\u0435\u0447\u0430\u0442\u043b\u044f\u044e\u0449\u0438\u0439 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u044b\u0439 \u0431\u0443\u0444\u0435\u0442-\u0432\u0438\u0442\u0440\u0438\u043d\u0430, \u0441\u043e\u0437\u0434\u0430\u043d\u043d\u044b\u0439 \u0432\u043e \u0424\u0440\u0430\u043d\u0446\u0438\u0438 \u0432\u043e \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u0435 19 \u0432\u0435\u043a\u0430. \u041e\u043d \u0432\u043e\u043f\u043b\u043e\u0449\u0430\u0435\u0442 \u0440\u043e\u0441\u043a\u043e\u0448\u044c \u0438 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u043e\u0441\u0442\u044c \u0441\u0442\u0438\u043b\u044f \u043d\u0435\u043e\u0440\u0435\u043d\u0435\u0441\u0441\u0430\u043d\u0441\u0430 (\u0438 \u0441\u0442\u0438\u043b\u044f \u0413\u0435\u043d\u0440\u0438\u0445\u0430 II), \u0433\u0434\u0435 \u0430\u0442\u043c\u043e\u0441\u0444\u0435\u0440\u0430 \u0441\u0442\u0430\u0440\u0438\u043d\u043d\u043e\u0433\u043e \u0437\u0430\u043c\u043a\u0430 \u0441\u043e\u0447\u0435\u0442\u0430\u0435\u0442\u0441\u044f \u0441 \u043d\u0435\u043f\u0440\u0435\u0432\u0437\u043e\u0439\u0434\u0435\u043d\u043d\u044b\u043c \u043c\u0430\u0441\u0442\u0435\u0440\u0441\u0442\u0432\u043e\u043c \u0440\u0435\u0437\u0447\u0438\u043a\u043e\u0432 \u043f\u043e \u0434\u0435\u0440\u0435\u0432\u0443.<\/p>\n
\u0418\u0437\u0433\u043e\u0442\u043e\u0432\u043b\u0435\u043d \u0438\u0437 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u043e\u0433\u043e, \u0442\u044f\u0436\u0435\u043b\u043e\u0433\u043e \u0434\u0443\u0431\u0430. \u0421\u043e\u0441\u0442\u043e\u0438\u0442 \u0438\u0437 \u0434\u0432\u0443\u0445 \u0447\u0430\u0441\u0442\u0435\u0439. \u041d\u0438\u0436\u043d\u044f\u044f \u0447\u0430\u0441\u0442\u044c (\u0431\u0443\u0444\u0435\u0442) \u0438\u043c\u0435\u0435\u0442 \u0437\u0430\u043a\u0440\u044b\u0442\u044b\u0435 \u0434\u0432\u0435\u0440\u0446\u044b, \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u043d\u044b\u0435 \u0433\u043b\u0443\u0431\u043e\u043a\u043e\u0439 \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u043e\u0439 \u0441 \u043c\u043e\u0442\u0438\u0432\u0430\u043c\u0438 \u0441\u0435\u043b\u044c\u0441\u043a\u043e\u0439 \u0436\u0438\u0437\u043d\u0438 (\u0431\u043e\u0447\u043a\u0438, \u0441\u043d\u043e\u043f\u044b \u043f\u0448\u0435\u043d\u0438\u0446\u044b). \u0421\u0440\u0435\u0434\u043d\u044e\u044e \u043e\u0442\u043a\u0440\u044b\u0442\u0443\u044e \u0447\u0430\u0441\u0442\u044c \u043f\u043e\u0434\u0434\u0435\u0440\u0436\u0438\u0432\u0430\u044e\u0442 \u0444\u0430\u043d\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0432\u044b\u0440\u0435\u0437\u0430\u043d\u043d\u044b\u0435 \u043c\u0438\u0444\u0438\u0447\u0435\u0441\u043a\u0438\u0435 \u0434\u0440\u0430\u043a\u043e\u043d\u044b\/\u0445\u0438\u043c\u0435\u0440\u044b. \u0412\u0435\u0440\u0445\u043d\u044f\u044f \u0447\u0430\u0441\u0442\u044c (\u0432\u0438\u0442\u0440\u0438\u043d\u0430) \u0441 \u0437\u0430\u0441\u0442\u0435\u043a\u043b\u0435\u043d\u043d\u044b\u043c\u0438 \u0434\u0432\u0435\u0440\u0446\u0430\u043c\u0438 \u0438 \u0441\u0442\u0435\u043a\u043b\u044f\u043d\u043d\u044b\u043c\u0438 \u043f\u043e\u043b\u043a\u0430\u043c\u0438 \u043e\u043a\u0440\u0443\u0436\u0435\u043d\u0430 \u0434\u0432\u0443\u043c\u044f \u0432\u0435\u043b\u0438\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u043c\u0438 \u0444\u0438\u0433\u0443\u0440\u0430\u043c\u0438 \u0440\u044b\u0446\u0430\u0440\u0435\u0439\/\u0441\u0442\u0440\u0430\u0436\u043d\u0438\u043a\u043e\u0432 \u0432 \u043f\u043e\u043b\u043d\u044b\u0439 \u0440\u043e\u0441\u0442. \u0412\u0441\u044e \u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044e \u0432\u0435\u043d\u0447\u0430\u0435\u0442 \u043c\u0430\u0441\u0441\u0438\u0432\u043d\u044b\u0439 \u043a\u0430\u0440\u043d\u0438\u0437.<\/p>\n
\u0411\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u044f \u0441\u0432\u043e\u0438\u043c \u0433\u0440\u0430\u043d\u0434\u0438\u043e\u0437\u043d\u044b\u043c \u0440\u0430\u0437\u043c\u0435\u0440\u0430\u043c (\u0432\u044b\u0441\u043e\u0442\u0430 257 \u0441\u043c) \u0438 \u043e\u0433\u0440\u043e\u043c\u043d\u043e\u043c\u0443 \u0432\u0435\u0441\u0443, \u044d\u0442\u0430 \u043c\u0435\u0431\u0435\u043b\u044c \u0442\u0440\u0435\u0431\u0443\u0435\u0442 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0430. \u041e\u043d\u0430 \u0441\u0442\u0430\u043d\u0435\u0442 \u0430\u0431\u0441\u043e\u043b\u044e\u0442\u043d\u043e\u0439 \u0434\u043e\u043c\u0438\u043d\u0430\u043d\u0442\u043e\u0439 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0430 \u0432 \u043f\u0440\u043e\u0441\u0442\u043e\u0440\u043d\u043e\u0439 \u0441\u0442\u043e\u043b\u043e\u0432\u043e\u0439, \u043e\u0445\u043e\u0442\u043d\u0438\u0447\u044c\u0435\u043c \u0434\u043e\u043c\u0438\u043a\u0435 \u0438\u043b\u0438 \u0443\u0441\u0430\u0434\u044c\u0431\u0435. \u041e\u0447\u0435\u043d\u044c \u0445\u043e\u0440\u043e\u0448\u0435\u0435 \u0430\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u043e\u0435 \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0441 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u043e\u0439 \u0435\u0441\u0442\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0439 \u043f\u0430\u0442\u0438\u043d\u043e\u0439 \u0434\u0443\u0431\u0430. \u041c\u0435\u0431\u0435\u043b\u044c \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u043a\u0442\u0438\u0432\u043d\u043e \u043e\u0447\u0435\u043d\u044c \u0441\u0442\u0430\u0431\u0438\u043b\u044c\u043d\u0430. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n
\ud83c\uddec\ud83c\udde7 Dimensions: Height 257 cm \u00d7 Width 144 cm \u00d7 Depth 58 cm. Weight: Very heavy, massive.<\/p>\n
A snapshot of timeless grandeur, Alexandre Dumas:<\/i><\/b> In the opulent dining room of his majestic Ch\u00e2teau de Monte-Cristo, filled with Gothic and Renaissance-inspired art, the famous French author Alexandre Dumas stood in admiration before this monumental oak buffet. He, who celebrated chivalry, honor, and historical drama in his novels, saw that exact same heroic spirit in this piece of furniture. The heavy, skillfully carved knight figures standing proudly on the sides of the vitrine seemed like silent guardians, protecting not only the treasures hidden behind the glass but the golden age of France itself.<\/i><\/p>\n
The deep, dark oak of the furniture, carved with motifs of rural life, dragons, and grotesque elements, flawlessly echoed Dumas’s love for theatrical expression and grand scale. The reflections of the fireplace fire danced in the vitrine’s glass, while the lower, massive part of the buffet held heavy silver goblets and exquisite wines. This buffet was not simply a place to store things; it was like an architectural element, an entire stage setting that complemented the writer’s tempestuous and colorful life.<\/i><\/p>\n
Touching the cool wooden relief and slowly opening the massive doors, the scent of old oak and beeswax spread through the room. In this moment, it became clear that the 19th-century masters, creating this Neo-Renaissance marvel, had managed to capture time itself in wood. This piece of furniture dominated the space, creating an unforgettable, timeless aura of chivalry and romance that would continue to inspire countless generations.<\/i><\/p>\n
This is an exceptionally massive and impressive antique buffet-vitrine, created in France in the second half of the 19th century. It embodies the luxury and monumentality of the Neo-Renaissance (and Henri II) style, where the atmosphere of an ancient ch\u00e2teau is combined with the unsurpassed skill of 19th-century woodcarvers.<\/p>\n
Made of solid, heavy oak. The piece consists of two parts. The lower part (buffet) features closed doors decorated with deep relief carvings of rural life and harvest motifs (barrels, wheat sheaves, tools). The middle open section is supported by fantastically carved mythical dragons\/chimeras. The upper part (vitrine) with glazed doors and glass shelves is flanked by two majestic, fully sculpted knight\/guard figures. The entire composition is crowned by a massive cornice.<\/p>\n
Thanks to its grandiose dimensions (257 cm height) and extremely heavy weight, this furniture demands space. It will become the absolute interior dominant in a spacious dining room, hunting lodge, manor, or luxurious country house. Very good antique condition with a wonderful, natural oak patina. The furniture is structurally very stable. The carvings are well-preserved and detailed. The condition of the item is fully reflected in the photographs.<\/p>\n
\ud83c\udde9\ud83c\uddea Ma\u00dfe: H\u00f6he 257 cm \u00d7 Breite 144 cm \u00d7 Tiefe 58 cm. Gewicht: Sehr schwer, massiv.<\/p>\n
Eine Momentaufnahme zeitloser Gr\u00f6\u00dfe, Alexandre Dumas:<\/i><\/b> Im opulenten Speisesaal seines majest\u00e4tischen Ch\u00e2teau de Monte-Cristo, erf\u00fcllt von Kunstgegenst\u00e4nden im gotischen und klaren Renaissance-Stil, stand der ber\u00fchmte franz\u00f6sische Schriftsteller Alexandre Dumas voller Bewunderung vor diesem monumentalen Eichenbuffet. Er, der in seinen Romanen Ritterlichkeit, Ehre und historisches Drama feierte, sah genau diesen heldenhaften Geist in diesem M\u00f6belst\u00fcck. Die schweren, kunstvoll geschnitzten Ritterfiguren an den Seiten der Vitrine wirkten wie stille W\u00e4chter, die nicht nur die Sch\u00e4tze hinter dem Glas bewachten, sondern das goldene Zeitalter Frankreichs selbst.<\/i><\/p>\n
Das tiefe, dunkle Eichenholz des M\u00f6bels, geschnitzt mit Motiven des Landlebens, Drachen und grotesken Elementen, spiegelte makellos Dumas’ Liebe zu theatralischem Ausdruck und Gr\u00f6\u00dfe wider. Die Reflexionen des Kaminfeuers tanzten in den Gl\u00e4sern der Vitrine, w\u00e4hrend der untere, massive Teil des Buffets schwere Silberkelche und exquisite Weine barg. Dieses Buffet war nicht nur ein Aufbewahrungsort; es war wie ein architektonisches Element, ein ganzes B\u00fchnenbild.<\/i><\/p>\n
Als er das k\u00fchle Holzrelief ber\u00fchrte und die massiven T\u00fcren langsam \u00f6ffnete, verbreitete sich der Duft von alter Eiche und Bienenwachs im Raum. In diesem Moment wurde klar, dass die Meister des 19. Jahrhunderts, die dieses Neorenaissance-Wunder schufen, es geschafft hatten, die Zeit selbst in Holz zu bannen. Dieses M\u00f6belst\u00fcck dominierte den Raum und schuf eine unvergessliche Aura.<\/i><\/p>\n
Dies ist eine au\u00dfergew\u00f6hnlich massive und beeindruckende antike Buffet-Vitrine, die in der zweiten H\u00e4lfte des 19. Jahrhunderts in Frankreich hergestellt wurde. Sie verk\u00f6rpert den Luxus und die Monumentalit\u00e4t des Neorenaissance-Stils.<\/p>\n
Aus massiver, schwerer Eiche gefertigt. Das untere Teil hat geschlossene T\u00fcren, die mit tiefen Reliefschnitzereien mit l\u00e4ndlichen Motiven (F\u00e4sser, Weizengarben) verziert sind. Der mittlere offene Teil wird von fantastisch geschnitzten mythischen Drachen\/Schim\u00e4ren getragen. Das obere Teil (Vitrine) mit verglasten T\u00fcren wird von zwei vollplastisch geschnitzten Ritterfiguren flankiert.<\/p>\n
Aufgrund ihrer grandiosen Ausma\u00dfe (257 cm H\u00f6he) und ihres enormen Gewichts verlangt dieses M\u00f6belst\u00fcck nach Raum. Sehr guter antiker Zustand mit wunderbarer, nat\u00fcrlicher Eichenpatina. Das M\u00f6belst\u00fcck ist strukturell sehr stabil. Der Zustand ist auf den Fotos vollst\u00e4ndig ersichtlich.<\/p>\n
\ud83c\uddeb\ud83c\uddf7 Dimensions : Hauteur 257 cm \u00d7 Largeur 144 cm \u00d7 Profondeur 58 cm. Poids : Tr\u00e8s lourd, massif.<\/p>\n
Un instantan\u00e9 de grandeur intemporelle, Alexandre Dumas :<\/i><\/b> Dans la somptueuse salle \u00e0 manger de son majestueux Ch\u00e2teau de Monte-Cristo, remplie d’objets d’art d’inspiration gothique et Renaissance, le c\u00e9l\u00e8bre \u00e9crivain fran\u00e7ais Alexandre Dumas se tenait en admiration devant ce buffet monumental en ch\u00eane. Lui qui c\u00e9l\u00e9brait la chevalerie, l’honneur et le drame historique dans ses romans, voyait exactement ce m\u00eame esprit h\u00e9ro\u00efque dans ce meuble. Les lourdes figures de chevaliers habilement sculpt\u00e9es, se tenant fi\u00e8rement sur les c\u00f4t\u00e9s de la vitrine, semblaient \u00eatre des gardiens silencieux, prot\u00e9geant non seulement les tr\u00e9sors cach\u00e9s derri\u00e8re la vitre, mais l’\u00e2ge d’or de la France elle-m\u00eame.<\/i><\/p>\n
Le ch\u00eane profond et sombre du meuble, sculpt\u00e9 de motifs de la vie rurale, de dragons et d’\u00e9l\u00e9ments grotesques, faisait parfaitement \u00e9cho \u00e0 l’amour de Dumas pour l’expression th\u00e9\u00e2trale et la d\u00e9mesure. Les reflets du feu de chemin\u00e9e dansaient dans les vitres de la vitrine, tandis que la partie inf\u00e9rieure et massive du buffet abritait de lourdes coupes en argent et des vins exquis. Ce buffet n’\u00e9tait pas simplement un endroit pour ranger des choses ; c’\u00e9tait comme un \u00e9l\u00e9ment architectural, un d\u00e9cor de sc\u00e8ne entier.<\/i><\/p>\n
En touchant le relief en bois frais et en ouvrant lentement les portes massives, le parfum du vieux ch\u00eane et de la cire d’abeille se r\u00e9pandit dans la pi\u00e8ce. \u00c0 ce moment-l\u00e0, il est devenu clair que les ma\u00eetres du 19\u00e8me si\u00e8cle, en cr\u00e9ant cette merveille n\u00e9o-Renaissance, avaient r\u00e9ussi \u00e0 capturer le temps lui-m\u00eame dans le bois. Ce meuble dominait l’espace, cr\u00e9ant une aura inoubliable.<\/i><\/p>\n
Il s’agit d’un buffet-vitrine antique exceptionnellement massif et impressionnant, cr\u00e9\u00e9 en France dans la seconde moiti\u00e9 du 19\u00e8me si\u00e8cle. Il incarne le luxe et la monumentalit\u00e9 du style N\u00e9o-Renaissance.<\/p>\n
Fabriqu\u00e9 en ch\u00eane massif et lourd. La partie inf\u00e9rieure comporte des portes ferm\u00e9es d\u00e9cor\u00e9es de sculptures en haut-relief (tonneaux, gerbes de bl\u00e9). La section ouverte du milieu est soutenue par des dragons\/chim\u00e8res mythiques fantastiquement sculpt\u00e9s. La partie sup\u00e9rieure (vitrine) avec ses portes vitr\u00e9es est flanqu\u00e9e de deux majestueuses figures de chevaliers enti\u00e8rement sculpt\u00e9es.<\/p>\n
Gr\u00e2ce \u00e0 ses dimensions grandioses (257 cm de hauteur) et \u00e0 son poids extr\u00eamement lourd, ce meuble exige de l’espace. Tr\u00e8s bon \u00e9tat antique avec une belle patine de ch\u00eane naturel. Le meuble est structurellement tr\u00e8s stable. L’\u00e9tat de l’objet est enti\u00e8rement refl\u00e9t\u00e9 dans les photographies.<\/p>\n
\ud83c\udde9\ud83c\uddf0 M\u00e5l: H\u00f8jde 257 cm \u00d7 Bredde 144 cm \u00d7 Dybde 58 cm. V\u00e6gt: Meget tung, massiv.<\/p>\n
Et \u00f8jebliksbillede af tidl\u00f8s storhed, Alexandre Dumas:<\/i><\/b> I den overd\u00e5dige spisestue p\u00e5 sit majest\u00e6tiske Ch\u00e2teau de Monte-Cristo, fyldt med gotisk og ren\u00e6ssanceinspireret kunst, stod den ber\u00f8mte franske forfatter Alexandre Dumas i beundring foran denne monumentale egetr\u00e6sbuffet. Han, der fejrede ridderskab, \u00e6re og historisk drama i sine romaner, s\u00e5 netop den samme heroiske \u00e5nd i dette m\u00f8bel. De tunge, dygtigt udsk\u00e5rne ridderfigurer, der stolt stod p\u00e5 siderne af vitrinen, lignede tavse vogtere, der beskyttede ikke kun de skatte, der var skjult bag glasset, men selve Frankrigs guldalder.<\/i><\/p>\n
M\u00f8blets dybe, m\u00f8rke egetr\u00e6, udsk\u00e5ret med motiver fra landlivet, drager og groteske elementer, afspejlede fejlfrit Dumas’ k\u00e6rlighed til teatralsk udtryk og storhed. Refleksionerne fra pejsens ild dansede i vitrinens glas, mens den nederste, massive del af buffeten rummede tunge s\u00f8lvb\u00e6gre og uds\u00f8gte vine. Denne buffet var ikke blot et sted at opbevare ting; det var som et arkitektonisk element, en hel scenografi.<\/i><\/p>\n
Da han r\u00f8rte ved det k\u00f8lige tr\u00e6relief og langsomt \u00e5bnede de massive d\u00f8re, spredte duften af gammel eg og bivoks sig i rummet. I dette \u00f8jeblik blev det klart, at det 19. \u00e5rhundredes mestre, der skabte dette neoren\u00e6ssance-vidunder, havde form\u00e5et at fange selve tiden i tr\u00e6. Dette m\u00f8bel dominerede rummet og skabte en uforglemmelig aura.<\/i><\/p>\n
Dette er en us\u00e6dvanlig massiv og imponerende antik buffet-vitrine, skabt i Frankrig i anden halvdel af det 19. \u00e5rhundrede. Den inkarnerer luksusen og monumentaliteten i Neo-Ren\u00e6ssance stilen.<\/p>\n
Fremstillet af massiv, tung eg. Den nederste del har lukkede d\u00f8re dekoreret med dybe reliefudsk\u00e6ringer (t\u00f8nder, hvedeneg). Den midterste \u00e5bne sektion underst\u00f8ttes af fantastisk udsk\u00e5rne mytiske drager\/kim\u00e6rer. Den \u00f8vre del (vitrine) med glasd\u00f8re er flankeret af to majest\u00e6tiske ridderfigurer.<\/p>\n
Takket v\u00e6re sine grandiose dimensioner (257 cm i h\u00f8jden) og ekstremt tunge v\u00e6gt kr\u00e6ver dette m\u00f8bel plads. Meget god antik stand med en vidunderlig, naturlig egepatina. M\u00f8blet er strukturelt meget stabilt. Genstandens tilstand er fuldt ud afspejlet p\u00e5 fotografierne.<\/p>\n
\ud83c\uddf8\ud83c\uddea M\u00e5tt: H\u00f6jd 257 cm \u00d7 Bredd 144 cm \u00d7 Djup 58 cm. Vikt: Mycket tung, massiv.<\/p>\n
En \u00f6gonblicksbild av tidl\u00f6s storhet, Alexandre Dumas:<\/i><\/b> I den \u00f6verd\u00e5diga matsalen p\u00e5 sitt majest\u00e4tiska Ch\u00e2teau de Monte-Cristo, fylld med gotisk och ren\u00e4ssansinspirerad konst, stod den ber\u00f6mde franske f\u00f6rfattaren Alexandre Dumas i beundran inf\u00f6r denna monumentala ekbuff\u00e9. Han, som hyllade ridderskap, \u00e4ra och historiskt drama i sina romaner, s\u00e5g precis samma heroiska anda i denna m\u00f6bel. De tunga, skickligt snidade riddarfigurerna som stolt stod p\u00e5 sidorna av vitrinen verkade som tysta v\u00e4ktare, som inte bara skyddade skatterna g\u00f6mda bakom glaset, utan sj\u00e4lva Frankrikes guld\u00e5lder.<\/i><\/p>\n
M\u00f6belns djupa, m\u00f6rka ek, snidad med motiv fr\u00e5n lantliv, drakar och groteska element, speglade felfritt Dumas k\u00e4rlek till teatrala uttryck och storvulenhet. Reflexionerna fr\u00e5n eldstadens eld dansade i vitrinens glas, medan den nedre, massiva delen av buff\u00e9n rymde tunga silverpokaler och uts\u00f6kta viner. Denna buff\u00e9 var inte bara en plats f\u00f6r f\u00f6rvaring; den var som ett arkitektoniskt element, en hel scenografi.<\/i><\/p>\n
N\u00e4r han r\u00f6rde vid den svala tr\u00e4reliefen och l\u00e5ngsamt \u00f6ppnade de massiva d\u00f6rrarna, spreds doften av gammal ek och bivax i rummet. I detta \u00f6gonblick blev det klart att 1800-talets m\u00e4stare, som skapade detta nyren\u00e4ssansunderverk, hade lyckats f\u00e5nga sj\u00e4lva tiden i tr\u00e4. Denna m\u00f6bel dominerade rummet och skapade en of\u00f6rgl\u00f6mlig aura.<\/i><\/p>\n
Detta \u00e4r en exceptionellt massiv och imponerande antik buff\u00e9-vitrin, skapad i Frankrike under andra h\u00e4lften av 1800-talet. Den f\u00f6rkroppsligar lyxen och monumentaliteten i nyren\u00e4ssansstilen.<\/p>\n
Tillverkad av massiv, tung ek. Den nedre delen har st\u00e4ngda d\u00f6rrar dekorerade med djupa reliefsniderier (tunnor, vetek\u00e4rvar). Den mellersta \u00f6ppna sektionen st\u00f6ds av fantastiskt snidade mytiska drakar\/chim\u00e4rer. Den \u00f6vre delen (vitrinen) med glasade d\u00f6rrar flankeras av tv\u00e5 majest\u00e4tiska riddarfigurer.<\/p>\n
Tack vare sina grandiosa dimensioner (257 cm i h\u00f6jd) och extremt tunga vikt kr\u00e4ver denna m\u00f6bel rymd. Mycket gott antikt skick med en underbar, naturlig ekpatina. M\u00f6beln \u00e4r strukturellt mycket stabil. F\u00f6rem\u00e5lets skick \u00e5terspeglas till fullo p\u00e5 fotografierna.<\/p>\n
\ud83c\uddf3\ud83c\uddf4 M\u00e5l: H\u00f8yde 257 cm \u00d7 Bredde 144 cm \u00d7 Dybde 58 cm. Vekt: Veldig tung, massiv.<\/p>\n
Et \u00f8yeblikksbilde av tidl\u00f8s storhet, Alexandre Dumas:<\/i><\/b> I den overd\u00e5dige spisestuen p\u00e5 sitt majestetiske Ch\u00e2teau de Monte-Cristo, fylt med gotisk og renessanseinspirert kunst, sto den ber\u00f8mte franske forfatteren Alexandre Dumas i beundring foran denne monumentale eikebuff\u00e9en. Han, som feiret ridderskap, \u00e6re og historisk drama i sine romaner, s\u00e5 akkurat den samme heroiske \u00e5nden i dette m\u00f8belet. De tunge, dyktig utsk\u00e5rne ridderfigurene som stolt sto p\u00e5 sidene av vitrinen, virket som tause voktere, som beskyttet ikke bare skattene gjemt bak glasset, men selve Frankrikes gullalder.<\/i><\/p>\n
M\u00f8belets dype, m\u00f8rke eik, utsk\u00e5ret med motiver fra landlivet, drager og groteske elementer, gjenspeilte feilfritt Dumas’ kj\u00e6rlighet til teatralsk uttrykk og storhet. Refleksjonene fra peisilden danset i vitrinens glass, mens den nedre, massive delen av buffeen rommet tunge s\u00f8lvbegre og uts\u00f8kte viner. Denne buffeen var ikke bare et sted \u00e5 oppbevare ting; det var som et arkitektonisk element, en hel scenografi.<\/i><\/p>\n
Da han ber\u00f8rte det kj\u00f8lige trerelieffet og sakte \u00e5pnet de massive d\u00f8rene, spredte duften av gammel eik og bivoks seg i rommet. I dette \u00f8yeblikket ble det klart at 1800-tallets mestere, som skapte dette nyrenessanse-vidunderet, hadde klart \u00e5 fange selve tiden i tre. Dette m\u00f8belet dominerte rommet og skapte en uforglemmelig aura.<\/i><\/p>\n
Dette er en usedvanlig massiv og imponerende antikk buff\u00e9-vitrine, skapt i Frankrike i andre halvdel av 1800-tallet. Den legemliggj\u00f8r luksusen og monumentaliteten i nyrenessansestilen.<\/p>\n
Laget av massiv, tung eik. Den nedre delen har lukkede d\u00f8rer dekorert med dype relieffutskj\u00e6ringer (t\u00f8nner, hvetenek). Den midterste \u00e5pne seksjonen st\u00f8ttes av fantastisk utsk\u00e5rne mytiske drager\/kim\u00e6rer. Den \u00f8vre delen (vitrinen) med glassd\u00f8rer flankeres av to majestetiske ridderfigurer.<\/p>\n
Takket v\u00e6re sine grandiose dimensjoner (257 cm i h\u00f8yden) og ekstremt tunge vekt, krever dette m\u00f8belet plass. Veldig god antikk stand med en fantastisk, naturlig eikepatina. M\u00f8belet er strukturelt veldig stabilt. Gjenstandens tilstand er fullt ut gjenspeilet p\u00e5 fotografiene.<\/p>\n
\ud83c\uddeb\ud83c\uddee Mitat: Korkeus 257 cm \u00d7 Leveys 144 cm \u00d7 Syvyys 58 cm. Paino: Eritt\u00e4in raskas, massiivinen.<\/p>\n
V\u00e4l\u00e4hdys ajatonta suuruutta, Alexandre Dumas:<\/i><\/b> Mahtavan Ch\u00e2teau de Monte-Criston opulenssissa ruokasalissa, joka oli t\u00e4ynn\u00e4 goottilaista ja renessanssin inspiroimaa taidetta, kuuluisa ranskalainen kirjailija Alexandre Dumas seisoi ihaillen t\u00e4m\u00e4n monumentaalisen tammibuffetin edess\u00e4. H\u00e4n, joka ylisti ritarillisuutta, kunniaa ja historiallista draamaa romaaneissaan, n\u00e4ki juuri tuon saman sankarillisen hengen t\u00e4ss\u00e4 huonekalussa. Raskaat, taitavasti veistetyt ritarihahmot, jotka seisoivat ylpein\u00e4 vitriinin sivuilla, tuntuivat \u00e4\u00e4nett\u00f6milt\u00e4 vartijoilta, jotka suojelivat paitsi lasin taakse k\u00e4tkettyj\u00e4 aarteita, my\u00f6s itse Ranskan kulta-aikaa.<\/i><\/p>\n
Huonekalun syv\u00e4, tumma tammi, johon oli veistetty maalaisel\u00e4m\u00e4n aiheita, lohik\u00e4\u00e4rmeit\u00e4 ja groteskeja elementtej\u00e4, heijasti moitteettomasti Dumasin rakkautta teatraaliseen ilmaisuun ja suuruuteen. Takan tulen heijastukset tanssivat vitriinin laseissa, kun taas buffetin alempi, massiivinen osa piti sis\u00e4ll\u00e4\u00e4n raskaita hopeapikareita ja hienoja viinej\u00e4. T\u00e4m\u00e4 buffet ei ollut vain paikka tavaroiden s\u00e4ilytt\u00e4miseen; se oli kuin arkkitehtoninen elementti, kokonainen lavastus.<\/i><\/p>\n
Koskettaessaan viile\u00e4\u00e4 puureliefi\u00e4 ja avatessaan hitaasti massiiviset ovet, vanhan tammen ja mehil\u00e4isvahan tuoksu levisi huoneeseen. T\u00e4ll\u00e4 hetkell\u00e4 k\u00e4vi selv\u00e4ksi, ett\u00e4 1800-luvun mestarit, jotka loivat t\u00e4m\u00e4n uusrenessanssin ihmeen, olivat onnistuneet vangitsemaan itse ajan puuhun. T\u00e4m\u00e4 huonekalu hallitsi tilaa ja loi unohtumattoman auran.<\/i><\/p>\n
T\u00e4m\u00e4 on poikkeuksellisen massiivinen ja vaikuttava antiikkinen buffet-vitriini, joka on valmistettu Ranskassa 1800-luvun j\u00e4lkipuoliskolla. Se ilment\u00e4\u00e4 uusrenessanssityylin ylellisyytt\u00e4 ja monumentaalisuutta.<\/p>\n
Valmistettu massiivisesta, raskaasta tammesta. Alaosassa on suljetut ovet, jotka on koristeltu syvill\u00e4 reliefiveistoksilla (tynnyreit\u00e4, vehn\u00e4lyhteit\u00e4). Keskimm\u00e4ist\u00e4 avointa osaa tukevat fantastisesti veistetyt myyttiset lohik\u00e4\u00e4rmeet\/kimeerit. Yl\u00e4osaa (vitriini\u00e4) lasiovineen reunustavat kaksi majesteettista ritarihahmoa.<\/p>\n
Valtavien mittojensa (korkeus 257 cm) ja eritt\u00e4in suuren painonsa ansiosta t\u00e4m\u00e4 huonekalu vaatii tilaa. Eritt\u00e4in hyv\u00e4 antiikkinen kunto upealla, luonnollisella tammen patinalla. Huonekalu on rakenteellisesti eritt\u00e4in vakaa. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n","protected":false},"excerpt":{"rendered":"
\u0100rk\u0101rt\u012bgi mas\u012bva un monument\u0101la 19. gadsimta Francijas neorenesanses stila ozolkoka bufete-vitr\u012bna. M\u0113beli rot\u0101 dzi\u013ci, meistar\u012bgi roku kokgriezumi \u2014 piln\u012bb\u0101 veidotas bru\u0146inieku fig\u016bras, m\u012btiskie p\u016b\u0137i un bag\u0101t\u012bgi reljefa mot\u012bvi. Izcils, domin\u0113jo\u0161s interjera meistardarbs. Izm\u0113ri: 257 \u00d7 144 \u00d7 58 cm.<\/p>\n","protected":false},"featured_media":11060,"template":"","meta":[],"product_brand":[],"product_cat":[207,215,204,218],"product_tag":[2133,1731,3047,3040,3043,1313,332,3044,3045,3042,3041,1908,3046,1732],"class_list":["post-11059","product","type-product","status-publish","has-post-thumbnail","product_cat-mebeles","product_cat-skapji","product_cat-visas-lietas","product_cat-vitrinas","product_tag-19th-century-furniture","product_tag-aleksandrs-dima-alexandre-dumas","product_tag-antika-bufete","product_tag-antique-buffet","product_tag-carved-oak-cabinet","product_tag-french-antiques","product_tag-hunting-style","product_tag-knight-figures","product_tag-monumental-furniture","product_tag-neo-renaissance","product_tag-oak-vitrine","product_tag-ozolkoka-mebeles","product_tag-vintage-display-cabinet","product_tag-1732","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/11059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/11060"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=11059"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=11059"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=11059"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=11059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}