{"id":10849,"date":"2022-05-26T17:41:26","date_gmt":"2022-05-26T14:41:26","guid":{"rendered":"https:\/\/server.id.lv\/?post_type=product&p=10849"},"modified":"2026-09-07T21:17:50","modified_gmt":"2026-09-07T18:17:50","slug":"wooden-screen-with-painting-small-medium-size-3230","status":"publish","type":"product","link":"https:\/\/server.id.lv\/lv\/products\/wooden-screen-with-painting-small-medium-size-3230\/","title":{"rendered":"Ant\u012bks tr\u012bsda\u013c\u012bgs koka aizslietnis ar Chinoiserie un Singerie gleznojumiem (antique chinoiserie singerie painted wooden folding screen) (3230)"},"content":{"rendered":"

\ud83c\uddf1\ud83c\uddfb LATVIE\u0160U VALODAS BLOKS<\/strong><\/p>\n

Izm\u0113ri: Garums (atv\u0113rt\u0101 veid\u0101) \u2014 106,5 cm Augstums \u2014 121 cm<\/p>\n

Ant\u012bks tr\u012bsda\u013c\u012bgs koka aizslietnis ar Chinoiserie un Singerie gleznojumiem<\/strong><\/p>\n

Izsmalcin\u0101ts, vid\u0113ja izm\u0113ra un neparasti elegants 19. gadsimta beigu salok\u0101mais koka aizslietnis jeb istabas ekr\u0101ns (antique chinoiserie singerie painted wooden folding screen<\/em>). Priek\u0161meta konstrukciju veido tr\u012bs kust\u012bgi savienoti koka r\u0101mji ar greznu, vi\u013c\u0146otu aug\u0161\u0113jo l\u012bniju, kas p\u0101rkl\u0101ta ar c\u0113lu zelta kr\u0101su. Centr\u0101lo r\u0101mi vainago reljefs rokoko glieme\u017en\u012bcas (rocaille<\/em>) un akanta lapu mot\u012bvs. Aizsliet\u0146a galven\u0101 v\u0113rt\u012bba ir t\u0101 izcili saglab\u0101tie, ar roku apgleznotie pane\u013ci uz gai\u0161a kr\u0113mkr\u0101sas fona, kas att\u0113lo kapr\u012bzas un aspr\u0101t\u012bgas 18. gadsimta fran\u010du galma dekorat\u012bv\u0101s m\u0101kslas t\u0113mas.<\/p>\n

Gleznojumos apvienoti divi slaveni v\u0113sturiskie stili:<\/p>\n

    \n
  1. Singerie<\/strong> (p\u0113rti\u0137u m\u0101nija) \u2014 pane\u013cu aug\u0161da\u013c\u0101 att\u0113loti cilv\u0113ku dr\u0113b\u0113s t\u0113rpti p\u0113rti\u0137i, kas nododas cilv\u0113cisk\u0101m izklaid\u0113m: viens sp\u0113l\u0113 bungas uz grezna purpura spilvena, otrs dres\u0113 mazu sun\u012bti, turot vingro\u0161anas ri\u0146\u0137i.<\/li>\n
  2. Chinoiserie<\/strong> (\u0137\u012bnie\u0161u stila fant\u0101zijas) \u2014 centr\u0101lajos laukumos att\u0113lotas rota\u013c\u012bgas, pastor\u0101las ainas ar eksotiskos austrumu t\u0113rpos \u0123\u0113rbtiem t\u0113liem dabas fon\u0101, kas p\u016b\u0161 ziepju burbu\u013cus un \u0161\u016bpojas kokos.<\/li>\n<\/ol>\n

    Apak\u0161\u0113jo joslu rot\u0101 kr\u0101\u0161\u0146i ziedu grozi, v\u012btnes un kr\u0101saini putni. Gleznojuma apak\u0161\u0101 redzams meistara paraksts “H. Verhaegen”, kas liecina par augsta l\u012bme\u0146a Eiropas dekorat\u012bv\u0101s skolas darbu. Aizmugur\u0113j\u0101 da\u013ca ir p\u0101rvilkta ar neitr\u0101lu, gai\u0161u audumu un gl\u012bti ap\u0161\u016bta ar dekorat\u012bvu v\u012bto auklu.<\/p>\n

    Izgatavo\u0161anas periods<\/strong> 19. gadsimta beigas \/ 20. gadsimta s\u0101kums, aptuveni 1890.\u20131910. gads. Historisma \/ Neorokoko periods, Francija vai Be\u013c\u0123ija.<\/p>\n

    Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/strong> Darbs ir individu\u0101ls m\u0101kslas pas\u016bt\u012bjums, parakst\u012bts gleznojuma centr\u0101laj\u0101 da\u013c\u0101 ar “H. Verhaegen” (vai “Verhasen”). \u0160\u0101di izsmalcin\u0101ti interjera priek\u0161meti tika rad\u012bti vado\u0161aj\u0101s Briseles un Par\u012bzes dekorat\u012bv\u0101s m\u0101kslas darbn\u012bc\u0101s, iedvesmojoties no Luija XV laikmeta ori\u0123in\u0101liem.<\/p>\n

    Retums un noz\u012bme<\/strong> Salok\u0101mie istabas un kam\u012bna ekr\u0101ni ar piln\u012bb\u0101 saglab\u0101tiem, nesaboj\u0101tiem un tik detaliz\u0113tiem roku gleznojumiem ir liels retums. Singerie<\/em> \u017eanra priek\u0161meti \u0161obr\u012bd piedz\u012bvo milz\u012bgu renesansi un ir \u012bpa\u0161i piepras\u012bti kolekcion\u0101ru vid\u016b, jo tie iemieso izsmalcin\u0101tu humoru un klasisko m\u0101kslas est\u0113tiku.<\/p>\n

    Pielietojums<\/strong> Aizslietnis ir piln\u012bb\u0101 funkcion\u0101ls un teicami kalpo telpas zon\u0113\u0161anai, m\u0101j\u012bga st\u016br\u012b\u0161a rad\u012b\u0161anai gu\u013camistab\u0101 vai k\u0101 dekorat\u012bvs ekr\u0101ns pie kam\u012bna un rakst\u0101mgalda. Tas ir sp\u0113c\u012bgs vizu\u0101lais akcents, kas jebkuram klasiskam vai eklektiskam interjeram pie\u0161\u0137ir aristokr\u0101tisku v\u0113stures elpu un salonu \u0161armu.<\/p>\n

    St\u0101voklis<\/strong> Lielisk\u0101 ant\u012bk\u0101 saglab\u0101t\u012bb\u0101. Koka konstrukcija un misi\u0146a e\u0146\u0123es ir piln\u012bgi stingras un stabilas. Roku gleznojumi uz visiem trim pane\u013ciem ir neparasti ko\u0161i, skaidri, bez plais\u0101m vai kr\u0101sas zudumiem. Zelt\u012btajam r\u0101mim piem\u012bt maiga, dabiska un c\u0113la v\u0113sturisk\u0101 pat\u012bna, kas tikai izce\u013c priek\u0161meta autentiskumu. Aizmugur\u0113jais audums ir t\u012brs un vesels.<\/p>\n

    Kult\u016brv\u0113sturiskais momentuz\u0146\u0113mums:<\/strong><\/em> Tveic\u012bg\u0101 p\u0113cpusdien\u0101, kad Indijas musonu lietus smag\u0101s l\u0101ses s\u0101ka ritmiski bungot pret koloni\u0101l\u0101 bungalo verandas stikliem, telp\u0101 vald\u012bja d\u016bmakains, silts miers. Rakstnieks Radjards Kiplings s\u0113d\u0113ja pie sava smag\u0101 mahagonija rakst\u0101mgalda, klusi un koncentr\u0113ti dungodams k\u0101du senu armijas mar\u0161a ritmu un ar pildspalvas galu viegli piesizdams pie bronzas tintn\u012bcas malas. Telpas st\u016br\u012b, sarg\u0101jot dego\u0161\u0101s e\u013c\u013cas lampas gaismu no caurv\u0113ja, st\u0101v\u0113ja nelielais koka aizslietnis \u2014 t\u0101 zelt\u012btais r\u0101mis laist\u012bj\u0101s silt\u0101 ton\u012b, bet ar roku apgleznotie p\u0113rti\u0137i un austrumu t\u0113li p\u016bta ziepju burbu\u013cus, radot d\u012bvainu, pasakainu kontrastu ar apk\u0101rt\u0113jo tropu ainavu. \u0160is kapr\u012bzais fran\u010du rokoko m\u0101kslas darbs, kur\u0101 me\u017eon\u012bg\u0101 daba bija p\u0101rv\u0113rsta elegant\u0101 galma jok\u0101, acumirkl\u012b p\u0101rv\u0113rta svelmaino darba stundu par c\u0113lu, iedvesmojo\u0161u un nemirst\u012bgu laika ritu\u0101lu.<\/em><\/p>\n

    \ud83c\uddf7\ud83c\uddfa \u0420\u0423\u0421\u0421\u041a\u0418\u0419 \u0411\u041b\u041e\u041a<\/strong><\/p>\n

    \u0420\u0430\u0437\u043c\u0435\u0440\u044b: \u0414\u043b\u0438\u043d\u0430 (\u0432 \u043e\u0442\u043a\u0440\u044b\u0442\u043e\u043c \u0432\u0438\u0434\u0435) \u2014 106,5 \u0441\u043c \u0412\u044b\u0441\u043e\u0442\u0430 \u2014 121 \u0441\u043c<\/p>\n

    \u0410\u043d\u0442\u0438\u043a\u0432\u0430\u0440\u043d\u0430\u044f \u0442\u0440\u0435\u0445\u0441\u0442\u0432\u043e\u0440\u0447\u0430\u0442\u0430\u044f \u0448\u0438\u0440\u043c\u0430 \u0441 \u0440\u043e\u0441\u043f\u0438\u0441\u044c\u044e Chinoiserie \u0438 Singerie<\/strong><\/h3>\n

    \u0418\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u0430\u044f, \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u0430\u044f \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0430\u044f \u0441\u043a\u043b\u0430\u0434\u043d\u0430\u044f \u0448\u0438\u0440\u043c\u0430 (\u043a\u0430\u043c\u0438\u043d\u043d\u044b\u0439 \u044d\u043a\u0440\u0430\u043d) \u043a\u043e\u043d\u0446\u0430 19 \u0432\u0435\u043a\u0430, \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u044e\u0449\u0430\u044f \u0441\u043e\u0431\u043e\u0439 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u044b\u0439 \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0433\u043e \u0438\u0441\u0442\u043e\u0440\u0438\u0437\u043c\u0430 (antique chinoiserie singerie painted wooden folding screen<\/em>). \u041a\u0430\u0440\u043a\u0430\u0441 \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d \u0438\u0437 \u0444\u0438\u0433\u0443\u0440\u043d\u043e\u0433\u043e \u0434\u0435\u0440\u0435\u0432\u0430, \u043f\u043e\u043a\u0440\u044b\u0442\u043e\u0433\u043e \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u043c \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u0438\u0435\u043c, \u0430 \u0446\u0435\u043d\u0442\u0440\u0430\u043b\u044c\u043d\u0443\u044e \u0447\u0430\u0441\u0442\u044c \u0432\u0435\u043d\u0447\u0430\u0435\u0442 \u0440\u0435\u043b\u044c\u0435\u0444\u043d\u044b\u0439 \u0440\u043e\u043a\u0430\u0439\u043b\u044c\u043d\u044b\u0439 \u043c\u043e\u0442\u0438\u0432. \u0413\u043b\u0430\u0432\u043d\u043e\u0435 \u0434\u043e\u0441\u0442\u043e\u0438\u043d\u0441\u0442\u0432\u043e \u0448\u0438\u0440\u043c\u044b \u2014 \u0442\u0440\u0438 \u043f\u0430\u043d\u0435\u043b\u0438 \u0441 \u0434\u0435\u0442\u0430\u043b\u044c\u043d\u043e\u0439 \u0440\u0443\u0447\u043d\u043e\u0439 \u0440\u043e\u0441\u043f\u0438\u0441\u044c\u044e \u043d\u0430 \u043a\u0440\u0435\u043c\u043e\u0432\u043e\u043c \u0444\u043e\u043d\u0435, \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u043e\u0439 \u0432 \u043a\u043b\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0436\u0430\u043d\u0440\u0430\u0445 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0433\u043e \u0440\u043e\u043a\u043e\u043a\u043e 18 \u0432\u0435\u043a\u0430: Singerie<\/strong> (\u043e\u0431\u0435\u0437\u044c\u044f\u043d\u0438\u0439 \u0442\u0435\u0430\u0442\u0440, \u0433\u0434\u0435 \u043e\u0434\u0435\u0442\u044b\u0435 \u0432 \u043a\u0430\u043c\u0437\u043e\u043b\u044b \u043e\u0431\u0435\u0437\u044c\u044f\u043d\u043a\u0438 \u0438\u0433\u0440\u0430\u044e\u0442 \u043d\u0430 \u0431\u0430\u0440\u0430\u0431\u0430\u043d\u0430\u0445 \u0438 \u0434\u0440\u0435\u0441\u0441\u0438\u0440\u0443\u044e\u0442 \u0441\u043e\u0431\u0430\u043a) \u0438 Chinoiserie<\/strong> (\u0432\u043e\u0441\u0442\u043e\u0447\u043d\u044b\u0435 \u043f\u0430\u0441\u0442\u043e\u0440\u0430\u043b\u044c\u043d\u044b\u0435 \u043c\u043e\u0442\u0438\u0432\u044b \u0441 \u043f\u0435\u0440\u0441\u043e\u043d\u0430\u0436\u0430\u043c\u0438, \u043f\u0443\u0441\u043a\u0430\u044e\u0449\u0438\u043c\u0438 \u043c\u044b\u043b\u044c\u043d\u044b\u0435 \u043f\u0443\u0437\u044b\u0440\u0438). \u0412\u043d\u0438\u0437\u0443 \u0440\u043e\u0441\u043f\u0438\u0441\u044c \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u0430 \u0446\u0432\u0435\u0442\u043e\u0447\u043d\u044b\u043c\u0438 \u043a\u043e\u0440\u0437\u0438\u043d\u0430\u043c\u0438 \u0438 \u044d\u043a\u0437\u043e\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u043c\u0438 \u043f\u0442\u0438\u0446\u0430\u043c\u0438, \u0430 \u0442\u0430\u043a\u0436\u0435 \u043e\u0440\u0438\u0433\u0438\u043d\u0430\u043b\u044c\u043d\u043e\u0439 \u043f\u043e\u0434\u043f\u0438\u0441\u044c\u044e \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a\u0430 “H. Verhaegen”. \u041e\u0431\u0440\u0430\u0442\u043d\u0430\u044f \u0441\u0442\u043e\u0440\u043e\u043d\u0430 \u0437\u0430\u0442\u044f\u043d\u0443\u0442\u0430 \u043d\u0435\u0439\u0442\u0440\u0430\u043b\u044c\u043d\u043e\u0439 \u0441\u0432\u0435\u0442\u043b\u043e\u0439 \u0442\u043a\u0430\u043d\u044c\u044e \u0441 \u0434\u0435\u043a\u043e\u0440\u0430\u0442\u0438\u0432\u043d\u044b\u043c \u043a\u0430\u043d\u0442\u043e\u043c. \u0418\u0437\u0434\u0435\u043b\u0438\u0435 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u043f\u0440\u0435\u043a\u0440\u0430\u0441\u043d\u043e\u043c \u043a\u043e\u043b\u043b\u0435\u043a\u0446\u0438\u043e\u043d\u043d\u043e\u043c \u0441\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0438, \u043f\u0435\u0442\u043b\u0438 \u043f\u0440\u043e\u0447\u043d\u044b\u0435, \u0430 \u043a\u0440\u0430\u0441\u043a\u0438 \u0441\u043e\u0445\u0440\u0430\u043d\u0438\u043b\u0438 \u043f\u0435\u0440\u0432\u043e\u043d\u0430\u0447\u0430\u043b\u044c\u043d\u0443\u044e \u0441\u043e\u0447\u043d\u043e\u0441\u0442\u044c.<\/p>\n

    \u0418\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u0441\u044e\u0436\u0435\u0442:<\/strong><\/em> \u0412 \u0434\u0443\u0448\u043d\u044b\u0439 \u043f\u043e\u0441\u043b\u0435\u043f\u043e\u043b\u0443\u0434\u0435\u043d\u043d\u044b\u0439 \u0447\u0430\u0441, \u043a\u043e\u0433\u0434\u0430 \u0442\u044f\u0436\u0435\u043b\u044b\u0435 \u043a\u0430\u043f\u043b\u0438 \u0438\u043d\u0434\u0438\u0439\u0441\u043a\u043e\u0433\u043e \u043c\u0443\u0441\u0441\u043e\u043d\u043d\u043e\u0433\u043e \u0434\u043e\u0436\u0434\u044f \u043d\u0430\u0447\u0430\u043b\u0438 \u0440\u0438\u0442\u043c\u0438\u0447\u043d\u043e \u0431\u0430\u0440\u0430\u0431\u0430\u043d\u0438\u0442\u044c \u043f\u043e \u0441\u0442\u0435\u043a\u043b\u0430\u043c \u0432\u0435\u0440\u0430\u043d\u0434\u044b \u043a\u043e\u043b\u043e\u043d\u0438\u0430\u043b\u044c\u043d\u043e\u0433\u043e \u0431\u0443\u043d\u0433\u0430\u043b\u043e, \u0432 \u043a\u043e\u043c\u043d\u0430\u0442\u0435 \u0432\u043e\u0446\u0430\u0440\u0438\u043b\u0441\u044f \u0442\u0435\u043f\u043b\u044b\u0439 \u043f\u043e\u043a\u043e\u0439. \u041f\u0438\u0441\u0430\u0442\u0435\u043b\u044c \u0420\u0435\u0434\u044c\u044f\u0440\u0434 \u041a\u0438\u043f\u043b\u0438\u043d\u0433 (Rudyard Kipling) \u0441\u0438\u0434\u0435\u043b \u0437\u0430 \u0441\u0432\u043e\u0438\u043c \u0442\u044f\u0436\u0435\u043b\u044b\u043c \u043c\u0430\u0445\u0430\u0433\u043e\u043d\u043e\u0432\u044b\u043c \u0441\u0442\u043e\u043b\u043e\u043c, \u0442\u0438\u0445\u043e \u0438 \u0441\u043e\u0441\u0440\u0435\u0434\u043e\u0442\u043e\u0447\u0435\u043d\u043d\u043e \u043d\u0430\u043f\u0435\u0432\u0430\u044f \u0441\u0442\u0430\u0440\u044b\u0439 \u0430\u0440\u043c\u0435\u0439\u0441\u043a\u0438\u0439 \u043c\u0430\u0440\u0448 \u0438 \u0441\u043b\u0435\u0433\u043a\u0430 \u043f\u043e\u0441\u0442\u0443\u043a\u0438\u0432\u0430\u044f \u043f\u0435\u0440\u043e\u043c \u043f\u043e \u043a\u0440\u0430\u044e \u0431\u0440\u043e\u043d\u0437\u043e\u0432\u043e\u0439 \u0447\u0435\u0440\u043d\u0438\u043b\u044c\u043d\u0438\u0446\u044b. \u0412 \u0443\u0433\u043b\u0443 \u043a\u043e\u043c\u043d\u0430\u0442\u044b, \u0437\u0430\u0449\u0438\u0449\u0430\u044f \u043f\u043b\u0430\u043c\u044f \u043b\u0430\u043c\u043f\u044b \u043e\u0442 \u0441\u043a\u0432\u043e\u0437\u043d\u044f\u043a\u0430, \u0441\u0442\u043e\u044f\u043b\u0430 \u043d\u0435\u0431\u043e\u043b\u044c\u0448\u0430\u044f \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u0430\u044f \u0448\u0438\u0440\u043c\u0430 \u2014 \u0435\u0435 \u0437\u043e\u043b\u043e\u0447\u0435\u043d\u044b\u0439 \u043a\u0430\u0440\u043a\u0430\u0441 \u043c\u0435\u0440\u0446\u0430\u043b \u0442\u0435\u043f\u043b\u044b\u043c \u0441\u0432\u0435\u0442\u043e\u043c, \u0430 \u0440\u0430\u0441\u043f\u0438\u0441\u043d\u044b\u0435 \u043e\u0431\u0435\u0437\u044c\u044f\u043d\u043a\u0438 \u0438 \u0432\u043e\u0441\u0442\u043e\u0447\u043d\u044b\u0435 \u043f\u0435\u0440\u0441\u043e\u043d\u0430\u0436\u0438 \u043f\u0443\u0441\u043a\u0430\u043b\u0438 \u043c\u044b\u043b\u044c\u043d\u044b\u0435 \u043f\u0443\u0437\u044b\u0440\u0438, \u0441\u043e\u0437\u0434\u0430\u0432\u0430\u044f \u0443\u0434\u0438\u0432\u0438\u0442\u0435\u043b\u044c\u043d\u044b\u0439 \u0441\u043a\u0430\u0437\u043e\u0447\u043d\u044b\u0439 \u043a\u043e\u043d\u0442\u0440\u0430\u0441\u0442 \u0441 \u0442\u0440\u043e\u043f\u0438\u0447\u0435\u0441\u043a\u0438\u043c \u043f\u0435\u0439\u0437\u0430\u0436\u0435\u043c \u0437\u0430 \u043e\u043a\u043d\u043e\u043c. \u042d\u0442\u043e\u0442 \u043a\u0430\u043f\u0440\u0438\u0437\u043d\u044b\u0439 \u043f\u0440\u0435\u0434\u043c\u0435\u0442 \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u043d\u043e \u043f\u0440\u0435\u0432\u0440\u0430\u0449\u0430\u043b \u0437\u043d\u043e\u0439\u043d\u044b\u0439 \u0447\u0430\u0441 \u0440\u0430\u0431\u043e\u0442\u044b \u0432 \u0437\u0430\u0432\u0435\u0440\u0448\u0435\u043d\u043d\u044b\u0439 \u0438 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u0439 \u0440\u0438\u0442\u0443\u0430\u043b \u043a\u0440\u0430\u0441\u043e\u0442\u044b.<\/em><\/p>\n

    \ud83c\uddec\ud83c\udde7 ENGLISH BLOCK<\/strong><\/p>\n

    Dimensions: Length (fully opened) \u2014 106.5 cm Height \u2014 121 cm<\/p>\n

    Antiquarian Gilded Three-Panel Folding Screen with Chinoiserie & Singerie Panels<\/strong><\/h2>\n

    This exceptional late 19th-century European folding screen is a definitive statement of period luxury, showcasing a rare, beautifully proportioned three-panel room divider (antique chinoiserie singerie painted wooden folding screen<\/em>). The elegant wooden frame is masterfully profiled, finished in a warm gold leaf application, and crowned at the center with a highly detailed Rococo shell (rocaille<\/em>) and acanthus leaf crest. The main distinction of this folding screen lies in its pristine hand-painted canvas panels set against a soft cream ground. The scenes display a whimsical and historically accurate interpretation of 18th-century French courtly decoration, seamlessly combining two legendary decorative arts genres: Singerie<\/strong> (featuring monkeys in fine historical attire playing drums on cushions and training lapdogs) and Chinoiserie<\/strong> (exotic Eastern figures blowing soap bubbles in pastoral settings).<\/p>\n

    The lower borders are enriched with overflowing flower baskets, floral swags, and colorful birds. The painting is hand-signed by the artist “H. Verhaegen” on the lower right of the central panel. The reverse side is neatly upholstered in a neutral light-toned fabric finished with a decorative braided cord.<\/p>\n

    Period Style snapshot:<\/strong><\/em> On a humid afternoon, as the heavy drops of an Indian monsoon rain began to beat rhythmically against the glass of the colonial bungalow veranda, a hazy, warm peace filled the room. The writer Rudyard Kipling (Rudyard Kipling) sat at his heavy mahogany writing desk, quietly and intently humming an old military march, tapping the tip of his pen against the bronze inkwell. In the corner, shielding the oil lamp’s flame from the draft, stood the small wooden screen \u2014 its gilded frame shimmering in a warm tone, while the hand-painted monkeys and Eastern figures blew soap bubbles, creating a whimsical, fairy-tale contrast to the tropical landscape outside. This capricious piece of French Rococo art instantly transformed a sultry working hour into a complete, inspiring, and noble ritual of beauty.<\/em><\/p>\n

    \ud83c\udde9\ud83c\uddea GERMAN BLOCK<\/strong><\/p>\n

    Abmessungen: L\u00e4nge (voll ge\u00f6ffnet) \u2014 106,5 cm H\u00f6he \u2014 121 cm<\/p>\n

    Antiker vergoldeter Paravent mit Chinoiserie- und Singerie-Handbemalung<\/strong><\/h3>\n

    Dieser exquisite dreiteilige Paravent aus der Zeit um 1895 dokumentiert die spielerische Eleganz des europ\u00e4ischen Historismus (antique chinoiserie singerie painted wooden folding screen<\/em>). Der herrschaftlich profilierte Holzrahmen ist komplett vergoldet und wird mittig von einer plastischen Rocaille-Muschel bekr\u00f6nt. Das absolute Highlight dieses Sammlerst\u00fccks sind die drei Leinwandpaneele mit meisterhafter Handbemalung auf hellem Cremegrund. Die Darstellungen vereinen zwei der begehrtesten Dekorschulen des 18. Jahrhunderts: Singerie<\/strong> (Affenbrauchtum, bei dem historisch gekleidete Affen auf Kissen trommeln oder Hunde trainieren) und Chinoiserie<\/strong> (exotische asiatische Figuren beim Seifenblasen-Pusten in Ideallandschaften). Der untere Bereich wird von \u00fcppigen Blumenk\u00f6rben und V\u00f6geln geschm\u00fcckt, komplettiert durch die originale K\u00fcnstlersignatur “H. Verhaegen”. Die R\u00fcckseite ist mit neutralem hellem Stoff bespannt und mit Zierkordel besetzt. Befindet sich in hervorragendem, stabilem Originalzustand mit strahlender Farbkraft.<\/p>\n

    Momentaufnahme der Epoche:<\/strong><\/em> An einem schw\u00fclen Nachmittag, als die schweren Tropfen des indischen Monsunregens rhythmisch gegen die Scheiben der kolonialen Bungalow-Veranda klopften, herrschte im Raum eine dunstige, warme Stille. Der Schriftsteller Rudyard Kipling (Rudyard Kipling) sa\u00df an seinem schweren Mahagoni-Schreibtisch, summte leise und konzentriert einen alten Armeemarsch und klopfte mit der Federspitze leicht gegen den Rand des bronzenen Tintenfasses. In der Ecke des Raumes, um die Flamme der \u00d6llampe vor dem Luftzug zu sch\u00fctzen, stand der kleine Paravent \u2014 sein vergoldeter Rahmen gl\u00e4nzte in warmem Ton, w\u00e4hrend die handbemalten Affen und exotischen Gestalten Seifenblasen pusteten, was einen seltsamen, m\u00e4rchenhaften Kontrast zur tropischen Landschaft drau\u00dfen bildete. Dieses kaprizi\u00f6se franz\u00f6sische Kunstwerk machte die hei\u00dfe Arbeitsstunde augenblicklich zu einem vollendeten und edlen Ritual der Sch\u00f6nheit.<\/em><\/p>\n

    \ud83c\uddeb\ud83c\uddf7 FRENCH BLOCK<\/strong><\/p>\n

    Dimensions : Longueur (d\u00e9ploy\u00e9) \u2014 106,5 cm Hauteur \u2014 121 cm<\/p>\n

    Paravent ancien en bois dor\u00e9 \u00e0 d\u00e9cor peint de Chinoiseries et Singeries<\/strong><\/h3>\n

    Un pr\u00e9cieux et hautement d\u00e9coratif paravent \u00e0 trois feuilles de la fin du XIXe si\u00e8cle, illustrant avec brio la fantaisie des styles Louis XV et de l’Historisme (antique chinoiserie singerie painted wooden folding screen<\/em>). Le ch\u00e2ssis en bois moulur\u00e9 pr\u00e9sente une superbe dorure et s’orne sur la feuille centrale d’un fronton sculpt\u00e9 en coquille rocaille et feuilles d’acanthe. Ce meuble de salon se distingue par ses remarquables toiles peintes \u00e0 la main sur fond cr\u00e8me, combinant deux grands genres de l’ornementation fran\u00e7aise du XVIIIe si\u00e8cle : la Singerie<\/strong> (mettant en sc\u00e8ne des singes costum\u00e9s jouant du tambour ou dressant des chiens) et la Chinoiserie<\/strong> (personnages exotiques soufflant des bulles de savon dans des paysages de fantaisie).<\/p>\n

    La partie inf\u00e9rieure s’orne de corbeilles de fleurs, de guirlandes et d’oiseaux color\u00e9s, le tout sign\u00e9 par l’artiste “H. Verhaegen”. Le revers est enti\u00e8rement tendu d’un tissu clair neutre galonn\u00e9 d’une passementerie torsad\u00e9e. Ce paravent est dans un \u00e9tat de conservation exceptionnel, la structure \u00e9tant saine et la couche picturale d’une belle fra\u00eecheur.<\/p>\n

    Instantan\u00e9 de l’\u00e9poque :<\/strong><\/em> Par un apr\u00e8s-midi lourd, alors que les gouttes \u00e9paisses de la mousson indienne commen\u00e7aient \u00e0 battre en rythme contre les vitres de la v\u00e9randa du bungalow colonial, un calme chaud et brumeux r\u00e9gnait dans la pi\u00e8ce. L’\u00e9crivain Rudyard Kipling (Rudyard Kipling) \u00e9tait assis \u00e0 son lourd bureau d’acajou, fredonnant doucement et avec concentration un vieux de marche militaire, tapotant le bout de sa plume contre l’encrier de bronze. Dans un angle, prot\u00e9geant la flamme de la lampe \u00e0 huile des courants d’air, se dressait le petit paravent \u2014 sa monture dor\u00e9e miroitait dans une teinte chaude, tandis que les singes peints et les figures exotiques soufflaient des bulles de savon, cr\u00e9ant un contraste f\u00e9erique avec la nature tropicale ext\u00e9rieure. Cet objet d’art fran\u00e7ais transformait instantan\u00e9ment une heure de travail torride en un rituel de beaut\u00e9 complet et noble.<\/em><\/p>\n

    \ud83c\udde9\ud83c\uddf0 DANISH BLOCK<\/strong><\/p>\n

    Dimensioner: L\u00e6ngde (helt udfoldet) \u2014 106,5 cm H\u00f8jde \u2014 121 cm<\/p>\n

    Antik forgyldt tredelt sk\u00e6rm med Chinoiserie- og Singerie-malerier<\/strong><\/h3>\n

    Dette us\u00e6dvanligt smukke og kunstnerisk udf\u00f8rte rumdeler- eller kamingitter fra slutningen af det 19. \u00e5rhundrede pr\u00e6senterer sig med storsl\u00e5et fransk elegance (antique chinoiserie singerie painted wooden folding screen<\/em>). Sk\u00e6rmen best\u00e5r af tre h\u00e6ngslede trerammer med en svungen overkant, d\u00e6kket af en varm bladguld-finish og prydet med en flot rokoko-muslingeskal (rocaille<\/em>) p\u00e5 midterpanelet. Sk\u00e6rmens absolutte v\u00e6rdi er de tre h\u00e5ndmalede l\u00e6rredspaneler p\u00e5 en lys beige baggrund, der viser to af de mest ber\u00f8mte motiver fra det 18. \u00e5rhundredes dekorationskunst: Singerie<\/strong> (abekunst, hvor fintkl\u00e6dte aber spiller trommer eller tr\u00e6ner hunde) og Chinoiserie<\/strong> (asiatiske fantasifigurer, der bl\u00e6ser s\u00e6bebobler i idylliske naturlandskaber). Nederst er sk\u00e6rmen dekoreret med rige blomsterkurve, guirlander og fugle, fuldendt med kunstnersignaturen “H. Verhaegen”. Bagsiden er betrukket med neutralt lyst stof med fin dekorationssnor. Fremst\u00e5r i perfekt antik stand.<\/p>\n

    \u00d8jebliksbillede fra epoken:<\/strong><\/em> P\u00e5 en lummer eftermiddag, da de tunge dr\u00e5ber fra den indiske monsunregn begyndte at tromme rytmisk mod ruderne p\u00e5 det koloniale bungalows veranda, herskede der en diset, varm stilhed i rummet. Forfatteren Rudyard Kipling (Rudyard Kipling) sad ved sit tunge mahogniskrivebord, mens han stille og koncentreret nynnede en gammel milit\u00e6rmarch og bankede let med pennen mod kanten af bl\u00e6khuset i bronze. I hj\u00f8rnet af rummet, for at beskytte olielampens flamme mod tr\u00e6k, stod den lille tr\u00e6sk\u00e6rm \u2014 dens forgyldte ramme glimtede i en varm nuance, mens de h\u00e5ndmalede aber og eksotiske figurer bl\u00e6ste s\u00e6bebobler, hvilket dannede en eventyrlig kontrast til det tropiske landskab udenfor. Denne franske rokokogenstand forvandlede \u00f8jeblikkeligt en helt almindelig, svedig arbejdstime til et rent og \u00e6delt sk\u00f8nhedsritual.<\/em><\/p>\n

    \ud83c\uddf8\ud83c\uddea SWEDISH BLOCK<\/strong><\/p>\n

    Dimensioner: L\u00e4ngd (helt utf\u00e4lld) \u2014 106,5 cm H\u00f6jd \u2014 121 cm<\/p>\n

    Antik f\u00f6rgylld tredelad sk\u00e4rm med Chinoiserie- och Singerie-m\u00e5lningar<\/strong><\/h3>\n

    En utomordentligt graci\u00f6s och s\u00e4llsynt tredelad rumssk\u00e4rm fr\u00e5n sent 1800-tal, utf\u00f6rd i en p\u00e5kostad neorokoko-stil (antique chinoiserie singerie painted wooden folding screen<\/em>). Ramen i massivt profilierat tr\u00e4 \u00e4r t\u00e4ckt med en varm f\u00f6rgyllning och kr\u00f6ns p\u00e5 mittpanelen av en skulptural rokoko-mussla (rocaille<\/em>). Det som g\u00f6r denna sk\u00e4rm till ett unikt samlarobjekt \u00e4r de tre handm\u00e5lade dukpanelerna p\u00e5 en kr\u00e4mvit bakgrund. M\u00e5lningarna kombinerar tv\u00e5 av 1700-talets mest eftertraktade franska hovstilar: Singerie<\/strong> (apteater, d\u00e4r p\u00e5kl\u00e4dda apor spelar trummor eller tr\u00e4nar hundar) och Chinoiserie<\/strong> (\u00f6stasiatiska fantasifigurer som bl\u00e5ser s\u00e5pbubblor i lummiga landskap). Nedre delen dekoreras av blomsterkorgar, girlanger och f\u00e4rgglada f\u00e5glar, signerat av konstn\u00e4ren “H. Verhaegen”. Baksidan \u00e4r kl\u00e4dd med ett ljusbeige tyg kantat med en tvinnad dekorationssnodd. Mycket gott och stabilt antikskick.<\/p>\n

    \u00d6gonblicksbild fr\u00e5n jugendtiden:<\/strong><\/em> Under en kvav eftermiddag, n\u00e4r de tunga dropparna av det indiska monsunregnet b\u00f6rjade trumma rytmiskt mot rutorna p\u00e5 det koloniala bungalowens veranda, r\u00e5dde en disig, varm tystnad i rummet. F\u00f6rfattaren Rudyard Kipling (Rudyard Kipling) satt vid sitt tunga skrivbord i mahogny och nynnade tyst och koncentrerat p\u00e5 en gammal milit\u00e4rmarsch, samtidigt som han knackade l\u00e4tt med pennspetsen mot bronsbl\u00e4ckhornets kant. I rummets h\u00f6rn, f\u00f6r att skydda oljelampans l\u00e5ga fr\u00e5n draget, stod den lilla tr\u00e4sk\u00e4rmen \u2014 dess f\u00f6rgyllda ram skimrade i en varm nyans, medan de handm\u00e5lade aporna och de exotiska gestalterna bl\u00e5ste s\u00e5pbubblor, vilket bildade en m\u00e4rklig, sagolik kontrast till det tropiska landskapet utanf\u00f6r. Detta kaprici\u00f6sa franska rokokof\u00f6rem\u00e5l f\u00f6rvandlade omedelbart en vanlig arbetstimme till en full\u00e4ndad och \u00e4del sk\u00f6nhetsritual.<\/em><\/p>\n

    \ud83c\uddf3\ud83c\uddf4 NORWEGIAN BLOCK<\/strong><\/p>\n

    Dimensjoner: Lengde (helt utbrettet) \u2014 106,5 cm H\u00f8yde \u2014 121 cm<\/p>\n

    Antikk forgylt tredelt skjerm med Chinoiserie- og Singerie-malerier<\/strong><\/h3>\n

    Dette er en usedvanlig vakker og elegant tredelt romdeler (peisskjerm) fra slutten av 1800-tallet, utf\u00f8rt i en rik neorokoko-stil (antique chinoiserie singerie painted wooden folding screen<\/em>). Trerammen har en nydelig profilering belagt med en varm forgyllning, og krones av en dekorativ rokoko-musling (rocaille<\/em>) p\u00e5 midtpanelet. Det mest unike ved denne skjermen er de tre h\u00e5ndmalte l\u00e6rredspanelene p\u00e5 en lys beige bakgrunn. Motivene forener to av de mest kjente retningene innen fransk dekorativ kunst p\u00e5 1700-tallet: Singerie<\/strong> (apeskildringer, der p\u00e5kledde aper spiller trommer eller dresser hunder) og Chinoiserie<\/strong> (\u00f8stlige fantasifigurer som bl\u00e5ser s\u00e5pebobler i naturskj\u00f8nne landskaper). Skjermen er dekorert med blomsterkurver og fugler nederst, fullf\u00f8rt med kunstnersignaturen “H. Verhaegen”. Bagsiden er trukket med et n\u00f8ytralt lyst stoff kantet med flettet dekorasjonssnor. Fremst\u00e5r i utmerket antikk stand.<\/p>\n

    \u00d8yeblikksbilde fra jugendtiden:<\/strong><\/em> P\u00e5 en trykkende ettermiddag, da de tunge dr\u00e5pene fra den indiske monsunregnet begynte \u00e5 tromme rytmisk mot rutene p\u00e5 verandaen til den koloniale bungalowen, hersket det en d\u00f8sig, varm stillhet i rommet. Forfatteren Rudyard Kipling (Rudyard Kipling) satt ved sitt tunge skrivebord i mahogni, mens han stille og konsentrert nynnet en gammel milit\u00e6rmarsj og banket lett med pennespissen mot kanten av blekkhuset i bronse. I hj\u00f8rnet av rommet, for \u00e5 beskytte oljelampens flamme mot trekk, stod den lille treskjermen \u2014 dens forgylte ramme glimtet i en varm nyanse, mens de h\u00e5ndmalte apene og eksotiske figurene bl\u00e5ste s\u00e5pebobler, noe som skapte en eventyrlig kontrast til det tropiske landskapet utenfor. Denne franske rokokogjenstanden forvandlet \u00f8yeblikkelig en helt vanlig, svett arbeidstime til et rent og edelt skj\u00f8nnhetsritual.<\/em><\/p>\n

    \ud83c\uddeb\ud83c\uddee FINNISH BLOCK<\/strong><\/p>\n

    Mitat: Pituus (kokonaan avattuna) \u2014 106,5 cm Korkeus \u2014 121 cm<\/p>\n

    Antiikkinen kultainen kolmiosainen sermi Chinoiserie- ja Singerie-maalauksilla<\/strong><\/h3>\n

    Eritt\u00e4in hienostunut ja koristeellinen kolmiosainen sermi (tulisijan suojus) 1800-luvun loppupuolelta, joka edustaa eurooppalaista historismia kauneimmillaan (antique chinoiserie singerie painted wooden folding screen<\/em>). Sermin runsas puukehys on viimeistelty l\u00e4mpim\u00e4ll\u00e4 kultauksella, ja sen keskimm\u00e4ist\u00e4 osaa koristaa barokkityylinen simpukkakuvio (rocaille<\/em>). Arvokkainta t\u00e4ss\u00e4 sermisss\u00e4 ovat sen kolme k\u00e4sinmaalattua kangaspaneelia vaalealla kermataustalla. Maalaukset yhdist\u00e4v\u00e4t kaksi 1700-luvun ranskalaisen hovitaiteen suosituinta tyylisuuntausta: Singerien<\/strong> (apinateatteri, jossa ihmisasuihin puetut apinat soittavat rumpuja ja kouluttavat koiria) ja Chinoiserien<\/strong> (it\u00e4maiset hahmot puhaltamassa saippuakuplia luonnon helmassa). Alaosassa on hienot kukkakorit ja linnut, t\u00e4ydennettyn\u00e4 taiteilijan allekirjoituksella “H. Verhaegen”. Taustapuoli on verhoiltu neutraalilla vaalealla kankaalla ja viimeistelty koristepunoksella. Sermi on erinomaisessa ja tukevassa kunnossa.<\/p>\n

    Ajan tunnelma:<\/strong><\/em> Usvaisena iltap\u00e4iv\u00e4n\u00e4, kun Intian monsuunisateen raskaat pisarat alkoivat rummuttaa rytmikk\u00e4\u00e4sti siirtomaatyylisen bungalowin kuistin ikkunoita vasten, huoneessa vallitsi h\u00e4m\u00e4r\u00e4 ja l\u00e4mmin hiljaisuus. Kirjailija Rudyard Kipling (Rudyard Kipling) istui raskaat mahonkisen kirjoitusp\u00f6yt\u00e4ns\u00e4 \u00e4\u00e4ress\u00e4 ja hyr\u00e4ili hiljaa ja keskittyneesti vanhaa sotilasmarssia, naputtaen kyn\u00e4n k\u00e4rjell\u00e4 kevyesti pronssisen mustepullon reunaan. Huoneen nurkassa \u00f6ljylampun liekki\u00e4 vedolta suojaamassa seisoi pieni puusermi \u2014 sen kultainen kehys kimmelsi l\u00e4mpim\u00e4ss\u00e4 s\u00e4vyss\u00e4, kun taas k\u00e4sinmaalatut apinat ja eksottiset hahmot puhalsivat saippuakuplia luoden ihmeellisen, satumaisen kontrastin ulkopuoliseen trooppiseen maisemaan. T\u00e4m\u00e4 ranskalainen rokokoo-esine muutti silm\u00e4nr\u00e4p\u00e4yksess\u00e4 kuuman ty\u00f6tunnin ajattoman estetiikan kuolemattomaksi rituaaliksi.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

    Ekskluz\u012bvs un m\u0101kslinieciski detaliz\u0113ts 19. gadsimta beigu tr\u012bsda\u013c\u012bgs koka aizslietnis (antique chinoiserie singerie painted wooden folding screen) ar kr\u0101\u0161\u0146iem zelt\u012btiem r\u0101mjiem un ar roku apgleznotiem pane\u013ciem rota\u013c\u012bgaj\u0101 fran\u010du rokoko un p\u0113rti\u0137u m\u0101nijas stil\u0101 (3230).<\/p>\n","protected":false},"featured_media":10850,"template":"","meta":[],"product_brand":[],"product_cat":[247,207,204],"product_tag":[],"class_list":["post-10849","product","type-product","status-publish","has-post-thumbnail","product_cat-aizslietni","product_cat-mebeles","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/10849","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/10850"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=10849"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=10849"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=10849"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=10849"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}