\ud83c\uddf1\ud83c\uddfb<\/p>\n
Izm\u0113ri aptuveni: Augstums \u2014 75 cm Platums \u2014 50 cm Dzi\u013cums \u2014 10,5 cm<\/p>\n
Grezns koka sienas pulkstenis ar \u013coti smalkiem kokgriezumiem \u2014 b\u012bdermeijera stil\u0101<\/b><\/p>\n
\u0160is monument\u0101lais un m\u0101kslinieciski kr\u0101\u0161\u0146ais sienas pulkstenis (antique wall clock<\/i>) ir izcils 19. gadsimta vidus Eiropas lieti\u0161\u0137\u0101s m\u0101kslas meistardarbs. Korpuss ir piln\u012bb\u0101 izgatavots no c\u0113lkoka un kl\u0101ts ar tum\u0161u, dzi\u013cu ton\u0113jumu, kas nevainojami izce\u013c izcil\u0101 kokgriez\u0113ja (woodcarver<\/i>) roku darba nianses. Pulkste\u0146a r\u0101mis ir pies\u0101tin\u0101ts ar filigr\u0101niem, dzi\u013ciem un plastiskiem kokgriezumiem \u2014 aug\u0161da\u013cu rot\u0101 simetriski koka lapu tinumi, bet s\u0101nus un lejasda\u013cu kl\u0101j kr\u0101\u0161\u0146i polihrom\u0101s dabas mot\u012bvi, kas veidoti k\u0101 sul\u012bgi d\u0101rza ziedu pu\u0161\u0137i, lapu v\u012btnes un reljefas apjoma deta\u013cas. \u0160\u012b izsmalcin\u0101t\u0101, plastisk\u0101 plastika un attur\u012bgais, bet reiz\u0113 greznais siluets ir rakstur\u012bgs b\u012bdermeijera un v\u0113l\u012bn\u0101 klasicisma p\u0101rejas periodam, kur galvenais uzsvars tika likts uz materi\u0101la substanci un dabisko mot\u012bvu akad\u0113misku eleganci.<\/p>\n
Centr\u0101lo da\u013cu aiz\u0146em liela, balta emaljas ciparn\u012bca ar klasiskiem romie\u0161u ciparu stundu mar\u0137ieriem, elegantiem ar\u0101bu ciparu min\u016b\u0161u r\u0101d\u012bt\u0101jiem un smalki izstr\u0101d\u0101t\u0101m, a\u017e\u016br\u0101m zelt\u012bta met\u0101la r\u0101d\u012bt\u0101ju bult\u0101m. Divi simetriskie meh\u0101nisma uzvelkamie caurumi un ciparn\u012bcas r\u0101mja e\u0146\u0123u sist\u0113ma nodro\u0161ina \u0113rtu piek\u013cuvi pulkste\u0146a sirdij. \u0160\u0101da l\u012bme\u0146a sienas pulkste\u0146i carisk\u0101s Krievijas un Eiropas imp\u0113rijas zelta laikmet\u0101 bija sastopami tikai p\u0101rtiku\u0161u pilso\u0146u, inteli\u0123ences un aristokr\u0101tu namos, kur tie kalpoja k\u0101 galvenais vizu\u0101lais un statusa akcents reprezentablos salonos vai bibliot\u0113ku kabinetos.<\/p>\n
Izgatavo\u0161anas periods<\/b> Dat\u0113jams ar 19. gadsimta vidu<\/b>, aptuveni 1850.\u20131870. gadiem, kad Eiropas vado\u0161aj\u0101s kokt\u0113lniec\u012bbas un m\u0113be\u013cu darbn\u012bc\u0101s plauka b\u012bdermeijera stila est\u0113tika, apvienojot m\u0101jas m\u0101j\u012bgumu ar augst\u0101k\u0101s klases amatniec\u012bbu.<\/p>\n
Ra\u017eot\u0101js \/ paraksts \/ z\u012bmogs<\/b> Pulkstenis ir ekskluz\u012bvs un individu\u0101ls profesion\u0101la kokt\u0113lnieka un pulkste\u0146meistara kopdarbs, kas tapis p\u0113c individu\u0101la pas\u016bt\u012bjuma. Uz koka konstrukcij\u0101m nav industri\u0101lu z\u012bmogu, kas apliecina darba unik\u0101lo un neatk\u0101rtojamo raksturu.<\/p>\n
Retums un noz\u012bme<\/b> Galven\u0101 \u0161\u012b priek\u0161meta v\u0113rt\u012bba ir t\u0101 izcil\u0101 kokgriezumu saglab\u0101t\u012bba. Pl\u0101nie, dzi\u013ci grieztie koka elementi un ziedu lapu gali laika gait\u0101 bie\u017ei tiku\u0161i aplauzti vai zaud\u0113ti, t\u0101d\u0113\u013c \u0161\u0101ds pilna apjoma, neskarts korpuss ar ori\u0123in\u0101lo emaljas ciparn\u012bcu ir rets un augsti kolekcion\u0113jams atradums.<\/p>\n
Pielietojums<\/b> Pulkstenis kalpo k\u0101 paman\u0101ms un grezns interjera centr\u0101lais objekts. Tas lieliski iek\u013caujas klasiskos interjeros, virs kam\u012bniem, konsol\u0113m vai starp glezn\u0101m, ienesot telp\u0101 siltu, v\u0113sturisku substanci un inteli\u0123entu salonu noska\u0146u.<\/p>\n
St\u0101voklis<\/b> Lielisks antik\u0101rais st\u0101voklis. Filigr\u0101nie kokgriezumi ir piln\u012bb\u0101 saglab\u0101ju\u0161ies, bez b\u016btiskiem zudumiem. Koka virsmas tonis un patina ir r\u0101ma un dzidra, bet ciparn\u012bcas emaljai ir minim\u0101las, dabiskas laika p\u0113das, kas tikai pastiprina priek\u0161meta autentiskumu. Lietas st\u0101voklis piln\u012bb\u0101 atspogu\u013cots fotogr\u0101fij\u0101s.<\/p>\n
B\u012bdermeijera laikmeta momentuz\u0146\u0113mums:<\/b> Izcilais dzejnieks un dabas romanti\u0137is Afanasijs Fets (Athanasius Fet) v\u0113l\u0101 vakara stund\u0101 s\u0113\u017e m\u0101j\u012bg\u0101 R\u012bgas nama salona st\u016br\u012b, kur pieklusin\u0101t\u0101 gaism\u0101 pie sienas laist\u0101s varenais koka pulkstenis. Telp\u0101 valda r\u0101ms klusums, ko ik pa br\u012bdim p\u0101rtrauc vien\u012bgi spalvask\u0101ta skr\u0101p\u0113\u0161ana pret pap\u012bru un meh\u0101nisma dzi\u013c\u0101, ritmisk\u0101 duna. Vi\u0146a dom\u012bgie pirksti uz mirkli apst\u0101jas, skatienam kav\u0113joties pie v\u0101veru un lauku ziedu mot\u012bviem, kas tik prasm\u012bgi izgriezti tum\u0161aj\u0101, gludaj\u0101 kok\u0101, veidojot dz\u012bvu dabas t\u0113lu sasp\u0113li ar laika rit\u0113jumu. Sve\u010du gaisma maigi apsp\u012bd balto emaljas ciparn\u012bcu un zelt\u012bt\u0101s r\u0101d\u012bt\u0101ju bultas, kas klusi virz\u0101s uz priek\u0161u, kam\u0113r caur logu iepl\u016bst d\u016bmakains r\u012bta saules stars. \u0160is Eiropas kokt\u0113lnieku meistardarbs ienes dzejnieka darba vid\u0113 negaid\u012btu vizu\u0101lu harmoniju, \u013caujot vi\u0146am sajust dabas nemirst\u012bgo dv\u0113seli pa\u0161\u0101 imp\u0113rijas pils\u0113tas sird\u012b.<\/i><\/p>\n
\ud83c\uddf7\ud83c\uddfa<\/p>\n
Ma\u00dfe ca.: \u0412\u044b\u0441\u043e\u0442\u0430 \u2014 75 \u0441\u043c \u0428\u0438\u0440\u0438\u043d\u0430 \u2014 50 \u0441\u043c \u0413\u043b\u0443\u0431\u0438\u043d\u0430 \u2014 10,5 \u0441\u043c<\/p>\n
\u0421\u0442\u0430\u0440\u0438\u043d\u043d\u044b\u0435 \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u044b\u0435 \u043d\u0430\u0441\u0442\u0435\u043d\u043d\u044b\u0435 \u0447\u0430\u0441\u044b \u0441 \u0444\u0438\u043b\u0438\u0433\u0440\u0430\u043d\u043d\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u043e\u0439 \u2014 \u0432 \u0441\u0442\u0438\u043b\u0435 \u0431\u0438\u0434\u0435\u0440\u043c\u0435\u0439\u0435\u0440<\/b><\/p>\n
\u042d\u0442\u0438 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u044c\u043d\u044b\u0435 \u0438 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e \u043e\u0444\u043e\u0440\u043c\u043b\u0435\u043d\u043d\u044b\u0435 \u043d\u0430\u0441\u0442\u0435\u043d\u043d\u044b\u0435 \u0447\u0430\u0441\u044b \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043b\u044f\u044e\u0442 \u0441\u043e\u0431\u043e\u0439 \u0432\u044b\u0434\u0430\u044e\u0449\u0438\u0439\u0441\u044f \u043e\u0431\u0440\u0430\u0437\u0435\u0446 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u044b \u043f\u043e \u0434\u0435\u0440\u0435\u0432\u0443 \u0438 \u043f\u0440\u0438\u043a\u043b\u0430\u0434\u043d\u043e\u0433\u043e \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u0441\u0435\u0440\u0435\u0434\u0438\u043d\u044b XIX \u0432\u0435\u043a\u0430. \u041a\u043e\u0440\u043f\u0443\u0441 \u0447\u0430\u0441\u043e\u0432 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u0432\u044b\u043f\u043e\u043b\u043d\u0435\u043d \u0438\u0437 \u0446\u0435\u043d\u043d\u043e\u0439 \u0434\u0440\u0435\u0432\u0435\u0441\u0438\u043d\u044b \u0438 \u043f\u043e\u043a\u0440\u044b\u0442 \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u043c \u0442\u0435\u043c\u043d\u044b\u043c \u0442\u043e\u043d\u0438\u0440\u043e\u0432\u0430\u043d\u0438\u0435\u043c, \u043a\u043e\u0442\u043e\u0440\u043e\u0435 \u0431\u0435\u0437\u0443\u043f\u0440\u0435\u0447\u043d\u043e \u043f\u043e\u0434\u0447\u0435\u0440\u043a\u0438\u0432\u0430\u0435\u0442 \u0442\u043e\u043d\u0447\u0430\u0439\u0448\u0438\u0435 \u043d\u044e\u0430\u043d\u0441\u044b \u0440\u0443\u0447\u043d\u043e\u0439 \u0440\u0430\u0431\u043e\u0442\u044b \u043c\u0430\u0441\u0442\u0435\u0440\u0430. \u0420\u0430\u043c\u0430 \u043d\u0430\u0441\u044b\u0449\u0435\u043d\u0430 \u0433\u043b\u0443\u0431\u043e\u043a\u043e\u0439, \u043e\u0431\u044a\u0435\u043c\u043d\u043e\u0439 \u0438 \u043f\u043b\u0430\u0441\u0442\u0438\u0447\u043d\u043e\u0439 \u0440\u0435\u0437\u044c\u0431\u043e\u0439: \u0432\u0435\u0440\u0445\u043d\u044f\u044f \u0447\u0430\u0441\u0442\u044c \u0443\u043a\u0440\u0430\u0448\u0435\u043d\u0430 \u0441\u0438\u043c\u043c\u0435\u0442\u0440\u0438\u0447\u043d\u044b\u043c\u0438 \u043b\u0438\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u043c\u0438 \u0437\u0430\u0432\u0438\u0442\u043a\u0430\u043c\u0438, \u0430 \u0431\u043e\u043a\u043e\u0432\u044b\u0435 \u0441\u0442\u043e\u0440\u043e\u043d\u044b \u0438 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u0435 \u043f\u043e\u043a\u0440\u044b\u0442\u044b \u0440\u043e\u0441\u043a\u043e\u0448\u043d\u044b\u043c\u0438 \u0440\u0435\u0430\u043b\u0438\u0441\u0442\u0438\u0447\u043d\u044b\u043c\u0438 \u0446\u0432\u0435\u0442\u043e\u0447\u043d\u044b\u043c\u0438 \u0431\u0443\u043a\u0435\u0442\u0430\u043c\u0438 \u0438 \u0444\u0440\u0443\u043a\u0442\u043e\u0432\u044b\u043c\u0438 \u0433\u0438\u0440\u043b\u044f\u043d\u0434\u0430\u043c\u0438. \u0422\u0430\u043a\u043e\u0439 \u0431\u043b\u0430\u0433\u043e\u0440\u043e\u0434\u043d\u044b\u0439 \u0441\u0438\u043b\u0443\u044d\u0442 \u0438 \u0432\u043d\u0438\u043c\u0430\u043d\u0438\u0435 \u043a \u043f\u0440\u0438\u0440\u043e\u0434\u043d\u044b\u043c \u043c\u043e\u0442\u0438\u0432\u0430\u043c \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u043d\u044b \u0434\u043b\u044f \u044d\u043f\u043e\u0445\u0438 \u0431\u0438\u0434\u0435\u0440\u043c\u0435\u0439\u0435\u0440\u0430 \u0438 \u043f\u043e\u0437\u0434\u043d\u0435\u0433\u043e \u043a\u043b\u0430\u0441\u0441\u0438\u0446\u0438\u0437\u043c\u0430. \u0412 \u0446\u0435\u043d\u0442\u0440\u0435 \u0440\u0430\u0441\u043f\u043e\u043b\u043e\u0436\u0435\u043d\u0430 \u0431\u043e\u043b\u044c\u0448\u0430\u044f \u0431\u0435\u043b\u043e\u0441\u043d\u0435\u0436\u043d\u0430\u044f \u044d\u043c\u0430\u043b\u0435\u0432\u0430\u044f \u0446\u0438\u0444\u0440\u043e\u0432\u0430\u044f \u043f\u0430\u043d\u0435\u043b\u044c \u0441 \u0440\u0438\u043c\u0441\u043a\u0438\u043c\u0438 \u0447\u0430\u0441\u043e\u0432\u044b\u043c\u0438 \u0438 \u0430\u0440\u0430\u0431\u0441\u043a\u0438\u043c\u0438 \u043c\u0438\u043d\u0443\u0442\u043d\u044b\u043c\u0438 \u043c\u0430\u0440\u043a\u0435\u0440\u0430\u043c\u0438, \u0434\u043e\u043f\u043e\u043b\u043d\u0435\u043d\u043d\u0430\u044f \u0430\u0436\u0443\u0440\u043d\u044b\u043c\u0438 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u044b\u043c\u0438 \u0441\u0442\u0440\u0435\u043b\u043a\u0430\u043c\u0438. \u041f\u043e\u0434\u043e\u0431\u043d\u044b\u0435 \u0447\u0430\u0441\u044b \u0432 \u0438\u043c\u043f\u0435\u0440\u0441\u043a\u0443\u044e \u044d\u043f\u043e\u0445\u0443 \u0443\u043a\u0440\u0430\u0448\u0430\u043b\u0438 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u044b \u0433\u043e\u0441\u0442\u0438\u043d\u044b\u0445 \u0438 \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u043e\u0432 \u0432\u044b\u0441\u0448\u0435\u0439 \u0438\u043d\u0442\u0435\u043b\u043b\u0438\u0433\u0435\u043d\u0446\u0438\u0438 \u0438 \u0430\u0440\u0438\u0441\u0442\u043e\u043a\u0440\u0430\u0442\u0438\u0438 \u041f\u0435\u0442\u0435\u0440\u0431\u0443\u0440\u0433\u0430 \u0438 \u0420\u0438\u0433\u0438, \u0441\u043b\u0443\u0436\u0430 \u0441\u0438\u043c\u0432\u043e\u043b\u043e\u043c \u0441\u0442\u0430\u0431\u0438\u043b\u044c\u043d\u043e\u0441\u0442\u0438 \u0438 \u0443\u0442\u043e\u043d\u0447\u0435\u043d\u043d\u043e\u0433\u043e \u0432\u043a\u0443\u0441\u0430. \u0418\u0437\u0434\u0435\u043b\u0438\u0435 \u043d\u0430\u0445\u043e\u0434\u0438\u0442\u0441\u044f \u0432 \u0432\u0435\u043b\u0438\u043a\u043e\u043b\u0435\u043f\u043d\u043e\u0439 \u0441\u043e\u0445\u0440\u0430\u043d\u043d\u043e\u0441\u0442\u0438, \u0440\u0435\u0437\u044c\u0431\u0430 \u0434\u043e\u043d\u0435\u0441\u043b\u0430 \u0434\u043e \u043d\u0430\u0448\u0438\u0445 \u0434\u043d\u0435\u0439 \u0432\u0435\u0441\u044c \u0441\u0432\u043e\u0439 \u043e\u0431\u044a\u0435\u043c \u0438 \u043f\u0435\u0440\u0432\u043e\u0437\u0434\u0430\u043d\u043d\u0443\u044e \u043f\u043b\u0430\u0441\u0442\u0438\u043a\u0443. \u0421\u043e\u0441\u0442\u043e\u044f\u043d\u0438\u0435 \u0432\u0435\u0449\u0438 \u043f\u043e\u043b\u043d\u043e\u0441\u0442\u044c\u044e \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u043e \u043d\u0430 \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0445.<\/p>\n
\u0421\u043d\u0438\u043c\u043e\u043a \u044d\u043f\u043e\u0445\u0438 \u0431\u0438\u0434\u0435\u0440\u043c\u0435\u0439\u0435\u0440\u0430:<\/b> \u0412\u044b\u0434\u0430\u044e\u0449\u0438\u0439\u0441\u044f \u043f\u043e\u044d\u0442-\u0440\u043e\u043c\u0430\u043d\u0442\u0438\u043a \u0410\u0444\u0430\u043d\u0430\u0441\u0438\u0439 \u0424\u0435\u0442 (Athanasius Fet) \u043f\u043e\u0437\u0434\u043d\u0438\u043c \u0432\u0435\u0447\u0435\u0440\u043e\u043c \u0441\u0438\u0434\u0438\u0442 \u0432 \u0443\u044e\u0442\u043d\u043e\u043c \u043a\u0430\u0431\u0438\u043d\u0435\u0442\u0435 \u0440\u0438\u0436\u0441\u043a\u043e\u0433\u043e \u043e\u0441\u043e\u0431\u043d\u044f\u043a\u0430, \u0433\u0434\u0435 \u0432 \u043f\u043e\u043b\u0443\u043c\u0440\u0430\u043a\u0435 \u043d\u0430 \u0441\u0442\u0435\u043d\u0435 \u043c\u0435\u0440\u0446\u0430\u044e\u0442 \u0432\u0435\u043b\u0438\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0435 \u0434\u0435\u0440\u0435\u0432\u044f\u043d\u043d\u044b\u0435 \u0447\u0430\u0441\u044b. \u0412 \u043a\u043e\u043c\u043d\u0430\u0442\u0435 \u0446\u0430\u0440\u0438\u0442 \u0442\u0438\u0448\u0438\u043d\u0430, \u043d\u0430\u0440\u0443\u0448\u0430\u0435\u043c\u0430\u044f \u043b\u0438\u0448\u044c \u0448\u0443\u0440\u0448\u0430\u043d\u0438\u0435\u043c \u0431\u0443\u043c\u0430\u0433\u0438 \u0438 \u043c\u0435\u0440\u043d\u044b\u043c, \u0433\u043b\u0443\u0431\u043e\u043a\u0438\u043c \u0442\u0438\u043a\u0430\u043d\u044c\u0435\u043c \u043c\u0435\u0445\u0430\u043d\u0438\u0437\u043c\u0430. \u0415\u0433\u043e \u043f\u0430\u043b\u044c\u0446\u044b \u043d\u0430 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u0435 \u0437\u0430\u043c\u0438\u0440\u0430\u044e\u0442 \u043d\u0430\u0434 \u0440\u0443\u043a\u043e\u043f\u0438\u0441\u044c\u044e, \u043f\u043e\u043a\u0430 \u0432\u0437\u0433\u043b\u044f\u0434 \u0441\u043a\u043e\u043b\u044c\u0437\u0438\u0442 \u043f\u043e \u0438\u0441\u043a\u0443\u0441\u043d\u044b\u043c \u0440\u0435\u0437\u043d\u044b\u043c \u0433\u0438\u0440\u043b\u044f\u043d\u0434\u0430\u043c \u0446\u0432\u0435\u0442\u043e\u0432 \u0438 \u043b\u0438\u0441\u0442\u044c\u0435\u0432, \u043a\u043e\u0442\u043e\u0440\u044b\u0435 \u0432 \u0441\u0438\u044f\u043d\u0438\u0438 \u0441\u0432\u0435\u0447\u0435\u0439 \u043a\u0430\u0436\u0443\u0442\u0441\u044f \u0436\u0438\u0432\u044b\u043c\u0438. \u041f\u043b\u0430\u043c\u044f \u0441\u0432\u0435\u0447\u0438 \u043c\u044f\u0433\u043a\u043e \u0438\u0433\u0440\u0430\u0435\u0442 \u043d\u0430 \u0431\u0435\u043b\u043e\u0439 \u044d\u043c\u0430\u043b\u0438 \u0446\u0438\u0444\u0435\u0440\u0431\u043b\u0430\u0442\u0430 \u0438 \u043f\u043e\u0437\u043e\u043b\u043e\u0447\u0435\u043d\u043d\u044b\u0445 \u0441\u0442\u0440\u0435\u043b\u043a\u0430\u0445, \u043e\u0442\u0441\u0447\u0438\u0442\u044b\u0432\u0430\u044e\u0449\u0438\u0445 \u043c\u0433\u043d\u043e\u0432\u0435\u043d\u0438\u044f \u0443\u0445\u043e\u0434\u044f\u0449\u0435\u0439 \u043d\u043e\u0447\u0438. \u042d\u0442\u043e\u0442 \u043f\u0440\u0438\u0432\u043e\u0437\u043d\u043e\u0439 \u0448\u0435\u0434\u0435\u0432\u0440 \u0435\u0432\u0440\u043e\u043f\u0435\u0439\u0441\u043a\u043e\u0439 \u0440\u0430\u0431\u043e\u0442\u044b \u043f\u0440\u0438\u0432\u043d\u043e\u0441\u0438\u0442 \u0432 \u0443\u0435\u0434\u0438\u043d\u0435\u043d\u043d\u043e\u0435 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u043e \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u043e\u0440\u0430 \u0430\u0442\u043c\u043e\u0441\u0444\u0435\u0440\u0443 \u0438\u0437\u044b\u0441\u043a\u0430\u043d\u043d\u043e\u0433\u043e \u043f\u043e\u043a\u043e\u044f \u0438 \u0433\u0430\u0440\u043c\u043e\u043d\u0438\u0438, \u0441\u0442\u043e\u043b\u044c \u0441\u043e\u0437\u0432\u0443\u0447\u043d\u0443\u044e \u043f\u043e\u044d\u0442\u0438\u0447\u043d\u043e\u043c\u0443 \u043e\u043f\u0438\u0441\u0430\u043d\u0438\u044e \u043f\u0440\u0438\u0440\u043e\u0434\u044b \u0432 \u0435\u0433\u043e \u043d\u043e\u0432\u044b\u0445 \u0441\u0442\u0438\u0445\u0430\u0445.<\/i><\/p>\n
\ud83c\uddec\ud83c\udde7<\/p>\n
Approximate dimensions: Height \u2014 75 cm Width \u2014 50 cm Depth \u2014 10.5 cm<\/p>\n
Elegant Wooden Wall Clock with Exquisite Carvings \u2014 Biedermeier Style<\/b><\/p>\n
This highly magnificent and monumental antique wall clock with wood carvings<\/b> is a premier testament to mid-19th-century European historicist woodcraft. The substantial housing is carved entirely from fine hardwood and enhanced by a rich, deep dark stain that beautifully accentuates the artisan’s intricate sculptural work. The framework is heavily adorned with deep, fluid hand-carved floral, foliage, and fruit swags, mirroring the noble aesthetic vocabulary of the Biedermeier and late Classicism movements. At the center sits a large, pristine white enamel dial featuring traditional Roman numeral hour markers, fine Arabic minute scales, and beautifully pierced gilded brass hands behind a hinged glazed bezel. During the late Tsarist golden age, a masterfully executed timekeeper of this artistic calibre was a definitive status symbol among high society, gracing the formal salons and intellectual library studies of the Imperial nobility in Baltic cultural hubs like Riga. This exceptional antique wall clock with wood carvings<\/i> remains in superb condition with its fragile carved relief details flawlessly preserved, making it an extraordinary find for discerning collectors. The item’s condition is fully reflected in the photographs.<\/p>\n
Biedermeier era snapshot:<\/b> The acclaimed lyric poet Athanasius Fet (Athanasius Fet) sits late at night in the study of a quiet Riga residence, where a newly placed wooden wall clock hangs illuminated by a soft candlelight. The room is perfectly still, save for the heavy, rhythmic ticking of the movement and the scratching of his pen. His fingers pause over his latest stanzas for a moment, his gaze catching the warm shadows shifting across the deeply carved floral swags and lush fruit garlands. The flickering light reflects beautifully off the polished white enamel dial and its delicate gilded hands, which turn silently as the city outside falls into a deep sleep. This Western European masterwork brings a serene, poetic comfort into the author’s temporary workspace, aligning flawlessly with the natural, romantic themes flowing through his legendary verse.<\/i><\/p>\n
\ud83c\udde9\ud83c\uddea<\/p>\n
Ma\u00dfe ca.: H\u00f6he \u2014 75 cm Breite \u2014 50 cm Tiefe \u2014 10,5 cm<\/p>\n
Prunkvolle Holz-Wanduhr mit feinsten Schnitzereien \u2014 im Biedermeierstil<\/b><\/p>\n
Diese herrschaftliche und au\u00dfergew\u00f6hnlich dekorative Wanduhr (antique wall clock with wood carvings<\/i>) ist ein erlesenes Meisterwerk europ\u00e4ischer Holzbildhauerkunst aus der Mitte des 19. Jahrhunderts. Das Geh\u00e4use ist vollst\u00e4ndig aus edlem Massivholz gefertigt und mit einer tiefen, dunklen T\u00f6nung versehen, die die feinen Nuancen der meisterhaften Handarbeit perfekt hervorhebt. Der Rahmen ist reich mit tiefen, plastischen Schnitzereien aus \u00fcppigen Blumenbouquets, Blattranken und Fr\u00fcchtegirlanden besetzt, was der Uhr eine edle und zugleich zeitlose Biedermeier-Silhouette verleiht. Die Mitte der Uhr wird von einem gro\u00dfen wei\u00dfen Emaillezifferblatt mit r\u00f6mischen Stunden- und filigranen arabischen Minutenmarkierungen beherrscht, das von kunstvoll durchbrochenen, vergoldeten Zeigern geziert wird. Im russischen Kaiserreich galt eine Wanduhr dieser G\u00fcte als absolutes Statussymbol der gehobenen Gesellschaft und der Intellektuellen. Das Geh\u00e4use befindet sich in einem hervorragenden Zustand, die feinen Holzelemente sind ohne nennenswerte Verluste makellos erhalten. Der Zustand des Gegenstands ist auf den Fotografien vollst\u00e4ndig wiedergegeben.<\/p>\n
Momentaufnahme der Biedermeier-Zeit:<\/b> Der ber\u00fchmte Lyriker und Naturromantiker Athanasius Fet (Athanasius Fet) sitzt zu sp\u00e4ter Stunde im gem\u00fctlichen Arbeitszimmer eines Rigaer Salons, w\u00e4hrend das flackernde Kerzenlicht die prunkvolle Holzuhr an der Wand erhellt. Im Raum herrscht konzentrierte Stille, nur das stetige, tiefe Ticken des Werks und das Kratzen der Feder auf dem Papier sind zu h\u00f6ren. Seine Finger verweilen einen Augenblick \u00fcber den Gedichtbl\u00e4ttern, w\u00e4hrend sein Blick auf den plastisch geschnitzten Blattranken und den feinen Blumenmotiven ruht, die im Kerzenschein lebendige Schatten werfen. Das Licht spiegelt sich perfekt auf dem wei\u00dfen Emaillezifferblatt wider, dessen vergoldete Zeiger die Stunden der Nacht z\u00e4hlen. Dieses feine Werk europ\u00e4ischer Meister bringt eine inspirierende, harmonische Atmosph\u00e4re in den Raum des Dichters und l\u00e4dt zu einem Moment tiefer Kontemplation ein.<\/i><\/p>\n
\ud83c\uddeb\ud83c\uddf7<\/p>\n
Dimensions approximatives : Hauteur \u2014 75 cm Largeur \u2014 50 cm Profondeur \u2014 10,5 cm<\/p>\n
\u00c9l\u00e9gant r\u00e9gulateur de l’\u00e9poque en bois sculpt\u00e9 \u2014 de style Biedermeier<\/b><\/p>\n
Ce spectaculaire et hautement d\u00e9coratif cartel d’applique en bois sculpt\u00e9 (antique wall clock with wood carvings<\/i>) est un t\u00e9moin remarquable de la haute sculpture sur bois de la mi-XIXe si\u00e8cle en Europe. Son corps architectural est enti\u00e8rement fa\u00e7onn\u00e9 dans un bois noble de teinte sombre et profonde, mettant en valeur le travail de ciselure virtuose du ma\u00eetre sculpteur. Le cadre s’orne de motifs profond\u00e9ment sculpt\u00e9s en plein bois, figurant de riches bouquets de fleurs, des rinceaux de feuillages et des guirlandes de fruits suspendues, conf\u00e9rant \u00e0 la pendule une digne silhouette de style Biedermeier. Le c\u0153ur de la composition accueille un grand cadran en \u00e9mail blanc aux chiffres romains pour les heures et arabes pour les minutes, somm\u00e9 de d\u00e9licates aiguilles ajour\u00e9es en m\u00e9tal dor\u00e9. Sous la Russie imp\u00e9riale, un garde-temps de cette importance tr\u00f4nait dans les salons de musique de la haute soci\u00e9t\u00e9 ou les biblioth\u00e8ques d’\u00e9rudits \u00e0 Saint-P\u00e9tersbourg et \u00e0 Riga. Cet objet de haute curiosit\u00e9 se trouve dans un \u00e9tat de conservation remarquable, les bois ayant pr\u00e9serv\u00e9 toute la finesse de leurs reliefs d’origine. L’\u00e9tat de l’objet est pleinement refl\u00e9t\u00e9 dans les photographies.<\/p>\n
Instantan\u00e9 de l’\u00e9poque Biedermeier :<\/b> L’illustre po\u00e8te romantique Athanasius Fet (Athanasius Fet) se repose dans son cabinet de travail \u00e0 Riga tard dans la nuit, alors que le grand r\u00e9gulateur en bois sombre luit doucement sous la lueur des bougies. Un silence solennel r\u00e8gne dans la pi\u00e8ce, \u00e0 peine troubl\u00e9 par le tic-tac lourd et r\u00e9gulier du m\u00e9canisme et le bruissement de sa plume d’oie. Ses doigts fins s’arr\u00eatent un instant au-dessus de ses manuscrits, son regard s’attardant sur la richesse des frises de fleurs et de fruits sculpt\u00e9s qui projettent des ombres mouvantes sur le mur. La lumi\u00e8re fait scintiller le blanc de l’\u00e9mail et le profil dor\u00e9 des aiguilles d\u00e9licates qui comptent les heures, tandis que la ville s’endort au-dehors. Cette \u0153uvre pr\u00e9cieuse des ma\u00eetres occidentaux apporte une harmonie parfaite dans l’intimit\u00e9 de l’auteur, faisant \u00e9cho aux accents bucoliques et romantiques de ses plus beaux vers.<\/i><\/p>\n
\ud83c\udde9\ud83c\uddf0<\/p>\n
Dimensioner ca.: H\u00f8jde \u2014 75 cm Bredde \u2014 50 cm Dybde \u2014 10,5 cm<\/p>\n
Pragtfuldt tr\u00e6-v\u00e6gur med fineste tr\u00e6sk\u00e6rerarbejder \u2014 i biedermeier-stil<\/b><\/p>\n
Dette herrschaftlige og us\u00e6dvanligt dekorative v\u00e6gur (antique wall clock with wood carvings<\/i>) er et uds\u00f8gt mesterv\u00e6rk af europ\u00e6isk billedsk\u00e6rerkunst fra midten af det 19. \u00e5rhundrede. Kabinettet er fuldst\u00e6ndig fremstillet af \u00e6delt massivt tr\u00e6 og d\u00e6kket af en dyb, m\u00f8rk toning, som fremh\u00e6ver de fine detaljer i det mesterlige h\u00e5ndv\u00e6rk p\u00e5 smukkeste vis. Rammen er rigt udsmykket med dybe, plastiske tr\u00e6sk\u00e6rerarbejder i form af frodige blomsterbuketter, bladranker og frugtguirlander, hvilket giver uret en adelig og tidl\u00f8s biedermeier-silhuet. Midten af uret domineres af en stor hvid emaljeskive med romerske timer og filigrane arabiske minutmarkeringer, prydet med kunstf\u00e6rdigt gennembrudte, forgyldte visere. I tsartiden var et v\u00e6gur i denne kvalitet et absolut statssymbol for eliten og de intellektuelle i Sankt Petersborg og Riga. Kabinettet er i en fremragende stand, og de fine tr\u00e6elementer fremst\u00e5r uden revner eller betydelige mangler. Genstandens tilstand er fuldt ud gengivet p\u00e5 fotografierne.<\/p>\n
Biedermeier-tidens \u00f8jebliksbillede:<\/b> Den ber\u00f8mte lyriker og naturromantiker Athanasius Fet (Athanasius Fet) sidder sent om aftenen i det hyggelige arbejdsv\u00e6relse i en salon i Riga, mens det bl\u00f8de stearinlys oplyser det pragtfulde tr\u00e6ur p\u00e5 v\u00e6ggen. I kontoret hersker en koncentreret stilhed, kun afbrudt af urets dybe, regelm\u00e6ssige tikken og pennen, der kradser mod papiret. Hans fingre hviler et \u00f8jeblik over digtpladerne, mens hans blik dv\u00e6ler ved de plastisk sk\u00e5rne bladranker og de fine blomstermotiver, der kaster levende skygger i sk\u00e6ret fra lysene. Lyset spejler sig perfekt p\u00e5 den hvide emaljeskive, hvis forgyldte visere t\u00e6ller nattens timer. Dette fine v\u00e6rk fra de europ\u00e6iske mestre bringer en inspirerende, harmonisk atmosf\u00e6re ind i digterens rum og indbyder til et \u00f8jeblik af dyb kontemplation.<\/i><\/p>\n
\ud83c\uddf8\ud83c\uddea<\/p>\n
M\u00e5tt ca: H\u00f6jd \u2014 75 cm Bredd \u2014 50 cm Djup \u2014 10,5 cm<\/p>\n
Elegant v\u00e4ggur i tr\u00e4 med m\u00e4sterliga tr\u00e4sniderier \u2014 i biedermeier-stil<\/b><\/p>\n
Detta herrg\u00e5rdslika och synnerligen dekorativa v\u00e4ggur (antique wall clock with wood carvings<\/i>) \u00e4r ett uts\u00f6kt m\u00e4sterverk av europeisk bildhuggarkonst fr\u00e5n 1800-talets mitt. Fodralet \u00e4r helt tillverkat av \u00e4delt massivt tr\u00e4 och f\u00f6rsett med en djup, m\u00f6rk lasyr som p\u00e5 ett perfekt s\u00e4tt framh\u00e4ver de fina nyanserna i det hantverksm\u00e4ssiga m\u00e4sterverket. Ramen \u00e4r rikt utsmyckt med djupa, skulpturala sniderier av frodiga blombuketter, bladrankor och fruktgirlanger, vilket sk\u00e4nker uret en adlig och tidl\u00f6s biedermeier-silhuett. Urets mitt domineras av en stor vit emaljtavla med romerska timmar och filigrana arabiska minutmarkeringar, som ramas in av konstfullt genombrutna, f\u00f6rgyllda visare. Under tsartiden ans\u00e5gs ett v\u00e4ggur av denna kvalitet vara en absolut statssymbol bland societeten och de intellektuella i Sankt Petersburg och Riga. Tr\u00e4h\u00f6ljet \u00e4r i ett mycket gott antikskick och de fina snidade detaljerna har bevarats helt utan skador. F\u00f6rem\u00e5lets skick \u00e5terges fullst\u00e4ndigt p\u00e5 fotografierna.<\/p>\n
Biedermeier-epokens \u00f6gonblicksbild:<\/b> Den ber\u00f6mde lyrikern och naturromantikern Athanasius Fet (Athanasius Fet) sitter sent p\u00e5 kv\u00e4llen i det ombonade arbetsrummet i en salong i Riga, medan levande ljus lyser upp det praktfulla tr\u00e4uret p\u00e5 v\u00e4ggen. P\u00e5 kontoret r\u00e5der en djup tystnad, endast st\u00f6rd av urets strama, djupa tickande och pennans rispande mot pappret. Hans fingrar verkar vila ett \u00f6gonblick \u00f6ver manuskriptet, medan hans blick dr\u00f6jer vid de skulpturalt snidade bladrankorna och de fina blomstermotiven som kastar levande skuggor i skymningen. Ljuset speglar sig perfekt i den vita emaljtavlan, vars f\u00f6rgyllda visare r\u00e4knar nattens timmar. Detta uts\u00f6kta verk av europeiska m\u00e4stare tillf\u00f6r en inspirerande, harmonisk atmosf\u00e4r till diktarens rum och bjuder in till en stund av djup koncentration.<\/i><\/p>\n
\ud83c\uddf3\ud83c\uddf4<\/p>\n
Dimensjoner ca.: H\u00f8yde \u2014 75 cm Bredde \u2014 50 cm Dybde \u2014 10,5 cm<\/p>\n
Praktfull veggklokke i tre med fineste treskj\u00e6ringer \u2014 i biedermeier-stil<\/b><\/p>\n
Dette heraldiske og usedvanlig dekorative vegguret (antique wall clock with wood carvings<\/i>) er et uts\u00f8kt mesterverk av mellomeuropeisk bildestatuekunst fra midten av 1800-tallet. Kabinettet er fullstendig fremstilt av edelt massivt tre og dekket av en dyp, m\u00f8rk toning som fremhever de fine detaljene i det mesterlige h\u00e5ndverket p\u00e5 smukkeste vis. Rammen er rikt utsmykket med dybe, plastiske treskj\u00e6ringer i form av frodige blomsterbuketter, bladranker og fruktguirlandere, noe som gir uret en adelig og tidl\u00f8s bieder-silhuett. Midten av uret domineres av en stor hvit emaljeskive med romerske timer og filigrane arabiske minuttmarkeringer, prydet med kunstferdig gjennombrutte, forgylte visere. I tsartiden var et veggur i denne kvalitetsklassen det maksimale statssymbolet for eliten og de l\u00e6rde i Sankt Petersburg og Riga. Trekabinettet er i en utmerket stand, og de fine utsk\u00e5rne detaljene er bevart helt uten betydelige skader. Gjenstandens tilstand er fullstendig gjengitt p\u00e5 fotografiene.<\/p>\n
Biedermeier-tidens \u00f8yeblikksbilde:<\/b> Den ber\u00f8mte lyrikeren og naturromantikeren Athanasius Fet (Athanasius Fet) sitter sent p\u00e5 kvelden i det lune arbeidsrommet i en salong i Riga, mens det dempede lyset fra talglys opplyser det praktfulle treuret p\u00e5 veggen. P\u00e5 kontoret r\u00e5der en konsentrert stillhet, kun avbrutt av urets dype, regelmessige tikking og pennen som kl\u00f8r mot papiret. Hans fingre hviler et \u00f8yeblikk over diktmanuskriptet, mens hans blikk dveler ved de plastisk utsk\u00e5rne bladrankene og de fine blomstermotivene som kaster myke skygger p\u00e5 veggen. Lyset speiler seg perfekt p\u00e5 den hvite emaljeskiven, hvis forgylte visere teller nattens timer. Dette fine verket fra de europeiske mesterne bringer en inspirerende, harmonisk atmosf\u00e6re inn i dikterens rom, og inviterer til en stund av dyp kontemplasjon.<\/i><\/p>\n
\ud83c\uddeb\ud83c\uddee<\/p>\n
Mitat noin: Korkeus \u2014 75 cm Leveys \u2014 50 cm Syvyys \u2014 10,5 cm<\/p>\n
Upea puinen sein\u00e4kello hienostuneilla puunveistoksilla \u2014 biedermeier-tyyli\u00e4<\/b><\/p>\n
T\u00e4m\u00e4 herrasv\u00e4en loistokas ja poikkeuksellisen koristeellinen vanha puinen sein\u00e4kello (antique wall clock with wood carvings<\/i>) on upea n\u00e4yte eurooppalaisesta puunveistotaiteesta 1800-luvun puoliv\u00e4list\u00e4. Kellon runko on kokonaan valmistettu jalopuusta ja viimeistelty syv\u00e4ll\u00e4, tummalla s\u00e4vytyksell\u00e4, joka korostaa mestarillisen k\u00e4sity\u00f6n ohuita vivahteita t\u00e4ydellisesti. Kehyst\u00e4 ymp\u00e4r\u00f6i syv\u00e4, veistoksellinen ja muodoiltaan eritt\u00e4in el\u00e4v\u00e4 k\u00e4sinveistetty koristelu, joka koostuu runsaista kukkakimpuista, lehtik\u00f6ynn\u00f6ksist\u00e4 ja hedelm\u00e4aiheista. T\u00e4m\u00e4 antaa kellolle arvokkaan ja ajattoman biedermeier-siluetin. Keskiosaa hallitsee suuri valkoinen emalikello, jossa on perinteiset roomalaiset tunti- ja sirot arabialaiset minuuttimerkinn\u00e4t sek\u00e4 kultaiset, pitsim\u00e4isen hienot osoittimet. Keisariaikana t\u00e4m\u00e4n tasoinen sein\u00e4kello oli ehdoton ylh\u00e4is\u00f6n ja sivistyneist\u00f6n statussymboli Pietarin ja Riian hienostokodeissa. Puurunko on erinomaisessa antiikkisessa kunnossa, ja sen ohuet veistetyt yksityiskohdat ovat s\u00e4ilyneet t\u00e4ysin ilman vaurioita. Esineen kunto n\u00e4kyy t\u00e4ysin valokuvissa.<\/p>\n
Biedermeier-aikakauden tunnelma:<\/b> Kuuluisa runoilija ja luonnonromantikko Afanasi Fet (Athanasius Fet) istuu my\u00f6h\u00e4\u00e4n illalla riialaisen salongin kodikkaassa ty\u00f6huoneessa, jossa huoneen nurkassa sein\u00e4ll\u00e4 hohtaa t\u00e4m\u00e4 upea puinen kello. Huoneessa vallitsee keskittynyt hiljaisuus, jonka rikkoo vain kyn\u00e4n raapiminen paperia vasten ja koneiston r\u00e4m\u00e4t, syv\u00e4t ly\u00f6nnit. H\u00e4nen sormensa pys\u00e4htyv\u00e4t hetkeksi k\u00e4sikirjoituksen sivuille, ja h\u00e4nen katseensa kiinnittyy taidokkaasti veistettyihin lehtik\u00f6ynn\u00f6ksiin ja hienoihin kukkakuvioihin, jotka kynttil\u00f6iden loisteessa heitt\u00e4v\u00e4t pehmeit\u00e4 varjoja sein\u00e4lle. Kynttil\u00e4nvalo heijastuu t\u00e4ydellisesti valkoisesta emalitaulusta, jonka kultaiset osoittimet mittaavat y\u00f6n viimeisi\u00e4 tunteja. T\u00e4m\u00e4 eurooppalaisen mestarin luomus tuo kirjailijan ty\u00f6tilaan levollisen visuaalisen harmonian, joka sopii t\u00e4ydellisesti yhteen h\u00e4nen uusien runojensa herk\u00e4n, luonnonl\u00e4heisen virran kanssa.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"
Izsmalcin\u0101ts un vizu\u0101li iespaid\u012bgs 19. gadsimta vidus tum\u0161a koka sienas pulkstenis, ko rot\u0101 izcili, dzi\u013ci un filigr\u0101ni rokdarba kokgriezumi ar ziedu, lapu un aug\u013cu mot\u012bviem. Apr\u012bkots ar klasisku emaljas ciparn\u012bcu b\u012bdermeijera stila akad\u0113miskaj\u0101 est\u0113tik\u0101. (3197)<\/p>\n","protected":false},"featured_media":10602,"template":"","meta":[],"product_brand":[],"product_cat":[205,204],"product_tag":[],"class_list":["post-10601","product","type-product","status-publish","has-post-thumbnail","product_cat-pulksteni","product_cat-visas-lietas","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product\/10601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media\/10602"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/media?parent=10601"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_brand?post=10601"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_cat?post=10601"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/lv\/wp-json\/wp\/v2\/product_tag?post=10601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}