{"id":96749,"date":"2022-05-06T14:14:11","date_gmt":"2022-05-06T11:14:11","guid":{"rendered":"https:\/\/server.id.lv\/products\/fine-wooden-carving-table-with-lions-feet-3155-2\/"},"modified":"2026-09-18T22:28:23","modified_gmt":"2026-09-18T19:28:23","slug":"fine-wooden-carving-table-with-lions-feet-3155-2","status":"publish","type":"product","link":"https:\/\/server.id.lv\/da\/products\/fine-wooden-carving-table-with-lions-feet-3155-2\/","title":{"rendered":"Rundt tr\u00e6bord med l\u00f8vefod og udsk\u00e5ret frise \u2014 Nyren\u00e6ssance, Vesteuropa, 1800-tallet (3155)"},"content":{"rendered":"<p>M\u00e5l:<br \/>\nKOMPLEKTS:<br \/>\nH\u00f8jde: 66 cm<br \/>\nBredde: 97 cm<\/p>\n<p><strong>APRAKSTS ANGLU VALOD\u0100<\/strong><\/p>\n<p>\ud83d\udcd0 <strong>IZM\u0112RI<\/strong><\/p>\n<p>\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<h3><strong>Apa\u013c\u0161 Salona Galds ar Lauvas \u0136epu K\u0101j\u0101m un Dzi\u013ci Cirstu Fr\u012bzi \u2014 Neorenensanse \/ Historicisms, Rietumeiropa, ap 1860.\u20131890.<\/strong><\/h3>\n<p>\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p>\ud83c\udfdb\ufe0f <strong>LAIKMETS, M\u0100KSLAS STILS, \u0112RA<\/strong><\/p>\n<p>\u0160is galds ir izcils <strong>Historicisma<\/strong> un <strong>Neorenensanses<\/strong> piem\u0113rs \u2014 laikmeta produkts, kad Eiropas galdniec\u012bba ar jaunu industri\u0101lu precizit\u0101ti piev\u0113rs\u0101s renesanses un baroka form\u0101m, tom\u0113r saglab\u0101ja rokdarbu dzi\u013cumu vist\u012br\u0101kaj\u0101 amatnieciskaj\u0101 form\u0101. Fr\u012bze, kas ap\u0146em galda priek\u0161autu \u2014 nep\u0101rtraukts <em>akantu<\/em> vijumu un <em>vol\u016btu<\/em> spir\u0101\u013cu reljefs ar centr\u0101liem olu formas mezgliem \u2014 ir br\u012bva interpret\u0101cija grie\u0137u un romie\u0161u <em>ovolo<\/em> un <em>olu un d\u0113\u013cu<\/em> arhitekt\u016bras mot\u012bviem, kas rakstur\u012bgi augstas klases v\u0101cu, be\u013c\u0123u un ang\u013cu galdniec\u012bbas darbn\u012bc\u0101m 19. gadsimta otraj\u0101 pus\u0113.<\/p>\n<p>\u010cetras k\u0101jas ar <em>vol\u016btu<\/em> spir\u0101lveida kapite\u013ciem aug\u0161pus\u0113 un mas\u012bv\u0101m <strong>lauvas \u0137epas<\/strong> p\u0113d\u0101m apak\u0161\u0101, savienotas ar krusteniski savienotu <em>stiprin\u0101jumu<\/em> sist\u0113mu \u2014 tas ir iespaid\u012bgs m\u0113be\u013cu gabals ar lielu fizisko un vizu\u0101lo svaru. \u0160\u0101ds galds nest\u0101v\u0113ja bur\u017eu\u0101zisk\u0101 salon\u0101 \u2014 tas st\u0101v\u0113ja <strong>m\u0101jas bibliot\u0113k\u0101<\/strong>, <strong>bankiera kabineta<\/strong> centr\u0101 vai <strong>aristokr\u0101tisk\u0101 \u0113damistab\u0101<\/strong> k\u0101 galvenais priek\u0161mets.<\/p>\n<p><strong>Belle \u00c9poque<\/strong> s\u0101k\u0101s 1871. gad\u0101, un tie\u0161i taj\u0101 desmitgad\u0113 \u2014 kad \u0161is galds tika visdr\u012bz\u0101k izgatavots \u2014 V\u0101cijas Imp\u0113rija svin\u0113ja savu pirmo triumfu, un Berl\u012bne, Hamburg\u0101 un Brisele sacent\u0101s par Eiropas kult\u016bras centra titulu. Galdi, piem\u0113ram, \u0161is, tika pas\u016bt\u012bti k\u0101 atbildes uz vienu jaut\u0101jumu: kas m\u0113s esam? Atbilde bija nelok\u0101ma \u2014 m\u0113s esam renesanses mantinieki.<\/p>\n<p>\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p>\u269c\ufe0f <strong>RA\u017dOT\u0100JS UN IZCELSMES<\/strong><\/p>\n<p>Nav redzama ra\u017eot\u0101ja z\u012bmogs. Kokgriezumu kvalit\u0101te \u2014 nep\u0101rtrauktais fr\u012bze ar dzi\u013ci izgrieztiem <em>akantu<\/em> vijumiem un tr\u012bsdimensiju spir\u0101lveida mezgliem, <em>vol\u016btu<\/em> spir\u0101lveida kapite\u013ci ar br\u012bvi izgrieztiem <em>palmetu<\/em> elementiem, lauvas \u0137epas p\u0113du anatomisk\u0101 precizit\u0101te \u2014 viss nor\u0101da uz \u013coti prasm\u012bgu amatnieku, kas str\u0101d\u0101jis augstas klases darbn\u012bc\u0101 ar specializ\u0113t\u0101m kokgriez\u0113ju brig\u0101d\u0113m. Koka tonis un tekst\u016bra atbilst <strong>ozolkoka<\/strong> vai <strong>riekstkoka<\/strong> ar tum\u0161u apdari. \u0160\u0101ds izpildes l\u012bmenis 19. gadsimt\u0101 bija iesp\u0113jams tikai liel\u0101kajos V\u0101cijas, Be\u013c\u0123ijas vai Anglijas galdniec\u012bbas centros.<\/p>\n<p>\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p>\ud83d\udc8e <strong>RAKIT\u0100TE UN NOZ\u012aME<\/strong><\/p>\n<p>Apa\u013cie galdi ar lauvas \u0137epu k\u0101j\u0101m un piln\u012bb\u0101 cilindrisku priek\u0161autu, kas izgriezts nep\u0101rtraukt\u0101 reljef\u0101 vis\u0101 apk\u0101rtm\u0113r\u0101, ir piepras\u012bta kategorija kolekcion\u0101ru tirg\u016b. Liel\u0101k\u0101 da\u013ca \u0161\u0101du priek\u0161metu laika gait\u0101 ir demont\u0113ti vai boj\u0101ti, jo to mas\u012bv\u0101 konstrukcija apgr\u016btina transport\u0113\u0161anu. \u0160is galds saglab\u0101jis savu struktur\u0101lo integrit\u0101ti, kokgriezumu skaidr\u012bbu un visu \u010detru k\u0101ju piln\u012bgumu. Starptautiskajos ant\u012bko pre\u010du tirgos \u2014 London\u0101, Hamburg\u0101, Brisel\u0113 \u2014 \u0161\u0101di galdi izraisa nopietnu kolekcion\u0101ru interesi.<\/p>\n<p>\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p>\ud83d\udd6f\ufe0f <strong>LIETO\u0160ANA INTERJEROS, DIZAINS UN FOTOGR\u0100FIJA<\/strong><\/p>\n<p>Galds pieprasa telpu un to attaisno. Ide\u0101li piem\u0113rots k\u0101 centr\u0101lais elements liel\u0101 bibliot\u0113k\u0101, kabineta centr\u0101, eklektisk\u0101 m\u016bsdienu interjer\u0101 k\u0101 apzin\u0101ts kontrasts, vai k\u0101 galvenais akcents med\u012bbu m\u0101j\u0101 vai d\u017eentlme\u0146u kluba est\u0113tik\u0101. Fotogr\u0101fij\u0101 tum\u0161ais ozols ar dzi\u013ci apstr\u0101d\u0101tajiem kokgriezumiem rada \u0101rk\u0101rt\u012bgi bag\u0101t\u012bgu tekst\u016bru \u2014 dabisks elements <em>redakcion\u0101lai<\/em> un arhitekt\u016bras fotogr\u0101fijai. Interjera dizaineri ar\u012b izmanto \u0161\u0101da veida galdus k\u0101 centr\u0101lo elementu konferen\u010du z\u0101l\u0113s un priv\u0101t\u0101s biroju telp\u0101s.<\/p>\n<p>\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p>\ud83c\udf81 <strong>K\u0100 D\u0100VANA<\/strong><\/p>\n<p>Lauvas \u0137epu k\u0101jas ir <strong>Lauvas<\/strong> zodiaka z\u012bmes simbols \u2014 \u0161is galds ir izcila reprezentat\u012bva d\u0101vana jebkuram l\u012bderim, kur\u0101 gaumes izj\u016bta satiekas ar autorit\u0101tes apzi\u0146u. K\u0101 korporat\u012bva d\u0101vana tas ir piem\u0113rots advok\u0101tu birojam, priv\u0101t\u0101s bankas birojam vai kolekciju veidot\u0101jam. Viens no tiem objektiem, ko d\u0101vina tikai vienu reizi un patur uz m\u016b\u017eu.<\/p>\n<p>\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p>\n<p>\ud83d\udd0d <strong>ST\u0100VOKLIS<\/strong><\/p>\n<p>Labs ant\u012bks st\u0101voklis. Galda virsma r\u0101da ar vecumu saist\u012btas lieto\u0161anas p\u0113das \u2014 viet\u0101m redzamas nelielas skr\u0101p\u0113jumu l\u012bnijas, kas liecina par akt\u012bvu lieto\u0161anu s\u0101kotn\u0113j\u0101 vid\u0113. Cirstais fr\u012bze saglab\u0101jis pilnu deta\u013cu bez iev\u0113rojamiem zudumiem. Visas k\u0101jas stabilas \u2014 nav struktur\u0101lu deform\u0101ciju. Lauvas \u0137epu kokgriezumi piln\u012bgi un asi. Krusteniski savienot\u0101 <em>stiprin\u0101jumu<\/em> sist\u0113ma ner\u0101da redzamas atdal\u012b\u0161an\u0101s pie savienojumiem. <strong>Priek\u0161meta st\u0101voklis ir piln\u012bb\u0101 dokument\u0113ts fotogr\u0101fij\u0101s.<\/strong><\/p>\n<p>\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015\u2015<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Round Salon Table with Lion&#8217;s Paw Feet and Deep Carved Frieze \u2014 Neo-Renaissance \/ Historicism, Western Europe, circa 1860\u20131890.<\/p>\n","protected":false},"featured_media":10379,"template":"","meta":[],"product_brand":[],"product_cat":[3556,3180,241,213,207,3356,3132,204],"product_tag":[9670,9764,9785,9762,9763],"class_list":["post-96749","product","type-product","status-publish","has-post-thumbnail","product_cat-alle-ting-da","product_cat-borde-da","product_cat-edamgaldi","product_cat-galdi-mebeles","product_cat-mebeles","product_cat-moebler-da","product_cat-spiseborde-da","product_cat-visas-lietas","product_tag-19-aarhundrede-moebler","product_tag-lovefodsbord","product_tag-nyrenaessancebord","product_tag-rundt-egetraesbord","product_tag-udskaret-bord","first","instock","shipping-taxable","purchasable","product-type-simple"],"_links":{"self":[{"href":"https:\/\/server.id.lv\/da\/wp-json\/wp\/v2\/product\/96749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/server.id.lv\/da\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/server.id.lv\/da\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/server.id.lv\/da\/wp-json\/wp\/v2\/media\/10379"}],"wp:attachment":[{"href":"https:\/\/server.id.lv\/da\/wp-json\/wp\/v2\/media?parent=96749"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/server.id.lv\/da\/wp-json\/wp\/v2\/product_brand?post=96749"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/server.id.lv\/da\/wp-json\/wp\/v2\/product_cat?post=96749"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/server.id.lv\/da\/wp-json\/wp\/v2\/product_tag?post=96749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}